The persistence of sentiment :: display and feeling in popular music of the 1970s /
How can we account for the persistent appeal of glossy commercial pop music? Why do certain performers have such emotional power, even though their music is considered vulgar or second rate? The author gives a critical account of a group of American popular music performers who have dedicated fan ba...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berkerley :
University of California Press,
©2013.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | How can we account for the persistent appeal of glossy commercial pop music? Why do certain performers have such emotional power, even though their music is considered vulgar or second rate? The author gives a critical account of a group of American popular music performers who have dedicated fan bases and considerable commercial success despite the critical disdain they have endured. This book examines the specific musical features of some exemplary pop songs and draws attention to the social contexts that contributed to their popularity. |
| Beschreibung: | 1 online resource (248 pages) |
| Bibliographie: | Includes bibliographical references (pages 231-239) and index. |
| ISBN: | 9780520955059 0520955056 0520242858 9780520242852 0520275993 9780520275997 1299453554 9781299453555 |
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| 245 | 1 | 4 | |a The persistence of sentiment : |b display and feeling in popular music of the 1970s / |c Mitchell Morris. |
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| 505 | 0 | |a Introduction -- Black masculinity and the sound of wealth : Barry White in the early 1970s -- Transport and interiority in soft soul -- The audience and Barry Manilow -- The voice of Karen Carpenter -- Cher's "dark ladies" : Showbiz liberation -- Crossing over with Dolly Parton. | |
| 520 | |a How can we account for the persistent appeal of glossy commercial pop music? Why do certain performers have such emotional power, even though their music is considered vulgar or second rate? The author gives a critical account of a group of American popular music performers who have dedicated fan bases and considerable commercial success despite the critical disdain they have endured. This book examines the specific musical features of some exemplary pop songs and draws attention to the social contexts that contributed to their popularity. | ||
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| contents | Introduction -- Black masculinity and the sound of wealth : Barry White in the early 1970s -- Transport and interiority in soft soul -- The audience and Barry Manilow -- The voice of Karen Carpenter -- Cher's "dark ladies" : Showbiz liberation -- Crossing over with Dolly Parton. |
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| era | 1971 - 1980 fast |
| era_facet | 1971 - 1980 |
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| publisher | University of California Press, |
| record_format | marc |
| spelling | Morris, Mitchell, 1961- http://id.loc.gov/authorities/names/n2010075024 The persistence of sentiment : display and feeling in popular music of the 1970s / Mitchell Morris. Berkerley : University of California Press, ©2013. 1 online resource (248 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 231-239) and index. Introduction -- Black masculinity and the sound of wealth : Barry White in the early 1970s -- Transport and interiority in soft soul -- The audience and Barry Manilow -- The voice of Karen Carpenter -- Cher's "dark ladies" : Showbiz liberation -- Crossing over with Dolly Parton. How can we account for the persistent appeal of glossy commercial pop music? Why do certain performers have such emotional power, even though their music is considered vulgar or second rate? The author gives a critical account of a group of American popular music performers who have dedicated fan bases and considerable commercial success despite the critical disdain they have endured. This book examines the specific musical features of some exemplary pop songs and draws attention to the social contexts that contributed to their popularity. Print version record. English. Popular music United States 1971-1980 History and criticism. Singers United States. http://id.loc.gov/authorities/subjects/sh00008441 Musique populaire États-Unis 1971-1980 Histoire et critique. Chanteurs États-Unis. MUSIC Instruction & Study Theory. bisacsh MUSIC Genres & Styles Pop Vocal. bisacsh Popular music fast Singers fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 1971 - 1980 fast Criticism, interpretation, etc. fast has work: The persistence of sentiment (Text) https://id.oclc.org/worldcat/entity/E39PCH3qKyrc3H3hvpRyHKX3HC https://id.oclc.org/worldcat/ontology/hasWork Print version: Morris, Mitchell. Persistence of Sentiment : Display and Feeling in Popular Music of the 1970s. Berkerley : University of California Press, ©2013 9780520242852 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=563315 Volltext |
| spellingShingle | Morris, Mitchell, 1961- The persistence of sentiment : display and feeling in popular music of the 1970s / Introduction -- Black masculinity and the sound of wealth : Barry White in the early 1970s -- Transport and interiority in soft soul -- The audience and Barry Manilow -- The voice of Karen Carpenter -- Cher's "dark ladies" : Showbiz liberation -- Crossing over with Dolly Parton. Popular music United States 1971-1980 History and criticism. Singers United States. http://id.loc.gov/authorities/subjects/sh00008441 Musique populaire États-Unis 1971-1980 Histoire et critique. Chanteurs États-Unis. MUSIC Instruction & Study Theory. bisacsh MUSIC Genres & Styles Pop Vocal. bisacsh Popular music fast Singers fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh00008441 |
| title | The persistence of sentiment : display and feeling in popular music of the 1970s / |
| title_auth | The persistence of sentiment : display and feeling in popular music of the 1970s / |
| title_exact_search | The persistence of sentiment : display and feeling in popular music of the 1970s / |
| title_full | The persistence of sentiment : display and feeling in popular music of the 1970s / Mitchell Morris. |
| title_fullStr | The persistence of sentiment : display and feeling in popular music of the 1970s / Mitchell Morris. |
| title_full_unstemmed | The persistence of sentiment : display and feeling in popular music of the 1970s / Mitchell Morris. |
| title_short | The persistence of sentiment : |
| title_sort | persistence of sentiment display and feeling in popular music of the 1970s |
| title_sub | display and feeling in popular music of the 1970s / |
| topic | Popular music United States 1971-1980 History and criticism. Singers United States. http://id.loc.gov/authorities/subjects/sh00008441 Musique populaire États-Unis 1971-1980 Histoire et critique. Chanteurs États-Unis. MUSIC Instruction & Study Theory. bisacsh MUSIC Genres & Styles Pop Vocal. bisacsh Popular music fast Singers fast |
| topic_facet | Popular music United States 1971-1980 History and criticism. Singers United States. Musique populaire États-Unis 1971-1980 Histoire et critique. Chanteurs États-Unis. MUSIC Instruction & Study Theory. MUSIC Genres & Styles Pop Vocal. Popular music Singers United States Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=563315 |
| work_keys_str_mv | AT morrismitchell thepersistenceofsentimentdisplayandfeelinginpopularmusicofthe1970s AT morrismitchell persistenceofsentimentdisplayandfeelinginpopularmusicofthe1970s |