The German cabaret legacy in American popular music /:
"The stylistic remnants of cabaret music from Weimar-era Germany are all around us. During the 20th century, its most prominent American exponents were Germans. Their words and music continue to be heard and exert widespread influence. Major songwriters and African-American artists have been pr...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Jefferson, N.C. :
McFarland,
2013.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | "The stylistic remnants of cabaret music from Weimar-era Germany are all around us. During the 20th century, its most prominent American exponents were Germans. Their words and music continue to be heard and exert widespread influence. Major songwriters and African-American artists have been prolific and sympathetic interpreters of it. Today, German cabaret tradition remains strong"--Provided by publisher |
Beschreibung: | 1 online resource |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9781476601489 1476601488 |
Internformat
MARC
LEADER | 00000cam a2200000 a 4500 | ||
---|---|---|---|
001 | ZDB-4-EBA-ocn824362996 | ||
003 | OCoLC | ||
005 | 20241004212047.0 | ||
006 | m o d | ||
007 | cr cnu---unuuu | ||
008 | 130115s2013 ncu ob 001 0 eng d | ||
040 | |a N$T |b eng |e pn |c N$T |d OCLCO |d YDXCP |d EBLCP |d TEFOD |d CDX |d OCLCO |d OCLCQ |d TEFOD |d ZAD |d N15 |d IDEBK |d E7B |d MEAUC |d OCLCQ |d OCLCF |d TEFOD |d OCL |d OCLCQ |d CNCGM |d MERUC |d OCLCQ |d INT |d OCLCQ |d WYU |d YOU |d AU@ |d UKAHL |d OCLCQ |d YDX |d OCLCQ |d OCLCO |d INARC |d OCLCO |d OCLCQ |d OCLCO |d OCLCL | ||
019 | |a 829062360 | ||
020 | |a 9781476601489 |q (electronic bk.) | ||
020 | |a 1476601488 |q (electronic bk.) | ||
020 | |z 9780786468638 | ||
020 | |z 0786468637 | ||
035 | |a (OCoLC)824362996 |z (OCoLC)829062360 | ||
037 | |a 54A72C92-43D9-4832-B124-A9DC959D53D3 |b OverDrive, Inc. |n http://www.overdrive.com | ||
043 | |a n-us--- |a e-gx--- | ||
050 | 4 | |a ML3477 |b .F36 2013eb | |
072 | 7 | |a MUS |x 029000 |2 bisacsh | |
082 | 7 | |a 781.640943/0973 |2 23 | |
049 | |a MAIN | ||
100 | 1 | |a Farina, William, |d 1955- |1 https://id.oclc.org/worldcat/entity/E39PBJdCm7PTD8GxFCGc8mRFrq |0 http://id.loc.gov/authorities/names/n2005084665 | |
245 | 1 | 4 | |a The German cabaret legacy in American popular music / |c William Farina. |
260 | |a Jefferson, N.C. : |b McFarland, |c 2013. | ||
300 | |a 1 online resource | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
504 | |a Includes bibliographical references and index. | ||
520 | |a "The stylistic remnants of cabaret music from Weimar-era Germany are all around us. During the 20th century, its most prominent American exponents were Germans. Their words and music continue to be heard and exert widespread influence. Major songwriters and African-American artists have been prolific and sympathetic interpreters of it. Today, German cabaret tradition remains strong"--Provided by publisher | ||
588 | 0 | |a Print version record. | |
505 | 0 | |a Cover; Acknowledgments; Table of Contents; Introduction; Part I: Berlin via Paris; 1. Le Belle Époque and Überbrettl; 2. The Great American Cultural Invasion; 3. Kurt Weill and Die Dreigroschenoper; 4. Lotte Lenya, Future Tony Award Winner; 5. The Long, Strange Journey of Marlene Dietrich; 6. Hollaender, Spoliansky and Their Doomed Associates; 7. Christopher Isherwood, Reporting from Berlin; 8. Total Collapse of the Moral Universe; 9. A Field Day for the Neue Sachlichkeit; 10. Josef von Sternberg Captures It All on Film; Part II: Amerika and Beyond; 11From the Kurfürstendamm to Broadway. | |
505 | 8 | |a 12. Kabarett Helps to Win the War13. The Resurrection of Mahagonny; 14. Louis Armstrong Connects the Dots; 15. Bacharach and David Redefine the Brill Building; 16. Cabaret on Stage and Film; 17. The British Importation of Kleinkunst; 18. Singer-Songwriters Become Bankable; 19. Adoption by the Alternative Scene; 20. A Turbulent New Century Begins; Conclusion; English Glossary of German and French Terminology; Chapter Notes; Select Bibliography; Index. | |
650 | 0 | |a Popular music |z United States |x History and criticism. | |
650 | 0 | |a Music |z Germany |y 20th century |x History and criticism. | |
650 | 0 | |a Music |z United States |x German influences. | |
650 | 6 | |a Musique populaire |z États-Unis |x Histoire et critique. | |
