Shakespearean sensations :: experiencing literature in early modern England /
"This strong and timely collection provides fresh insights into how Shakespeare's plays and poems were understood to affect bodies, minds and emotions. Contemporary criticism has had surprisingly little to say about the early modern period's investment in imagining literature's i...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge ; New York :
Cambridge University Press,
2013.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "This strong and timely collection provides fresh insights into how Shakespeare's plays and poems were understood to affect bodies, minds and emotions. Contemporary criticism has had surprisingly little to say about the early modern period's investment in imagining literature's impact on feeling. Shakespearean Sensations brings together scholarship from a range of well-known and new voices to address this fundamental gap. The book includes a comprehensive introduction by Katharine A. Craik and Tanya Pollard and comprises three sections focusing on sensations aroused in the plays; sensations evoked in the playhouse; and sensations found in the imaginative space of the poems. With dedicated essays on Hamlet, Macbeth, Othello and Twelfth Night, the collection explores how seriously early modern writers took their relationship with their audiences and reveals new connections between early modern literary texts and the emotional and physiological experiences of theatregoers"-- |
| Beschreibung: | 1 online resource (x, 244 pages) |
| Bibliographie: | Includes bibliographical references (pages 218-238) and index. |
| ISBN: | 9781107306752 1107306752 9781107314504 110731450X 9781139235587 1139235583 1299009085 9781299009080 1107236894 9781107236899 1107301661 9781107301665 1107305829 9781107305823 1107312302 9781107312302 9781107559493 1107559499 |
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| 245 | 0 | 0 | |a Shakespearean sensations : |b experiencing literature in early modern England / |c edited by Katharine A. Craik and Tanya Pollard. |
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| 520 | |a "This strong and timely collection provides fresh insights into how Shakespeare's plays and poems were understood to affect bodies, minds and emotions. Contemporary criticism has had surprisingly little to say about the early modern period's investment in imagining literature's impact on feeling. Shakespearean Sensations brings together scholarship from a range of well-known and new voices to address this fundamental gap. The book includes a comprehensive introduction by Katharine A. Craik and Tanya Pollard and comprises three sections focusing on sensations aroused in the plays; sensations evoked in the playhouse; and sensations found in the imaginative space of the poems. With dedicated essays on Hamlet, Macbeth, Othello and Twelfth Night, the collection explores how seriously early modern writers took their relationship with their audiences and reveals new connections between early modern literary texts and the emotional and physiological experiences of theatregoers"-- |c Provided by publisher | ||
| 505 | 0 | 0 | |t Introduction: imagining audiences / |r Katharine A. Craik and Tanya Pollard -- |g Part One: |t Plays -- |t Feeling fear in Macbeth / |r Allison P. Hobgood -- |t Hearing Iago's withheld confession / |r Allison K. Deutermann -- |t Self-love, spirituality, and the senses in Twelfth Night / |r Douglas Trevor -- |g Part Two: |t Playhouses -- |t Conceiving tradgedy / |r Tanya Pollard -- |t Playing with appetitie in early modern comedy / |r Hillary M. Nunn -- |t 6. Notes towards an analysis of earyly modern applause / |r Matthew Steggle -- |t Catharsis as "purgation" in Shakespearean drama / |r Thomas Rist -- |t Epigrammatic commotions / |r William Kerwin -- |t Poetic "making" and moving the soul / |r Margaret Healy -- |t Shakespearean pain / |r Michael Schoenfeldt -- |t Afterword: Senses of an ending / |r Bruce R. Smith. |
| 546 | |a English. | ||
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Criticism and interpretation. |0 http://id.loc.gov/authorities/subjects/sh85120926 |
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| 650 | 0 | |a English literature |y Early modern, 1500-1700 |x History and criticism |x Theory, etc. | |
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| 650 | 0 | |a Reading |x Physiological aspects. |0 http://id.loc.gov/authorities/subjects/sh85111669 | |
