Highlife Saturday night :: popular music and social change in urban Ghana /
Highlife Saturday Night captures the vibrancy of Saturday nights in Ghana-when musicians took to the stage and dancers took to the floor-in this penetrating look at musical leisure during a time of social, political, and cultural change. Framing dance band ""highlife"" music as a...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bloomington :
Indiana University Press,
[2013]
|
| Schriftenreihe: | African expressive cultures.
Ethnomusicology multimedia. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Highlife Saturday Night captures the vibrancy of Saturday nights in Ghana-when musicians took to the stage and dancers took to the floor-in this penetrating look at musical leisure during a time of social, political, and cultural change. Framing dance band ""highlife"" music as a central medium through which Ghanaians negotiated gendered and generational social relations, Nate Plageman shows how popular music was central to the rhythm of daily life in a West African nation. He traces the history of highlife in urban Ghana during much of the 20th century and documents a range of figures that fueled the music's emergence, evolution, and explosive popularity. -- |
| Beschreibung: | 1 online resource (xvi, 318 pages) : illustrations, maps |
| Bibliographie: | Includes bibliographical references, discography, and index. |
| ISBN: | 025300733X 9780253007339 1283869950 9781283869959 |
Internformat
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-ocn825170191 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr cnu|||||||| | ||
| 008 | 130104t20132013inuab obk 001 0 eng d | ||
| 010 | |a 2012026045 | ||
| 040 | |a LGG |b eng |e rda |e pn |c LGG |d N$T |d IDEBK |d E7B |d P@U |d OCLCF |d YDXCP |d CDX |d TEFOD |d OCL |d OCLCQ |d COO |d JSTOR |d TEFOD |d OCLCQ |d AZK |d LOA |d AGLDB |d MOR |d PIFAG |d OCLCA |d OCLCQ |d IOG |d U3W |d EZ9 |d STF |d WRM |d VTS |d COCUF |d INARC |d NRAMU |d INT |d VT2 |d REC |d AU@ |d OCLCQ |d WYU |d LVT |d TKN |d YDX |d M8D |d HS0 |d UKCRE |d UKAHL |d OCLCO |d OCLCQ |d QGK |d MTH |d OCLCO |d OCLCL | ||
| 019 | |a 823380523 |a 961612512 |a 962592961 |a 966232621 |a 988499203 |a 992097456 |a 1037719835 |a 1038613450 |a 1045512207 |a 1055376580 |a 1058160149 |a 1066574911 |a 1081227255 |a 1153541848 |a 1228614427 |a 1259141586 |a 1391564585 | ||
| 020 | |a 025300733X |q (electronic bk.) | ||
| 020 | |a 9780253007339 |q (electronic bk.) | ||
| 020 | |z 9780253007254 |q (cloth ; |q alk. paper) | ||
| 020 | |z 0253007259 |q (cloth ; |q alk. paper) | ||
| 020 | |z 9780253007292 |q (pbk. ; |q alk. paper) | ||
| 020 | |z 0253007291 |q (pbk. ; |q alk. paper) | ||
| 020 | |a 1283869950 | ||
| 020 | |a 9781283869959 | ||
| 035 | |a (OCoLC)825170191 |z (OCoLC)823380523 |z (OCoLC)961612512 |z (OCoLC)962592961 |z (OCoLC)966232621 |z (OCoLC)988499203 |z (OCoLC)992097456 |z (OCoLC)1037719835 |z (OCoLC)1038613450 |z (OCoLC)1045512207 |z (OCoLC)1055376580 |z (OCoLC)1058160149 |z (OCoLC)1066574911 |z (OCoLC)1081227255 |z (OCoLC)1153541848 |z (OCoLC)1228614427 |z (OCoLC)1259141586 |z (OCoLC)1391564585 | ||
| 037 | |a 3F0418C0-B8C9-405F-977A-E8986BC635E5 |b OverDrive, Inc. |n http://www.overdrive.com | ||
| 037 | |a 22573/ctt16gjksm |b JSTOR | ||
| 043 | |a f-gh--- | ||
| 050 | 4 | |a ML3917.G43 |b P53 2013eb | |
| 072 | 7 | |a POL |x 038000 |2 bisacsh | |
| 072 | 7 | |a SOC |x 002010 |2 bisacsh | |
| 072 | 7 | |a SOC |x 022000 |2 bisacsh | |
| 072 | 7 | |a HIS001050 |2 bisacsh | |
| 072 | 7 | |a MUS015000 |2 bisacsh | |
| 082 | 7 | |a 306.4/8409667 |2 23 | |
| 049 | |a MAIN | ||
| 100 | 1 | |a Plageman, Nate, |d 1978- |1 https://id.oclc.org/worldcat/entity/E39PCjBFj7kDvfqVDQYwtpPjP3 |0 http://id.loc.gov/authorities/names/no2012087108 | |
| 245 | 1 | 0 | |a Highlife Saturday night : |b popular music and social change in urban Ghana / |c Nate Plageman. |
| 264 | 1 | |a Bloomington : |b Indiana University Press, |c [2013] | |
| 264 | 4 | |c ©2013 | |
| 300 | |a 1 online resource (xvi, 318 pages) : |b illustrations, maps | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a African expressive cultures | |
| 490 | 1 | |a Ethnomusicology multimedia | |
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references, discography, and index. | ||
