Shadows of doubt :: negotiations of masculinity in American genre films /
In Shadows of Doubt: Negotiations of Masculinity in American Genre Films, Barry Keith Grant questions the idea that Hollywood movies reflect moments of crisis in the dominant image of masculinity. Arguing instead that part of the mythic function of genre movies is to offer audiences an ongoing dialo...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Detroit :
Wayne State University Press,
©2011.
|
| Schriftenreihe: | Contemporary approaches to film and television series.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | In Shadows of Doubt: Negotiations of Masculinity in American Genre Films, Barry Keith Grant questions the idea that Hollywood movies reflect moments of crisis in the dominant image of masculinity. Arguing instead that part of the mythic function of genre movies is to offer audiences an ongoing dialogue on issues of gender, Grant explores a wide range of genre films, including comedies, musicals, horror, science fiction, westerns, teen movies, and action films. In ten chapters arranged chronologically according to the films discussed, Grant provides a series of close analyses of such disparate films such as Broken Blossoms, The Fatal Glass of Beer, Red River, 2001: A Space Odyssey, Night of the Living Dead, and The Hurt Locker to demonstrate that representations of masculinity in the movies involve a continuous process of ideological testing and negotiation. While some of the films considered offer important challenges to dominant representations of masculinity, others reveal an acceptance or capitulation to them. Always attentive to the details of individual film texts, Grant also places the genre films he discusses within their historical contexts and the broader contexts and traditions of popular culture that inform them, including literature, theater, and music. Scholars of film and television studies as well as readers interested in gender studies will appreciate Shadows of Doubt.--Publisher description. "In Shadows of Doubt, Barry Keith Grant moves through virtually the entire history of American cinema, from the silents to the new millennium. Grant demonstrates both the ubiquity of masculinist ideals in American cinema and some key texts that challenge these notions within mainstream genre forms."--David Desser, professor of cinema studies at the University of Illinois at Urbana-Champaign --Book Jacket |
| Beschreibung: | 1 online resource (x, 246 pages) : illustrations |
| Auszeichnungen: | Choice Outstanding Academic Title, 2011 |
| Bibliographie: | Includes bibliographical references (pages 221-231) and index. |
| ISBN: | 9780814336915 0814336914 |
Internformat
MARC
| LEADER | 00000cam a2200000 a 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-ocn835768036 | ||
| 003 | OCoLC | ||
| 005 | 20240705115654.0 | ||
| 006 | m o d | ||
| 007 | cr |||||||nn|n | ||
| 008 | 100416s2011 miua obd 001 0 eng d | ||
| 040 | |a CN8ML |b eng |e pn |c CN8ML |d OCLCO |d YDXCP |d E7B |d UX0 |d P@U |d OCLCF |d COO |d N$T |d OCLCQ |d OCLCO |d EBLCP |d OCLCQ |d OCL |d OCLCQ |d AZK |d OCLCQ |d AGLDB |d JBG |d MOR |d PIFAG |d MERUC |d OCLCQ |d ZCU |d U3W |d STF |d WRM |d OCLCQ |d VTS |d NRAMU |d ICG |d INT |d REC |d VT2 |d OCLCQ |d WYU |d A6Q |d DKC |d OCLCQ |d U3G |d AU@ |d M8D |d UKCRE |d OCLCO |d FWA |d OCLCO |d OCLCQ |d OCLCO |d OCLCL | ||
| 019 | |a 961604662 |a 962611413 |a 975608162 |a 988040440 |a 1018034714 |a 1041918060 |a 1048300335 |a 1053112351 |a 1065150959 |a 1065724835 |a 1081296844 |a 1083560361 |a 1086875181 |a 1097155330 |a 1137128648 |a 1153470946 |a 1162191176 |a 1228615191 |a 1241846475 |a 1297347093 |a 1297751952 | ||
| 020 | |a 9780814336915 |q (electronic bk.) | ||
| 020 | |a 0814336914 |q (electronic bk.) | ||
| 020 | |z 0814336914 | ||
| 020 | |z 9780814334577 |q (pbk. ; |q alk. paper) | ||
| 020 | |z 0814334571 | ||
| 035 | |a (OCoLC)835768036 |z (OCoLC)961604662 |z (OCoLC)962611413 |z (OCoLC)975608162 |z (OCoLC)988040440 |z (OCoLC)1018034714 |z (OCoLC)1041918060 |z (OCoLC)1048300335 |z (OCoLC)1053112351 |z (OCoLC)1065150959 |z (OCoLC)1065724835 |z (OCoLC)1081296844 |z (OCoLC)1083560361 |z (OCoLC)1086875181 |z (OCoLC)1097155330 |z (OCoLC)1137128648 |z (OCoLC)1153470946 |z (OCoLC)1162191176 |z (OCoLC)1228615191 |z (OCoLC)1241846475 |z (OCoLC)1297347093 |z (OCoLC)1297751952 | ||
| 043 | |a n-us--- | ||
| 050 | 4 | |a PN1995.9.M34 |b G73 2011 | |
| 072 | 7 | |a PER |x 009000 |2 bisacsh | |
| 082 | 7 | |a 791.43/6521 |2 22 | |
| 049 | |a MAIN | ||
| 100 | 1 | |a Grant, Barry Keith, |d 1947- |1 https://id.oclc.org/worldcat/entity/E39PCjDy638c4yFWKMvqXyjqDC |0 http://id.loc.gov/authorities/names/n83070137 | |
| 245 | 1 | 0 | |a Shadows of doubt : |b negotiations of masculinity in American genre films / |c Barry Keith Grant. |
| 260 | |a Detroit : |b Wayne State University Press, |c ©2011. | ||