650 | 6 | |a Musique |z États-Unis |x Influence allemande. | |
650 | 7 | |a MUSIC |x Genres & Styles |x Pop Vocal. |2 bisacsh | |
650 | 7 | |a Music |2 fast | |
650 | 7 | |a Music |x German influences |2 fast | |
650 | 7 | |a Popular music |2 fast | |
651 | 7 | |a Germany |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtCD3rcKcPDx6FHmjvrbd | |
651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
648 | 7 | |a 1900-1999 |2 fast | |
655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
758 | |i has work: |a The German cabaret legacy in American popular music (Text) |1 https://id.oclc.org/worldcat/entity/E39PCH47XQCbKPJpXgMWT4HCjP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Print version: |a Farina, William, 1955- |t German cabaret legacy in American popular music. |d Jefferson, N.C. : McFarland, 2013 |z 9780786468638 |w (DLC) 2012049983 |w (OCoLC)810120196 |
856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=521026 |3 Volltext |
938 | |a Internet Archive |b INAR |n germancabaretleg0000fari | ||
938 | |a Askews and Holts Library Services |b ASKH |n AH28324781 | ||
938 | |a Coutts Information Services |b COUT |n 24558289 | ||
938 | |a EBL - Ebook Library |b EBLB |n EBL1111233 | ||
938 | |a ebrary |b EBRY |n ebr10644241 | ||
938 | |a EBSCOhost |b EBSC |n 521026 | ||
938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis24558289 | ||
938 | |a YBP Library Services |b YANK |n 9974289 | ||
994 | |a 92 |b GEBAY | ||
912 | |a ZDB-4-EBA | ||
049 | |a DE-863 |
Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn824362996 |
---|---|
_version_ | 1816882219660083201 |
adam_text | |
any_adam_object | |
author | Farina, William, 1955- |
author_GND | http://id.loc.gov/authorities/names/n2005084665 |
author_facet | Farina, William, 1955- |
author_role | |
author_sort | Farina, William, 1955- |
author_variant | w f wf |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | M - Music |
callnumber-label | ML3477 |
callnumber-raw | ML3477 .F36 2013eb |
callnumber-search | ML3477 .F36 2013eb |
callnumber-sort | ML 43477 F36 42013EB |
callnumber-subject | ML - Literature on Music |
collection | ZDB-4-EBA |
contents | Cover; Acknowledgments; Table of Contents; Introduction; Part I: Berlin via Paris; 1. Le Belle Époque and Überbrettl; 2. The Great American Cultural Invasion; 3. Kurt Weill and Die Dreigroschenoper; 4. Lotte Lenya, Future Tony Award Winner; 5. The Long, Strange Journey of Marlene Dietrich; 6. Hollaender, Spoliansky and Their Doomed Associates; 7. Christopher Isherwood, Reporting from Berlin; 8. Total Collapse of the Moral Universe; 9. A Field Day for the Neue Sachlichkeit; 10. Josef von Sternberg Captures It All on Film; Part II: Amerika and Beyond; 11From the Kurfürstendamm to Broadway. 12. Kabarett Helps to Win the War13. The Resurrection of Mahagonny; 14. Louis Armstrong Connects the Dots; 15. Bacharach and David Redefine the Brill Building; 16. Cabaret on Stage and Film; 17. The British Importation of Kleinkunst; 18. Singer-Songwriters Become Bankable; 19. Adoption by the Alternative Scene; 20. A Turbulent New Century Begins; Conclusion; English Glossary of German and French Terminology; Chapter Notes; Select Bibliography; Index. |
ctrlnum | (OCoLC)824362996 |
dewey-full | 781.640943/0973 |
dewey-hundreds | 700 - The arts |
dewey-ones | 781 - General principles and musical forms |
dewey-raw | 781.640943/0973 |
dewey-search | 781.640943/0973 |
dewey-sort | 3781.640943 3973 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
era | 1900-1999 fast |
era_facet | 1900-1999 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04777cam a2200697 a 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn824362996</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu---unuuu</controlfield><controlfield tag="008">130115s2013 ncu ob 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">N$T</subfield><subfield code="b">eng</subfield><subfield code="e">pn</subfield><subfield code="c">N$T</subfield><subfield code="d">OCLCO</subfield><subfield code="d">YDXCP</subfield><subfield code="d">EBLCP</subfield><subfield code="d">TEFOD</subfield><subfield code="d">CDX</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">TEFOD</subfield><subfield code="d">ZAD</subfield><subfield code="d">N15</subfield><subfield code="d">IDEBK</subfield><subfield code="d">E7B</subfield><subfield