Sovereign feminine :: music and gender in eighteenth-century Germany /
In the German states in the late eighteenth century, women flourished as musical performers and composers, their achievements measuring the progress of culture and society from barbarism to civilization. Female excellence, and related feminocentric values, were celebrated by forward-looking critics...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berkeley :
University of California Press,
[2013]
|
| Schriftenreihe: | UPCC book collections on Project MUSE. History.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | In the German states in the late eighteenth century, women flourished as musical performers and composers, their achievements measuring the progress of culture and society from barbarism to civilization. Female excellence, and related feminocentric values, were celebrated by forward-looking critics who argued for music as a fine art, a component of modern, polite, and commercial culture, rather than a symbol of institutional power. In the eyes of such critics, femininity - a newly emerging and primarily bourgeois ideal - linked women and music under the valorized signs of refinement, sensibility, virtue, patriotism, luxury, and, above all, beauty. This moment in musical history was eclipsed in the first decades of the nineteenth century, and ultimately erased from the music-historical record, by now familiar developments: the formation of musical canons, a musical history based on technical progress, the idea of masterworks, authorial autonomy, the musical sublime, and aggressively essentializing ideas about the relationship between sex, gender, and art. In this book, the author restores this earlier musical history and explores the role that women played in the development of classical music. |
| Beschreibung: | 1 online resource (xxi, 326 pages) : illustrations |
| Bibliographie: | Includes bibliographical references (pages 247-319) and index. |
| ISBN: | 9780520954762 0520954769 1299444415 9781299444416 0520273842 9780520273849 |
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| 245 | 1 | 0 | |a Sovereign feminine : |b music and gender in eighteenth-century Germany / |c Matthew Head. |
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| 264 | 4 | |c ©2013 | |
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| 505 | 0 | |a Introduction : Fictions of Female Ascendance -- Europe's Living Muses : Women, Music, and Modernity in Burney's History and Tours -- "If the pretty little hand won't stretch" : Music for the Fair Sex -- Charlotte ("Minna") Brandes and the Beautiful Dead -- An Evening in Tiefurt : Corona Schröter's Die Fischerin and Vegetable Genius -- Sophie Westenholz and the Eclipse of the Female Sign -- Beethoven Heroine : A Female Allegory of Music and Authorship in Egmont -- Conclusion -- Appendix : Johann Friedrich Reichardt, Two Prefaces to the Fair Sex. | |
| 520 | |a In the German states in the late eighteenth century, women flourished as musical performers and composers, their achievements measuring the progress of culture and society from barbarism to civilization. Female excellence, and related feminocentric values, were celebrated by forward-looking critics who argued for music as a fine art, a component of modern, polite, and commercial culture, rather than a symbol of institutional power. In the eyes of such critics, femininity - a newly emerging and primarily bourgeois ideal - linked women and music under the valorized signs of refinement, sensibility, virtue, patriotism, luxury, and, above all, beauty. This moment in musical history was eclipsed in the first decades of the nineteenth century, and ultimately erased from the music-historical record, by now familiar developments: the formation of musical canons, a musical history based on technical progress, the idea of masterworks, authorial autonomy, the musical sublime, and aggressively essentializing ideas about the relationship between sex, gender, and art. In this book, the author restores this earlier musical history and explores the role that women played in the development of classical music. | ||
| 504 | |a Includes bibliographical references (pages 247-319) and index. | ||
| 546 | |a English. | ||
| 650 | 0 | |a Gender identity in music. |0 http://id.loc.gov/authorities/subjects/sh98004440 | |
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| 650 | 6 | |a Identité de genre dans la musique. | |
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Datensatz im Suchindex
