The death and life of the music industry in the digital age /:
The Death and Life of the Music Industry in the Digital Age challenges the conventional wisdom that the internet is 'killing' the music industry. While technological innovations (primarily in the form of peer-to-peer file-sharing) have evolved to threaten the economic health of major trans...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New York :
Bloomsbury Academic,
2013.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | The Death and Life of the Music Industry in the Digital Age challenges the conventional wisdom that the internet is 'killing' the music industry. While technological innovations (primarily in the form of peer-to-peer file-sharing) have evolved to threaten the economic health of major transnational music companies, Rogers illustrates how those same companies have themselves formulated highly innovative response strategies to negate the harmful effects of the internet. In short, it documents how the radical transformative potential of the internet is being suppressed by legal and organisational innovations. Grounded in a social shaping perspective, The Death and Life of the Music Industry in the Digital Age contends that the internet has not altered pre-existing power relations in the music industry where a small handful of very large corporations have long since established an oligopolistic dominance. Furthermore, the book contends that widespread acceptance of the idea that online piracy is rampant, and music largely 'free' actually helps these major music companies in their quest to bolster their power. In doing this, the study serves to deflate much of the transformative hype and digital 'deliria' that has accompanied the internet's evolution as a medium for mass communication. |
Beschreibung: | 1 online resource (236 pages) |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9781780931265 1780931263 1780931271 9781780931272 9781780931463 1780931468 |
Internformat
MARC
LEADER | 00000cam a2200000 a 4500 | ||
---|---|---|---|
001 | ZDB-4-EBA-ocn839301848 | ||
003 | OCoLC | ||
005 | 20241004212047.0 | ||
006 | m o d | ||
007 | cr cnu---unuuu | ||
008 | 130415s2013 nyu ob 001 0 eng d | ||
040 | |a N$T |b eng |e pn |c N$T |d YDXCP |d E7B |d OCLCF |d MFS |d N15 |d IDEBK |d CDX |d AU@ |d OCLCQ |d YDX |d OCLCQ |d SAV |d LOA |d ORZ |d COF |d OCLCQ |d UKAHL |d UKMGB |d OCLCQ |d INARC |d ERL |d LUN |d UKUAL |d OCLCO |d OCLCQ |d OCLCO |d K6U |d OCLCQ |d OCLCO |d OCLCL | ||
015 | |a GBB980405 |2 bnb | ||
015 | |a GBC014851 |2 bnb | ||
016 | 7 | |a 019376255 |2 Uk | |
016 | 7 | |a 019686057 |2 Uk | |
019 | |a 853606609 |a 891466357 |a 961199089 |a 1029556255 |a 1039642458 |a 1167438775 |a 1170669594 | ||
020 | |a 9781780931265 |q (electronic bk.) | ||
020 | |a 1780931263 |q (electronic bk.) | ||
020 | |a 1780931271 |q (electronic bk.) | ||
020 | |a 9781780931272 |q (electronic bk.) | ||
020 | |a 9781780931463 |q (online) | ||
020 | |a 1780931468 |q (online) | ||
020 | |z 9781780931609 | ||
020 | |z 1780931603 | ||
020 | |z 9781623560010 | ||
020 | |z 1623560012 | ||
024 | 8 | |a 40022473651 | |
035 | |a (OCoLC)839301848 |z (OCoLC)853606609 |z (OCoLC)891466357 |z (OCoLC)961199089 |z (OCoLC)1029556255 |z (OCoLC)1039642458 |z (OCoLC)1167438775 |z (OCoLC)1170669594 | ||
037 | |a 9781780931265 |b codeMantra | ||
050 | 4 | |a ML3790 |b .R63 2013eb | |
072 | 7 | |a BUS |x 070060 |2 bisacsh | |
072 | 7 | |a TEC |x 041000 |2 bisacsh | |
082 | 7 | |a 384 |2 23 | |
084 | |a 83.80 |2 bcl | ||
049 | |a MAIN | ||
100 | 1 | |a Rogers, Jim, |d 1969- |1 https://id.oclc.org/worldcat/entity/E39PCjC9cK3qgKQBBtM6y7tK7d |0 http://id.loc.gov/authorities/names/n2012065770 | |
245 | 1 | 4 | |a The death and life of the music industry in the digital age / |c by Jim Rogers. |
260 | |a New York : |b Bloomsbury Academic, |c 2013. | ||
300 | |a 1 online resource (236 pages) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a Digital deliria and transformative hype -- Death by digital? -- Response strategies of the music industry -- Developments beyond the digital realm -- New rules for the new music economy? [Part One] -- New rules for the new music economy? [Part Two] -- Evolution, not revolution? | |
