Design elements :: using images to create graphic impact : a graphic style manual for effective image solutions in graphic design /
"Imagery is powerful and evocative. It is one of the most important cornerstones of successful visual communication, and working with imagery is a vital skill for every designer. This authoritative book shows how successful sourcing, creation, and use of imagery can be applied to professional g...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Beverly, MA :
Rockport Publishers,
2013.
|
Schriftenreihe: | Design elements.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | "Imagery is powerful and evocative. It is one of the most important cornerstones of successful visual communication, and working with imagery is a vital skill for every designer. This authoritative book shows how successful sourcing, creation, and use of imagery can be applied to professional graphic design. As a new addition to the Design Elements series, this essential volume covers when, where, and how to use imagery and explores the unique power images have over an audience. In these pages, you'll learn:- How to choose the best photos and illustrations for a project- The most effective ways to alter images- Composition techniques- Strategies for sourcing images on a tight budget- And moreWith eye-opening examples of real-world projects, Design Elements, Using Images to Create Graphic Impact is filled with valuable tips and practical strategies for using imagery to create memorable and effective design"-- |
Beschreibung: | Includes index. |
Beschreibung: | 1 online resource : illustrations (some color) |
ISBN: | 9781610586276 1610586271 |
Internformat
MARC
LEADER | 00000cam a2200000 a 4500 | ||
---|---|---|---|
001 | ZDB-4-EBA-ocn830533382 | ||
003 | OCoLC | ||
005 | 20241004212047.0 | ||
006 | m o d | ||
007 | cr cnu---unuuu | ||
008 | 130320s2013 maua o 001 0 eng d | ||
010 | |z 2012020531 | ||
040 | |a TEFOD |b eng |e pn |c TEFOD |d YDXCP |d N$T |d OCLCF |d CDX |d OCLCO |d OCLCQ |d E7B |d IDEBK |d OCLCO |d TEFOD |d EBLCP |d OCLCO |d OCLCQ |d OCLCO |d MUO |d AGLDB |d MERUC |d OCLCQ |d JBG |d OCLCQ |d YDX |d D6H |d OCLCQ |d VTS |d STF |d OCLCQ |d A6Q |d DKC |d OCLCQ |d M8D |d OCLCQ |d VLY |d UKUAL |d OCLCQ |d UKMGB |d OCLCQ |d OCLCO |d QGK |d OCLCO |d OCLCQ |d OCLCO |d OCLCL |d HOPLA | ||
015 | |a GBC121645 |2 bnb | ||
016 | 7 | |a 020062174 |2 Uk | |
019 | |a 846944766 |a 923349538 |a 1004900992 |a 1053887705 |a 1083554263 |a 1138530082 |a 1162024169 |a 1191067772 |a 1259102422 |a 1426331623 | ||
020 | |a 9781610586276 |q (electronic bk.) | ||
020 | |a 1610586271 |q (electronic bk.) | ||
020 | |z 9781592538072 | ||
020 | |z 159253807X | ||
035 | |a (OCoLC)830533382 |z (OCoLC)846944766 |z (OCoLC)923349538 |z (OCoLC)1004900992 |z (OCoLC)1053887705 |z (OCoLC)1083554263 |z (OCoLC)1138530082 |z (OCoLC)1162024169 |z (OCoLC)1191067772 |z (OCoLC)1259102422 |z (OCoLC)1426331623 | ||
037 | |a 23ECF072-DEC9-4331-9BDE-5C0C5066283A |b OverDrive, Inc. |n http://www.overdrive.com | ||
050 | 4 | |a NC1000 | |
072 | 7 | |a ANT |x 029000 |2 bisacsh | |
072 | 7 | |a DES |x 002000 |2 bisacsh | |
072 | 7 | |a DES |x 007020 |2 bisacsh | |
072 | 7 | |a DES |x 007030 |2 bisacsh | |
072 | 7 | |a DES |x 007040 |2 bisacsh | |
082 | 7 | |a 741.6 |2 23 | |
084 | |a DES007000 |a DES012000 |2 bisacsh | ||
084 | |a J534 |2 clc | ||
049 | |a MAIN | ||
100 | 1 | |a Sherin, Aaris. |0 http://id.loc.gov/authorities/names/n2007079509 | |
245 | 1 | 0 | |a Design elements : |b using images to create graphic impact : a graphic style manual for effective image solutions in graphic design / |c Aaris Sherin. |
260 | |a Beverly, MA : |b Rockport Publishers, |c 2013. | ||
300 | |a 1 online resource : |b illustrations (some color) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
490 | 1 | |a Design elements | |