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| adam_text | |
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| author | Head, Matthew |
| author_facet | Head, Matthew |
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| callnumber-sort | ML 282 H44 42013 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LQ 80104 |
| collection | ZDB-4-EBA |
| contents | Introduction : Fictions of Female Ascendance -- Europe's Living Muses : Women, Music, and Modernity in Burney's History and Tours -- "If the pretty little hand won't stretch" : Music for the Fair Sex -- Charlotte ("Minna") Brandes and the Beautiful Dead -- An Evening in Tiefurt : Corona Schröter's Die Fischerin and Vegetable Genius -- Sophie Westenholz and the Eclipse of the Female Sign -- Beethoven Heroine : A Female Allegory of Music and Authorship in Egmont -- Conclusion -- Appendix : Johann Friedrich Reichardt, Two Prefaces to the Fair Sex. |
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| dewey-search | 780.82 780.820943 |
| dewey-sort | 3780.82 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | 1700-1799 fast |
| era_facet | 1700-1799 |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast History fast |
| genre_facet | Criticism, interpretation, etc. History |
| geographic | Germany fast https://id.oclc.org/worldcat/entity/E39PBJtCD3rcKcPDx6FHmjvrbd Deutschland gnd http://d-nb.info/gnd/4011882-4 |
| geographic_facet | Germany Deutschland |
| id | ZDB-4-EBA-ocn836401269 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:25:16Z |
| institution | BVB |
| isbn | 9780520954762 0520954769 1299444415 9781299444416 0520273842 9780520273849 |
| language | English |
| oclc_num | 836401269 |
| open_access_boolean | |
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| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xxi, 326 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | University of California Press, |
| record_format | marc |
| series | UPCC book collections on Project MUSE. History. |
| spelling | Head, Matthew. Sovereign feminine : music and gender in eighteenth-century Germany / Matthew Head. Berkeley : University of California Press, [2013] ©2013 1 online resource (xxi, 326 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Print version record. Introduction : Fictions of Female Ascendance -- Europe's Living Muses : Women, Music, and Modernity in Burney's History and Tours -- "If the pretty little hand won't stretch" : Music for the Fair Sex -- Charlotte ("Minna") Brandes and the Beautiful Dead -- An Evening in Tiefurt : Corona Schröter's Die Fischerin and Vegetable Genius -- Sophie Westenholz and the Eclipse of the Female Sign -- Beethoven Heroine : A Female Allegory of Music and Authorship in Egmont -- Conclusion -- Appendix : Johann Friedrich Reichardt, Two Prefaces to the Fair Sex. In the German states in the late eighteenth century, women flourished as musical performers and composers, their achievements measuring the progress of culture and society from barbarism to civilization. Female excellence, and related feminocentric values, were celebrated by forward-looking critics who argued for music as a fine art, a component of modern, polite, and commercial culture, rather than a symbol of institutional power. In the eyes of such critics, femininity - a newly emerging and primarily bourgeois ideal - linked women and music under the valorized signs of refinement, sensibility, virtue, patriotism, luxury, and, above all, beauty. This moment in musical history was eclipsed in the first decades of the nineteenth century, and ultimately erased from the music-historical record, by now familiar developments: the formation of musical canons, a musical history based on technical progress, the idea of masterworks, authorial autonomy, the musical sublime, and aggressively essentializing ideas about the relationship between sex, gender, and art. In this book, the author restores this earlier musical history and explores the role that women played in the development of classical music. Includes bibliographical references (pages 247-319) and index. English. Gender identity in music. http://id.loc.gov/authorities/subjects/sh98004440 Women musicians Germany History 18th century. Music Social aspects Germany History 18th century. Music Germany 18th century History and criticism. Identité de genre dans la musique. Musiciennes Allemagne Histoire 18e siècle. Musique Aspect social Allemagne Histoire 18e siècle. Musique Allemagne 18e siècle Histoire et critique. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Gender identity in music fast Music fast Music Social aspects fast Women musicians fast Germany fast https://id.oclc.org/worldcat/entity/E39PBJtCD3rcKcPDx6FHmjvrbd Musik gnd Musikerin gnd http://d-nb.info/gnd/4170818-0 Frau gnd http://d-nb.info/gnd/4018202-2 Geschlechtsunterschied gnd Deutschland gnd http://d-nb.info/gnd/4011882-4 1700-1799 fast Criticism, interpretation, etc. fast History fast has work: Sovereign feminine (Text) https://id.oclc.org/worldcat/entity/E39PCGWf6wrVX48GxQ4RBxB4HK https://id.oclc.org/worldcat/ontology/hasWork Print version: Head, Matthew. Sovereign Feminine : Music and Gender in Eighteenth-Century Germany. Berkeley : University of California Press, ©2013 9780520273849 UPCC book collections on Project MUSE. History. FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=562940 Volltext |
| spellingShingle | Head, Matthew Sovereign feminine : music and gender in eighteenth-century Germany / UPCC book collections on Project MUSE. History. Introduction : Fictions of Female Ascendance -- Europe's Living Muses : Women, Music, and Modernity in Burney's History and Tours -- "If the pretty little hand won't stretch" : Music for the Fair Sex -- Charlotte ("Minna") Brandes and the Beautiful Dead -- An Evening in Tiefurt : Corona Schröter's Die Fischerin and Vegetable Genius -- Sophie Westenholz and the Eclipse of the Female Sign -- Beethoven Heroine : A Female Allegory of Music and Authorship in Egmont -- Conclusion -- Appendix : Johann Friedrich Reichardt, Two Prefaces to the Fair Sex. Gender identity in music. http://id.loc.gov/authorities/subjects/sh98004440 Women musicians Germany History 18th century. Music Social aspects Germany History 18th century. Music Germany 18th century History and criticism. Identité de genre dans la musique. Musiciennes Allemagne Histoire 18e siècle. Musique Aspect social Allemagne Histoire 18e siècle. Musique Allemagne 18e siècle Histoire et critique. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Gender identity in music fast Music fast Music Social aspects fast Women musicians fast Musik gnd Musikerin gnd http://d-nb.info/gnd/4170818-0 Frau gnd http://d-nb.info/gnd/4018202-2 Geschlechtsunterschied gnd |
| subject_GND | http://id.loc.gov/authorities/subjects/sh98004440 http://d-nb.info/gnd/4170818-0 http://d-nb.info/gnd/4018202-2 http://d-nb.info/gnd/4011882-4 |
| title | Sovereign feminine : music and gender in eighteenth-century Germany / |
| title_auth | Sovereign feminine : music and gender in eighteenth-century Germany / |
| title_exact_search | Sovereign feminine : music and gender in eighteenth-century Germany / |
| title_full | Sovereign feminine : music and gender in eighteenth-century Germany / Matthew Head. |
| title_fullStr | Sovereign feminine : music and gender in eighteenth-century Germany / Matthew Head. |
| title_full_unstemmed | Sovereign feminine : music and gender in eighteenth-century Germany / Matthew Head. |
| title_short | Sovereign feminine : |
| title_sort | sovereign feminine music and gender in eighteenth century germany |
| title_sub | music and gender in eighteenth-century Germany / |
| topic | Gender identity in music. http://id.loc.gov/authorities/subjects/sh98004440 Women musicians Germany History 18th century. Music Social aspects Germany History 18th century. Music Germany 18th century History and criticism. Identité de genre dans la musique. Musiciennes Allemagne Histoire 18e siècle. Musique Aspect social Allemagne Histoire 18e siècle. Musique Allemagne 18e siècle Histoire et critique. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Gender identity in music fast Music fast Music Social aspects fast Women musicians fast Musik gnd Musikerin gnd http://d-nb.info/gnd/4170818-0 Frau gnd http://d-nb.info/gnd/4018202-2 Geschlechtsunterschied gnd |
| topic_facet | Gender identity in music. Women musicians Germany History 18th century. Music Social aspects Germany History 18th century. Music Germany 18th century History and criticism. Identité de genre dans la musique. Musiciennes Allemagne Histoire 18e siècle. Musique Aspect social Allemagne Histoire 18e siècle. Musique Allemagne 18e siècle Histoire et critique. MUSIC Genres & Styles Classical. MUSIC Reference. Gender identity in music Music Music Social aspects Women musicians Germany Musik Musikerin Frau Geschlechtsunterschied Deutschland Criticism, interpretation, etc. History |
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