The aesthetics of imagination in design /:
A theoretically informed investigation that relates the philosophies of aesthetics and imagination to understanding design practice. In The Aesthetics of Imagination in Design, Mads Folkmann investigates design in both material and immaterial terms. Design objects, Folkmann argues, will always be du...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, MA :
MIT Press,
©2013.
|
| Schriftenreihe: | Design thinking, design theory.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | A theoretically informed investigation that relates the philosophies of aesthetics and imagination to understanding design practice. In The Aesthetics of Imagination in Design, Mads Folkmann investigates design in both material and immaterial terms. Design objects, Folkmann argues, will always be dual phenomena--material and immaterial, sensual and conceptual, actual and possible. Drawing on formal theories of aesthetics and the phenomenology of imagination, he seeks to answer fundamental questions about what design is and how it works that are often ignored in academic research. Folkmann considers three conditions in design: the possible, the aesthetic, and the imagination. Imagination is a central formative power behind the creation and the life of design objects; aesthetics describes the sensual, conceptual, and contextual codes through which design objects communicate; the concept of the possible--the enabling of new uses, conceptions, and perceptions--lies behind imagination and aesthetics. The possible, Folkmann argues, is contained as a structure of meaning within the objects of design, which act as part of our interface with the world. Taking a largely phenomenological perspective that reflects both continental and American pragmatist approaches, Folkmann also makes use of discourses that range from practice-focused accounts of design methodology to cultural studies. Throughout, he offers concrete examples to illustrate theoretical points. Folkmann's philosophically informed account shows design--in all its manifestations, from physical products to principles of organization--to be an essential medium for the articulation and transformation of culture. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780262313766 0262313766 1299470130 9781299470132 0262313774 9780262313773 |
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| 505 | 0 | |a Design and possibility -- Aesthetics -- imagination -- A phenomenology of imagination in design -- Imagination and design epistemology -- Schematization -- The imaginary in design -- Symbolism -- Transfiguration. | |
| 520 | |a A theoretically informed investigation that relates the philosophies of aesthetics and imagination to understanding design practice. In The Aesthetics of Imagination in Design, Mads Folkmann investigates design in both material and immaterial terms. Design objects, Folkmann argues, will always be dual phenomena--material and immaterial, sensual and conceptual, actual and possible. Drawing on formal theories of aesthetics and the phenomenology of imagination, he seeks to answer fundamental questions about what design is and how it works that are often ignored in academic research. Folkmann considers three conditions in design: the possible, the aesthetic, and the imagination. Imagination is a central formative power behind the creation and the life of design objects; aesthetics describes the sensual, conceptual, and contextual codes through which design objects communicate; the concept of the possible--the enabling of new uses, conceptions, and perceptions--lies behind imagination and aesthetics. The possible, Folkmann argues, is contained as a structure of meaning within the objects of design, which act as part of our interface with the world. Taking a largely phenomenological perspective that reflects both continental and American pragmatist approaches, Folkmann also makes use of discourses that range from practice-focused accounts of design methodology to cultural studies. Throughout, he offers concrete examples to illustrate theoretical points. Folkmann's philosophically informed account shows design--in all its manifestations, from physical products to principles of organization--to be an essential medium for the articulation and transformation of culture. | ||
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| author | Folkmann, Mads Nygaard, 1972- |
| author_GND | http://id.loc.gov/authorities/names/no2006110572 |
| author_facet | Folkmann, Mads Nygaard, 1972- |
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| contents | Design and possibility -- Aesthetics -- imagination -- A phenomenology of imagination in design -- Imagination and design epistemology -- Schematization -- The imaginary in design -- Symbolism -- Transfiguration. |
| ctrlnum | (OCoLC)839557275 |
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| dewey-ones | 745 - Decorative arts |
| dewey-raw | 745.401 |
| dewey-search | 745.401 |
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| dewey-tens | 740 - Graphic arts and decorative arts |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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In The Aesthetics of Imagination in Design, Mads Folkmann investigates design in both material and immaterial terms. Design objects, Folkmann argues, will always be dual phenomena--material and immaterial, sensual and conceptual, actual and possible. Drawing on formal theories of aesthetics and the phenomenology of imagination, he seeks to answer fundamental questions about what design is and how it works that are often ignored in academic research. Folkmann considers three conditions in design: the possible, the aesthetic, and the imagination. Imagination is a central formative power behind the creation and the life of design objects; aesthetics describes the sensual, conceptual, and contextual codes through which design objects communicate; the concept of the possible--the enabling of new uses, conceptions, and perceptions--lies behind imagination and aesthetics. The possible, Folkmann argues, is contained as a structure of meaning within the objects of design, which act as part of our interface with the world. Taking a largely phenomenological perspective that reflects both continental and American pragmatist approaches, Folkmann also makes use of discourses that range from practice-focused accounts of design methodology to cultural studies. Throughout, he offers concrete examples to illustrate theoretical points. 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| id | ZDB-4-EBA-ocn839557275 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:25:18Z |