520 | |a The Death and Life of the Music Industry in the Digital Age challenges the conventional wisdom that the internet is 'killing' the music industry. While technological innovations (primarily in the form of peer-to-peer file-sharing) have evolved to threaten the economic health of major transnational music companies, Rogers illustrates how those same companies have themselves formulated highly innovative response strategies to negate the harmful effects of the internet. In short, it documents how the radical transformative potential of the internet is being suppressed by legal and organisational innovations. Grounded in a social shaping perspective, The Death and Life of the Music Industry in the Digital Age contends that the internet has not altered pre-existing power relations in the music industry where a small handful of very large corporations have long since established an oligopolistic dominance. Furthermore, the book contends that widespread acceptance of the idea that online piracy is rampant, and music largely 'free' actually helps these major music companies in their quest to bolster their power. In doing this, the study serves to deflate much of the transformative hype and digital 'deliria' that has accompanied the internet's evolution as a medium for mass communication. | ||
588 | 0 | |a Print version record. | |
650 | 0 | |a Sound recording industry |x Social aspects. | |
650 | 0 | |a Music and technology. |0 http://id.loc.gov/authorities/subjects/sh94007386 | |
650 | 6 | |a Musique et technologie. | |
650 | 6 | |a Enregistrements sonores |x Industrie |x Aspect social. | |
650 | 7 | |a BUSINESS & ECONOMICS |x Industries |x Media & Communications. |2 bisacsh | |
650 | 7 | |a TECHNOLOGY & ENGINEERING |x Telecommunications. |2 bisacsh | |
650 | 7 | |a Music and technology |2 fast | |
650 | 7 | |a Sound recording industry |x Social aspects |2 fast | |
650 | 7 | |a Musikwirtschaft |2 gnd |0 http://d-nb.info/gnd/4268614-3 | |
650 | 7 | |a Digital Rights Management |2 gnd |0 http://d-nb.info/gnd/4774276-8 | |
758 | |i has work: |a The death and life of the music industry in the digital age (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGhYYccwX97mV9jhQpH8JC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Print version: |a Rogers, Jim, 1969- |t Death and life of the music industry in the digital age. |d New York : Bloomsbury Academic, 2013 |z 9781780931609 |w (DLC) 2012041382 |w (OCoLC)814301899 |
856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=564931 |3 Volltext |
938 | |a YBP Library Services |b YANK |n 300872925 | ||
938 | |a Askews and Holts Library Services |b ASKH |n AH21932529 | ||
938 | |a Askews and Holts Library Services |b ASKH |n AH21932528 | ||
938 | |a Coutts Information Services |b COUT |n 28280094 | ||
938 | |a ebrary |b EBRY |n ebr10686985 | ||
938 | |a EBSCOhost |b EBSC |n 564931 | ||
938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis28280094 | ||
938 | |a Internet Archive |b INAR |n deathlifeofmusic0000roge | ||
938 | |a YBP Library Services |b YANK |n 10441834 | ||
938 | |a YBP Library Services |b YANK |n 10580351 | ||
994 | |a 92 |b GEBAY | ||
912 | |a ZDB-4-EBA | ||
049 | |a DE-863 |
Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn839301848 |
---|---|
_version_ | 1816882228964098048 |
adam_text | |
any_adam_object | |
author | Rogers, Jim, 1969- |
author_GND | http://id.loc.gov/authorities/names/n2012065770 |
author_facet | Rogers, Jim, 1969- |
author_role | |
author_sort | Rogers, Jim, 1969- |
author_variant | j r jr |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | M - Music |
callnumber-label | ML3790 |
callnumber-raw | ML3790 .R63 2013eb |
callnumber-search | ML3790 .R63 2013eb |
callnumber-sort | ML 43790 R63 42013EB |
callnumber-subject | ML - Literature on Music |
collection | ZDB-4-EBA |
contents | Digital deliria and transformative hype -- Death by digital? -- Response strategies of the music industry -- Developments beyond the digital realm -- New rules for the new music economy? [Part One] -- New rules for the new music economy? [Part Two] -- Evolution, not revolution? |
ctrlnum | (OCoLC)839301848 |
dewey-full | 384 |
dewey-hundreds | 300 - Social sciences |
dewey-ones | 384 - Communications |
dewey-raw | 384 |
dewey-search | 384 |
dewey-sort | 3384 |
dewey-tens | 380 - Commerce, communications, transportation |
discipline | Wirtschaftswissenschaften |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05392cam a2200817 a 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn839301848</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu---unuuu</controlfield><controlfield tag="008">130415s2013 nyu ob 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">N$T</subfield><subfield code="b">eng</subfield><subfield code="e">pn</subfield><subfield code="c">N$T</subfield><subfield code="d">YDXCP</subfield><subfield code="d">E7B</subfield><subfield code="d">OCLCF</subfield><subfield code="d">MFS</subfield><subfield code="d">N15</subfield><subfield code="d">IDEBK</subfield><subfield code="d">CDX</subfield><subfield code="d">AU@</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">YDX</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">SAV</subfield><subfield code="d">LOA</subfield><subfield code="d">ORZ</subfield><subfield