Verfügbarkeit: Post-theory :

Post-theory :: reconstructing film studies /

Since the 1970s, the academic study of film has been dominated by Structuralist Marxism, varieties of cultural theory, and the psychoanalytic ideas of Freud and Lacan. With Post-Theory, David Bordwell and Noel Carroll have opened the floor to other voices challenging the prevailing practices of film...

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Bibliographische Detailangaben
Weitere Verfasser:	Bordwell, David, Carroll, Noël, 1947-
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	Madison : University of Wisconsin Press, 1996.
Schriftenreihe:	Wisconsin studies in film.
Schlagworte:	Motion pictures. Motion pictures > Aesthetics. Motion pictures > History. Cinéma > Philosophie. Cinéma > Esthétique. Cinéma > Histoire. Cinéma > Aspect psychologique. Cinéma. ART > Film & Video. PERFORMING ARTS > Film & Video > Reference. Motion pictures > Aesthetics Motion pictures Filmkunst. Theorievorming. TEORIA DO CINEMA. ESTÉTICA DO CINEMA. HISTÓRIA DO CINEMA. CINEMA (ASPECTOS PSICOLÓGICOS) Cinéma > Histoire et critique. History Films.
Online-Zugang:	Volltext
Zusammenfassung:	Since the 1970s, the academic study of film has been dominated by Structuralist Marxism, varieties of cultural theory, and the psychoanalytic ideas of Freud and Lacan. With Post-Theory, David Bordwell and Noel Carroll have opened the floor to other voices challenging the prevailing practices of film scholarship. Addressing topics as diverse as film scores, national film industries, and audience response. Post-Theory offers fresh directions for understanding film. Bordwell and Carroll pose a simple question. Why not employ many theories tailored to specific goals, rather than searching for a unified theory that will explain all sorts of films, their production, and their reception? The scholars writing here use historical, philosophical, psychological, and feminist methods to tackle such basic issues as: What goes on when viewers perceive a film? How do filmmakers exploit conventions? How do movies create illusions? How does a film arouse emotion? Bordwell and Carroll have given space not only to distinguished film scholars but to non-film specialists as well, ensuring a wide variety of opinions and ideas on virtually every topic on the current agenda of film studies. Full of stimulating essays published here for the first time, Post-Theory promises to redefine the study of cinema.
Beschreibung:	1 online resource (xvii, 564 pages) : illustrations
Format:	Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Bibliographie:	Includes bibliographical references (pages 553-560) and index.
ISBN:	9780299149437 0299149439

Internformat

MARC


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245	0	0	\|a Post-theory : \|b reconstructing film studies / \|c edited by David Bordwell and Noël Carroll.
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300			\|a 1 online resource (xvii, 564 pages) : \|b illustrations
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504			\|a Includes bibliographical references (pages 553-560) and index.
505	0		\|a Contemporary film studies and the vicissitudes of grand theory / David Bordwell -- Prospects for film theory : a personal assessment / Noël Carroll -- Psychoanalytic film theory and the problem of the missing spectator / Stephen Prince -- Convention, construction, and cinematic vision / David Bordwell -- Is a cognitive approach to the avant-garde cinema perverse? / James Peterson -- The logic and legacy of Brechtianism / Murray Smith -- Characterization and fictional truth in the cinema / Paisley Livingston -- Empathy and (film) fiction / Alex Neill -- Feminist frameworks for horror films / Cynthia A. Freeland -- Apt feeling, or why "women's films" aren't trivial / Flo Leibowitz -- Unheard melodies? A critique of psychoanalytic theories of film music / Jeff Smith -- Film music and narrative agency / Jerrold Levinson -- Nonfiction film and postmodernist skepticism / Noël Carroll -- Moving pictures and the rhetoric of nonfiction film : two approaches / Carl Plantinga -- Film, reality, and illusion / Gregory Currie -- The case for an ecological metatheory / Joseph Anderson and Barbara Anderson -- Movies in the mind's eye / Julian Hochberg and Virginia Brooks -- Notes on audience response / Richard J. Gerrig and Deborah A. Prentice -- Toward a new media economics / Douglas Gomery -- Columbia Pictures : the making of a motion picture major, 1930-1943 / Tino Balio -- "A brief romantic interlude" : Dick and Jane go to 3 1/2 seconds of the classical Hollywood cinema / Richard Malthy -- The jazz singer's reception in the media and at the box office / Donald Crafton -- Jameson and "global aesthetics" / Michael Walsh -- Reconstructing Japanese film / Donald Kirihara -- Danish cinema and the politics of recognition / Mette Hjort -- Whose aparratus? Problems of film exhibitin and history / Vance Kepley, Jr.
