Performing consciousness /:
Since its inaugural issue in April, 2000, the journal Consciousness, Literature and the Arts has regularly published essays on the intersection of theatre and consciousness. Often these essays have seen theatre as a spiritual practice that for both the performer and her audience can bring about expe...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne :
Cambridge Scholars,
2010.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Since its inaugural issue in April, 2000, the journal Consciousness, Literature and the Arts has regularly published essays on the intersection of theatre and consciousness. Often these essays have seen theatre as a spiritual practice that for both the performer and her audience can bring about experiences that help heal the world, a shift in consciousness. This practice, though spiritual, is not ethereal but is rooted in doing, in actions, in breathing. That is, theatre is seen as an art form understood as part of a whole, as taking place in total Consciousness as well as expressing conscious. |
| Beschreibung: | 1 online resource (ix, 219 pages) |
| Bibliographie: | Includes bibliographical references. |
| ISBN: | 1282481525 9781282481527 9786612481529 6612481528 |
Internformat
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| 245 | 0 | 0 | |a Performing consciousness / |c edited by Per Brask and Daniel Meyer-Dinkgräfe. |
| 260 | |a Newcastle upon Tyne : |b Cambridge Scholars, |c 2010. | ||
| 300 | |a 1 online resource (ix, 219 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
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| 504 | |a Includes bibliographical references. | ||
| 505 | 0 | 0 | |t Zeami breathing / |r Catherine Fitzmaurice -- |t The ego and the self in actor training / |r William Weiss -- |t The Pashyanti project / |r Peter Malekin and Ralph Yarrow -- |t Theatre -- re-assessing the sacred in actor training / |r Jade Rosina McCutcheon -- |t Breath, perception, and action: the body and critical thinking / |r Barbara Sellers-Young -- |t Consciousness, theatre and terrorism / |r Daniel Meyer-Dinkgräfe -- |t The healing power of Butoh / |r Kenneth Robbins -- |t The actor-problem: live and filmed performance and classical cognitivism / |r Jennifer Ewing Pierce -- |t Beyond convention: border crossing from the social body to the porous body: the porous body as ontological site -- interface for A-located realities / |r Jude James -- |t Acting and archetypes: a point of departure / |r Per Brask -- |t How do you apply "spirituality" in theatre training? / |r William Weiss -- |t The altering I/Eye: consciousness, 'self', and the new paradigm in acting / |r Jerri Daboo -- |t Post human interactivity on the global stage: the culture of simulation / |r Jade Rosina McCutcheon -- |t The association process in Stanislavski's "threshold of the subconscious" / |r Craig Turner -- |t Etienne decroux: a corporeal consciousness / |r Susan Mower. |
| 588 | 0 | |a Print version record. | |
| 520 | |a Since its inaugural issue in April, 2000, the journal Consciousness, Literature and the Arts has regularly published essays on the intersection of theatre and consciousness. Often these essays have seen theatre as a spiritual practice that for both the performer and her audience can bring about experiences that help heal the world, a shift in consciousness. This practice, though spiritual, is not ethereal but is rooted in doing, in actions, in breathing. That is, theatre is seen as an art form understood as part of a whole, as taking place in total Consciousness as well as expressing conscious. | ||
| 546 | |a English. | ||
| 650 | 0 | |a Acting |x Psychological aspects. | |
| 650 | 0 | |a Consciousness. |0 http://id.loc.gov/authorities/subjects/sh85031235 | |
| 650 | 2 | |a Consciousness |0 https://id.nlm.nih.gov/mesh/D003243 | |
| 650 | 6 | |a Art dramatique |x Aspect psychologique. | |
| 650 | 6 | |a Conscience. | |
| 650 | 7 | |a Acting techniques. |2 bicssc | |
| 650 | 7 | |a States of consciousness. |2 bicssc | |
| 650 | 7 | |a Mind, Body, Spirit: thought & practice. |2 bicssc | |
| 650 | 7 | |a PERFORMING ARTS |x Acting & Auditioning. |2 bisacsh | |
| 650 | 7 | |a Acting |x Psychological aspects |2 fast | |
| 650 | 7 | |a Consciousness |2 fast | |
| 650 | 7 | |a Theaterspiel |2 gnd |0 http://d-nb.info/gnd/4140879-2 | |
| 650 | 7 | |a Darstellendes Spiel |2 gnd | |
| 700 | 1 | |a Brask, Per, |d 1952- |1 https://id.oclc.org/worldcat/entity/E39PBJkTbHwBC7wdRVqG8dHV4q | |
| 700 | 1 | |a Meyer-Dinkgräfe, Daniel, |d 1958- |1 https://id.oclc.org/worldcat/entity/E39PCjwhJXtTJ4RgdTy8CWF3Qq |0 http://id.loc.gov/authorities/names/n88299436 | |
| 758 | |i has work: |a Performing consciousness (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFwgx9KbRtVcWxJcfyr3Xq |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t Performing consciousness. |d Newcastle upon Tyne : Cambridge Scholars, 2010 |z 1443816345 |w (OCoLC)460865716 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=524451 |3 Volltext |
