Korean horror cinema /:
The first detailed English-language book on Korean horror introduces the cultural specificity of the genre to an international audience, from the iconic monsters of gothic horror, to the avenging killers of Oldboy and Death Bell. Beginning in the 1960s, it traces a path through the history of Korean...
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| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh :
Edinburgh University Press,
©2013.
|
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | The first detailed English-language book on Korean horror introduces the cultural specificity of the genre to an international audience, from the iconic monsters of gothic horror, to the avenging killers of Oldboy and Death Bell. Beginning in the 1960s, it traces a path through the history of Korean horror, offering new interpretations of classic films, demarcating the shifting patterns of production and consumption across the decades, and acquainting readers with films rarely seen and discussed outside of Korea. It explores the importance of folklore and myth on horror film narratives, the impact of political and social change upon the genre, and accounts for the transnational triumph of some of Korea's contemporary horror films. While covering some of the most successful recent films such as Phone and A Tale of Two Sisters, the collection also explores the obscure, the arcane and the little-known outside Korea, including detailed analyses of The Devil's Stairway and Woman's Wail. Its exploration and definition of the canon makes it an engaging and essential read for students and scholars in horror film studies and Korean Studies alike. Key features. Covers films from 1960 to present day, from The Housemaid to Thirst Case studies cover both popular and lesser known films, from Oldboy to The Fox with Nine Tails Discusses icons of the genre such as the wonhon (vengeful female ghost) and the gumiho (shapeshifting fox) |
| Beschreibung: | 1 online resource (xv, 240 pages) |
| Bibliographie: | Includes bibliographical references (pages 219-235) and index. |
| ISBN: | 9780748677658 0748677658 |
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| 505 | 0 | 0 | |t Foreword / |r Julian Stringer -- |t Introduction / |r Alison Peirse and Daniel Martin -- |g Part I. |t Classic Korean horror : |t Family, death and the wonhon in four films of the 1960s / |r Hyangjin Lee -- |t Creepy liver-eating fox ladies: The thousand year old fox and Korea's gumiho / |r Alison Peirse and James Byrne -- |t War horror and anti-Communism: from Piago to Rainy days / |r Mark Morris -- |t Mother's grudge and Woman's wail: the monster-mother and Korean horror film / |r Eunha Oh -- |g Part II. Contemporary 'domestic' horror : |t Heritage of horrors: reclaiming the female ghost in Shadows in the palace / |r Yun Mi Hwang -- |t Acacia and adoption anxiety in Korean horror cinema / |r Hye Seung Chung -- Apartment horror: Sorum and Possessed / |r Nikki J.Y. Lee -- |t The face(s) of Korean horror film: toward a cinematic physiognomy of affective extremes / |r David Scott Diffrient -- |t Death bell and high-school horror / |r Chi-Yun Shin -- |g Part III. Contemporary 'international' horror : |t Between the local and global : 'Asian horror' in Ahn Byung-ki's Phone and Bunshinsaba / |r Daniel Martin -- |t Diary of a lost girl: Victoriana, intertextuality and A tale of two sisters / |r Robert L. Cagle -- |t From A tale of two sisters to The uninvited: a tale of two texts / |r Leung Wing-Fai -- |t Oldboy goes to Bollywood: Zinda and the transnational appropriation of South Korean 'extreme' cinema / |r Iain Robert Smith -- |t Park Chan-wook's Thirst: body, guilt and exsanguination / |r Kyu Hyun Kim -- |t Glossary. |
| 520 | |a The first detailed English-language book on Korean horror introduces the cultural specificity of the genre to an international audience, from the iconic monsters of gothic horror, to the avenging killers of Oldboy and Death Bell. Beginning in the 1960s, it traces a path through the history of Korean horror, offering new interpretations of classic films, demarcating the shifting patterns of production and consumption across the decades, and acquainting readers with films rarely seen and discussed outside of Korea. It explores the importance of folklore and myth on horror film narratives, the impact of political and social change upon the genre, and accounts for the transnational triumph of