520			\|a Since the 1970s, the academic study of film has been dominated by Structuralist Marxism, varieties of cultural theory, and the psychoanalytic ideas of Freud and Lacan. With Post-Theory, David Bordwell and Noel Carroll have opened the floor to other voices challenging the prevailing practices of film scholarship. Addressing topics as diverse as film scores, national film industries, and audience response. Post-Theory offers fresh directions for understanding film.
520	8		\|a Bordwell and Carroll pose a simple question. Why not employ many theories tailored to specific goals, rather than searching for a unified theory that will explain all sorts of films, their production, and their reception? The scholars writing here use historical, philosophical, psychological, and feminist methods to tackle such basic issues as: What goes on when viewers perceive a film? How do filmmakers exploit conventions? How do movies create illusions? How does a film arouse emotion? Bordwell and Carroll have given space not only to distinguished film scholars but to non-film specialists as well, ensuring a wide variety of opinions and ideas on virtually every topic on the current agenda of film studies. Full of stimulating essays published here for the first time, Post-Theory promises to redefine the study of cinema.
588	0		\|a Print version record.
506			\|3 Use copy \|f Restrictions unspecified \|2 star \|5 MiAaHDL
533			\|a Electronic reproduction. \|b [Place of publication not identified] : \|c HathiTrust Digital Library, \|d 2010. \|5 MiAaHDL
538			\|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. \|u http://purl.oclc.org/DLF/benchrepro0212 \|5 MiAaHDL
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546			\|a English.
650		0	\|a Motion pictures. \|0 http://id.loc.gov/authorities/subjects/sh85088084
650		0	\|a Motion pictures \|x Aesthetics. \|0 http://id.loc.gov/authorities/subjects/sh85088085
650		0	\|a Motion pictures \|x History. \|0 http://id.loc.gov/authorities/subjects/sh87002438
650		6	\|a Cinéma \|x Philosophie.
650		6	\|a Cinéma \|x Esthétique.
650		6	\|a Cinéma \|x Histoire.
650		6	\|a Cinéma \|x Aspect psychologique.
650		6	\|a Cinéma.
650		7	\|a ART \|x Film & Video. \|2 bisacsh
650		7	\|a PERFORMING ARTS \|x Film & Video \|x Reference. \|2 bisacsh
650		7	\|a Motion pictures \|x Aesthetics \|2 fast
650		7	\|a Motion pictures \|2 fast
650	1	7	\|a Filmkunst. \|2 gtt
650	1	7	\|a Theorievorming. \|2 gtt
650		7	\|a TEORIA DO CINEMA. \|2 larpcal
650		7	\|a ESTÉTICA DO CINEMA. \|2 larpcal
650		7	\|a HISTÓRIA DO CINEMA. \|2 larpcal
650		7	\|a CINEMA (ASPECTOS PSICOLÓGICOS) \|2 larpcal
650		7	\|a Cinéma \|x Histoire et critique. \|2 ram
655		7	\|a History \|2 fast
655		7	\|a Motion pictures \|2 fast
655		7	\|a Motion pictures. \|2 lcgft \|0 http://id.loc.gov/authorities/genreForms/gf2011026406
655		7	\|a Films. \|2 rvmgf
700	1		\|a Bordwell, David.
