From tejano to tango :: Latin American popular music /
Author of two books on Issac Albeniz, including Issac Albeniz: A Guide to Research (1998), Walter Aaron Clark has compiled thirteen essays that discuss the various aspects of Latin American music. The essays cover the social and political impact the music generated as well as the rhythmic developmen...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Routledge,
2013.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Author of two books on Issac Albeniz, including Issac Albeniz: A Guide to Research (1998), Walter Aaron Clark has compiled thirteen essays that discuss the various aspects of Latin American music. The essays cover the social and political impact the music generated as well as the rhythmic development of the various genres. In this essential book, significant personalities, including Carmen Miranda, are discussed. The scope of the contributors is vast as divergent musical styles such as the Macarena dace craze, Bob Marley's reggae music and the seductive strains of the tango are analyzed. |
| Beschreibung: | 1 online resource (x, 288 pages) : music |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781136536809 1136536809 |
Internformat
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| 245 | 0 | 0 | |a From tejano to tango : |b Latin American popular music / |c edited by Walter Aaron Clark. |
| 260 | |a New York : |b Routledge, |c 2013. | ||
| 300 | |a 1 online resource (x, 288 pages) : |b music | ||
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| 337 | |a computer |b c |2 rdamedia | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Cover; From Tejano to Tango; Title Page; Copyright Page; Table of Contents; Preface; I Politics and Identity Argentina and Nicaragua; 1. The Popularized Gaucho Image as a Source of Argentine Classical Music, 1880-1920; 2. The Tango, Peronism, and Astor Piazzolla during the 1940s and '50s; 3. Socially Conscious Music Forming the Social Conscience Nicaraguan Música Testimonial and the Creation of a Revolutionary Moment; 4. Rock Chabón The Contemporary National Rock of Argentina; II Locality and Interlocality North America and Cuba. | |
| 505 | 8 | |a 5. Crossing Borders Mexicana, Tejana, and Chicana Musicians in the United States and Mexico6. A Chicano in a Cuban Band Okan Ise and Songo in Los Angeles; 7. The Bolero Romántico From Cuban Dance to International Popular Song; 8. ""Give Your Body Joy, Macarena"" Aspects of U.S. Participation in the ""Latin"" Dance Craze of the 1990s; III Globalization and Mass Mediation Brazil and Peru; 9. Music and Place in the Brazilian Popular Imagination The Interplay of Local and Global in the Mangue Bit Movement of Recife, Pernambuco, Brazil. | |
| 505 | 8 | |a 10. Popular Music and the Global City Huayno, Chicha, and Techno-cumbia in Lima11. Viral Creativity A Memetic Approach to the Music of André Abujamra and Karnak; 12. Doing the Samba on Sunset Boulevard Carmen Miranda and the Hollywoodization of Latin American Music; Contributors; Index. | |
| 520 | |a Author of two books on Issac Albeniz, including Issac Albeniz: A Guide to Research (1998), Walter Aaron Clark has compiled thirteen essays that discuss the various aspects of Latin American music. The essays cover the social and political impact the music generated as well as the rhythmic development of the various genres. In this essential book, significant personalities, including Carmen Miranda, are discussed. The scope of the contributors is vast as divergent musical styles such as the Macarena dace craze, Bob Marley's reggae music and the seductive strains of the tango are analyzed. | ||
| 588 | 0 | |a Online resource; title from pdf information screen (Ebsco, viewed February 26, 2013). | |
| 650 | 0 | |a Popular music |z Latin America |x History and criticism. | |
| 650 | 6 | |a Musique populaire |z Amérique latine |x Histoire et critique. | |
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| 650 | 7 | |a Popular music |2 fast | |