| 650 | 0 | |a Senses and sensation in literature. |0 http://id.loc.gov/authorities/subjects/sh85120052 | |
| 650 | 0 | |a Reader-response criticism. |0 http://id.loc.gov/authorities/subjects/sh85111643 | |
| 650 | 0 | |a Theater audiences |z England |x History |y 16th century. | |
| 650 | 0 | |a Theater audiences |z England |x History |y 17th century. | |
| 650 | 0 | |a Mind and body. |0 http://id.loc.gov/authorities/subjects/sh85085488 | |
| 650 | 6 | |a Lecture |x Aspect physiologique. | |
| 650 | 6 | |a Sens et sensations dans la littérature. | |
| 650 | 6 | |a Esthétique de la réception. | |
| 650 | 6 | |a Théâtre |x Publics |z Angleterre |x Histoire |y 16e siècle. | |
| 650 | 6 | |a Théâtre |x Publics |z Angleterre |x Histoire |y 17e siècle. | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x English, Irish, Scottish, Welsh. |2 bisacsh | |
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| 650 | 7 | |a Senses and sensation in literature |2 fast | |
| 650 | 7 | |a Theater audiences |2 fast | |
| 651 | 7 | |a England |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJpYDdYvBpjXV6WpybK68C | |
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| 655 | 7 | |a dissertations. |2 aat | |
| 655 | 7 | |a Academic theses. |2 lcgft |0 http://id.loc.gov/authorities/genreForms/gf2014026039 | |
| 655 | 7 | |a Thèses et écrits académiques. |2 rvmgf | |
| 700 | 1 | |a Craik, Katharine A. | |
| 700 | 1 | |a Pollard, Tanya. | |
| 758 | |i has work: |a Shakespearean sensations (Text) |1 https://id.oclc.org/worldcat/entity/E39PCH8mpvRRFtbGpkrJw94rMP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t Shakespearean sensations. |d Cambridge ; New York : Cambridge University Press, 2013 |z 9781107028005 |w (DLC) 2012029749 |w (OCoLC)805831478 |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn827235443 |
|---|---|
| _version_ | 1816882221674397696 |
| adam_text | |
| any_adam_object | |
| author2 | Craik, Katharine A. Pollard, Tanya |
| author2_role | |
| author2_variant | k a c ka kac t p tp |
| author_additional | Katharine A. Craik and Tanya Pollard -- Allison P. Hobgood -- Allison K. Deutermann -- Douglas Trevor -- Tanya Pollard -- Hillary M. Nunn -- Matthew Steggle -- Thomas Rist -- William Kerwin -- Margaret Healy -- Michael Schoenfeldt -- Bruce R. Smith. |
| author_facet | Craik, Katharine A. Pollard, Tanya |
| author_sort | Craik, Katharine A. |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PR428 |
| callnumber-raw | PR428.P76 S47 2013eb |
| callnumber-search | PR428.P76 S47 2013eb |
| callnumber-sort | PR 3428 P76 S47 42013EB |
| callnumber-subject | PR - English Literature |
| collection | ZDB-4-EBA |
| contents | Introduction: imagining audiences / Plays -- Feeling fear in Macbeth / Hearing Iago's withheld confession / Self-love, spirituality, and the senses in Twelfth Night / Playhouses -- Conceiving tradgedy / Playing with appetitie in early modern comedy / 6. Notes towards an analysis of earyly modern applause / Catharsis as "purgation" in Shakespearean drama / Epigrammatic commotions / Poetic "making" and moving the soul / Shakespearean pain / Afterword: Senses of an ending / |
| ctrlnum | (OCoLC)827235443 |
| dewey-full | 820.9/353 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 820 - English & Old English literatures |
| dewey-raw | 820.9/353 |
| dewey-search | 820.9/353 |
| dewey-sort | 3820.9 3353 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| era | 1500-1700 fast |
| era_facet | 1500-1700 |
| format | Electronic eBook |
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| spelling | Shakespearean sensations : experiencing literature in early modern England / edited by Katharine A. Craik and Tanya Pollard. Cambridge ; New York : Cambridge University Press, 2013. 