520 | |a "Imagery is powerful and evocative. It is one of the most important cornerstones of successful visual communication, and working with imagery is a vital skill for every designer. This authoritative book shows how successful sourcing, creation, and use of imagery can be applied to professional graphic design. As a new addition to the Design Elements series, this essential volume covers when, where, and how to use imagery and explores the unique power images have over an audience. In these pages, you'll learn:- How to choose the best photos and illustrations for a project- The most effective ways to alter images- Composition techniques- Strategies for sourcing images on a tight budget- And moreWith eye-opening examples of real-world projects, Design Elements, Using Images to Create Graphic Impact is filled with valuable tips and practical strategies for using imagery to create memorable and effective design"-- |c Provided by publisher | ||
500 | |a Includes index. | ||
588 | 0 | |a Print version record. | |
505 | 0 | |a Introduction: Imagery in Design -- Chapter 1 Image Formats and Use -- What Are Images? -- History -- Where and When to Use Images -- Who Uses Images? -- Why Use Images? -- Mood Boards -- How It's Done -- Digital versus Analog -- Imagery from Props or Objects -- How It's Done -- Images as Illustration or Fine Art -- Line Art and Silhouette -- Collage, Montage, and Photomontage -- Photographic Imagery -- How It's Done -- Texture -- Pattern -- How It's Done -- Abstraction versus Representation. | |
505 | 8 | |a Graphic Translation -- Chapter 2 Communicating with Imagery -- Image and Form -- Proximity -- Storytelling -- How It's Done -- Scale -- Space and Illusion -- Dominant versus Subordinate -- Tension -- Repetition and Rhythm -- Customizing Imagery -- Layering Imagery -- Cropping Images -- Image Selection: Where, When, and How -- How It's Done -- Color and Imagery -- Limited Color Palettes -- Color Palettes and Imagery -- How It's Done -- Value -- Choosing a Color Palette -- Image-Based Color Palettes -- Chapter 3 Sourcing and Regulation. | |
505 | 8 | |a Sourcing Imagery -- How It's Done -- Regulation and Copyright -- Moral Rights and Copyright -- Commissioning Images -- Commissioning Illustration -- Commissioning Photography -- Buying Images -- Clip Art -- Reproducing Images -- Image Resolution -- Preparing and Saving Imagery -- How It's Done -- Chapter 4 The Power of Imagery -- Catching and Directing Attention -- Transmitting Ideas -- Meaning and Symbolism -- How It's Done -- Targeting an Audience -- How It's Done -- Matching Imagery to an Audience -- Narrative and Storytelling. | |
505 | 8 | |a Visual/Verbal Synergy -- Unexpected Imagery -- Using Images Responsibly -- Chapter 5 Image in Context -- Design in Context -- How It's Done -- Layouts and Publications -- Imagery and Type -- Design for Clarity -- Type as Image -- How It's Done -- Packaging -- How It's Done -- Display and Installation -- Working On-Screen -- Motion and Media -- 15 Rules for Working with Imagery -- Contributors -- Acknowledgments -- About the Author. | |
546 | |a English. | ||
650 | 0 | |a Commercial art |x Technique. | |
650 | 0 | |a Visual communication |x Technique. | |
650 | 6 | |a Art publicitaire |x Technique. | |
650 | 6 | |a Communication visuelle |x Technique. | |
650 | 7 | |a DESIGN |x Graphic Arts |x General. |2 bisacsh | |
650 | 7 | |a DESIGN |x Reference. |2 bisacsh | |
650 | 7 | |a ANTIQUES & COLLECTIBLES |x Paper Ephemera. |2 bisacsh | |
650 | 7 | |a DESIGN |x Clip Art. |2 bisacsh | |
650 | 7 | |a DESIGN |x Graphic Arts |x Branding & Logo Design. |2 bisacsh | |
650 | 7 | |a DESIGN |x Graphic Arts |x Commercial & Corporate. |2 bisacsh | |
650 | 7 | |a DESIGN |x Graphic Arts |x Illustration. |2 bisacsh | |
650 | 7 | |a Commercial art |x Technique. |2 cct | |
650 | 7 | |a Visual communication |x Technique. |2 cct | |
650 | 7 | |a Commercial art |x Technique |2 fast | |
650 | 7 | |a Visual communication |x Technique |2 fast | |
758 | |i has work: |a Design elements (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGvwrFjTDByqM3t8TFpJKq |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Print version: |a Sherin, Aaris. |t Design elements. |d Beverly, MA : Rockport Publishers, 2013 |z 9781592538072 |w (DLC) 2012020531 |w (OCoLC)781679640 |
830 | 0 | |a Design elements. | |
856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=576510 |3 Volltext |