code="d">MEAUC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCF</subfield><subfield code="d">TEFOD</subfield><subfield code="d">OCL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">CNCGM</subfield><subfield code="d">MERUC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">INT</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">WYU</subfield><subfield code="d">YOU</subfield><subfield code="d">AU@</subfield><subfield code="d">UKAHL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">YDX</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">INARC</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">829062360</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781476601489</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1476601488</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780786468638</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0786468637</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)824362996</subfield><subfield code="z">(OCoLC)829062360</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">54A72C92-43D9-4832-B124-A9DC959D53D3</subfield><subfield code="b">OverDrive, Inc.</subfield><subfield code="n">http://www.overdrive.com</subfield></datafield><datafield tag="043" ind1=" " ind2=" "><subfield code="a">n-us---</subfield><subfield code="a">e-gx---</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">ML3477</subfield><subfield code="b">.F36 2013eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS</subfield><subfield code="x">029000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">781.640943/0973</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Farina, William,</subfield><subfield code="d">1955-</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJdCm7PTD8GxFCGc8mRFrq</subfield><subfield code="0">http://id.loc.gov/authorities/names/n2005084665</subfield></datafield><datafield tag="245" ind1="1" ind2="4"><subfield code="a">The German cabaret legacy in American popular music /</subfield><subfield code="c">William Farina.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">Jefferson, N.C. :</subfield><subfield code="b">McFarland,</subfield><subfield code="c">2013.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"The stylistic remnants of cabaret music from Weimar-era Germany are all around us. During the 20th century, its most prominent American exponents were Germans. Their words and music continue to be heard and exert widespread influence. Major songwriters and African-American artists have been prolific and sympathetic interpreters of it. Today, German cabaret tradition remains strong"--Provided by publisher</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Cover; Acknowledgments; Table of Contents; Introduction; Part I: Berlin via Paris; 1. Le Belle Époque and Überbrettl; 2. The Great American Cultural Invasion; 3. Kurt Weill and Die Dreigroschenoper; 4. Lotte Lenya, Future Tony Award Winner; 5. The Long, Strange Journey of Marlene Dietrich; 6. Hollaender, Spoliansky and Their Doomed Associates; 7. Christopher Isherwood, Reporting from Berlin; 8. Total Collapse of the Moral Universe; 9. A Field Day for the Neue Sachlichkeit; 10. Josef von Sternberg Captures It All on Film; Part II: Amerika and Beyond; 11From the Kurfürstendamm to Broadway.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">12. Kabarett Helps to Win the War13. The Resurrection of Mahagonny; 14. Louis Armstrong Connects the Dots; 15. Bacharach and David Redefine the Brill Building; 16. Cabaret on Stage and Film; 17. The British Importation of Kleinkunst; 18. Singer-Songwriters Become Bankable; 19. Adoption by the Alternative Scene; 20. A Turbulent New Century Begins; Conclusion; English Glossary of German and French Terminology; Chapter Notes; Select Bibliography; Index.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Popular music</subfield><subfield code="z">United States</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music</subfield><subfield code="z">Germany</subfield><subfield code="y">20th century</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music</subfield><subfield code="z">United States</subfield><subfield code="x">German influences.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Musique populaire</subfield><subfield code="z">États-Unis</subfield><subfield code="x">Histoire et critique.