1 online resource (x, 244 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 218-238) and index. Print version record. "This strong and timely collection provides fresh insights into how Shakespeare's plays and poems were understood to affect bodies, minds and emotions. Contemporary criticism has had surprisingly little to say about the early modern period's investment in imagining literature's impact on feeling. Shakespearean Sensations brings together scholarship from a range of well-known and new voices to address this fundamental gap. The book includes a comprehensive introduction by Katharine A. Craik and Tanya Pollard and comprises three sections focusing on sensations aroused in the plays; sensations evoked in the playhouse; and sensations found in the imaginative space of the poems. With dedicated essays on Hamlet, Macbeth, Othello and Twelfth Night, the collection explores how seriously early modern writers took their relationship with their audiences and reveals new connections between early modern literary texts and the emotional and physiological experiences of theatregoers"-- Provided by publisher Introduction: imagining audiences / Katharine A. Craik and Tanya Pollard -- Part One: Plays -- Feeling fear in Macbeth / Allison P. Hobgood -- Hearing Iago's withheld confession / Allison K. Deutermann -- Self-love, spirituality, and the senses in Twelfth Night / Douglas Trevor -- Part Two: Playhouses -- Conceiving tradgedy / Tanya Pollard -- Playing with appetitie in early modern comedy / Hillary M. Nunn -- 6. Notes towards an analysis of earyly modern applause / Matthew Steggle -- Catharsis as "purgation" in Shakespearean drama / Thomas Rist -- Epigrammatic commotions / William Kerwin -- Poetic "making" and moving the soul / Margaret Healy -- Shakespearean pain / Michael Schoenfeldt -- Afterword: Senses of an ending / Bruce R. Smith. English. Shakespeare, William, 1564-1616 Criticism and interpretation. http://id.loc.gov/authorities/subjects/sh85120926 Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Shakespeare, William 1564-1616 gnd English literature Early modern, 1500-1700 History and criticism Theory, etc. English literature Psychological aspects. http://id.loc.gov/authorities/subjects/sh85043881 Reading Physiological aspects. http://id.loc.gov/authorities/subjects/sh85111669 Senses and sensation in literature. http://id.loc.gov/authorities/subjects/sh85120052 Reader-response criticism. http://id.loc.gov/authorities/subjects/sh85111643 Theater audiences England History 16th century. Theater audiences England History 17th century. Mind and body. http://id.loc.gov/authorities/subjects/sh85085488 Lecture Aspect physiologique. Sens et sensations dans la littérature. Esthétique de la réception. Théâtre Publics Angleterre Histoire 16e siècle. Théâtre Publics Angleterre Histoire 17e siècle. LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh English literature Psychological aspects fast Mind and body fast Reader-response criticism fast Reading Physiological aspects fast Senses and sensation in literature fast Theater audiences fast England fast https://id.oclc.org/worldcat/entity/E39PBJpYDdYvBpjXV6WpybK68C Rezeption gnd Gefühl gnd http://d-nb.info/gnd/4019702-5 1500-1700 fast Criticism, interpretation, etc. fast History fast dissertations. aat Academic theses. lcgft http://id.loc.gov/authorities/genreForms/gf2014026039 Thèses et écrits académiques. rvmgf Craik, Katharine A. Pollard, Tanya. has work: Shakespearean sensations (Text) https://id.oclc.org/worldcat/entity/E39PCH8mpvRRFtbGpkrJw94rMP https://id.oclc.org/worldcat/ontology/hasWork Print version: Shakespearean sensations. Cambridge ; New York : Cambridge University Press, 2013 9781107028005 (DLC) 2012029749 (OCoLC)805831478 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=529649 Volltext |
| spellingShingle | Shakespearean sensations : experiencing literature in early modern England / Introduction: imagining audiences / Plays -- Feeling fear in Macbeth / Hearing Iago's withheld confession / Self-love, spirituality, and the senses in Twelfth Night / Playhouses -- Conceiving tradgedy / Playing with appetitie in early modern comedy / 6. Notes towards an analysis of earyly modern applause / Catharsis as "purgation" in Shakespearean drama / Epigrammatic commotions / Poetic "making" and moving the soul / Shakespearean pain / Afterword: Senses of an ending / Shakespeare, William, 1564-1616 Criticism and interpretation. http://id.loc.gov/authorities/subjects/sh85120926 Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Shakespeare, William 1564-1616 gnd English literature Early modern, 1500-1700 History and criticism Theory, etc. English literature Psychological aspects. http://id.loc.gov/authorities/subjects/sh85043881 Reading Physiological aspects. http://id.loc.gov/authorities/subjects/sh85111669 Senses and sensation in literature. http://id.loc.gov/authorities/subjects/sh85120052 Reader-response criticism. http://id.loc.gov/authorities/subjects/sh85111643 Theater audiences England History 16th century. Theater audiences England History 17th century. Mind and body. http://id.loc.gov/authorities/subjects/sh85085488 Lecture Aspect physiologique. Sens et sensations dans la littérature. Esthétique de la réception. Théâtre Publics Angleterre Histoire 16e siècle. Théâtre Publics Angleterre Histoire 17e siècle. LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh English literature Psychological aspects fast Mind and body fast Reader-response criticism fast Reading Physiological aspects fast Senses and sensation in literature fast Theater audiences fast Rezeption gnd Gefühl gnd http://d-nb.info/gnd/4019702-5 |