938 | |a hoopla Digital |b HOPL |n MWT11956494 | ||
938 | |a Coutts Information Services |b COUT |n 26251421 | ||
938 | |a EBL - Ebook Library |b EBLB |n EBL3399633 | ||
938 | |a ebrary |b EBRY |n ebr10690658 | ||
938 | |a EBSCOhost |b EBSC |n 576510 | ||
938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis26251421 | ||
938 | |a YBP Library Services |b YANK |n 10685089 | ||
994 | |a 92 |b GEBAY | ||
912 | |a ZDB-4-EBA | ||
049 | |a DE-863 |
Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn830533382 |
---|---|
_version_ | 1816882225692540928 |
adam_text | |
any_adam_object | |
author | Sherin, Aaris |
author_GND | http://id.loc.gov/authorities/names/n2007079509 |
author_facet | Sherin, Aaris |
author_role | |
author_sort | Sherin, Aaris |
author_variant | a s as |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | N - Fine Arts |
callnumber-label | NC1000 |
callnumber-raw | NC1000 |
callnumber-search | NC1000 |
callnumber-sort | NC 41000 |
callnumber-subject | NC - Drawing, Design, Illustration |
collection | ZDB-4-EBA |
contents | Introduction: Imagery in Design -- Chapter 1 Image Formats and Use -- What Are Images? -- History -- Where and When to Use Images -- Who Uses Images? -- Why Use Images? -- Mood Boards -- How It's Done -- Digital versus Analog -- Imagery from Props or Objects -- How It's Done -- Images as Illustration or Fine Art -- Line Art and Silhouette -- Collage, Montage, and Photomontage -- Photographic Imagery -- How It's Done -- Texture -- Pattern -- How It's Done -- Abstraction versus Representation. Graphic Translation -- Chapter 2 Communicating with Imagery -- Image and Form -- Proximity -- Storytelling -- How It's Done -- Scale -- Space and Illusion -- Dominant versus Subordinate -- Tension -- Repetition and Rhythm -- Customizing Imagery -- Layering Imagery -- Cropping Images -- Image Selection: Where, When, and How -- How It's Done -- Color and Imagery -- Limited Color Palettes -- Color Palettes and Imagery -- How It's Done -- Value -- Choosing a Color Palette -- Image-Based Color Palettes -- Chapter 3 Sourcing and Regulation. Sourcing Imagery -- How It's Done -- Regulation and Copyright -- Moral Rights and Copyright -- Commissioning Images -- Commissioning Illustration -- Commissioning Photography -- Buying Images -- Clip Art -- Reproducing Images -- Image Resolution -- Preparing and Saving Imagery -- How It's Done -- Chapter 4 The Power of Imagery -- Catching and Directing Attention -- Transmitting Ideas -- Meaning and Symbolism -- How It's Done -- Targeting an Audience -- How It's Done -- Matching Imagery to an Audience -- Narrative and Storytelling. Visual/Verbal Synergy -- Unexpected Imagery -- Using Images Responsibly -- Chapter 5 Image in Context -- Design in Context -- How It's Done -- Layouts and Publications -- Imagery and Type -- Design for Clarity -- Type as Image -- How It's Done -- Packaging -- How It's Done -- Display and Installation -- Working On-Screen -- Motion and Media -- 15 Rules for Working with Imagery -- Contributors -- Acknowledgments -- About the Author. |
ctrlnum | (OCoLC)830533382 |
dewey-full | 741.6 |
dewey-hundreds | 700 - The arts |
dewey-ones | 741 - Drawing and drawings |
dewey-raw | 741.6 |
dewey-search | 741.6 |
dewey-sort | 3741.6 |
dewey-tens | 740 - Graphic arts and decorative arts |
discipline | Kunstgeschichte |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06849cam a2200865 a 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn830533382</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu---unuuu</controlfield><controlfield tag="008">130320s2013 maua o 001 0 eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="z"> 2012020531</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">TEFOD</subfield><subfield code="b">eng</subfield><subfield code="e">pn</subfield><subfield code="c">TEFOD</subfield><subfield code="d">YDXCP</subfield><subfield code="d">N$T</subfield><subfield code="d">OCLCF</subfield><subfield code="d">CDX</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">E7B</subfield><subfield code="d">IDEBK</subfield><subfield code="d">OCLCO</subfield><subfield code="d">TEFOD</subfield><subfield