| 505 | 0 | |a Introduction: the historical importance of urban Ghana's Saturday nights -- Popular music, political authority, and social possibilities in the southern Gold Coast, 1890-1940 -- The making of a middle class: urban social clubs and the evolution of highlife music, 1915-1940 -- The friction on the floor: negotiating nightlife in Accra, 1940-1960 -- "The highlife was born in Ghana": politics, culture, and the making of a national music, 1950-1965 -- "We were the ones who composed the songs": the promises and pitfalls of being a bandsman, 1945-1970. | |
| 520 | |a Highlife Saturday Night captures the vibrancy of Saturday nights in Ghana-when musicians took to the stage and dancers took to the floor-in this penetrating look at musical leisure during a time of social, political, and cultural change. Framing dance band ""highlife"" music as a central medium through which Ghanaians negotiated gendered and generational social relations, Nate Plageman shows how popular music was central to the rhythm of daily life in a West African nation. He traces the history of highlife in urban Ghana during much of the 20th century and documents a range of figures that fueled the music's emergence, evolution, and explosive popularity. -- |c Publisher | ||
| 546 | |a English. | ||
| 650 | 0 | |a Dance music |x Social aspects |z Ghana. | |
| 650 | 0 | |a Highlife (Music) |z Ghana |x History and criticism. | |
| 651 | 0 | |a Ghana |x Social conditions. |0 http://id.loc.gov/authorities/subjects/sh85054774 | |
| 650 | 6 | |a Danse, Musique de |x Aspect social |z Ghāna. | |
| 650 | 6 | |a Highlife (Musique) |z Ghāna |x Histoire et critique. | |
| 651 | 6 | |a Ghāna |x Conditions sociales. | |
| 650 | 7 | |a POLITICAL SCIENCE |x Public Policy |x Cultural Policy. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Anthropology |x Cultural. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Popular Culture. |2 bisacsh | |
| 650 | 7 | |a HISTORY |z Africa |x West. |2 bisacsh | |
| 650 | 7 | |a Dance music |x Social aspects |2 fast | |
| 650 | 7 | |a Highlife (Music) |2 fast | |
| 650 | 7 | |a Social conditions |2 fast | |
| 651 | 7 | |a Ghana |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJrwWdFrtwYQThrFvRGJXd | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Highlife Saturday night (Text) |1 https://id.oclc.org/worldcat/entity/E39PCH7r73HJ4DbbwcKhw3D7wP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |z 9780253007254 |z 0253007259 |w (DLC) 2012026045 |
| 830 | 0 | |a African expressive cultures. |0 http://id.loc.gov/authorities/names/n2002117233 | |
| 830 | 0 | |a Ethnomusicology multimedia. |0 http://id.loc.gov/authorities/names/no2012071383 | |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=512514 |3 Volltext |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH26369835 | ||
| 938 | |a Coutts Information Services |b COUT |n 24419027 | ||
| 938 | |a ebrary |b EBRY |n ebr10634610 | ||
| 938 | |a EBSCOhost |b EBSC |n 512514 | ||
| 938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis24419027 | ||
| 938 | |a Internet Archive |b INAR |n highlifesaturday00plag | ||
| 938 | |a Project MUSE |b MUSE |n muse18251 | ||
| 938 | |a YBP Library Services |b YANK |n 9732626 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn825170191 |
|---|---|
| _version_ | 1816882220164448256 |
| adam_text | |
| any_adam_object | |
| author | Plageman, Nate, 1978- |
| author_GND | http://id.loc.gov/authorities/names/no2012087108 |
| author_facet | Plageman, Nate, 1978- |
| author_role | |
| author_sort | Plageman, Nate, 1978- |
| author_variant | n p np |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML3917 |
| callnumber-raw | ML3917.G43 P53 2013eb |
| callnumber-search | ML3917.G43 P53 2013eb |
| callnumber-sort | ML 43917 G43 P53 42013EB |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Introduction: the historical importance of urban Ghana's Saturday nights -- Popular music, political authority, and social possibilities in the southern Gold Coast, 1890-1940 -- The making of a middle class: urban social clubs and the evolution of highlife music, 1915-1940 -- The friction on the floor: negotiating nightlife in Accra, 1940-1960 -- "The highlife was born in Ghana": politics, culture, and the making of a national music, 1950-1965 -- "We were the ones who composed the songs": the promises and pitfalls of being a bandsman, 1945-1970. |
| ctrlnum | (OCoLC)825170191 |
| dewey-full | 306.4/8409667 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 306 - Culture and institutions |
| dewey-raw | 306.4/8409667 |
| dewey-search | 306.4/8409667 |
| dewey-sort | 3306.4 78409667 |
| dewey-tens | 300 - Social sciences |