| 651 | 7 | |a Latin America |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Clark, Walter Aaron. |0 http://id.loc.gov/authorities/names/n97108089 | |
| 776 | 0 | 8 | |i Print version: |a Clark, Walter Aaron. |t From Tejano to Tango : Essays on Latin American Popular Music. |d Hoboken : Taylor and Francis, ©2013 |z 9780815336402 |
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| author2 | Clark, Walter Aaron |
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| author_GND | http://id.loc.gov/authorities/names/n97108089 |
| author_facet | Clark, Walter Aaron |
| author_sort | Clark, Walter Aaron |
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| contents | Cover; From Tejano to Tango; Title Page; Copyright Page; Table of Contents; Preface; I Politics and Identity Argentina and Nicaragua; 1. The Popularized Gaucho Image as a Source of Argentine Classical Music, 1880-1920; 2. The Tango, Peronism, and Astor Piazzolla during the 1940s and '50s; 3. Socially Conscious Music Forming the Social Conscience Nicaraguan Música Testimonial and the Creation of a Revolutionary Moment; 4. Rock Chabón The Contemporary National Rock of Argentina; II Locality and Interlocality North America and Cuba. 5. Crossing Borders Mexicana, Tejana, and Chicana Musicians in the United States and Mexico6. A Chicano in a Cuban Band Okan Ise and Songo in Los Angeles; 7. The Bolero Romántico From Cuban Dance to International Popular Song; 8. ""Give Your Body Joy, Macarena"" Aspects of U.S. Participation in the ""Latin"" Dance Craze of the 1990s; III Globalization and Mass Mediation Brazil and Peru; 9. Music and Place in the Brazilian Popular Imagination The Interplay of Local and Global in the Mangue Bit Movement of Recife, Pernambuco, Brazil. 10. Popular Music and the Global City Huayno, Chicha, and Techno-cumbia in Lima11. Viral Creativity A Memetic Approach to the Music of André Abujamra and Karnak; 12. Doing the Samba on Sunset Boulevard Carmen Miranda and the Hollywoodization of Latin American Music; Contributors; Index. |
| ctrlnum | (OCoLC)827207112 |
| dewey-full | 781.63098 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.63098 |
| dewey-search | 781.63098 |
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| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| illustrated | Illustrated |
| indexdate | 2024-11-27T13:25:10Z |
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| spelling | From tejano to tango : Latin American popular music / edited by Walter Aaron Clark. New York : Routledge, 2013. 1 online resource (x, 288 pages) : music text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Cover; From Tejano to Tango; Title Page; Copyright Page; Table of Contents; Preface; I Politics and Identity Argentina and Nicaragua; 1. The Popularized Gaucho Image as a Source of Argentine Classical Music, 1880-1920; 2. The Tango, Peronism, and Astor Piazzolla during the 1940s and '50s; 3. Socially Conscious Music Forming the Social Conscience Nicaraguan Música Testimonial and the Creation of a Revolutionary Moment; 4. Rock Chabón The Contemporary National Rock of Argentina; II Locality and Interlocality North America and Cuba. 5. Crossing Borders Mexicana, Tejana, and Chicana Musicians in the United States and Mexico6. A Chicano in a Cuban Band Okan Ise and Songo in Los Angeles; 7. The Bolero Romántico From Cuban Dance to International Popular Song; 8. ""Give Your Body Joy, Macarena"" Aspects of U.S. Participation in the ""Latin"" Dance Craze of the 1990s; III Globalization and Mass Mediation Brazil and Peru; 9. Music and Place in the Brazilian Popular Imagination The Interplay of Local and Global in the Mangue Bit Movement of Recife, Pernambuco, Brazil. 