700	1		\|a Carroll, Noël, \|d 1947- \|1 https://id.oclc.org/worldcat/entity/E39PBJwmVxQHTj9jtGMtWhQjG3 \|0 http://id.loc.gov/authorities/names/no2005031689
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776	0	8	\|i Print version: \|t Post-theory. \|d Madison : University of Wisconsin Press, 1996 \|z 0299149404 \|w (DLC) 95037052 \|w (OCoLC)33008676
830		0	\|a Wisconsin studies in film. \|0 http://id.loc.gov/authorities/names/n90713725
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contents	Contemporary film studies and the vicissitudes of grand theory / David Bordwell -- Prospects for film theory : a personal assessment / Noël Carroll -- Psychoanalytic film theory and the problem of the missing spectator / Stephen Prince -- Convention, construction, and cinematic vision / David Bordwell -- Is a cognitive approach to the avant-garde cinema perverse? / James Peterson -- The logic and legacy of Brechtianism / Murray Smith -- Characterization and fictional truth in the cinema / Paisley Livingston -- Empathy and (film) fiction / Alex Neill -- Feminist frameworks for horror films / Cynthia A. Freeland -- Apt feeling, or why "women's films" aren't trivial / Flo Leibowitz -- Unheard melodies? A critique of psychoanalytic theories of film music / Jeff Smith -- Film music and narrative agency / Jerrold Levinson -- Nonfiction film and postmodernist skepticism / Noël Carroll -- Moving pictures and the rhetoric of nonfiction film : two approaches / Carl Plantinga -- Film, reality, and illusion / Gregory Currie -- The case for an ecological metatheory / Joseph Anderson and Barbara Anderson -- Movies in the mind's eye / Julian Hochberg and Virginia Brooks -- Notes on audience response / Richard J. Gerrig and Deborah A. Prentice -- Toward a new media economics / Douglas Gomery -- Columbia Pictures : the making of a motion picture major, 1930-1943 / Tino Balio -- "A brief romantic interlude" : Dick and Jane go to 3 1/2 seconds of the classical Hollywood cinema / Richard Malthy -- The jazz singer's reception in the media and at the box office / Donald Crafton -- Jameson and "global aesthetics" / Michael Walsh -- Reconstructing Japanese film / Donald Kirihara -- Danish cinema and the politics of recognition / Mette Hjort -- Whose aparratus? Problems of film exhibitin and history / Vance Kepley, Jr.
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Prentice -- Toward a new media economics / Douglas Gomery -- Columbia Pictures : the making of a motion picture major, 1930-1943 / Tino Balio -- "A brief romantic interlude" : Dick and Jane go to 3 1/2 seconds of the classical Hollywood cinema / Richard Malthy -- The jazz singer's reception in the media and at the box office / Donald Crafton -- Jameson and "global aesthetics" / Michael Walsh -- Reconstructing Japanese film / Donald Kirihara -- Danish cinema and the politics of recognition / Mette Hjort -- Whose aparratus? Problems of film exhibitin and history / Vance Kepley, Jr.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Since the 1970s, the academic study of film has been dominated by Structuralist Marxism, varieties of cultural theory, and the psychoanalytic ideas of Freud and Lacan. With Post-Theory, David Bordwell and Noel Carroll have opened the floor to other voices challenging the prevailing practices of film scholarship. 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ind2="7"><subfield code="a">Films.</subfield><subfield code="2">rvmgf</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bordwell, David.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Carroll, Noël,</subfield><subfield code="d">1947-</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJwmVxQHTj9jtGMtWhQjG3</subfield><subfield code="0">http://id.loc.gov/authorities/names/no2005031689</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Post-theory (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCH3wFC7ff68BJHQcbrf4Rq</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="t">Post-theory.</subfield><subfield code="d">Madison : University of Wisconsin Press, 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genre	History fast Motion pictures fast Motion pictures. lcgft http://id.loc.gov/authorities/genreForms/gf2011026406 Films. rvmgf
genre_facet	History Motion pictures Motion pictures. Films.
id	ZDB-4-EBA-ocn841172552
illustrated	Illustrated
indexdate	2024-11-27T13:25:19Z
institution	BVB
isbn	9780299149437 0299149439
language	English
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series	Wisconsin studies in film.