| 300 | |a 1 online resource (x, 246 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Contemporary approaches to film and television series | |
| 504 | |a Includes bibliographical references (pages 221-231) and index. | ||
| 505 | 0 | |a Introduction -- Pistols and stamens : gender and genre in D.W. Griffith's Broken blossoms -- Walking small : W.C. Fields, Groucho Marx, and the emasculation of the American comic tradition -- Cock and bull story : Howard Hawks's Red river, professionalism, and the Western -- The classic Hollywood musical, male desire, and the "problem" of rock n' roll -- Growing up absurd : shtick meets teenpic in the delicate delinquent -- "Cussers last stan'" : black masculinity in the cool world -- Of men and monoliths : science fiction, gender, and 2001 a space odyssey -- Taking back The night of the living dead : George Romero, feminism, and the horror film -- Rich and strange : economic performance anxiety and the yuppie horror film -- Man's favorite sport? the action films of Kathryn Bigelow. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a In Shadows of Doubt: Negotiations of Masculinity in American Genre Films, Barry Keith Grant questions the idea that Hollywood movies reflect moments of crisis in the dominant image of masculinity. Arguing instead that part of the mythic function of genre movies is to offer audiences an ongoing dialogue on issues of gender, Grant explores a wide range of genre films, including comedies, musicals, horror, science fiction, westerns, teen movies, and action films. In ten chapters arranged chronologically according to the films discussed, Grant provides a series of close analyses of such disparate films such as Broken Blossoms, The Fatal Glass of Beer, Red River, 2001: A Space Odyssey, Night of the Living Dead, and The Hurt Locker to demonstrate that representations of masculinity in the movies involve a continuous process of ideological testing and negotiation. While some of the films considered offer important challenges to dominant representations of masculinity, others reveal an acceptance or capitulation to them. Always attentive to the details of individual film texts, Grant also places the genre films he discusses within their historical contexts and the broader contexts and traditions of popular culture that inform them, including literature, theater, and music. Scholars of film and television studies as well as readers interested in gender studies will appreciate Shadows of Doubt.--Publisher description. | ||
| 520 | |a "In Shadows of Doubt, Barry Keith Grant moves through virtually the entire history of American cinema, from the silents to the new millennium. Grant demonstrates both the ubiquity of masculinist ideals in American cinema and some key texts that challenge these notions within mainstream genre forms."--David Desser, professor of cinema studies at the University of Illinois at Urbana-Champaign --Book Jacket | ||
| 586 | |a Choice Outstanding Academic Title, 2011 | ||
| 546 | |a English. | ||
| 650 | 0 | |a Motion pictures |z United States |x History |y 20th century. | |
| 650 | 0 | |a Masculinity in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh2002007718 | |
| 650 | 6 | |a Cinéma |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Masculinité au cinéma. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Masculinity in motion pictures |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 758 | |i has work: |a Shadows of doubt (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFC4MTcKDhHTPGBWrBKMrq |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Grant, Barry Keith, 1947- |t Shadows of doubt. |d Detroit : Wayne State University Press, ©2011 |w (DLC) 2010015131 |
| 830 | 0 | |a Contemporary approaches to film and television series. |0 http://id.loc.gov/authorities/names/n2003053483 | |
| 856 | 1 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=698488 |3 Volltext | |
| 856 | 1 | |l CBO01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=698488 |3 Volltext | |
| 936 | |a BATCHLOAD | ||
| 938 | |a EBL - Ebook Library |b EBLB |n EBL3416510 | ||
| 938 | |a ebrary |b EBRY |n ebr10715409 | ||
| 938 | |a EBSCOhost |b EBSC |n 698488 | ||
| 938 | |a Project MUSE |b MUSE |n muse11055 | ||
| 938 | |a YBP Library Services |b YANK |n 10381917 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn835768036 |
|---|---|
| _version_ | 1813903606816964608 |
| adam_text | |
| any_adam_object | |
| author | Grant, Barry Keith, 1947- |
| author_GND | http://id.loc.gov/authorities/names/n83070137 |
| author_facet | Grant, Barry Keith, 1947- |
| author_role | |
| author_sort | Grant, Barry Keith, 1947- |
| author_variant | b k g bk bkg |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.M34 G73 2011 |
| callnumber-search | PN1995.9.M34 G73 2011 |