10. Popular Music and the Global City Huayno, Chicha, and Techno-cumbia in Lima11. Viral Creativity A Memetic Approach to the Music of André Abujamra and Karnak; 12. Doing the Samba on Sunset Boulevard Carmen Miranda and the Hollywoodization of Latin American Music; Contributors; Index. Author of two books on Issac Albeniz, including Issac Albeniz: A Guide to Research (1998), Walter Aaron Clark has compiled thirteen essays that discuss the various aspects of Latin American music. The essays cover the social and political impact the music generated as well as the rhythmic development of the various genres. In this essential book, significant personalities, including Carmen Miranda, are discussed. The scope of the contributors is vast as divergent musical styles such as the Macarena dace craze, Bob Marley's reggae music and the seductive strains of the tango are analyzed. Online resource; title from pdf information screen (Ebsco, viewed February 26, 2013). Popular music Latin America History and criticism. Musique populaire Amérique latine Histoire et critique. MUSIC Genres & Styles International. bisacsh MUSIC Genres & Styles New Age. bisacsh MUSIC Genres & Styles Pop Vocal. bisacsh Popular music fast Latin America fast Criticism, interpretation, etc. fast Clark, Walter Aaron. http://id.loc.gov/authorities/names/n97108089 Print version: Clark, Walter Aaron. From Tejano to Tango : Essays on Latin American Popular Music. Hoboken : Taylor and Francis, ©2013 9780815336402 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=536235 Volltext |
| spellingShingle | From tejano to tango : Latin American popular music / Cover; From Tejano to Tango; Title Page; Copyright Page; Table of Contents; Preface; I Politics and Identity Argentina and Nicaragua; 1. The Popularized Gaucho Image as a Source of Argentine Classical Music, 1880-1920; 2. The Tango, Peronism, and Astor Piazzolla during the 1940s and '50s; 3. Socially Conscious Music Forming the Social Conscience Nicaraguan Música Testimonial and the Creation of a Revolutionary Moment; 4. Rock Chabón The Contemporary National Rock of Argentina; II Locality and Interlocality North America and Cuba. 5. Crossing Borders Mexicana, Tejana, and Chicana Musicians in the United States and Mexico6. A Chicano in a Cuban Band Okan Ise and Songo in Los Angeles; 7. The Bolero Romántico From Cuban Dance to International Popular Song; 8. ""Give Your Body Joy, Macarena"" Aspects of U.S. Participation in the ""Latin"" Dance Craze of the 1990s; III Globalization and Mass Mediation Brazil and Peru; 9. Music and Place in the Brazilian Popular Imagination The Interplay of Local and Global in the Mangue Bit Movement of Recife, Pernambuco, Brazil. 10. Popular Music and the Global City Huayno, Chicha, and Techno-cumbia in Lima11. Viral Creativity A Memetic Approach to the Music of André Abujamra and Karnak; 12. Doing the Samba on Sunset Boulevard Carmen Miranda and the Hollywoodization of Latin American Music; Contributors; Index. Popular music Latin America History and criticism. Musique populaire Amérique latine Histoire et critique. MUSIC Genres & Styles International. bisacsh MUSIC Genres & Styles New Age. bisacsh MUSIC Genres & Styles Pop Vocal. bisacsh Popular music fast |
| title | From tejano to tango : Latin American popular music / |
| title_auth | From tejano to tango : Latin American popular music / |
| title_exact_search | From tejano to tango : Latin American popular music / |
| title_full | From tejano to tango : Latin American popular music / edited by Walter Aaron Clark. |
| title_fullStr | From tejano to tango : Latin American popular music / edited by Walter Aaron Clark. |
| title_full_unstemmed | From tejano to tango : Latin American popular music / edited by Walter Aaron Clark. |
| title_short | From tejano to tango : |
| title_sort | from tejano to tango latin american popular music |
| title_sub | Latin American popular music / |
| topic | Popular music Latin America History and criticism. Musique populaire Amérique latine Histoire et critique. MUSIC Genres & Styles International. bisacsh MUSIC Genres & Styles New Age. bisacsh MUSIC Genres & Styles Pop Vocal. bisacsh Popular music fast |
| topic_facet | Popular music Latin America History and criticism. Musique populaire Amérique latine Histoire et critique. MUSIC Genres & Styles International. MUSIC Genres & Styles New Age. MUSIC Genres & Styles Pop Vocal. Popular music Latin America Criticism, interpretation, etc. |
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