Freedom and the arts :: essays on music and literature /
Is there a moment in history when a work receives its ideal interpretation? Or is negotiation always required to preserve the past and accommodate the present? The freedom of interpretation, Charles Rosen suggests in these sparkling explorations of music and literature, exists in a delicate balance...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge, Mass. :
Harvard University Press,
©2012.
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Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Is there a moment in history when a work receives its ideal interpretation? Or is negotiation always required to preserve the past and accommodate the present? The freedom of interpretation, Charles Rosen suggests in these sparkling explorations of music and literature, exists in a delicate balance with fidelity to the identity of the original work. Rosen cautions us to avoid doctrinaire extremes when approaching art of the past. To understand Shakespeare only as an Elizabethan or Jacobean theatergoer would understand him, or to modernize his plays with no sense of what they bring from his age, deforms the work, making it less ambiguous and inherently less interesting. For a work to remain alive, it must change character over time while preserving a valid witness to its earliest state. When twentieth-century scholars transformed Mozart's bland, idealized nineteenth-century image into that of a modern revolutionary expressionist, they paradoxically restored the reputation he had among his eighteenth-century contemporaries. Mozart became once again a complex innovator, challenging to perform and to understand. Drawing on a variety of critical methods, Rosen maintains that listening or reading with intensity--for pleasure--is the one activity indispensable for full appreciation. It allows us to experience multiple possibilities in literature and music, and to avoid recognizing only the revolutionary elements of artistic production. By reviving the sense that works of art have intrinsic merits that bring pleasure, we justify their continuing existence. Is there a moment in history when a work receives its ideal interpretation? Or is perpetual negotiation required to preserve the past and accommodate the present? The freedom of interpretation, Charles Rosen suggests in these sparkling explorations, exists in a delicate balance with fidelity to the identity of the original work. |
Beschreibung: | 1 online resource (vii, 438 pages) : illustrations |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9780674065499 0674065492 |
Internformat
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505 | 0 | |a The weight of society -- Freedom and art -- Culture on the market -- The future of music -- The canon -- Dramatic and tonal logic in Mozart's operas -- Mozart's entry into the twentieth century -- The triumph of Mozart -- Drama and figured bass in Mozart's concertos -- Mozart and posterity -- Structural dissonance and the classical sonata -- Tradition without convention -- Felix Mendelssohn at 200 : prodigy without peer -- Happy birthday, Elliott Carter! -- Frédéric Chopin, reactionary and revolutionary -- Robert Schumann, a vision of the future -- Long perspectives -- The New Grove's dictionary returns -- Western music : the view from California -- Theodore Adorno : criticism as cultural nostalgia -- Resuscitating opera : Alessandro Scarlatti -- Operatic paradoxes : the ridiculous and sublime -- Lost chords and the golden age of pianism -- Montaigne : philosophy as process -- La Fontaine : the ethical power of style -- The anatomy lesson : melancholy and the invention of boredom -- Mallarmé and the transfiguration of poetry -- Hoffmansthal and radical modernism -- The private obsessions of Wystan Auden -- Old wisdom and newfangled theory : two one-way streets to disaster. | |
504 | |a Includes bibliographical references and index. | ||
588 | 0 | |a Print version record. | |
520 | |a Is there a moment in history when a work receives its ideal interpretation? Or is negotiation always required to preserve the past and accommodate the present? The freedom of interpretation, Charles Rosen suggests in these sparkling explorations of music and literature, exists in a delicate balance with fidelity to the identity of the original work. Rosen cautions us to avoid doctrinaire extremes when approaching art of the past. To understand Shakespeare only as an Elizabethan or Jacobean theatergoer would understand him, or to modernize his plays with no sense of what they bring from his age, deforms the work, making it less ambiguous and inherently less interesting. For a work to remain alive, it must change character over time while preserving a valid witness to its earliest state. When twentieth-century scholars transformed Mozart's bland, idealized nineteenth-century image into that of a modern revolutionary expressionist, they paradoxically restored the reputation he had among his eighteenth-century contemporaries. Mozart became once again a complex innovator, challenging to perform and to understand. Drawing on a variety of critical methods, Rosen maintains that listening or reading with intensity--for pleasure--is the one activity indispensable for full appreciation. It allows us to experience multiple possibilities in literature and music, and to avoid recognizing only the revolutionary elements of artistic production. By reviving the sense that works of art have intrinsic merits that bring pleasure, we justify their continuing existence. | ||