| callnumber-sort | PN 41995.9 M34 G73 42011 |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Introduction -- Pistols and stamens : gender and genre in D.W. Griffith's Broken blossoms -- Walking small : W.C. Fields, Groucho Marx, and the emasculation of the American comic tradition -- Cock and bull story : Howard Hawks's Red river, professionalism, and the Western -- The classic Hollywood musical, male desire, and the "problem" of rock n' roll -- Growing up absurd : shtick meets teenpic in the delicate delinquent -- "Cussers last stan'" : black masculinity in the cool world -- Of men and monoliths : science fiction, gender, and 2001 a space odyssey -- Taking back The night of the living dead : George Romero, feminism, and the horror film -- Rich and strange : economic performance anxiety and the yuppie horror film -- Man's favorite sport? the action films of Kathryn Bigelow. |
| ctrlnum | (OCoLC)835768036 |
| dewey-full | 791.43/6521 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/6521 |
| dewey-search | 791.43/6521 |
| dewey-sort | 3791.43 46521 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | 1900-1999 fast |
| era_facet | 1900-1999 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06442cam a2200685 a 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn835768036</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20240705115654.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr |||||||nn|n</controlfield><controlfield tag="008">100416s2011 miua obd 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">CN8ML</subfield><subfield code="b">eng</subfield><subfield code="e">pn</subfield><subfield code="c">CN8ML</subfield><subfield code="d">OCLCO</subfield><subfield code="d">YDXCP</subfield><subfield code="d">E7B</subfield><subfield code="d">UX0</subfield><subfield code="d">P@U</subfield><subfield code="d">OCLCF</subfield><subfield code="d">COO</subfield><subfield code="d">N$T</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">EBLCP</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">AZK</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">AGLDB</subfield><subfield code="d">JBG</subfield><subfield code="d">MOR</subfield><subfield code="d">PIFAG</subfield><subfield code="d">MERUC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">ZCU</subfield><subfield code="d">U3W</subfield><subfield code="d">STF</subfield><subfield code="d">WRM</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">VTS</subfield><subfield code="d">NRAMU</subfield><subfield code="d">ICG</subfield><subfield code="d">INT</subfield><subfield code="d">REC</subfield><subfield code="d">VT2</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">WYU</subfield><subfield code="d">A6Q</subfield><subfield code="d">DKC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">U3G</subfield><subfield code="d">AU@</subfield><subfield code="d">M8D</subfield><subfield code="d">UKCRE</subfield><subfield code="d">OCLCO</subfield><subfield code="d">FWA</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">961604662</subfield><subfield code="a">962611413</subfield><subfield code="a">975608162</subfield><subfield code="a">988040440</subfield><subfield code="a">1018034714</subfield><subfield code="a">1041918060</subfield><subfield code="a">1048300335</subfield><subfield code="a">1053112351</subfield><subfield code="a">1065150959</subfield><subfield code="a">1065724835</subfield><subfield code="a">1081296844</subfield><subfield code="a">1083560361</subfield><subfield code="a">1086875181</subfield><subfield code="a">1097155330</subfield><subfield code="a">1137128648</subfield><subfield code="a">1153470946</subfield><subfield code="a">1162191176</subfield><subfield code="a">1228615191</subfield><subfield code="a">1241846475</subfield><subfield code="a">1297347093</subfield><subfield code="a">1297751952</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780814336915</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0814336914</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0814336914</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780814334577</subfield><subfield code="q">(pbk. ;</subfield><subfield code="q">alk. paper)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0814334571</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)835768036</subfield><subfield code="z">(OCoLC)961604662</subfield><subfield code="z">(OCoLC)962611413</subfield><subfield code="z">(OCoLC)975608162</subfield><subfield code="z">(OCoLC)988040440</subfield><subfield code="z">(OCoLC)1018034714</subfield><subfield code="z">(OCoLC)1041918060</subfield><subfield code="z">(OCoLC)1048300335</subfield><subfield code="z">(OCoLC)1053112351</subfield><subfield code="z">(OCoLC)1065150959</subfield><subfield code="z">(OCoLC)1065724835</subfield><subfield code="z">(OCoLC)1081296844</subfield><subfield code="z">(OCoLC)1083560361</subfield><subfield code="z">(OCoLC)1086875181</subfield><subfield code="z">(OCoLC)1097155330</subfield><subfield code="z">(OCoLC)1137128648</subfield><subfield