code="d">COF</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">UKAHL</subfield><subfield code="d">UKMGB</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">INARC</subfield><subfield code="d">ERL</subfield><subfield code="d">LUN</subfield><subfield code="d">UKUAL</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">K6U</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield></datafield><datafield tag="015" ind1=" " ind2=" "><subfield code="a">GBB980405</subfield><subfield code="2">bnb</subfield></datafield><datafield tag="015" ind1=" " ind2=" "><subfield code="a">GBC014851</subfield><subfield code="2">bnb</subfield></datafield><datafield tag="016" ind1="7" ind2=" "><subfield code="a">019376255</subfield><subfield code="2">Uk</subfield></datafield><datafield tag="016" ind1="7" ind2=" "><subfield code="a">019686057</subfield><subfield code="2">Uk</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">853606609</subfield><subfield code="a">891466357</subfield><subfield code="a">961199089</subfield><subfield code="a">1029556255</subfield><subfield code="a">1039642458</subfield><subfield code="a">1167438775</subfield><subfield code="a">1170669594</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781780931265</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1780931263</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1780931271</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781780931272</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781780931463</subfield><subfield code="q">(online)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1780931468</subfield><subfield code="q">(online)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781780931609</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">1780931603</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781623560010</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">1623560012</subfield></datafield><datafield tag="024" ind1="8" ind2=" "><subfield code="a">40022473651</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)839301848</subfield><subfield code="z">(OCoLC)853606609</subfield><subfield code="z">(OCoLC)891466357</subfield><subfield code="z">(OCoLC)961199089</subfield><subfield code="z">(OCoLC)1029556255</subfield><subfield code="z">(OCoLC)1039642458</subfield><subfield code="z">(OCoLC)1167438775</subfield><subfield code="z">(OCoLC)1170669594</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">9781780931265</subfield><subfield code="b">codeMantra</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">ML3790</subfield><subfield code="b">.R63 2013eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">BUS</subfield><subfield code="x">070060</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">TEC</subfield><subfield code="x">041000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">384</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">83.80</subfield><subfield code="2">bcl</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Rogers, Jim,</subfield><subfield code="d">1969-</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCjC9cK3qgKQBBtM6y7tK7d</subfield><subfield code="0">http://id.loc.gov/authorities/names/n2012065770</subfield></datafield><datafield tag="245" ind1="1" ind2="4"><subfield code="a">The death and life of the music industry in the digital age /</subfield><subfield code="c">by Jim Rogers.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">New York :</subfield><subfield code="b">Bloomsbury Academic,</subfield><subfield code="c">2013.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (236 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Digital deliria and transformative hype -- Death by digital? -- Response strategies of the music industry -- Developments beyond the digital realm -- New rules for the new music economy? [Part One] -- New rules for the new music economy? [Part Two] -- Evolution, not revolution?</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The Death and Life of the Music Industry in the Digital Age challenges the conventional wisdom that the internet is 'killing' the music industry. While technological innovations (primarily in the form of peer-to-peer file-sharing) have evolved to threaten the economic health of major transnational music companies, Rogers illustrates how those same companies have themselves formulated highly innovative response strategies to negate the harmful effects of the internet. In short, it documents how the radical transformative potential of the internet is being suppressed by legal and organisational innovations. Grounded in a social shaping perspective, The Death and Life of the Music Industry in the Digital Age contends that the internet has not altered pre-existing power relations in the music industry where a small handful of very large corporations have long since established an oligopolistic dominance. Furthermore, the book contends that widespread acceptance of the idea that online piracy is rampant, and music largely 'free' actually helps these major music companies in their quest to bolster their power. In doing this, the study serves to deflate much of the transformative hype and digital 'deliria' that has accompanied the internet's evolution as a medium for mass communication.