520 | |a Is there a moment in history when a work receives its ideal interpretation? Or is perpetual negotiation required to preserve the past and accommodate the present? The freedom of interpretation, Charles Rosen suggests in these sparkling explorations, exists in a delicate balance with fidelity to the identity of the original work. | ||
650 | 0 | |a Music |x History and criticism. |0 http://id.loc.gov/authorities/subjects/sh85088794 | |
650 | 0 | |a Literature |x History and criticism. | |
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655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
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776 | 0 | 8 | |i Print version: |a Rosen, Charles, 1927-2012. |t Freedom and the arts. |b 1st ed. |d Cambridge : Harvard University Press, ©2012 |z 9780674047525 |w (DLC) 2011044591 |w (OCoLC)758383819 |
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author | Rosen, Charles, 1927-2012 |
author_GND | http://id.loc.gov/authorities/names/n50048358 |
author_facet | Rosen, Charles, 1927-2012 |
author_role | |
author_sort | Rosen, Charles, 1927-2012 |
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building | Verbundindex |
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callnumber-first | M - Music |
callnumber-label | ML60 |
callnumber-raw | ML60 .R7849 2012 |
callnumber-search | ML60 .R7849 2012 |
callnumber-sort | ML 260 R7849 42012 |
callnumber-subject | ML - Literature on Music |
collection | ZDB-4-EBA |
contents | The weight of society -- Freedom and art -- Culture on the market -- The future of music -- The canon -- Dramatic and tonal logic in Mozart's operas -- Mozart's entry into the twentieth century -- The triumph of Mozart -- Drama and figured bass in Mozart's concertos -- Mozart and posterity -- Structural dissonance and the classical sonata -- Tradition without convention -- Felix Mendelssohn at 200 : prodigy without peer -- Happy birthday, Elliott Carter! -- Frédéric Chopin, reactionary and revolutionary -- Robert Schumann, a vision of the future -- Long perspectives -- The New Grove's dictionary returns -- Western music : the view from California -- Theodore Adorno : criticism as cultural nostalgia -- Resuscitating opera : Alessandro Scarlatti -- Operatic paradoxes : the ridiculous and sublime -- Lost chords and the golden age of pianism -- Montaigne : philosophy as process -- La Fontaine : the ethical power of style -- The anatomy lesson : melancholy and the invention of boredom -- Mallarmé and the transfiguration of poetry -- Hoffmansthal and radical modernism -- The private obsessions of Wystan Auden -- Old wisdom and newfangled theory : two one-way streets to disaster. |
ctrlnum | (OCoLC)835640492 |
dewey-full | 780.9 |
dewey-hundreds | 700 - The arts |
dewey-ones | 780 - Music |
dewey-raw | 780.9 |
dewey-search | 780.9 |
dewey-sort | 3780.9 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
format | Electronic eBook |
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genre | Criticism, interpretation, etc. fast |
genre_facet | Criticism, interpretation, etc. |
id | ZDB-4-EBA-ocn835640492 |
illustrated | Illustrated |
indexdate | 2024-11-27T13:25:16Z |
institution | BVB |
isbn | 9780674065499 0674065492 |
language | English |
oclc_num | 835640492 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (vii, 438 pages) : illustrations |
psigel | ZDB-4-EBA |
publishDate | 2012 |
publishDateSearch | 2012 |
publishDateSort | 2012 |
publisher | Harvard University Press, |
record_format | marc |
spelling | Rosen, Charles, 1927-2012. https://id.oclc.org/worldcat/entity/E39PBJbxGwQCDjMpxBxcb9jHmd http://id.loc.gov/authorities/names/n50048358 Freedom and the arts : essays on music and literature / Charles Rosen. Cambridge, Mass. : Harvard University Press, ©2012. 1 online resource (vii, 438 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file rda The weight of society -- Freedom and art -- Culture on the market -- The future of music -- The canon -- Dramatic and tonal logic in Mozart's operas -- Mozart's entry into the twentieth century -- The triumph of Mozart -- Drama and figured bass in Mozart's concertos -- Mozart and posterity -- Structural dissonance and the classical sonata -- Tradition without convention -- Felix Mendelssohn at 200 : prodigy without peer -- Happy birthday, Elliott Carter! -- Frédéric Chopin, reactionary and revolutionary -- Robert Schumann, a vision of the future -- Long perspectives -- The New Grove's dictionary returns -- Western music : the view from California -- Theodore Adorno : criticism as cultural nostalgia -- Resuscitating opera : Alessandro Scarlatti -- Operatic paradoxes : the ridiculous and sublime -- Lost chords and the golden age of pianism -- Montaigne : philosophy as process -- La Fontaine : the ethical power of style -- The anatomy lesson : melancholy and the invention of boredom -- Mallarmé and the transfiguration of poetry -- Hoffmansthal and radical modernism -- The private obsessions of Wystan Auden -- Old wisdom and newfangled theory : two one-way streets to disaster. Includes bibliographical references and index. Print version record. Is