code="z">(OCoLC)1153470946</subfield><subfield code="z">(OCoLC)1162191176</subfield><subfield code="z">(OCoLC)1228615191</subfield><subfield code="z">(OCoLC)1241846475</subfield><subfield code="z">(OCoLC)1297347093</subfield><subfield code="z">(OCoLC)1297751952</subfield></datafield><datafield tag="043" ind1=" " ind2=" "><subfield code="a">n-us---</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN1995.9.M34</subfield><subfield code="b">G73 2011</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER</subfield><subfield code="x">009000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">791.43/6521</subfield><subfield code="2">22</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Grant, Barry Keith,</subfield><subfield code="d">1947-</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCjDy638c4yFWKMvqXyjqDC</subfield><subfield code="0">http://id.loc.gov/authorities/names/n83070137</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Shadows of doubt :</subfield><subfield code="b">negotiations of masculinity in American genre films /</subfield><subfield code="c">Barry Keith Grant.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">Detroit :</subfield><subfield code="b">Wayne State University Press,</subfield><subfield code="c">©2011.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (x, 246 pages) :</subfield><subfield code="b">illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Contemporary approaches to film and television series</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (pages 221-231) and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Introduction -- Pistols and stamens : gender and genre in D.W. Griffith's Broken blossoms -- Walking small : W.C. Fields, Groucho Marx, and the emasculation of the American comic tradition -- Cock and bull story : Howard Hawks's Red river, professionalism, and the Western -- The classic Hollywood musical, male desire, and the "problem" of rock n' roll -- Growing up absurd : shtick meets teenpic in the delicate delinquent -- "Cussers last stan'" : black masculinity in the cool world -- Of men and monoliths : science fiction, gender, and 2001 a space odyssey -- Taking back The night of the living dead : George Romero, feminism, and the horror film -- Rich and strange : economic performance anxiety and the yuppie horror film -- Man's favorite sport? the action films of Kathryn Bigelow.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In Shadows of Doubt: Negotiations of Masculinity in American Genre Films, Barry Keith Grant questions the idea that Hollywood movies reflect moments of crisis in the dominant image of masculinity. Arguing instead that part of the mythic function of genre movies is to offer audiences an ongoing dialogue on issues of gender, Grant explores a wide range of genre films, including comedies, musicals, horror, science fiction, westerns, teen movies, and action films. In ten chapters arranged chronologically according to the films discussed, Grant provides a series of close analyses of such disparate films such as Broken Blossoms, The Fatal Glass of Beer, Red River, 2001: A Space Odyssey, Night of the Living Dead, and The Hurt Locker to demonstrate that representations of masculinity in the movies involve a continuous process of ideological testing and negotiation. While some of the films considered offer important challenges to dominant representations of masculinity, others reveal an acceptance or capitulation to them. Always attentive to the details of individual film texts, Grant also places the genre films he discusses within their historical contexts and the broader contexts and traditions of popular culture that inform them, including literature, theater, and music. Scholars of film and television studies as well as readers interested in gender studies will appreciate Shadows of Doubt.--Publisher description.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"In Shadows of Doubt, Barry Keith Grant moves through virtually the entire history of American cinema, from the silents to the new millennium. Grant demonstrates both the ubiquity of masculinist ideals in American cinema and some key texts that challenge these notions within mainstream genre forms."--David Desser, professor of cinema studies at the University of Illinois at Urbana-Champaign --Book Jacket</subfield></datafield><datafield tag="586" ind1=" " ind2=" "><subfield code="a">Choice Outstanding Academic Title, 2011</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">English.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="z">United States</subfield><subfield code="x">History</subfield><subfield code="y">20th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Masculinity in motion pictures.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh2002007718</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Cinéma</subfield><subfield code="z">États-Unis</subfield><subfield code="x">Histoire</subfield><subfield code="y">20e siècle.