some of Korea's contemporary horror films. While covering some of the most successful recent films such as Phone and A Tale of Two Sisters, the collection also explores the obscure, the arcane and the little-known outside Korea, including detailed analyses of The Devil's Stairway and Woman's Wail. Its exploration and definition of the canon makes it an engaging and essential read for students and scholars in horror film studies and Korean Studies alike. Key features. Covers films from 1960 to present day, from The Housemaid to Thirst Case studies cover both popular and lesser known films, from Oldboy to The Fox with Nine Tails Discusses icons of the genre such as the wonhon (vengeful female ghost) and the gumiho (shapeshifting fox) | ||
| 650 | 0 | |a Horror films |z Korea |x Criticism and interpretation. | |
| 650 | 6 | |a Films d'horreur |z Corée |x Critique et interprétation. | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x General. |2 bisacsh | |
| 650 | 7 | |a Horror films |2 fast | |
| 651 | 7 | |a Korea |2 fast | |
| 650 | 7 | |a Skräckfilm. |2 sao | |
| 650 | 7 | |a Skräckfilm, Korea. |2 sfit | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Peirse, Alison. | |
| 700 | 1 | |a Martin, Daniel |c (Professor of Film Studies) |0 http://id.loc.gov/authorities/names/nb2013007349 | |
| 776 | 0 | 8 | |i Print version: |t Korean horror cinema. |d Edinburgh : Edinburgh University Press, ©2013 |z 9780748643097 |w (OCoLC)819519804 |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn842263884 |
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| _version_ | 1826942009855705088 |
| adam_text | |
| any_adam_object | |
| author2 | Peirse, Alison Martin, Daniel (Professor of Film Studies) |
| author2_role | |
| author2_variant | a p ap d m dm |
| author_GND | http://id.loc.gov/authorities/names/nb2013007349 |
| author_additional | Julian Stringer -- Alison Peirse and Daniel Martin -- Hyangjin Lee -- Alison Peirse and James Byrne -- Mark Morris -- Eunha Oh -- Yun Mi Hwang -- Hye Seung Chung -- Apartment horror: Sorum and Possessed / Nikki J.Y. Lee -- David Scott Diffrient -- Chi-Yun Shin -- Daniel Martin -- Robert L. Cagle -- Leung Wing-Fai -- Iain Robert Smith -- Kyu Hyun Kim -- |
| author_facet | Peirse, Alison Martin, Daniel (Professor of Film Studies) |
| author_sort | Peirse, Alison |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.H6 K67 2013eb |
| callnumber-search | PN1995.9.H6 K67 2013eb |
| callnumber-sort | PN 41995.9 H6 K67 42013EB |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Foreword / Introduction / Classic Korean horror : Family, death and the wonhon in four films of the 1960s / Creepy liver-eating fox ladies: The thousand year old fox and Korea's gumiho / War horror and anti-Communism: from Piago to Rainy days / Mother's grudge and Woman's wail: the monster-mother and Korean horror film / Heritage of horrors: reclaiming the female ghost in Shadows in the palace / Acacia and adoption anxiety in Korean horror cinema / The face(s) of Korean horror film: toward a cinematic physiognomy of affective extremes / Death bell and high-school horror / Between the local and global : 'Asian horror' in Ahn Byung-ki's Phone and Bunshinsaba / Diary of a lost girl: Victoriana, intertextuality and A tale of two sisters / From A tale of two sisters to The uninvited: a tale of two texts / Oldboy goes to Bollywood: Zinda and the transnational appropriation of South Korean 'extreme' cinema / Park Chan-wook's Thirst: body, guilt and exsanguination / Glossary. |
| ctrlnum | (OCoLC)842263884 |
| dewey-full | 791.43616409519 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43616409519 |
| dewey-search | 791.43616409519 |
| dewey-sort | 3791.43616409519 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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ind1="0" ind2="0"><subfield code="t">Foreword /</subfield><subfield code="r">Julian Stringer --</subfield><subfield code="t">Introduction /</subfield><subfield code="r">Alison Peirse and Daniel Martin --</subfield><subfield code="g">Part I.