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Sound recording industry</subfield><subfield code="x">Social aspects.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music and technology.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh94007386</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Musique et technologie.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Enregistrements sonores</subfield><subfield code="x">Industrie</subfield><subfield code="x">Aspect social.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">BUSINESS & ECONOMICS</subfield><subfield code="x">Industries</subfield><subfield code="x">Media & Communications.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">TECHNOLOGY & ENGINEERING</subfield><subfield code="x">Telecommunications.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music and technology</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Sound recording industry</subfield><subfield code="x">Social aspects</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Musikwirtschaft</subfield><subfield code="2">gnd</subfield><subfield code="0">http://d-nb.info/gnd/4268614-3</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Digital Rights Management</subfield><subfield code="2">gnd</subfield><subfield code="0">http://d-nb.info/gnd/4774276-8</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">The death and life of the music industry in the digital age (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCGhYYccwX97mV9jhQpH8JC</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Rogers, Jim, 1969-</subfield><subfield code="t">Death and life of the music industry in the digital age.</subfield><subfield code="d">New York : Bloomsbury Academic, 2013</subfield><subfield code="z">9781780931609</subfield><subfield code="w">(DLC) 2012041382</subfield><subfield code="w">(OCoLC)814301899</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=564931</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">300872925</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH21932529</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH21932528</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Coutts Information Services</subfield><subfield code="b">COUT</subfield><subfield code="n">28280094</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ebrary</subfield><subfield code="b">EBRY</subfield><subfield code="n">ebr10686985</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">564931</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest MyiLibrary Digital eBook Collection</subfield><subfield code="b">IDEB</subfield><subfield code="n">cis28280094</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Internet Archive</subfield><subfield code="b">INAR</subfield><subfield code="n">deathlifeofmusic0000roge</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">10441834</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">10580351</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
id | ZDB-4-EBA-ocn839301848 |
illustrated | Not Illustrated |
indexdate | 2024-11-27T13:25:17Z |
institution | BVB |
isbn | 9781780931265 1780931263 1780931271 9781780931272 9781780931463 1780931468 |
language | English |
oclc_num | 839301848 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (236 pages) |
psigel | ZDB-4-EBA |
publishDate | 2013 |
publishDateSearch | 2013 |
publishDateSort | 2013 |
publisher | Bloomsbury Academic, |
record_format | marc |
spelling | Rogers, Jim, 1969- https://id.oclc.org/worldcat/entity/E39PCjC9cK3qgKQBBtM6y7tK7d http://id.loc.gov/authorities/names/n2012065770 The death and life of the music industry in the digital age / by Jim Rogers. New York : Bloomsbury Academic, 2013. 