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| _version_ | 1816882222942126080 |
| adam_text | |
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| author2 | Brask, Per, 1952- Meyer-Dinkgräfe, Daniel, 1958- |
| author2_role | |
| author2_variant | p b pb d m d dmd |
| author_GND | http://id.loc.gov/authorities/names/n88299436 |
| author_additional | Catherine Fitzmaurice -- William Weiss -- Peter Malekin and Ralph Yarrow -- Jade Rosina McCutcheon -- Barbara Sellers-Young -- Daniel Meyer-Dinkgräfe -- Kenneth Robbins -- Jennifer Ewing Pierce -- Jude James -- Per Brask -- Jerri Daboo -- Craig Turner -- Susan Mower. |
| author_facet | Brask, Per, 1952- Meyer-Dinkgräfe, Daniel, 1958- |
| author_sort | Brask, Per, 1952- |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN2071 |
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| callnumber-search | PN2071.P78 P47 2010eb |
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| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Zeami breathing / The ego and the self in actor training / The Pashyanti project / Theatre -- re-assessing the sacred in actor training / Breath, perception, and action: the body and critical thinking / Consciousness, theatre and terrorism / The healing power of Butoh / The actor-problem: live and filmed performance and classical cognitivism / Beyond convention: border crossing from the social body to the porous body: the porous body as ontological site -- interface for A-located realities / Acting and archetypes: a point of departure / How do you apply "spirituality" in theatre training? / The altering I/Eye: consciousness, 'self', and the new paradigm in acting / Post human interactivity on the global stage: the culture of simulation / The association process in Stanislavski's "threshold of the subconscious" / Etienne decroux: a corporeal consciousness / |
| ctrlnum | (OCoLC)828424003 |
| dewey-full | 792.028019 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.028019 |
| dewey-search | 792.028019 |
| dewey-sort | 3792.028019 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| id | ZDB-4-EBA-ocn828424003 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:25:11Z |
| institution | BVB |
| isbn | 1282481525 9781282481527 9786612481529 6612481528 |
| language | English |
| oclc_num | 828424003 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (ix, 219 pages) |
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| publishDate | 2010 |
| publishDateSearch | 2010 |
| publishDateSort | 2010 |
| publisher | Cambridge Scholars, |
| record_format | marc |
| spelling | Performing consciousness / edited by Per Brask and Daniel Meyer-Dinkgräfe. Newcastle upon Tyne : Cambridge Scholars, 2010. 1 online resource (ix, 219 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Includes bibliographical references. Zeami breathing / Catherine Fitzmaurice -- The ego and the self in actor training / William Weiss -- The Pashyanti project / Peter Malekin and Ralph Yarrow -- Theatre -- re-assessing the sacred in actor training / Jade Rosina McCutcheon -- Breath, perception, and action: the body and critical thinking / Barbara Sellers-Young -- Consciousness, theatre and terrorism / Daniel Meyer-Dinkgräfe -- The healing power of Butoh / Kenneth Robbins -- The actor-problem: live and filmed performance and classical cognitivism / Jennifer Ewing Pierce -- Beyond convention: border crossing from the social body to the porous body: the porous body as ontological site -- interface for A-located realities / Jude James -- Acting and archetypes: a point of departure / Per Brask -- How do you apply "spirituality" in theatre training? / William Weiss -- The altering I/Eye: consciousness, 'self', and the new paradigm in acting / Jerri Daboo -- Post human interactivity on the global stage: the culture of simulation / Jade Rosina McCutcheon -- The association process in Stanislavski's "threshold of the subconscious" / Craig Turner -- Etienne decroux: a corporeal consciousness / Susan Mower. Print version record. Since its inaugural issue in April, 2000, the journal Consciousness, Literature and the Arts has regularly published essays on the intersection of theatre and consciousness. Often these essays have seen theatre as a spiritual practice that for both the performer and her audience can bring about experiences that help heal the world, a shift in consciousness. This practice, though spiritual, is not ethereal but is rooted in doing, in actions, in breathing. That is, theatre is seen as an art form understood as part of a whole, as taking place in total Consciousness as well as expressing conscious. English. Acting Psychological