| discipline | Soziologie |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05867cam a2200901 i 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn825170191</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu||||||||</controlfield><controlfield tag="008">130104t20132013inuab obk 001 0 eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a"> 2012026045</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">LGG</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">LGG</subfield><subfield code="d">N$T</subfield><subfield code="d">IDEBK</subfield><subfield code="d">E7B</subfield><subfield code="d">P@U</subfield><subfield code="d">OCLCF</subfield><subfield code="d">YDXCP</subfield><subfield code="d">CDX</subfield><subfield code="d">TEFOD</subfield><subfield code="d">OCL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">COO</subfield><subfield code="d">JSTOR</subfield><subfield code="d">TEFOD</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">AZK</subfield><subfield code="d">LOA</subfield><subfield code="d">AGLDB</subfield><subfield code="d">MOR</subfield><subfield code="d">PIFAG</subfield><subfield code="d">OCLCA</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">IOG</subfield><subfield code="d">U3W</subfield><subfield code="d">EZ9</subfield><subfield code="d">STF</subfield><subfield code="d">WRM</subfield><subfield code="d">VTS</subfield><subfield code="d">COCUF</subfield><subfield code="d">INARC</subfield><subfield code="d">NRAMU</subfield><subfield code="d">INT</subfield><subfield code="d">VT2</subfield><subfield code="d">REC</subfield><subfield code="d">AU@</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">WYU</subfield><subfield code="d">LVT</subfield><subfield code="d">TKN</subfield><subfield code="d">YDX</subfield><subfield code="d">M8D</subfield><subfield code="d">HS0</subfield><subfield code="d">UKCRE</subfield><subfield code="d">UKAHL</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">QGK</subfield><subfield code="d">MTH</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">823380523</subfield><subfield code="a">961612512</subfield><subfield code="a">962592961</subfield><subfield code="a">966232621</subfield><subfield code="a">988499203</subfield><subfield code="a">992097456</subfield><subfield code="a">1037719835</subfield><subfield code="a">1038613450</subfield><subfield code="a">1045512207</subfield><subfield code="a">1055376580</subfield><subfield code="a">1058160149</subfield><subfield code="a">1066574911</subfield><subfield code="a">1081227255</subfield><subfield code="a">1153541848</subfield><subfield code="a">1228614427</subfield><subfield code="a">1259141586</subfield><subfield code="a">1391564585</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">025300733X</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780253007339</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780253007254</subfield><subfield code="q">(cloth ;</subfield><subfield code="q">alk. paper)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0253007259</subfield><subfield code="q">(cloth ;</subfield><subfield code="q">alk. paper)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780253007292</subfield><subfield code="q">(pbk. ;</subfield><subfield code="q">alk. paper)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0253007291</subfield><subfield code="q">(pbk. ;</subfield><subfield code="q">alk. paper)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1283869950</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781283869959</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)825170191</subfield><subfield code="z">(OCoLC)823380523</subfield><subfield code="z">(OCoLC)961612512</subfield><subfield code="z">(OCoLC)962592961</subfield><subfield code="z">(OCoLC)966232621</subfield><subfield code="z">(OCoLC)988499203</subfield><subfield code="z">(OCoLC)992097456</subfield><subfield code="z">(OCoLC)1037719835</subfield><subfield code="z">(OCoLC)1038613450</subfield><subfield code="z">(OCoLC)1045512207</subfield><subfield code="z">(OCoLC)1055376580</subfield><subfield code="z">(OCoLC)1058160149</subfield><subfield code="z">(OCoLC)1066574911</subfield><subfield code="z">(OCoLC)1081227255</subfield><subfield code="z">(OCoLC)1153541848</subfield><subfield code="z">(OCoLC)1228614427</subfield><subfield code="z">(OCoLC)1259141586</subfield><subfield code="z">(OCoLC)1391564585</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">3F0418C0-B8C9-405F-977A-E8986BC635E5</subfield><subfield code="b">OverDrive, Inc.