code="d">EBLCP</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">MUO</subfield><subfield code="d">AGLDB</subfield><subfield code="d">MERUC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">JBG</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">YDX</subfield><subfield code="d">D6H</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">VTS</subfield><subfield code="d">STF</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">A6Q</subfield><subfield code="d">DKC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">M8D</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">VLY</subfield><subfield code="d">UKUAL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">UKMGB</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">QGK</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield><subfield code="d">HOPLA</subfield></datafield><datafield tag="015" ind1=" " ind2=" "><subfield code="a">GBC121645</subfield><subfield code="2">bnb</subfield></datafield><datafield tag="016" ind1="7" ind2=" "><subfield code="a">020062174</subfield><subfield code="2">Uk</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">846944766</subfield><subfield code="a">923349538</subfield><subfield code="a">1004900992</subfield><subfield code="a">1053887705</subfield><subfield code="a">1083554263</subfield><subfield code="a">1138530082</subfield><subfield code="a">1162024169</subfield><subfield code="a">1191067772</subfield><subfield code="a">1259102422</subfield><subfield code="a">1426331623</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781610586276</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1610586271</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781592538072</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">159253807X</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)830533382</subfield><subfield code="z">(OCoLC)846944766</subfield><subfield code="z">(OCoLC)923349538</subfield><subfield code="z">(OCoLC)1004900992</subfield><subfield code="z">(OCoLC)1053887705</subfield><subfield code="z">(OCoLC)1083554263</subfield><subfield code="z">(OCoLC)1138530082</subfield><subfield code="z">(OCoLC)1162024169</subfield><subfield code="z">(OCoLC)1191067772</subfield><subfield code="z">(OCoLC)1259102422</subfield><subfield code="z">(OCoLC)1426331623</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">23ECF072-DEC9-4331-9BDE-5C0C5066283A</subfield><subfield code="b">OverDrive, Inc.</subfield><subfield code="n">http://www.overdrive.com</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">NC1000</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">ANT</subfield><subfield code="x">029000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">DES</subfield><subfield code="x">002000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">DES</subfield><subfield code="x">007020</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">DES</subfield><subfield code="x">007030</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">DES</subfield><subfield code="x">007040</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">741.6</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">DES007000</subfield><subfield code="a">DES012000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">J534</subfield><subfield code="2">clc</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Sherin, Aaris.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n2007079509</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Design elements :</subfield><subfield code="b">using images to create graphic impact : a graphic style manual for effective image solutions in graphic design /</subfield><subfield code="c">Aaris Sherin.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">Beverly, MA :</subfield><subfield code="b">Rockport Publishers,</subfield><subfield code="c">2013.