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Musique</subfield><subfield code="z">États-Unis</subfield><subfield code="x">Influence allemande.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC</subfield><subfield code="x">Genres & Styles</subfield><subfield code="x">Pop Vocal.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music</subfield><subfield code="x">German influences</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Popular music</subfield><subfield code="2">fast</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Germany</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJtCD3rcKcPDx6FHmjvrbd</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">United States</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">1900-1999</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">The German cabaret legacy in American popular music (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCH47XQCbKPJpXgMWT4HCjP</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Farina, William, 1955-</subfield><subfield code="t">German cabaret legacy in American popular music.</subfield><subfield code="d">Jefferson, N.C. : McFarland, 2013</subfield><subfield code="z">9780786468638</subfield><subfield code="w">(DLC) 2012049983</subfield><subfield code="w">(OCoLC)810120196</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=521026</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Internet Archive</subfield><subfield code="b">INAR</subfield><subfield code="n">germancabaretleg0000fari</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH28324781</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Coutts Information Services</subfield><subfield code="b">COUT</subfield><subfield code="n">24558289</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBL - Ebook Library</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL1111233</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ebrary</subfield><subfield code="b">EBRY</subfield><subfield code="n">ebr10644241</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">521026</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest MyiLibrary Digital eBook Collection</subfield><subfield code="b">IDEB</subfield><subfield code="n">cis24558289</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">9974289</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
genre | Criticism, interpretation, etc. fast |
genre_facet | Criticism, interpretation, etc. |
geographic | Germany fast https://id.oclc.org/worldcat/entity/E39PBJtCD3rcKcPDx6FHmjvrbd United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq |
geographic_facet | Germany United States |
id | ZDB-4-EBA-ocn824362996 |
illustrated | Not Illustrated |
indexdate | 2024-11-27T13:25:08Z |
institution | BVB |
isbn | 9781476601489 1476601488 |
language | English |
oclc_num | 824362996 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource |
psigel | ZDB-4-EBA |
publishDate | 2013 |
publishDateSearch | 2013 |
publishDateSort | 2013 |
publisher | McFarland, |
record_format | marc |
spelling | Farina, William, 1955- https://id.oclc.org/worldcat/entity/E39PBJdCm7PTD8GxFCGc8mRFrq http://id.loc.gov/authorities/names/n2005084665 The German cabaret legacy in American popular music / William Farina. Jefferson, N.C. : McFarland, 2013. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. "The stylistic remnants of cabaret music from Weimar-era Germany are all around us. During the 20th century, its most prominent American exponents were Germans. Their words and music continue to be heard and exert widespread influence. Major songwriters and African-American artists have been prolific and sympathetic interpreters of it. Today, German cabaret tradition remains strong"--Provided by publisher Print version record. Cover; Acknowledgments; Table of Contents; Introduction; Part I: Berlin via Paris; 1. Le Belle Époque and Überbrettl; 2. The Great American Cultural Invasion; 3. Kurt Weill and Die Dreigroschenoper; 4. Lotte Lenya, Future Tony Award Winner; 5. The Long, Strange Journey of Marlene Dietrich; 6. Hollaender, Spoliansky and Their Doomed Associates; 7. Christopher Isherwood, Reporting from Berlin; 8. Total Collapse of the Moral Universe; 9. A Field Day for the Neue Sachlichkeit; 10. Josef von Sternberg Captures It All on Film; Part II: Amerika and Beyond; 11From the Kurfürstendamm to Broadway. 