The rival sirens :: performance and identity on Handel's operatic stage /
The Rival Sirens examines the vital and intertwined roles of singers, audiences and local cultural context in creating eighteenth-century opera.
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge ; New York :
Cambridge University Press,
2013.
|
Schriftenreihe: | Cambridge studies in opera.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | The Rival Sirens examines the vital and intertwined roles of singers, audiences and local cultural context in creating eighteenth-century opera. |
Beschreibung: | 1 online resource |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9781107058194 1107058198 9781107055971 1107055970 9781139519663 1139519662 1139889702 9781139889704 1107065615 9781107065611 1107057043 9781107057043 1107054907 9781107054905 1107059534 9781107059535 |
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245 | 1 | 4 | |a The rival sirens : |b performance and identity on Handel's operatic stage / |c Suzanne Aspden. |
260 | |a Cambridge ; |a New York : |b Cambridge University Press, |c 2013. | ||
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505 | 0 | |a The character of the actress -- "Heroick virtue" in Rodelinda and Astianatte -- Identification and illusion in Alessandro and Admeto -- Balancing power in Riccardo primo -- Senesino and the crisis of heroic masculinity -- The ornamental voice. | |
520 | |a The Rival Sirens examines the vital and intertwined roles of singers, audiences and local cultural context in creating eighteenth-century opera. | ||
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600 | 1 | 0 | |a Cuzzoni, Francesca, |d 1696-1778 |x Criticism and interpretation. |
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600 | 1 | 7 | |a Handel, George Frideric, |d 1685-1759 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJvhkhfdVHMRYf73dMHt8C |
630 | 0 | 7 | |a Operas (Handel, George Frideric) |2 fast |
600 | 1 | 7 | |a Händel, Georg Friedrich |d 1685-1759 |2 gnd |
600 | 1 | 7 | |a Cuzzoni, Francesca |d 1696-1778 |2 gnd |0 http://d-nb.info/gnd/1019247940 |
600 | 1 | 7 | |a Hasse-Bordoni, Faustina |d 1697-1781 |2 gnd |
650 | 0 | |a Opera |y 18th century. | |
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn841486719 |
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adam_text | |
any_adam_object | |
author | Aspden, Suzanne |
author_GND | http://id.loc.gov/authorities/names/no2003007501 |
author_facet | Aspden, Suzanne |
author_role | |
author_sort | Aspden, Suzanne |
author_variant | s a sa |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | M - Music |
callnumber-label | ML410 |
callnumber-raw | ML410.H13 A85 2013eb |
callnumber-search | ML410.H13 A85 2013eb |
callnumber-sort | ML 3410 H13 A85 42013EB |
callnumber-subject | ML - Literature on Music |
collection | ZDB-4-EBA |
contents | The character of the actress -- "Heroick virtue" in Rodelinda and Astianatte -- Identification and illusion in Alessandro and Admeto -- Balancing power in Riccardo primo -- Senesino and the crisis of heroic masculinity -- The ornamental voice. |
ctrlnum | (OCoLC)841486719 |
dewey-full | 782.1092 |
dewey-hundreds | 700 - The arts |
dewey-ones | 782 - Vocal music |
dewey-raw | 782.1092 |
dewey-search | 782.1092 |
dewey-sort | 3782.1092 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
era | 1700-1799 fast |
era_facet | 1700-1799 |
format | Electronic eBook |
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genre | Criticism, interpretation, etc. fast |
genre_facet | Criticism, interpretation, etc. |
geographic | London gnd |
geographic_facet | London |
id | ZDB-4-EBA-ocn841486719 |
illustrated | Not Illustrated |
indexdate | 2024-11-27T13:25:19Z |
institution | BVB |
isbn | 9781107058194 1107058198 9781107055971 1107055970 9781139519663 1139519662 1139889702 9781139889704 1107065615 9781107065611 1107057043 9781107057043 1107054907 9781107054905 1107059534 9781107059535 |
language | English |
lccn | 2012032870 |
oclc_num | 841486719 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource |
psigel | ZDB-4-EBA |
publishDate | 2013 |
publishDateSearch | 2013 |
publishDateSort | 2013 |
publisher | Cambridge University Press, |
record_format | marc |
series | Cambridge studies in opera. |
series2 | Cambridge studies in opera series |
spelling | Aspden, Suzanne. http://id.loc.gov/authorities/names/no2003007501 The rival sirens : performance and identity on Handel's operatic stage / Suzanne Aspden. Cambridge ; New York : Cambridge University Press, 2013. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Cambridge studies in opera series Print version record. Includes bibliographical references and index. The character of the actress -- "Heroick virtue" in Rodelinda and Astianatte -- Identification and illusion in Alessandro and Admeto -- Balancing power in Riccardo primo -- Senesino and the crisis of heroic masculinity -- The ornamental voice. The Rival Sirens examines the vital and intertwined roles of singers, audiences and local cultural context in creating eighteenth-century opera. English. Handel, George Frideric, 1685-1759. Operas. http://id.loc.gov/authorities/names/no2006042876 Handel, George Frideric, 1685-1759 Performances. Cuzzoni, Francesca, 1696-1778 Criticism and interpretation. Bordoni, Faustina, 1697-1781 Criticism and interpretation. Bordoni, Faustina, 1697-1781 fast https://id.oclc.org/worldcat/entity/E39PBJw4H8KrRPyPj3RGymxkXd Cuzzoni, Francesca, 1696-1778 fast Handel, George Frideric, 1685-1759 fast https://id.oclc.org/worldcat/entity/E39PBJvhkhfdVHMRYf73dMHt8C Operas (Handel, George Frideric) fast Händel, Georg Friedrich 1685-1759 gnd Cuzzoni, Francesca 1696-1778 gnd http://d-nb.info/gnd/1019247940 Hasse-Bordoni, Faustina 1697-1781 gnd Opera 18th century. MUSIC Genres & Styles Opera. bisacsh MUSIC Printed Music Opera & Classical Scores. bisacsh Opera fast Performances fast Oper gnd Aufführung gnd http://d-nb.info/gnd/4143388-9 Primadonna gnd http://d-nb.info/gnd/4076344-4 Rivalität gnd http://d-nb.info/gnd/4178251-3 London gnd 1700-1799 fast Criticism, interpretation, etc. fast Print version: Aspden, Suzanne. Rival sirens. Cambridge ; New York : Cambridge University Press, 2013 9781139519663 (DLC) 2012032870 (OCoLC)806456391 Cambridge studies in opera. http://id.loc.gov/authorities/names/n96110197 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=569170 Volltext |
spellingShingle | Aspden, Suzanne The rival sirens : performance and identity on Handel's operatic stage / Cambridge studies in opera. The character of the actress -- "Heroick virtue" in Rodelinda and Astianatte -- Identification and illusion in Alessandro and Admeto -- Balancing power in Riccardo primo -- Senesino and the crisis of heroic masculinity -- The ornamental voice. Handel, George Frideric, 1685-1759. Operas. http://id.loc.gov/authorities/names/no2006042876 Handel, George Frideric, 1685-1759 Performances. Cuzzoni, Francesca, 1696-1778 Criticism and interpretation. Bordoni, Faustina, 1697-1781 Criticism and interpretation. Bordoni, Faustina, 1697-1781 fast https://id.oclc.org/worldcat/entity/E39PBJw4H8KrRPyPj3RGymxkXd Cuzzoni, Francesca, 1696-1778 fast Handel, George Frideric, 1685-1759 fast https://id.oclc.org/worldcat/entity/E39PBJvhkhfdVHMRYf73dMHt8C Operas (Handel, George Frideric) fast Händel, Georg Friedrich 1685-1759 gnd Cuzzoni, Francesca 1696-1778 gnd http://d-nb.info/gnd/1019247940 Hasse-Bordoni, Faustina 1697-1781 gnd Opera 18th century. MUSIC Genres & Styles Opera. bisacsh MUSIC Printed Music Opera & Classical Scores. bisacsh Opera fast Performances fast Oper gnd Aufführung gnd http://d-nb.info/gnd/4143388-9 Primadonna gnd http://d-nb.info/gnd/4076344-4 Rivalität gnd http://d-nb.info/gnd/4178251-3 |
subject_GND | http://id.loc.gov/authorities/names/no2006042876 http://d-nb.info/gnd/1019247940 http://d-nb.info/gnd/4143388-9 http://d-nb.info/gnd/4076344-4 http://d-nb.info/gnd/4178251-3 |
title | The rival sirens : performance and identity on Handel's operatic stage / |
title_auth | The rival sirens : performance and identity on Handel's operatic stage / |
title_exact_search | The rival sirens : performance and identity on Handel's operatic stage / |
title_full | The rival sirens : performance and identity on Handel's operatic stage / Suzanne Aspden. |
title_fullStr | The rival sirens : performance and identity on Handel's operatic stage / Suzanne Aspden. |
title_full_unstemmed | The rival sirens : performance and identity on Handel's operatic stage / Suzanne Aspden. |
title_short | The rival sirens : |
title_sort | rival sirens performance and identity on handel s operatic stage |
title_sub | performance and identity on Handel's operatic stage / |
topic | Handel, George Frideric, 1685-1759. Operas. http://id.loc.gov/authorities/names/no2006042876 Handel, George Frideric, 1685-1759 Performances. Cuzzoni, Francesca, 1696-1778 Criticism and interpretation. Bordoni, Faustina, 1697-1781 Criticism and interpretation. Bordoni, Faustina, 1697-1781 fast https://id.oclc.org/worldcat/entity/E39PBJw4H8KrRPyPj3RGymxkXd Cuzzoni, Francesca, 1696-1778 fast Handel, George Frideric, 1685-1759 fast https://id.oclc.org/worldcat/entity/E39PBJvhkhfdVHMRYf73dMHt8C Operas (Handel, George Frideric) fast Händel, Georg Friedrich 1685-1759 gnd Cuzzoni, Francesca 1696-1778 gnd http://d-nb.info/gnd/1019247940 Hasse-Bordoni, Faustina 1697-1781 gnd Opera 18th century. MUSIC Genres & Styles Opera. bisacsh MUSIC Printed Music Opera & Classical Scores. bisacsh Opera fast Performances fast Oper gnd Aufführung gnd http://d-nb.info/gnd/4143388-9 Primadonna gnd http://d-nb.info/gnd/4076344-4 Rivalität gnd http://d-nb.info/gnd/4178251-3 |
topic_facet | Handel, George Frideric, 1685-1759. Operas. Handel, George Frideric, 1685-1759 Performances. Cuzzoni, Francesca, 1696-1778 Criticism and interpretation. Bordoni, Faustina, 1697-1781 Criticism and interpretation. Bordoni, Faustina, 1697-1781 Cuzzoni, Francesca, 1696-1778 Handel, George Frideric, 1685-1759 Operas (Handel, George Frideric) Händel, Georg Friedrich 1685-1759 Cuzzoni, Francesca 1696-1778 Hasse-Bordoni, Faustina 1697-1781 Opera 18th century. MUSIC Genres & Styles Opera. MUSIC Printed Music Opera & Classical Scores. Opera Performances Oper Aufführung Primadonna Rivalität London Criticism, interpretation, etc. |
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