aspects. Consciousness. http://id.loc.gov/authorities/subjects/sh85031235 Consciousness https://id.nlm.nih.gov/mesh/D003243 Art dramatique Aspect psychologique. Conscience. Acting techniques. bicssc States of consciousness. bicssc Mind, Body, Spirit: thought & practice. bicssc PERFORMING ARTS Acting & Auditioning. bisacsh Acting Psychological aspects fast Consciousness fast Theaterspiel gnd http://d-nb.info/gnd/4140879-2 Darstellendes Spiel gnd Brask, Per, 1952- https://id.oclc.org/worldcat/entity/E39PBJkTbHwBC7wdRVqG8dHV4q Meyer-Dinkgräfe, Daniel, 1958- https://id.oclc.org/worldcat/entity/E39PCjwhJXtTJ4RgdTy8CWF3Qq http://id.loc.gov/authorities/names/n88299436 has work: Performing consciousness (Text) https://id.oclc.org/worldcat/entity/E39PCFwgx9KbRtVcWxJcfyr3Xq https://id.oclc.org/worldcat/ontology/hasWork Print version: Performing consciousness. Newcastle upon Tyne : Cambridge Scholars, 2010 1443816345 (OCoLC)460865716 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=524451 Volltext |
| spellingShingle | Performing consciousness / Zeami breathing / The ego and the self in actor training / The Pashyanti project / Theatre -- re-assessing the sacred in actor training / Breath, perception, and action: the body and critical thinking / Consciousness, theatre and terrorism / The healing power of Butoh / The actor-problem: live and filmed performance and classical cognitivism / Beyond convention: border crossing from the social body to the porous body: the porous body as ontological site -- interface for A-located realities / Acting and archetypes: a point of departure / How do you apply "spirituality" in theatre training? / The altering I/Eye: consciousness, 'self', and the new paradigm in acting / Post human interactivity on the global stage: the culture of simulation / The association process in Stanislavski's "threshold of the subconscious" / Etienne decroux: a corporeal consciousness / Acting Psychological aspects. Consciousness. http://id.loc.gov/authorities/subjects/sh85031235 Consciousness https://id.nlm.nih.gov/mesh/D003243 Art dramatique Aspect psychologique. Conscience. Acting techniques. bicssc States of consciousness. bicssc Mind, Body, Spirit: thought & practice. bicssc PERFORMING ARTS Acting & Auditioning. bisacsh Acting Psychological aspects fast Consciousness fast Theaterspiel gnd http://d-nb.info/gnd/4140879-2 Darstellendes Spiel gnd |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85031235 https://id.nlm.nih.gov/mesh/D003243 http://d-nb.info/gnd/4140879-2 |
| title | Performing consciousness / |
| title_alt | Zeami breathing / The ego and the self in actor training / The Pashyanti project / Theatre -- re-assessing the sacred in actor training / Breath, perception, and action: the body and critical thinking / Consciousness, theatre and terrorism / The healing power of Butoh / The actor-problem: live and filmed performance and classical cognitivism / Beyond convention: border crossing from the social body to the porous body: the porous body as ontological site -- interface for A-located realities / Acting and archetypes: a point of departure / How do you apply "spirituality" in theatre training? / The altering I/Eye: consciousness, 'self', and the new paradigm in acting / Post human interactivity on the global stage: the culture of simulation / The association process in Stanislavski's "threshold of the subconscious" / Etienne decroux: a corporeal consciousness / |
| title_auth | Performing consciousness / |
| title_exact_search | Performing consciousness / |
| title_full | Performing consciousness / edited by Per Brask and Daniel Meyer-Dinkgräfe. |
| title_fullStr | Performing consciousness / edited by Per Brask and Daniel Meyer-Dinkgräfe. |
| title_full_unstemmed | Performing consciousness / edited by Per Brask and Daniel Meyer-Dinkgräfe. |
| title_short | Performing consciousness / |
| title_sort | performing consciousness |
| topic | Acting Psychological aspects. Consciousness. http://id.loc.gov/authorities/subjects/sh85031235 Consciousness https://id.nlm.nih.gov/mesh/D003243 Art dramatique Aspect psychologique. Conscience. Acting techniques. bicssc States of consciousness. bicssc Mind, Body, Spirit: thought & practice. bicssc PERFORMING ARTS Acting & Auditioning. bisacsh Acting Psychological aspects fast Consciousness fast Theaterspiel gnd http://d-nb.info/gnd/4140879-2 Darstellendes Spiel gnd |
| topic_facet | Acting Psychological aspects. Consciousness. Consciousness Art dramatique Aspect psychologique. Conscience. Acting techniques. States of consciousness. Mind, Body, Spirit: thought & practice. PERFORMING ARTS Acting & Auditioning. Acting Psychological aspects Theaterspiel Darstellendes Spiel |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=524451 |
| work_keys_str_mv | AT braskper performingconsciousness AT meyerdinkgrafedaniel performingconsciousness |