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| title | Shakespearean sensations : experiencing literature in early modern England / |
| title_alt | Introduction: imagining audiences / Plays -- Feeling fear in Macbeth / Hearing Iago's withheld confession / Self-love, spirituality, and the senses in Twelfth Night / Playhouses -- Conceiving tradgedy / Playing with appetitie in early modern comedy / 6. Notes towards an analysis of earyly modern applause / Catharsis as "purgation" in Shakespearean drama / Epigrammatic commotions / Poetic "making" and moving the soul / Shakespearean pain / Afterword: Senses of an ending / |
| title_auth | Shakespearean sensations : experiencing literature in early modern England / |
| title_exact_search | Shakespearean sensations : experiencing literature in early modern England / |
| title_full | Shakespearean sensations : experiencing literature in early modern England / edited by Katharine A. Craik and Tanya Pollard. |
| title_fullStr | Shakespearean sensations : experiencing literature in early modern England / edited by Katharine A. Craik and Tanya Pollard. |
| title_full_unstemmed | Shakespearean sensations : experiencing literature in early modern England / edited by Katharine A. Craik and Tanya Pollard. |
| title_short | Shakespearean sensations : |
| title_sort | shakespearean sensations experiencing literature in early modern england |
| title_sub | experiencing literature in early modern England / |
| topic | Shakespeare, William, 1564-1616 Criticism and interpretation. http://id.loc.gov/authorities/subjects/sh85120926 Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Shakespeare, William 1564-1616 gnd English literature Early modern, 1500-1700 History and criticism Theory, etc. English literature Psychological aspects. http://id.loc.gov/authorities/subjects/sh85043881 Reading Physiological aspects. http://id.loc.gov/authorities/subjects/sh85111669 Senses and sensation in literature. http://id.loc.gov/authorities/subjects/sh85120052 Reader-response criticism. http://id.loc.gov/authorities/subjects/sh85111643 Theater audiences England History 16th century. Theater audiences England History 17th century. Mind and body. http://id.loc.gov/authorities/subjects/sh85085488 Lecture Aspect physiologique. Sens et sensations dans la littérature. Esthétique de la réception. Théâtre Publics Angleterre Histoire 16e siècle. Théâtre Publics Angleterre Histoire 17e siècle. LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh English literature Psychological aspects fast Mind and body fast Reader-response criticism fast Reading Physiological aspects fast Senses and sensation in literature fast Theater audiences fast Rezeption gnd Gefühl gnd http://d-nb.info/gnd/4019702-5 |
| topic_facet | Shakespeare, William, 1564-1616 Criticism and interpretation. Shakespeare, William, 1564-1616 Shakespeare, William 1564-1616 English literature Early modern, 1500-1700 History and criticism Theory, etc. English literature Psychological aspects. Reading Physiological aspects. Senses and sensation in literature. Reader-response criticism. Theater audiences England History 16th century. Theater audiences England History 17th century. Mind and body. Lecture Aspect physiologique. Sens et sensations dans la littérature. Esthétique de la réception. Théâtre Publics Angleterre Histoire 16e siècle. Théâtre Publics Angleterre Histoire 17e siècle. LITERARY CRITICISM European English, Irish, Scottish, Welsh. English literature Psychological aspects Mind and body Reader-response criticism Reading Physiological aspects Senses and sensation in literature Theater audiences England Rezeption Gefühl Criticism, interpretation, etc. History dissertations. Academic theses. Thèses et écrits académiques. |
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