</subfield><subfield code="n">http://www.overdrive.com</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctt16gjksm</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="043" ind1=" " ind2=" "><subfield code="a">f-gh---</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">ML3917.G43</subfield><subfield code="b">P53 2013eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">POL</subfield><subfield code="x">038000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">SOC</subfield><subfield code="x">002010</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">SOC</subfield><subfield code="x">022000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">HIS001050</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS015000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">306.4/8409667</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Plageman, Nate,</subfield><subfield code="d">1978-</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCjBFj7kDvfqVDQYwtpPjP3</subfield><subfield code="0">http://id.loc.gov/authorities/names/no2012087108</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Highlife Saturday night :</subfield><subfield code="b">popular music and social change in urban Ghana /</subfield><subfield code="c">Nate Plageman.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Bloomington :</subfield><subfield code="b">Indiana University Press,</subfield><subfield code="c">[2013]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2013</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xvi, 318 pages) :</subfield><subfield code="b">illustrations, maps</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">African expressive cultures</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Ethnomusicology multimedia</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references, discography, and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Introduction: the historical importance of urban Ghana's Saturday nights -- Popular music, political authority, and social possibilities in the southern Gold Coast, 1890-1940 -- The making of a middle class: urban social clubs and the evolution of highlife music, 1915-1940 -- The friction on the floor: negotiating nightlife in Accra, 1940-1960 -- "The highlife was born in Ghana": politics, culture, and the making of a national music, 1950-1965 -- "We were the ones who composed the songs": the promises and pitfalls of being a bandsman, 1945-1970.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Highlife Saturday Night captures the vibrancy of Saturday nights in Ghana-when musicians took to the stage and dancers took to the floor-in this penetrating look at musical leisure during a time of social, political, and cultural change. Framing dance band ""highlife"" music as a central medium through which Ghanaians negotiated gendered and generational social relations, Nate Plageman shows how popular music was central to the rhythm of daily life in a West African nation. He traces the history of highlife in urban Ghana during much of the 20th century and documents a range of figures that fueled the music's emergence, evolution, and explosive popularity. --</subfield><subfield code="c">Publisher</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">English.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Dance music</subfield><subfield code="x">Social aspects</subfield><subfield code="z">Ghana.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Highlife (Music)</subfield><subfield code="z">Ghana</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="651" ind1=" " ind2="0"><subfield code="a">Ghana</subfield><subfield code="x">Social conditions.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85054774</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Danse, Musique de</subfield><subfield code="x">Aspect social</subfield><subfield code="z">Ghāna.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Highlife (Musique)</subfield><subfield code="z">Ghāna</subfield><subfield code="x">Histoire et critique.</subfield></datafield><datafield tag="651" ind1=" " ind2="6"><subfield code="a">Ghāna</subfield><subfield code="x">Conditions sociales.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">POLITICAL SCIENCE</subfield><subfield code="x">Public Policy</subfield><subfield code="x">Cultural Policy.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">SOCIAL SCIENCE</subfield><subfield code="x">Anthropology</subfield><subfield code="x">Cultural.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">SOCIAL SCIENCE</subfield><subfield code="x">Popular Culture.