series2	Wisconsin studies in film
spelling	Post-theory : reconstructing film studies / edited by David Bordwell and Noël Carroll. Madison : University of Wisconsin Press, 1996. 1 online resource (xvii, 564 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Wisconsin studies in film Includes bibliographical references (pages 553-560) and index. Contemporary film studies and the vicissitudes of grand theory / David Bordwell -- Prospects for film theory : a personal assessment / Noël Carroll -- Psychoanalytic film theory and the problem of the missing spectator / Stephen Prince -- Convention, construction, and cinematic vision / David Bordwell -- Is a cognitive approach to the avant-garde cinema perverse? / James Peterson -- The logic and legacy of Brechtianism / Murray Smith -- Characterization and fictional truth in the cinema / Paisley Livingston -- Empathy and (film) fiction / Alex Neill -- Feminist frameworks for horror films / Cynthia A. Freeland -- Apt feeling, or why "women's films" aren't trivial / Flo Leibowitz -- Unheard melodies? A critique of psychoanalytic theories of film music / Jeff Smith -- Film music and narrative agency / Jerrold Levinson -- Nonfiction film and postmodernist skepticism / Noël Carroll -- Moving pictures and the rhetoric of nonfiction film : two approaches / Carl Plantinga -- Film, reality, and illusion / Gregory Currie -- The case for an ecological metatheory / Joseph Anderson and Barbara Anderson -- Movies in the mind's eye / Julian Hochberg and Virginia Brooks -- Notes on audience response / Richard J. Gerrig and Deborah A. Prentice -- Toward a new media economics / Douglas Gomery -- Columbia Pictures : the making of a motion picture major, 1930-1943 / Tino Balio -- "A brief romantic interlude" : Dick and Jane go to 3 1/2 seconds of the classical Hollywood cinema / Richard Malthy -- The jazz singer's reception in the media and at the box office / Donald Crafton -- Jameson and "global aesthetics" / Michael Walsh -- Reconstructing Japanese film / Donald Kirihara -- Danish cinema and the politics of recognition / Mette Hjort -- Whose aparratus? Problems of film exhibitin and history / Vance Kepley, Jr. Since the 1970s, the academic study of film has been dominated by Structuralist Marxism, varieties of cultural theory, and the psychoanalytic ideas of Freud and Lacan. With Post-Theory, David Bordwell and Noel Carroll have opened the floor to other voices challenging the prevailing practices of film scholarship. Addressing topics as diverse as film scores, national film industries, and audience response. Post-Theory offers fresh directions for understanding film. Bordwell and Carroll pose a simple question. Why not employ many theories tailored to specific goals, rather than searching for a unified theory that will explain all sorts of films, their production, and their reception? The scholars writing here use historical, philosophical, psychological, and feminist methods to tackle such basic issues as: What goes on when viewers perceive a film? How do filmmakers exploit conventions? How do movies create illusions? How does a film arouse emotion? Bordwell and Carroll have given space not only to distinguished film scholars but to non-film specialists as well, ensuring a wide variety of opinions and ideas on virtually every topic on the current agenda of film studies. Full of stimulating essays published here for the first time, Post-Theory promises to redefine the study of cinema. Print version record. Use copy Restrictions unspecified star MiAaHDL Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL English. Motion pictures. http://id.loc.gov/authorities/subjects/sh85088084 Motion pictures Aesthetics. http://id.loc.gov/authorities/subjects/sh85088085 Motion pictures History. http://id.loc.gov/authorities/subjects/sh87002438 Cinéma Philosophie. Cinéma Esthétique. Cinéma Histoire. Cinéma Aspect psychologique. Cinéma. ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh Motion pictures Aesthetics fast Motion pictures fast Filmkunst. gtt Theorievorming. gtt TEORIA DO CINEMA. larpcal ESTÉTICA DO CINEMA. larpcal HISTÓRIA DO CINEMA. larpcal CINEMA (ASPECTOS PSICOLÓGICOS) larpcal Cinéma Histoire et critique. ram History fast Motion pictures. lcgft http://id.loc.gov/authorities/genreForms/gf2011026406 Films. rvmgf Bordwell, David. Carroll, Noël, 1947- https://id.oclc.org/worldcat/entity/E39PBJwmVxQHTj9jtGMtWhQjG3 http://id.loc.gov/authorities/names/no2005031689 has work: Post-theory (Text) https://id.oclc.org/worldcat/entity/E39PCH3wFC7ff68BJHQcbrf4Rq https://id.oclc.org/worldcat/ontology/hasWork Print version: Post-theory. Madison : University of Wisconsin Press, 1996 0299149404 (DLC) 95037052 (OCoLC)33008676 Wisconsin studies in film. http://id.loc.gov/authorities/names/n90713725 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=571517 Volltext