</subfield><subfield code="t">Classic Korean horror :</subfield><subfield code="t">Family, death and the wonhon in four films of the 1960s /</subfield><subfield code="r">Hyangjin Lee --</subfield><subfield code="t">Creepy liver-eating fox ladies: The thousand year old fox and Korea's gumiho /</subfield><subfield code="r">Alison Peirse and James Byrne --</subfield><subfield code="t">War horror and anti-Communism: from Piago to Rainy days /</subfield><subfield code="r">Mark Morris --</subfield><subfield code="t">Mother's grudge and Woman's wail: the monster-mother and Korean horror film /</subfield><subfield code="r">Eunha Oh --</subfield><subfield code="g">Part II. Contemporary 'domestic' horror :</subfield><subfield code="t">Heritage of horrors: reclaiming the female ghost in Shadows in the palace /</subfield><subfield code="r">Yun Mi Hwang --</subfield><subfield code="t">Acacia and adoption anxiety in Korean horror cinema /</subfield><subfield code="r">Hye Seung Chung -- Apartment horror: Sorum and Possessed /</subfield><subfield code="r">Nikki J.Y. Lee --</subfield><subfield code="t">The face(s) of Korean horror film: toward a cinematic physiognomy of affective extremes /</subfield><subfield code="r">David Scott Diffrient --</subfield><subfield code="t">Death bell and high-school horror /</subfield><subfield code="r">Chi-Yun Shin --</subfield><subfield code="g">Part III. Contemporary 'international' horror :</subfield><subfield code="t">Between the local and global : 'Asian horror' in Ahn Byung-ki's Phone and Bunshinsaba /</subfield><subfield code="r">Daniel Martin --</subfield><subfield code="t">Diary of a lost girl: Victoriana, intertextuality and A tale of two sisters /</subfield><subfield code="r">Robert L. 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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| geographic | Korea fast |
| geographic_facet | Korea |
| id | ZDB-4-EBA-ocn842263884 |
| illustrated | Not Illustrated |
| indexdate | 2025-03-18T14:21:12Z |
| institution | BVB |
| isbn | 9780748677658 0748677658 |
| language | English |
| oclc_num | 842263884 |
| open_access_boolean | |
| owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| physical | 1 online resource (xv, 240 pages) |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Edinburgh University Press, |
| record_format | marc |
| spelling | Korean horror cinema / edited by Alison Peirse and Daniel Martin. Edinburgh : Edinburgh University Press, ©2013. 1 online resource (xv, 240 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 219-235) and index. Print version record. Foreword / Julian Stringer -- Introduction / Alison Peirse and Daniel Martin -- Part I. Classic Korean horror : Family, death and the wonhon in four films of the 1960s / Hyangjin Lee -- Creepy liver-eating fox ladies: The thousand year old fox and Korea's gumiho / Alison Peirse and James Byrne -- War horror and anti-Communism: from Piago to Rainy days / Mark Morris -- Mother's grudge and Woman's wail: the monster-mother and Korean horror film / Eunha Oh -- Part II. Contemporary 'domestic' horror : Heritage of horrors: reclaiming the female ghost in Shadows in the palace / Yun Mi Hwang -- Acacia and adoption anxiety in Korean horror cinema / Hye Seung Chung -- Apartment horror: Sorum and Possessed / Nikki J.Y. Lee -- The face(s) of Korean horror film: toward a cinematic physiognomy of affective extremes / David Scott Diffrient -- Death bell and high-school horror / Chi-Yun Shin -- Part III. Contemporary 'international' horror : Between the local and global : 'Asian horror' in Ahn Byung-ki's Phone and Bunshinsaba / Daniel Martin -- Diary of a lost girl: Victoriana, intertextuality and A tale of two sisters / Robert L. Cagle -- From A tale of two sisters to The uninvited: a tale of two texts / Leung Wing-Fai -- Oldboy goes to Bollywood: Zinda and the transnational appropriation of South Korean 'extreme' cinema / Iain Robert Smith -- Park Chan-wook's Thirst: body, guilt and exsanguination / Kyu Hyun Kim -- Glossary. The first detailed English-language book on Korean horror introduces the cultural specificity of the genre to an international audience, from the iconic monsters of gothic horror, to the avenging killers of Oldboy and Death Bell. Beginning in the 1960s, it traces a path through the history of Korean horror, offering new interpretations of classic films, demarcating the shifting patterns of production and consumption across the decades, and acquainting readers with films rarely seen and discussed outside of Korea. It explores the importance of folklore and myth on horror film narratives, the impact of political and social change upon the genre, and accounts for the transnational triumph of some of Korea's contemporary horror films. While covering some of the most successful recent films such as Phone and A Tale of Two