| institution | BVB |
| isbn | 9780262313766 0262313766 1299470130 9781299470132 0262313774 9780262313773 |
| language | English |
| oclc_num | 839557275 |
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| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | MIT Press, |
| record_format | marc |
| series | Design thinking, design theory. |
| series2 | Design thinking, design theory |
| spelling | Folkmann, Mads Nygaard, 1972- https://id.oclc.org/worldcat/entity/E39PCjyTJchThgCbWRtJHRQpfq http://id.loc.gov/authorities/names/no2006110572 The aesthetics of imagination in design / Mads Nygaard Folkmann. Cambridge, MA : MIT Press, ©2013. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Design thinking, design theory Includes bibliographical references and index. Print version record. Design and possibility -- Aesthetics -- imagination -- A phenomenology of imagination in design -- Imagination and design epistemology -- Schematization -- The imaginary in design -- Symbolism -- Transfiguration. A theoretically informed investigation that relates the philosophies of aesthetics and imagination to understanding design practice. In The Aesthetics of Imagination in Design, Mads Folkmann investigates design in both material and immaterial terms. Design objects, Folkmann argues, will always be dual phenomena--material and immaterial, sensual and conceptual, actual and possible. Drawing on formal theories of aesthetics and the phenomenology of imagination, he seeks to answer fundamental questions about what design is and how it works that are often ignored in academic research. Folkmann considers three conditions in design: the possible, the aesthetic, and the imagination. Imagination is a central formative power behind the creation and the life of design objects; aesthetics describes the sensual, conceptual, and contextual codes through which design objects communicate; the concept of the possible--the enabling of new uses, conceptions, and perceptions--lies behind imagination and aesthetics. The possible, Folkmann argues, is contained as a structure of meaning within the objects of design, which act as part of our interface with the world. Taking a largely phenomenological perspective that reflects both continental and American pragmatist approaches, Folkmann also makes use of discourses that range from practice-focused accounts of design methodology to cultural studies. Throughout, he offers concrete examples to illustrate theoretical points. Folkmann's philosophically informed account shows design--in all its manifestations, from physical products to principles of organization--to be an essential medium for the articulation and transformation of culture. 2140001 Doble Grado en Ingeniería en Diseño Industrial y Desarrollo del Producto e Ingeniería Mecánica Estética del Diseño Industrial I. English. Design Philosophy. Aesthetics. http://id.loc.gov/authorities/subjects/sh85001441 Design Philosophie. DESIGN Decorative Arts. bisacsh DESIGN Essays. bisacsh DESIGN Product. bisacsh DESIGN Reference. bisacsh PHILOSOPHY Aesthetics. bisacsh Aesthetics fast Design Philosophy fast DESIGN/Design Theory PHILOSOPHY/Aesthetics Print version: Folkmann, Mads Nygaard, 1972- Aesthetics of imagination in design. Cambridge, MA : MIT Press, 2013 9780262019064 (DLC) 2012036811 (OCoLC)810442448 Design thinking, design theory. http://id.loc.gov/authorities/names/no2011177915 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=564812 Volltext |
| spellingShingle | Folkmann, Mads Nygaard, 1972- The aesthetics of imagination in design / Design thinking, design theory. Design and possibility -- Aesthetics -- imagination -- A phenomenology of imagination in design -- Imagination and design epistemology -- Schematization -- The imaginary in design -- Symbolism -- Transfiguration. Design Philosophy. Aesthetics. http://id.loc.gov/authorities/subjects/sh85001441 Design Philosophie. DESIGN Decorative Arts. bisacsh DESIGN Essays. bisacsh DESIGN Product. bisacsh DESIGN Reference. bisacsh PHILOSOPHY Aesthetics. bisacsh Aesthetics fast Design Philosophy fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85001441 |
| title | The aesthetics of imagination in design / |
| title_auth | The aesthetics of imagination in design / |
| title_exact_search | The aesthetics of imagination in design / |
| title_full | The aesthetics of imagination in design / Mads Nygaard Folkmann. |
| title_fullStr | The aesthetics of imagination in design / Mads Nygaard Folkmann. |
| title_full_unstemmed | The aesthetics of imagination in design / Mads Nygaard Folkmann. |
| title_short | The aesthetics of imagination in design / |
| title_sort | aesthetics of imagination in design |
| topic | Design Philosophy. Aesthetics. http://id.loc.gov/authorities/subjects/sh85001441 Design Philosophie. DESIGN Decorative Arts. bisacsh DESIGN Essays. bisacsh DESIGN Product. bisacsh DESIGN Reference. bisacsh PHILOSOPHY Aesthetics. bisacsh Aesthetics fast Design Philosophy fast |
| topic_facet | Design Philosophy. Aesthetics. Design Philosophie. DESIGN Decorative Arts. DESIGN Essays. DESIGN Product. DESIGN Reference. PHILOSOPHY Aesthetics. Aesthetics Design Philosophy |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=564812 |
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