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource :</subfield><subfield code="b">illustrations (some color)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Design elements</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"Imagery is powerful and evocative. It is one of the most important cornerstones of successful visual communication, and working with imagery is a vital skill for every designer. This authoritative book shows how successful sourcing, creation, and use of imagery can be applied to professional graphic design. As a new addition to the Design Elements series, this essential volume covers when, where, and how to use imagery and explores the unique power images have over an audience. In these pages, you'll learn:- How to choose the best photos and illustrations for a project- The most effective ways to alter images- Composition techniques- Strategies for sourcing images on a tight budget- And moreWith eye-opening examples of real-world projects, Design Elements, Using Images to Create Graphic Impact is filled with valuable tips and practical strategies for using imagery to create memorable and effective design"--</subfield><subfield code="c">Provided by publisher</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes index.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Introduction: Imagery in Design -- Chapter 1 Image Formats and Use -- What Are Images? -- History -- Where and When to Use Images -- Who Uses Images? -- Why Use Images? -- Mood Boards -- How It's Done -- Digital versus Analog -- Imagery from Props or Objects -- How It's Done -- Images as Illustration or Fine Art -- Line Art and Silhouette -- Collage, Montage, and Photomontage -- Photographic Imagery -- How It's Done -- Texture -- Pattern -- How It's Done -- Abstraction versus Representation.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Graphic Translation -- Chapter 2 Communicating with Imagery -- Image and Form -- Proximity -- Storytelling -- How It's Done -- Scale -- Space and Illusion -- Dominant versus Subordinate -- Tension -- Repetition and Rhythm -- Customizing Imagery -- Layering Imagery -- Cropping Images -- Image Selection: Where, When, and How -- How It's Done -- Color and Imagery -- Limited Color Palettes -- Color Palettes and Imagery -- How It's Done -- Value -- Choosing a Color Palette -- Image-Based Color Palettes -- Chapter 3 Sourcing and Regulation.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Sourcing Imagery -- How It's Done -- Regulation and Copyright -- Moral Rights and Copyright -- Commissioning Images -- Commissioning Illustration -- Commissioning Photography -- Buying Images -- Clip Art -- Reproducing Images -- Image Resolution -- Preparing and Saving Imagery -- How It's Done -- Chapter 4 The Power of Imagery -- Catching and Directing Attention -- Transmitting Ideas -- Meaning and Symbolism -- How It's Done -- Targeting an Audience -- How It's Done -- Matching Imagery to an Audience -- Narrative and Storytelling.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Visual/Verbal Synergy -- Unexpected Imagery -- Using Images Responsibly -- Chapter 5 Image in Context -- Design in Context -- How It's Done -- Layouts and Publications -- Imagery and Type -- Design for Clarity -- Type as Image -- How It's Done -- Packaging -- How It's Done -- Display and Installation -- Working On-Screen -- Motion and Media -- 15 Rules for Working with Imagery -- Contributors -- Acknowledgments -- About the Author.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">English.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Commercial art</subfield><subfield code="x">Technique.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Visual communication</subfield><subfield code="x">Technique.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Art publicitaire</subfield><subfield code="x">Technique.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Communication visuelle</subfield><subfield code="x">Technique.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">DESIGN</subfield><subfield code="x">Graphic Arts</subfield><subfield code="x">General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">DESIGN</subfield><subfield code="x">Reference.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ANTIQUES & COLLECTIBLES</subfield><subfield code="x">Paper Ephemera.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">DESIGN</subfield><subfield code="x">Clip Art.