spellingShingle	Post-theory : reconstructing film studies / Wisconsin studies in film. Contemporary film studies and the vicissitudes of grand theory / David Bordwell -- Prospects for film theory : a personal assessment / Noël Carroll -- Psychoanalytic film theory and the problem of the missing spectator / Stephen Prince -- Convention, construction, and cinematic vision / David Bordwell -- Is a cognitive approach to the avant-garde cinema perverse? / James Peterson -- The logic and legacy of Brechtianism / Murray Smith -- Characterization and fictional truth in the cinema / Paisley Livingston -- Empathy and (film) fiction / Alex Neill -- Feminist frameworks for horror films / Cynthia A. Freeland -- Apt feeling, or why "women's films" aren't trivial / Flo Leibowitz -- Unheard melodies? A critique of psychoanalytic theories of film music / Jeff Smith -- Film music and narrative agency / Jerrold Levinson -- Nonfiction film and postmodernist skepticism / Noël Carroll -- Moving pictures and the rhetoric of nonfiction film : two approaches / Carl Plantinga -- Film, reality, and illusion / Gregory Currie -- The case for an ecological metatheory / Joseph Anderson and Barbara Anderson -- Movies in the mind's eye / Julian Hochberg and Virginia Brooks -- Notes on audience response / Richard J. Gerrig and Deborah A. Prentice -- Toward a new media economics / Douglas Gomery -- Columbia Pictures : the making of a motion picture major, 1930-1943 / Tino Balio -- "A brief romantic interlude" : Dick and Jane go to 3 1/2 seconds of the classical Hollywood cinema / Richard Malthy -- The jazz singer's reception in the media and at the box office / Donald Crafton -- Jameson and "global aesthetics" / Michael Walsh -- Reconstructing Japanese film / Donald Kirihara -- Danish cinema and the politics of recognition / Mette Hjort -- Whose aparratus? Problems of film exhibitin and history / Vance Kepley, Jr. Motion pictures. http://id.loc.gov/authorities/subjects/sh85088084 Motion pictures Aesthetics. http://id.loc.gov/authorities/subjects/sh85088085 Motion pictures History. http://id.loc.gov/authorities/subjects/sh87002438 Cinéma Philosophie. Cinéma Esthétique. Cinéma Histoire. Cinéma Aspect psychologique. Cinéma. ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh Motion pictures Aesthetics fast Motion pictures fast Filmkunst. gtt Theorievorming. gtt TEORIA DO CINEMA. larpcal ESTÉTICA DO CINEMA. larpcal HISTÓRIA DO CINEMA. larpcal CINEMA (ASPECTOS PSICOLÓGICOS) larpcal Cinéma Histoire et critique. ram
subject_GND	http://id.loc.gov/authorities/subjects/sh85088084 http://id.loc.gov/authorities/subjects/sh85088085 http://id.loc.gov/authorities/subjects/sh87002438 http://id.loc.gov/authorities/genreForms/gf2011026406
title	Post-theory : reconstructing film studies /
title_auth	Post-theory : reconstructing film studies /
title_exact_search	Post-theory : reconstructing film studies /
title_full	Post-theory : reconstructing film studies / edited by David Bordwell and Noël Carroll.
title_fullStr	Post-theory : reconstructing film studies / edited by David Bordwell and Noël Carroll.
title_full_unstemmed	Post-theory : reconstructing film studies / edited by David Bordwell and Noël Carroll.
title_short	Post-theory :
title_sort	post theory reconstructing film studies
title_sub	reconstructing film studies /
topic	Motion pictures. http://id.loc.gov/authorities/subjects/sh85088084 Motion pictures Aesthetics. http://id.loc.gov/authorities/subjects/sh85088085 Motion pictures History. http://id.loc.gov/authorities/subjects/sh87002438 Cinéma Philosophie. Cinéma Esthétique. Cinéma Histoire. Cinéma Aspect psychologique. Cinéma. ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh Motion pictures Aesthetics fast Motion pictures fast Filmkunst. gtt Theorievorming. gtt TEORIA DO CINEMA. larpcal ESTÉTICA DO CINEMA. larpcal HISTÓRIA DO CINEMA. larpcal CINEMA (ASPECTOS PSICOLÓGICOS) larpcal Cinéma Histoire et critique. ram
topic_facet	Motion pictures. Motion pictures Aesthetics. Motion pictures History. Cinéma Philosophie. Cinéma Esthétique. Cinéma Histoire. Cinéma Aspect psychologique. Cinéma. ART Film & Video. PERFORMING ARTS Film & Video Reference. Motion pictures Aesthetics Motion pictures Filmkunst. Theorievorming. TEORIA DO CINEMA. ESTÉTICA DO CINEMA. HISTÓRIA DO CINEMA. CINEMA (ASPECTOS PSICOLÓGICOS) Cinéma Histoire et critique. History Films.
url	https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=571517
work_keys_str_mv	AT bordwelldavid posttheoryreconstructingfilmstudies AT carrollnoel posttheoryreconstructingfilmstudies

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