12. Kabarett Helps to Win the War13. The Resurrection of Mahagonny; 14. Louis Armstrong Connects the Dots; 15. Bacharach and David Redefine the Brill Building; 16. Cabaret on Stage and Film; 17. The British Importation of Kleinkunst; 18. Singer-Songwriters Become Bankable; 19. Adoption by the Alternative Scene; 20. A Turbulent New Century Begins; Conclusion; English Glossary of German and French Terminology; Chapter Notes; Select Bibliography; Index. Popular music United States History and criticism. Music Germany 20th century History and criticism. Music United States German influences. Musique populaire États-Unis Histoire et critique. Musique États-Unis Influence allemande. MUSIC Genres & Styles Pop Vocal. bisacsh Music fast Music German influences fast Popular music fast Germany fast https://id.oclc.org/worldcat/entity/E39PBJtCD3rcKcPDx6FHmjvrbd United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 1900-1999 fast Criticism, interpretation, etc. fast has work: The German cabaret legacy in American popular music (Text) https://id.oclc.org/worldcat/entity/E39PCH47XQCbKPJpXgMWT4HCjP https://id.oclc.org/worldcat/ontology/hasWork Print version: Farina, William, 1955- German cabaret legacy in American popular music. Jefferson, N.C. : McFarland, 2013 9780786468638 (DLC) 2012049983 (OCoLC)810120196 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=521026 Volltext |
spellingShingle | Farina, William, 1955- The German cabaret legacy in American popular music / Cover; Acknowledgments; Table of Contents; Introduction; Part I: Berlin via Paris; 1. Le Belle Époque and Überbrettl; 2. The Great American Cultural Invasion; 3. Kurt Weill and Die Dreigroschenoper; 4. Lotte Lenya, Future Tony Award Winner; 5. The Long, Strange Journey of Marlene Dietrich; 6. Hollaender, Spoliansky and Their Doomed Associates; 7. Christopher Isherwood, Reporting from Berlin; 8. Total Collapse of the Moral Universe; 9. A Field Day for the Neue Sachlichkeit; 10. Josef von Sternberg Captures It All on Film; Part II: Amerika and Beyond; 11From the Kurfürstendamm to Broadway. 12. Kabarett Helps to Win the War13. The Resurrection of Mahagonny; 14. Louis Armstrong Connects the Dots; 15. Bacharach and David Redefine the Brill Building; 16. Cabaret on Stage and Film; 17. The British Importation of Kleinkunst; 18. Singer-Songwriters Become Bankable; 19. Adoption by the Alternative Scene; 20. A Turbulent New Century Begins; Conclusion; English Glossary of German and French Terminology; Chapter Notes; Select Bibliography; Index. Popular music United States History and criticism. Music Germany 20th century History and criticism. Music United States German influences. Musique populaire États-Unis Histoire et critique. Musique États-Unis Influence allemande. MUSIC Genres & Styles Pop Vocal. bisacsh Music fast Music German influences fast Popular music fast |
title | The German cabaret legacy in American popular music / |
title_auth | The German cabaret legacy in American popular music / |
title_exact_search | The German cabaret legacy in American popular music / |
title_full | The German cabaret legacy in American popular music / William Farina. |
title_fullStr | The German cabaret legacy in American popular music / William Farina. |
title_full_unstemmed | The German cabaret legacy in American popular music / William Farina. |
title_short | The German cabaret legacy in American popular music / |
title_sort | german cabaret legacy in american popular music |
topic | Popular music United States History and criticism. Music Germany 20th century History and criticism. Music United States German influences. Musique populaire États-Unis Histoire et critique. Musique États-Unis Influence allemande. MUSIC Genres & Styles Pop Vocal. bisacsh Music fast Music German influences fast Popular music fast |
topic_facet | Popular music United States History and criticism. Music Germany 20th century History and criticism. Music United States German influences. Musique populaire États-Unis Histoire et critique. Musique États-Unis Influence allemande. MUSIC Genres & Styles Pop Vocal. Music Music German influences Popular music Germany United States Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=521026 |
work_keys_str_mv | AT farinawilliam thegermancabaretlegacyinamericanpopularmusic AT farinawilliam germancabaretlegacyinamericanpopularmusic |