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">DESIGN</subfield><subfield code="x">Graphic Arts</subfield><subfield code="x">Branding & Logo Design.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">DESIGN</subfield><subfield code="x">Graphic Arts</subfield><subfield code="x">Commercial & Corporate.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">DESIGN</subfield><subfield code="x">Graphic Arts</subfield><subfield code="x">Illustration.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Commercial art</subfield><subfield code="x">Technique.</subfield><subfield code="2">cct</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Visual communication</subfield><subfield code="x">Technique.</subfield><subfield code="2">cct</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Commercial art</subfield><subfield code="x">Technique</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Visual communication</subfield><subfield code="x">Technique</subfield><subfield code="2">fast</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Design elements (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCGvwrFjTDByqM3t8TFpJKq</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Sherin, Aaris.</subfield><subfield code="t">Design elements.</subfield><subfield code="d">Beverly, MA : Rockport Publishers, 2013</subfield><subfield code="z">9781592538072</subfield><subfield code="w">(DLC) 2012020531</subfield><subfield code="w">(OCoLC)781679640</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Design elements.</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=576510</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">hoopla Digital</subfield><subfield code="b">HOPL</subfield><subfield code="n">MWT11956494</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Coutts Information Services</subfield><subfield code="b">COUT</subfield><subfield code="n">26251421</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBL - Ebook Library</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL3399633</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ebrary</subfield><subfield code="b">EBRY</subfield><subfield code="n">ebr10690658</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">576510</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest MyiLibrary Digital eBook Collection</subfield><subfield code="b">IDEB</subfield><subfield code="n">cis26251421</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">10685089</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
id | ZDB-4-EBA-ocn830533382 |
illustrated | Illustrated |
indexdate | 2024-11-27T13:25:14Z |
institution | BVB |
isbn | 9781610586276 1610586271 |
language | English |
oclc_num | 830533382 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource : illustrations (some color) |
psigel | ZDB-4-EBA |
publishDate | 2013 |
publishDateSearch | 2013 |
publishDateSort | 2013 |
publisher | Rockport Publishers, |
record_format | marc |
series | Design elements. |
series2 | Design elements |
spelling | Sherin, Aaris. http://id.loc.gov/authorities/names/n2007079509 Design elements : using images to create graphic impact : a graphic style manual for effective image solutions in graphic design / Aaris Sherin. Beverly, MA : Rockport Publishers, 2013. 1 online resource : illustrations (some color) text txt rdacontent computer c rdamedia online resource cr rdacarrier Design elements "Imagery is powerful and evocative. It is one of the most important cornerstones of successful visual communication, and working with imagery is a vital skill for every designer. This authoritative book shows how successful sourcing, creation, and use of imagery can be applied to professional graphic design. As a new addition to the Design Elements series, this essential volume covers when, where, and how to use imagery and explores the unique power images have over an audience. In these pages, you'll learn:- How to choose the best photos and illustrations for a project- The most effective ways to alter images- Composition techniques- Strategies for sourcing images on a tight budget- And moreWith eye-opening examples of