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">HISTORY</subfield><subfield code="z">Africa</subfield><subfield code="x">West.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Dance music</subfield><subfield code="x">Social aspects</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Highlife (Music)</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Social conditions</subfield><subfield code="2">fast</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Ghana</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJrwWdFrtwYQThrFvRGJXd</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Highlife Saturday night (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCH7r73HJ4DbbwcKhw3D7wP</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="z">9780253007254</subfield><subfield code="z">0253007259</subfield><subfield code="w">(DLC) 2012026045</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">African expressive cultures.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n2002117233</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Ethnomusicology multimedia.</subfield><subfield code="0">http://id.loc.gov/authorities/names/no2012071383</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=512514</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH26369835</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Coutts Information Services</subfield><subfield code="b">COUT</subfield><subfield code="n">24419027</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ebrary</subfield><subfield code="b">EBRY</subfield><subfield code="n">ebr10634610</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">512514</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest MyiLibrary Digital eBook Collection</subfield><subfield code="b">IDEB</subfield><subfield code="n">cis24419027</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Internet Archive</subfield><subfield code="b">INAR</subfield><subfield code="n">highlifesaturday00plag</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Project MUSE</subfield><subfield code="b">MUSE</subfield><subfield code="n">muse18251</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">9732626</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| geographic | Ghana Social conditions. http://id.loc.gov/authorities/subjects/sh85054774 Ghāna Conditions sociales. Ghana fast https://id.oclc.org/worldcat/entity/E39PBJrwWdFrtwYQThrFvRGJXd |
| geographic_facet | Ghana Social conditions. Ghāna Conditions sociales. Ghana |
| id | ZDB-4-EBA-ocn825170191 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:25:09Z |
| institution | BVB |
| isbn | 025300733X 9780253007339 1283869950 9781283869959 |
| language | English |
| lccn | 2012026045 |
| oclc_num | 825170191 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xvi, 318 pages) : illustrations, maps |
| psigel | ZDB-4-EBA |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Indiana University Press, |
| record_format | marc |
| series | African expressive cultures. Ethnomusicology multimedia. |
| series2 | African expressive cultures Ethnomusicology multimedia |
| spelling | Plageman, Nate, 1978- https://id.oclc.org/worldcat/entity/E39PCjBFj7kDvfqVDQYwtpPjP3 http://id.loc.gov/authorities/names/no2012087108 Highlife Saturday night : popular music and social change in urban Ghana / Nate Plageman. Bloomington : Indiana University Press, [2013] ©2013 1 online resource (xvi, 318 pages) : illustrations, maps text txt rdacontent computer c rdamedia online resource cr rdacarrier African expressive cultures Ethnomusicology multimedia Print version record. Includes bibliographical references, discography, and index. Introduction: the historical importance of urban Ghana's Saturday nights -- Popular music, political authority, and social possibilities in the southern Gold Coast, 1890-1940 -- The making of a middle class: urban social clubs and the evolution of highlife music, 1915-1940 -- The friction on the floor: negotiating nightlife in Accra, 1940-1960 -- "The highlife was born in Ghana": politics, culture, and the making of a national music, 1950-1965 -- "We were the ones who composed the songs": the promises and pitfalls of being a bandsman, 1945-1970. Highlife Saturday Night captures the vibrancy of Saturday nights in Ghana-when musicians took to the stage and dancers took to the floor-in this penetrating look at musical leisure during a time of social, political, and cultural change. Framing dance band ""highlife"" music as a central medium through which Ghanaians negotiated gendered and generational social relations, Nate Plageman shows how popular music was central to the rhythm of daily life in a West African nation. He traces the history of highlife in urban Ghana during much of the 20th century and documents a range of figures that fueled the music's emergence, evolution, and explosive popularity. -- Publisher English. Dance music Social aspects Ghana. Highlife (Music) Ghana History and criticism. Ghana Social conditions. http://id.loc.gov/authorities/subjects/sh85054774 Danse, Musique de Aspect social Ghāna. Highlife (Musique) Ghāna Histoire et critique. Ghāna Conditions sociales. POLITICAL SCIENCE Public Policy Cultural Policy. bisacsh SOCIAL SCIENCE Anthropology Cultural. bisacsh SOCIAL SCIENCE Popular Culture. bisacsh HISTORY Africa West. bisacsh Dance music Social aspects fast Highlife (Music) fast Social conditions fast Ghana fast https://id.oclc.org/worldcat/entity/E39PBJrwWdFrtwYQThrFvRGJXd Criticism, interpretation, etc. fast has work: Highlife Saturday night (Text) https://id.oclc.org/worldcat/entity/E39PCH7r73HJ4DbbwcKhw3D7wP https://id.oclc.org/worldcat/ontology/hasWork Print version: 9780253007254 0253007259 (DLC) 2012026045 African expressive cultures. http://id.loc.gov/authorities/names/n2002117233 Ethnomusicology multimedia. http://id.loc.gov/authorities/names/no2012071383 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=512514 Volltext |
| spellingShingle | Plageman, Nate, 1978- Highlife Saturday night : popular music and social change in urban Ghana / African expressive cultures. Ethnomusicology multimedia. Introduction: the historical importance of urban Ghana's Saturday nights -- Popular music, political authority, and social possibilities in the southern Gold Coast, 1890-1940 -- The making of a middle class: urban social clubs and the evolution of highlife music, 1915-1940 -- The friction on the floor: negotiating nightlife in Accra, 1940-1960 -- "The highlife was born in Ghana": politics, culture, and the making of a national music, 1950-1965 -- "We were the ones who composed the songs": the promises and pitfalls of being a bandsman, 1945-1970. Dance music Social aspects Ghana. Highlife (Music) Ghana History and criticism. Danse, Musique de Aspect social Ghāna. Highlife (Musique) Ghāna Histoire et critique. POLITICAL SCIENCE Public Policy Cultural Policy. bisacsh SOCIAL SCIENCE Anthropology Cultural. bisacsh SOCIAL SCIENCE Popular Culture. bisacsh HISTORY Africa West. bisacsh Dance music Social aspects fast Highlife (Music) fast Social conditions fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85054774 |
| title | Highlife Saturday night : popular music and social change in urban Ghana / |
| title_auth | Highlife Saturday night : popular music and social change in urban Ghana / |
| title_exact_search | Highlife Saturday night : popular music and social change in urban Ghana / |
| title_full | Highlife Saturday night : popular music and social change in urban Ghana / Nate Plageman. |
| title_fullStr | Highlife Saturday night : popular music and social change in urban Ghana / Nate Plageman. |
| title_full_unstemmed | Highlife Saturday night : popular music and social change in urban Ghana / Nate Plageman. |
| title_short | Highlife Saturday night : |
| title_sort | highlife saturday night popular music and social change in urban ghana |
| title_sub | popular music and social change in urban Ghana / |
| topic | Dance music Social aspects Ghana. Highlife (Music) Ghana History and criticism. Danse, Musique de Aspect social Ghāna. Highlife (Musique) Ghāna Histoire et critique. POLITICAL SCIENCE Public Policy Cultural Policy. bisacsh SOCIAL SCIENCE Anthropology Cultural. bisacsh SOCIAL SCIENCE Popular Culture. bisacsh HISTORY Africa West. bisacsh Dance music Social aspects fast Highlife (Music) fast Social conditions fast |
| topic_facet | Dance music Social aspects Ghana. Highlife (Music) Ghana History and criticism. Ghana Social conditions. Danse, Musique de Aspect social Ghāna. Highlife (Musique) Ghāna Histoire et critique. Ghāna Conditions sociales. POLITICAL SCIENCE Public Policy Cultural Policy. SOCIAL SCIENCE Anthropology Cultural. SOCIAL SCIENCE Popular Culture. HISTORY Africa West. Dance music Social aspects Highlife (Music) Social conditions Ghana Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=512514 |
| work_keys_str_mv | AT plagemannate highlifesaturdaynightpopularmusicandsocialchangeinurbanghana |