there a moment in history when a work receives its ideal interpretation? Or is negotiation always required to preserve the past and accommodate the present? The freedom of interpretation, Charles Rosen suggests in these sparkling explorations of music and literature, exists in a delicate balance with fidelity to the identity of the original work. Rosen cautions us to avoid doctrinaire extremes when approaching art of the past. To understand Shakespeare only as an Elizabethan or Jacobean theatergoer would understand him, or to modernize his plays with no sense of what they bring from his age, deforms the work, making it less ambiguous and inherently less interesting. For a work to remain alive, it must change character over time while preserving a valid witness to its earliest state. When twentieth-century scholars transformed Mozart's bland, idealized nineteenth-century image into that of a modern revolutionary expressionist, they paradoxically restored the reputation he had among his eighteenth-century contemporaries. Mozart became once again a complex innovator, challenging to perform and to understand. Drawing on a variety of critical methods, Rosen maintains that listening or reading with intensity--for pleasure--is the one activity indispensable for full appreciation. It allows us to experience multiple possibilities in literature and music, and to avoid recognizing only the revolutionary elements of artistic production. By reviving the sense that works of art have intrinsic merits that bring pleasure, we justify their continuing existence. Is there a moment in history when a work receives its ideal interpretation? Or is perpetual negotiation required to preserve the past and accommodate the present? The freedom of interpretation, Charles Rosen suggests in these sparkling explorations, exists in a delicate balance with fidelity to the identity of the original work. Music History and criticism. http://id.loc.gov/authorities/subjects/sh85088794 Literature History and criticism. Musique Histoire et critique. Littérature Histoire et critique. MUSIC History & Criticism. bisacsh Literature fast Music fast Criticism, interpretation, etc. fast has work: Freedom and the arts (Text) https://id.oclc.org/worldcat/entity/E39PCGTtMmb3yYTqMMhGjbhtBq https://id.oclc.org/worldcat/ontology/hasWork Print version: Rosen, Charles, 1927-2012. Freedom and the arts. 1st ed. Cambridge : Harvard University Press, ©2012 9780674047525 (DLC) 2011044591 (OCoLC)758383819 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=597455 Volltext |
spellingShingle | Rosen, Charles, 1927-2012 Freedom and the arts : essays on music and literature / The weight of society -- Freedom and art -- Culture on the market -- The future of music -- The canon -- Dramatic and tonal logic in Mozart's operas -- Mozart's entry into the twentieth century -- The triumph of Mozart -- Drama and figured bass in Mozart's concertos -- Mozart and posterity -- Structural dissonance and the classical sonata -- Tradition without convention -- Felix Mendelssohn at 200 : prodigy without peer -- Happy birthday, Elliott Carter! -- Frédéric Chopin, reactionary and revolutionary -- Robert Schumann, a vision of the future -- Long perspectives -- The New Grove's dictionary returns -- Western music : the view from California -- Theodore Adorno : criticism as cultural nostalgia -- Resuscitating opera : Alessandro Scarlatti -- Operatic paradoxes : the ridiculous and sublime -- Lost chords and the golden age of pianism -- Montaigne : philosophy as process -- La Fontaine : the ethical power of style -- The anatomy lesson : melancholy and the invention of boredom -- Mallarmé and the transfiguration of poetry -- Hoffmansthal and radical modernism -- The private obsessions of Wystan Auden -- Old wisdom and newfangled theory : two one-way streets to disaster. Music History and criticism. http://id.loc.gov/authorities/subjects/sh85088794 Literature History and criticism. Musique Histoire et critique. Littérature Histoire et critique. MUSIC History & Criticism. bisacsh Literature fast Music fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh85088794 |
title | Freedom and the arts : essays on music and literature / |
title_auth | Freedom and the arts : essays on music and literature / |
title_exact_search | Freedom and the arts : essays on music and literature / |
title_full | Freedom and the arts : essays on music and literature / Charles Rosen. |
title_fullStr | Freedom and the arts : essays on music and literature / Charles Rosen. |
title_full_unstemmed | Freedom and the arts : essays on music and literature / Charles Rosen. |
title_short | Freedom and the arts : |
title_sort | freedom and the arts essays on music and literature |
title_sub | essays on music and literature / |
topic | Music History and criticism. http://id.loc.gov/authorities/subjects/sh85088794 Literature History and criticism. Musique Histoire et critique. Littérature Histoire et critique. MUSIC History & Criticism. bisacsh Literature fast Music fast |
topic_facet | Music History and criticism. Literature History and criticism. Musique Histoire et critique. Littérature Histoire et critique. MUSIC History & Criticism. Literature Music Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=597455 |
work_keys_str_mv | AT rosencharles freedomandtheartsessaysonmusicandliterature |