real-world projects, Design Elements, Using Images to Create Graphic Impact is filled with valuable tips and practical strategies for using imagery to create memorable and effective design"-- Provided by publisher Includes index. Print version record. Introduction: Imagery in Design -- Chapter 1 Image Formats and Use -- What Are Images? -- History -- Where and When to Use Images -- Who Uses Images? -- Why Use Images? -- Mood Boards -- How It's Done -- Digital versus Analog -- Imagery from Props or Objects -- How It's Done -- Images as Illustration or Fine Art -- Line Art and Silhouette -- Collage, Montage, and Photomontage -- Photographic Imagery -- How It's Done -- Texture -- Pattern -- How It's Done -- Abstraction versus Representation. Graphic Translation -- Chapter 2 Communicating with Imagery -- Image and Form -- Proximity -- Storytelling -- How It's Done -- Scale -- Space and Illusion -- Dominant versus Subordinate -- Tension -- Repetition and Rhythm -- Customizing Imagery -- Layering Imagery -- Cropping Images -- Image Selection: Where, When, and How -- How It's Done -- Color and Imagery -- Limited Color Palettes -- Color Palettes and Imagery -- How It's Done -- Value -- Choosing a Color Palette -- Image-Based Color Palettes -- Chapter 3 Sourcing and Regulation. Sourcing Imagery -- How It's Done -- Regulation and Copyright -- Moral Rights and Copyright -- Commissioning Images -- Commissioning Illustration -- Commissioning Photography -- Buying Images -- Clip Art -- Reproducing Images -- Image Resolution -- Preparing and Saving Imagery -- How It's Done -- Chapter 4 The Power of Imagery -- Catching and Directing Attention -- Transmitting Ideas -- Meaning and Symbolism -- How It's Done -- Targeting an Audience -- How It's Done -- Matching Imagery to an Audience -- Narrative and Storytelling. Visual/Verbal Synergy -- Unexpected Imagery -- Using Images Responsibly -- Chapter 5 Image in Context -- Design in Context -- How It's Done -- Layouts and Publications -- Imagery and Type -- Design for Clarity -- Type as Image -- How It's Done -- Packaging -- How It's Done -- Display and Installation -- Working On-Screen -- Motion and Media -- 15 Rules for Working with Imagery -- Contributors -- Acknowledgments -- About the Author. English. Commercial art Technique. Visual communication Technique. Art publicitaire Technique. Communication visuelle Technique. DESIGN Graphic Arts General. bisacsh DESIGN Reference. bisacsh ANTIQUES & COLLECTIBLES Paper Ephemera. bisacsh DESIGN Clip Art. bisacsh DESIGN Graphic Arts Branding & Logo Design. bisacsh DESIGN Graphic Arts Commercial & Corporate. bisacsh DESIGN Graphic Arts Illustration. bisacsh Commercial art Technique. cct Visual communication Technique. cct Commercial art Technique fast Visual communication Technique fast has work: Design elements (Text) https://id.oclc.org/worldcat/entity/E39PCGvwrFjTDByqM3t8TFpJKq https://id.oclc.org/worldcat/ontology/hasWork Print version: Sherin, Aaris. Design elements. Beverly, MA : Rockport Publishers, 2013 9781592538072 (DLC) 2012020531 (OCoLC)781679640 Design elements. FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=576510 Volltext |
spellingShingle | Sherin, Aaris Design elements : using images to create graphic impact : a graphic style manual for effective image solutions in graphic design / Design elements. Introduction: Imagery in Design -- Chapter 1 Image Formats and Use -- What Are Images? -- History -- Where and When to Use Images -- Who Uses Images? -- Why Use Images? -- Mood Boards -- How It's Done -- Digital versus Analog -- Imagery from Props or Objects -- How It's Done -- Images as Illustration or Fine Art -- Line Art and Silhouette -- Collage, Montage, and Photomontage -- Photographic Imagery -- How It's Done -- Texture -- Pattern -- How It's Done -- Abstraction versus Representation. Graphic Translation -- Chapter 2 Communicating with Imagery -- Image and Form -- Proximity -- Storytelling -- How It's Done -- Scale -- Space and Illusion -- Dominant versus Subordinate -- Tension -- Repetition and Rhythm -- Customizing Imagery -- Layering Imagery -- Cropping Images -- Image Selection: Where, When, and How -- How It's Done -- Color and Imagery -- Limited Color Palettes -- Color Palettes and Imagery -- How It's Done -- Value -- Choosing a Color Palette -- Image-Based Color Palettes -- Chapter 3 Sourcing and Regulation. Sourcing Imagery -- How It's Done -- Regulation and Copyright -- Moral Rights and Copyright -- Commissioning Images -- Commissioning Illustration -- Commissioning Photography -- Buying Images -- Clip Art -- Reproducing Images -- Image Resolution -- Preparing and Saving Imagery -- How It's Done -- Chapter 4 The Power of Imagery -- Catching and Directing Attention -- Transmitting Ideas -- Meaning and Symbolism -- How It's Done -- Targeting an Audience -- How It's Done -- Matching Imagery to an Audience -- Narrative and Storytelling. Visual/Verbal Synergy -- Unexpected Imagery -- Using Images Responsibly -- Chapter 5 Image in Context -- Design in Context -- How It's Done -- Layouts and Publications -- Imagery and Type -- Design for Clarity -- Type as Image -- How It's Done -- Packaging -- How It's Done -- Display and Installation -- Working On-Screen -- Motion and Media -- 15 Rules for Working with Imagery -- Contributors -- Acknowledgments -- About the Author. Commercial art Technique. Visual communication Technique. Art publicitaire Technique. Communication visuelle Technique. DESIGN Graphic Arts General. bisacsh DESIGN Reference. bisacsh ANTIQUES & COLLECTIBLES Paper Ephemera. bisacsh DESIGN Clip Art. bisacsh DESIGN Graphic Arts Branding & Logo Design. bisacsh DESIGN Graphic Arts Commercial & Corporate. bisacsh DESIGN Graphic Arts Illustration. bisacsh Commercial art Technique. cct Visual communication Technique. cct Commercial art Technique fast Visual communication Technique fast |
title | Design elements : using images to create graphic impact : a graphic style manual for effective image solutions in graphic design / |
title_auth | Design elements : using images to create graphic impact : a graphic style manual for effective image solutions in graphic design / |
title_exact_search | Design elements : using images to create graphic impact : a graphic style manual for effective image solutions in graphic design / |
title_full | Design elements : using images to create graphic impact : a graphic style manual for effective image solutions in graphic design / Aaris Sherin. |
title_fullStr | Design elements : using images to create graphic impact : a graphic style manual for effective image solutions in graphic design / Aaris Sherin. |
title_full_unstemmed | Design elements : using images to create graphic impact : a graphic style manual for effective image solutions in graphic design / Aaris Sherin. |
title_short | Design elements : |
title_sort | design elements using images to create graphic impact a graphic style manual for effective image solutions in graphic design |
title_sub | using images to create graphic impact : a graphic style manual for effective image solutions in graphic design / |
topic | Commercial art Technique. Visual communication Technique. Art publicitaire Technique. Communication visuelle Technique. DESIGN Graphic Arts General. bisacsh DESIGN Reference. bisacsh ANTIQUES & COLLECTIBLES Paper Ephemera. bisacsh DESIGN Clip Art. bisacsh DESIGN Graphic Arts Branding & Logo Design. bisacsh DESIGN Graphic Arts Commercial & Corporate. bisacsh DESIGN Graphic Arts Illustration. bisacsh Commercial art Technique. cct Visual communication Technique. cct Commercial art Technique fast Visual communication Technique fast |
topic_facet | Commercial art Technique. Visual communication Technique. Art publicitaire Technique. Communication visuelle Technique. DESIGN Graphic Arts General. DESIGN Reference. ANTIQUES & COLLECTIBLES Paper Ephemera. DESIGN Clip Art. DESIGN Graphic Arts Branding & Logo Design. DESIGN Graphic Arts Commercial & Corporate. DESIGN Graphic Arts Illustration. Commercial art Technique Visual communication Technique |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=576510 |
work_keys_str_mv | AT sherinaaris designelementsusingimagestocreategraphicimpactagraphicstylemanualforeffectiveimagesolutionsingraphicdesign |