1 online resource (236 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Digital deliria and transformative hype -- Death by digital? -- Response strategies of the music industry -- Developments beyond the digital realm -- New rules for the new music economy? [Part One] -- New rules for the new music economy? [Part Two] -- Evolution, not revolution? The Death and Life of the Music Industry in the Digital Age challenges the conventional wisdom that the internet is 'killing' the music industry. While technological innovations (primarily in the form of peer-to-peer file-sharing) have evolved to threaten the economic health of major transnational music companies, Rogers illustrates how those same companies have themselves formulated highly innovative response strategies to negate the harmful effects of the internet. In short, it documents how the radical transformative potential of the internet is being suppressed by legal and organisational innovations. Grounded in a social shaping perspective, The Death and Life of the Music Industry in the Digital Age contends that the internet has not altered pre-existing power relations in the music industry where a small handful of very large corporations have long since established an oligopolistic dominance. Furthermore, the book contends that widespread acceptance of the idea that online piracy is rampant, and music largely 'free' actually helps these major music companies in their quest to bolster their power. In doing this, the study serves to deflate much of the transformative hype and digital 'deliria' that has accompanied the internet's evolution as a medium for mass communication. Print version record. Sound recording industry Social aspects. Music and technology. http://id.loc.gov/authorities/subjects/sh94007386 Musique et technologie. Enregistrements sonores Industrie Aspect social. BUSINESS & ECONOMICS Industries Media & Communications. bisacsh TECHNOLOGY & ENGINEERING Telecommunications. bisacsh Music and technology fast Sound recording industry Social aspects fast Musikwirtschaft gnd http://d-nb.info/gnd/4268614-3 Digital Rights Management gnd http://d-nb.info/gnd/4774276-8 has work: The death and life of the music industry in the digital age (Text) https://id.oclc.org/worldcat/entity/E39PCGhYYccwX97mV9jhQpH8JC https://id.oclc.org/worldcat/ontology/hasWork Print version: Rogers, Jim, 1969- Death and life of the music industry in the digital age. New York : Bloomsbury Academic, 2013 9781780931609 (DLC) 2012041382 (OCoLC)814301899 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=564931 Volltext |
spellingShingle | Rogers, Jim, 1969- The death and life of the music industry in the digital age / Digital deliria and transformative hype -- Death by digital? -- Response strategies of the music industry -- Developments beyond the digital realm -- New rules for the new music economy? [Part One] -- New rules for the new music economy? [Part Two] -- Evolution, not revolution? Sound recording industry Social aspects. Music and technology. http://id.loc.gov/authorities/subjects/sh94007386 Musique et technologie. Enregistrements sonores Industrie Aspect social. BUSINESS & ECONOMICS Industries Media & Communications. bisacsh TECHNOLOGY & ENGINEERING Telecommunications. bisacsh Music and technology fast Sound recording industry Social aspects fast Musikwirtschaft gnd http://d-nb.info/gnd/4268614-3 Digital Rights Management gnd http://d-nb.info/gnd/4774276-8 |
subject_GND | http://id.loc.gov/authorities/subjects/sh94007386 http://d-nb.info/gnd/4268614-3 http://d-nb.info/gnd/4774276-8 |
title | The death and life of the music industry in the digital age / |
title_auth | The death and life of the music industry in the digital age / |
title_exact_search | The death and life of the music industry in the digital age / |
title_full | The death and life of the music industry in the digital age / by Jim Rogers. |
title_fullStr | The death and life of the music industry in the digital age / by Jim Rogers. |
title_full_unstemmed | The death and life of the music industry in the digital age / by Jim Rogers. |
title_short | The death and life of the music industry in the digital age / |
title_sort | death and life of the music industry in the digital age |
topic | Sound recording industry Social aspects. Music and technology. http://id.loc.gov/authorities/subjects/sh94007386 Musique et technologie. Enregistrements sonores Industrie Aspect social. BUSINESS & ECONOMICS Industries Media & Communications. bisacsh TECHNOLOGY & ENGINEERING Telecommunications. bisacsh Music and technology fast Sound recording industry Social aspects fast Musikwirtschaft gnd http://d-nb.info/gnd/4268614-3 Digital Rights Management gnd http://d-nb.info/gnd/4774276-8 |
topic_facet | Sound recording industry Social aspects. Music and technology. Musique et technologie. Enregistrements sonores Industrie Aspect social. BUSINESS & ECONOMICS Industries Media & Communications. TECHNOLOGY & ENGINEERING Telecommunications. Music and technology Sound recording industry Social aspects Musikwirtschaft Digital Rights Management |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=564931 |
work_keys_str_mv | AT rogersjim thedeathandlifeofthemusicindustryinthedigitalage AT rogersjim deathandlifeofthemusicindustryinthedigitalage |