Sisters, the collection also explores the obscure, the arcane and the little-known outside Korea, including detailed analyses of The Devil's Stairway and Woman's Wail. Its exploration and definition of the canon makes it an engaging and essential read for students and scholars in horror film studies and Korean Studies alike. Key features. Covers films from 1960 to present day, from The Housemaid to Thirst Case studies cover both popular and lesser known films, from Oldboy to The Fox with Nine Tails Discusses icons of the genre such as the wonhon (vengeful female ghost) and the gumiho (shapeshifting fox) Horror films Korea Criticism and interpretation. Films d'horreur Corée Critique et interprétation. ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video General. bisacsh Horror films fast Korea fast Skräckfilm. sao Skräckfilm, Korea. sfit Criticism, interpretation, etc. fast Peirse, Alison. Martin, Daniel (Professor of Film Studies) http://id.loc.gov/authorities/names/nb2013007349 Print version: Korean horror cinema. Edinburgh : Edinburgh University Press, ©2013 9780748643097 (OCoLC)819519804 |
| spellingShingle | Korean horror cinema / Foreword / Introduction / Classic Korean horror : Family, death and the wonhon in four films of the 1960s / Creepy liver-eating fox ladies: The thousand year old fox and Korea's gumiho / War horror and anti-Communism: from Piago to Rainy days / Mother's grudge and Woman's wail: the monster-mother and Korean horror film / Heritage of horrors: reclaiming the female ghost in Shadows in the palace / Acacia and adoption anxiety in Korean horror cinema / The face(s) of Korean horror film: toward a cinematic physiognomy of affective extremes / Death bell and high-school horror / Between the local and global : 'Asian horror' in Ahn Byung-ki's Phone and Bunshinsaba / Diary of a lost girl: Victoriana, intertextuality and A tale of two sisters / From A tale of two sisters to The uninvited: a tale of two texts / Oldboy goes to Bollywood: Zinda and the transnational appropriation of South Korean 'extreme' cinema / Park Chan-wook's Thirst: body, guilt and exsanguination / Glossary. Horror films Korea Criticism and interpretation. Films d'horreur Corée Critique et interprétation. ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video General. bisacsh Horror films fast Skräckfilm. sao Skräckfilm, Korea. sfit |
| title | Korean horror cinema / |
| title_alt | Foreword / Introduction / Classic Korean horror : Family, death and the wonhon in four films of the 1960s / Creepy liver-eating fox ladies: The thousand year old fox and Korea's gumiho / War horror and anti-Communism: from Piago to Rainy days / Mother's grudge and Woman's wail: the monster-mother and Korean horror film / Heritage of horrors: reclaiming the female ghost in Shadows in the palace / Acacia and adoption anxiety in Korean horror cinema / The face(s) of Korean horror film: toward a cinematic physiognomy of affective extremes / Death bell and high-school horror / Between the local and global : 'Asian horror' in Ahn Byung-ki's Phone and Bunshinsaba / Diary of a lost girl: Victoriana, intertextuality and A tale of two sisters / From A tale of two sisters to The uninvited: a tale of two texts / Oldboy goes to Bollywood: Zinda and the transnational appropriation of South Korean 'extreme' cinema / Park Chan-wook's Thirst: body, guilt and exsanguination / Glossary. |
| title_auth | Korean horror cinema / |
| title_exact_search | Korean horror cinema / |
| title_full | Korean horror cinema / edited by Alison Peirse and Daniel Martin. |
| title_fullStr | Korean horror cinema / edited by Alison Peirse and Daniel Martin. |
| title_full_unstemmed | Korean horror cinema / edited by Alison Peirse and Daniel Martin. |
| title_short | Korean horror cinema / |
| title_sort | korean horror cinema |
| topic | Horror films Korea Criticism and interpretation. Films d'horreur Corée Critique et interprétation. ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video General. bisacsh Horror films fast Skräckfilm. sao Skräckfilm, Korea. sfit |
| topic_facet | Horror films Korea Criticism and interpretation. Films d'horreur Corée Critique et interprétation. ART Film & Video. PERFORMING ARTS Film & Video Reference. PERFORMING ARTS Film & Video General. Horror films Korea Skräckfilm. Skräckfilm, Korea. Criticism, interpretation, etc. |
| work_keys_str_mv | AT peirsealison koreanhorrorcinema AT martindaniel koreanhorrorcinema |