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Masculinité au cinéma.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="x">Reference.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Masculinity in motion pictures</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures</subfield><subfield code="2">fast</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">United States</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">1900-1999</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">History</subfield><subfield code="2">fast</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Shadows of doubt (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCFC4MTcKDhHTPGBWrBKMrq</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Grant, Barry Keith, 1947-</subfield><subfield code="t">Shadows of doubt.</subfield><subfield code="d">Detroit : Wayne State University Press, ©2011</subfield><subfield code="w">(DLC) 2010015131</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Contemporary approaches to film and television series.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n2003053483</subfield></datafield><datafield tag="856" ind1="1" ind2=" "><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=698488</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="856" ind1="1" ind2=" "><subfield code="l">CBO01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=698488</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="936" ind1=" " ind2=" "><subfield code="a">BATCHLOAD</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBL - Ebook Library</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL3416510</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ebrary</subfield><subfield code="b">EBRY</subfield><subfield code="n">ebr10715409</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">698488</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Project MUSE</subfield><subfield code="b">MUSE</subfield><subfield code="n">muse11055</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">10381917</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield></record></collection> |
| genre | History fast |
| genre_facet | History |
| geographic | United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq |
| geographic_facet | United States |
| id | ZDB-4-EBA-ocn835768036 |
| illustrated | Illustrated |
| indexdate | 2024-10-25T16:21:21Z |
| institution | BVB |
| isbn | 9780814336915 0814336914 |
| language | English |
| oclc_num | 835768036 |
| open_access_boolean | |
| owner | MAIN |
| owner_facet | MAIN |
| physical | 1 online resource (x, 246 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | Wayne State University Press, |
| record_format | marc |
| series | Contemporary approaches to film and television series. |
| series2 | Contemporary approaches to film and television series |
| spelling | Grant, Barry Keith, 1947- https://id.oclc.org/worldcat/entity/E39PCjDy638c4yFWKMvqXyjqDC http://id.loc.gov/authorities/names/n83070137 Shadows of doubt : negotiations of masculinity in American genre films / Barry Keith Grant. Detroit : Wayne State University Press, ©2011. 1 online resource (x, 246 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Contemporary approaches to film and television series Includes bibliographical references (pages 221-231) and index. Introduction -- Pistols and stamens : gender and genre in D.W. Griffith's Broken blossoms -- Walking small : W.C. Fields, Groucho Marx, and the emasculation of the American comic tradition -- Cock and bull story : Howard Hawks's Red river, professionalism, and the Western -- The classic Hollywood musical, male desire, and the "problem" of rock n' roll -- Growing up absurd : shtick meets teenpic in the delicate delinquent -- "Cussers last stan'" : black masculinity in the cool world -- Of men and monoliths : science fiction, gender, and 2001 a space odyssey -- Taking back The night of the living dead : George Romero, feminism, and the horror film -- Rich and strange : economic performance anxiety and the yuppie horror film -- Man's favorite sport? the action films of Kathryn Bigelow. Print version record. In Shadows of Doubt: Negotiations of Masculinity in American Genre Films, Barry Keith Grant questions the idea that Hollywood movies reflect moments of crisis in the dominant image of masculinity. Arguing instead that part of the mythic function of genre movies is to offer audiences an ongoing dialogue on issues of gender, Grant explores a wide range of genre films, including comedies, musicals, horror, science fiction, westerns, teen movies, and action films. In ten chapters arranged chronologically according to the films discussed, Grant provides a series of close analyses of such disparate films such as Broken Blossoms, The Fatal Glass of Beer, Red River, 2001: A Space Odyssey, Night of the Living Dead, and The Hurt Locker to demonstrate that representations of masculinity in the movies involve a continuous process of ideological testing and negotiation. While some of the films considered offer important challenges to dominant representations of masculinity, others reveal an acceptance or capitulation to them. Always attentive to the details of individual film texts, Grant also places the genre films he discusses within their historical contexts and the broader contexts and traditions of popular culture that inform them, including literature, theater, and music. Scholars of film and television studies as well as readers interested in gender studies will appreciate Shadows of Doubt.--Publisher description. "In Shadows of Doubt, Barry Keith Grant moves through virtually the entire history of American cinema, from the silents to the new millennium. Grant demonstrates both the ubiquity of masculinist ideals in American cinema and some key texts that challenge these notions within mainstream genre forms."--David Desser, professor of cinema studies at the University of Illinois at Urbana-Champaign --Book Jacket Choice Outstanding Academic Title, 2011 English. Motion pictures United States History 20th century. Masculinity in motion pictures. http://id.loc.gov/authorities/subjects/sh2002007718 Cinéma États-Unis Histoire 20e siècle. Masculinité au cinéma. PERFORMING ARTS Reference. bisacsh Masculinity in motion pictures fast Motion pictures fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 1900-1999 fast History fast has work: Shadows of doubt (Text) https://id.oclc.org/worldcat/entity/E39PCFC4MTcKDhHTPGBWrBKMrq https://id.oclc.org/worldcat/ontology/hasWork Print version: Grant, Barry Keith, 1947- Shadows of doubt. Detroit : Wayne State University Press, ©2011 (DLC) 2010015131 Contemporary approaches to film and television series. http://id.loc.gov/authorities/names/n2003053483 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=698488 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=698488 Volltext |
| spellingShingle | Grant, Barry Keith, 1947- Shadows of doubt : negotiations of masculinity in American genre films / Contemporary approaches to film and television series. Introduction -- Pistols and stamens : gender and genre in D.W. Griffith's Broken blossoms -- Walking small : W.C. Fields, Groucho Marx, and the emasculation of the American comic tradition -- Cock and bull story : Howard Hawks's Red river, professionalism, and the Western -- The classic Hollywood musical, male desire, and the "problem" of rock n' roll -- Growing up absurd : shtick meets teenpic in the delicate delinquent -- "Cussers last stan'" : black masculinity in the cool world -- Of men and monoliths : science fiction, gender, and 2001 a space odyssey -- Taking back The night of the living dead : George Romero, feminism, and the horror film -- Rich and strange : economic performance anxiety and the yuppie horror film -- Man's favorite sport? the action films of Kathryn Bigelow. Motion pictures United States History 20th century. Masculinity in motion pictures. http://id.loc.gov/authorities/subjects/sh2002007718 Cinéma États-Unis Histoire 20e siècle. Masculinité au cinéma. PERFORMING ARTS Reference. bisacsh Masculinity in motion pictures fast Motion pictures fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2002007718 |
| title | Shadows of doubt : negotiations of masculinity in American genre films / |
| title_auth | Shadows of doubt : negotiations of masculinity in American genre films / |
| title_exact_search | Shadows of doubt : negotiations of masculinity in American genre films / |
| title_full | Shadows of doubt : negotiations of masculinity in American genre films / Barry Keith Grant. |
| title_fullStr | Shadows of doubt : negotiations of masculinity in American genre films / Barry Keith Grant. |
| title_full_unstemmed | Shadows of doubt : negotiations of masculinity in American genre films / Barry Keith Grant. |
| title_short | Shadows of doubt : |
| title_sort | shadows of doubt negotiations of masculinity in american genre films |
| title_sub | negotiations of masculinity in American genre films / |
| topic | Motion pictures United States History 20th century. Masculinity in motion pictures. http://id.loc.gov/authorities/subjects/sh2002007718 Cinéma États-Unis Histoire 20e siècle. Masculinité au cinéma. PERFORMING ARTS Reference. bisacsh Masculinity in motion pictures fast Motion pictures fast |
| topic_facet | Motion pictures United States History 20th century. Masculinity in motion pictures. Cinéma États-Unis Histoire 20e siècle. Masculinité au cinéma. PERFORMING ARTS Reference. Masculinity in motion pictures Motion pictures United States History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=698488 |
| work_keys_str_mv | AT grantbarrykeith shadowsofdoubtnegotiationsofmasculinityinamericangenrefilms |