In Praise of Cinematic Bastardy.:
Cinema may be called a bastard art in both meanings of the word: because it is usually defined as a hybrid art form, obviously, but also, and perhaps more importantly, because it has been able to become formally as well as generically innovative mostly through adulterous relationships, thus making i...
Gespeichert in:
| 1. Verfasser: | |
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| Weitere Verfasser: | |
| Format: | Elektronisch E-Book |
| Sprache: | English French |
| Veröffentlicht: |
Newcastle upon Tyne :
Cambridge Scholars Pub.,
2012.
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Cinema may be called a bastard art in both meanings of the word: because it is usually defined as a hybrid art form, obviously, but also, and perhaps more importantly, because it has been able to become formally as well as generically innovative mostly through adulterous relationships, thus making illegitimacy its grounding principle by preferring a blurred lineage to a legible succession. Trying to find what film is referred to in a sequence, therefore, amounts to establishing a clear family ... |
| Beschreibung: | 1 online resource (269 pages) |
| Bibliographie: | Includes bibliographical references (pages 230-244) and index. |
| ISBN: | 9781443838634 1443838632 1299659136 9781299659131 |
Internformat
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| 520 | |a Cinema may be called a bastard art in both meanings of the word: because it is usually defined as a hybrid art form, obviously, but also, and perhaps more importantly, because it has been able to become formally as well as generically innovative mostly through adulterous relationships, thus making illegitimacy its grounding principle by preferring a blurred lineage to a legible succession. Trying to find what film is referred to in a sequence, therefore, amounts to establishing a clear family ... | ||
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references (pages 230-244) and index. | ||
| 546 | |a Ten presentations in English, nine in French. | ||
| 505 | 0 | |a TABLE OF CONTENTS; ACKNOWLEDGMENTS; INTRODUCTION; PART I; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; CHAPTER FIVE; PART II; CHAPTER SIX; CHAPTER SEVEN; PART III; CHAPTER EIGHT; CHAPTER NINE; CHAPTER TEN; CHAPTER ELEVEN; CHAPTER TWELVE; PART IV; CHAPTER THIRTEEN; CHAPTER FOURTEEN; CHAPTER FIFTEEN; CHAPTER SIXTEEN; PART V; CHAPTER SEVENTEEN; CHAPTER EIGHTEEN; CHAPTER NINETEEN; BIBLIOGRAPHY; FILMS CITED; CONTRIBUTORS; INDEX | |
| 650 | 0 | |a Motion pictures |x History |y 20th century. | |
| 650 | 6 | |a Cinéma |x Histoire |y 20e siècle. | |
| 650 | 7 | |a Films, cinema. |2 bicssc | |
| 650 | 7 | |a Film theory & criticism. |2 bicssc | |
| 650 | 7 | |a Film: styles & genres. |2 bicssc | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 700 | 1 | |a Ortoli, Philippe. | |
| 758 | |i has work: |a In praise of cinematic bastardy (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFBHVtfYTbx7jwjmgq98T3 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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| _version_ | 1816882218418569216 |
| adam_text | |
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| author | Lefait, Sebastien |
| author2 | Ortoli, Philippe |
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| author_facet | Lefait, Sebastien Ortoli, Philippe |
| author_role | |
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| author_variant | s l sl |
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| contents | TABLE OF CONTENTS; ACKNOWLEDGMENTS; INTRODUCTION; PART I; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; CHAPTER FIVE; PART II; CHAPTER SIX; CHAPTER SEVEN; PART III; CHAPTER EIGHT; CHAPTER NINE; CHAPTER TEN; CHAPTER ELEVEN; CHAPTER TWELVE; PART IV; CHAPTER THIRTEEN; CHAPTER FOURTEEN; CHAPTER FIFTEEN; CHAPTER SIXTEEN; PART V; CHAPTER SEVENTEEN; CHAPTER EIGHTEEN; CHAPTER NINETEEN; BIBLIOGRAPHY; FILMS CITED; CONTRIBUTORS; INDEX |
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| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43015 |
| dewey-search | 791.43015 |
| dewey-sort | 3791.43015 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | 1900-1999 fast |
| era_facet | 1900-1999 |
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| spelling | Lefait, Sebastien. In Praise of Cinematic Bastardy. Newcastle upon Tyne : Cambridge Scholars Pub., 2012. 1 online resource (269 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Cinema may be called a bastard art in both meanings of the word: because it is usually defined as a hybrid art form, obviously, but also, and perhaps more importantly, because it has been able to become formally as well as generically innovative mostly through adulterous relationships, thus making illegitimacy its grounding principle by preferring a blurred lineage to a legible succession. Trying to find what film is referred to in a sequence, therefore, amounts to establishing a clear family ... Print version record. Includes bibliographical references (pages 230-244) and index. Ten presentations in English, nine in French. TABLE OF CONTENTS; ACKNOWLEDGMENTS; INTRODUCTION; PART I; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; CHAPTER FIVE; PART II; CHAPTER SIX; CHAPTER SEVEN; PART III; CHAPTER EIGHT; CHAPTER NINE; CHAPTER TEN; CHAPTER ELEVEN; CHAPTER TWELVE; PART IV; CHAPTER THIRTEEN; CHAPTER FOURTEEN; CHAPTER FIFTEEN; CHAPTER SIXTEEN; PART V; CHAPTER SEVENTEEN; CHAPTER EIGHTEEN; CHAPTER NINETEEN; BIBLIOGRAPHY; FILMS CITED; CONTRIBUTORS; INDEX Motion pictures History 20th century. Cinéma Histoire 20e siècle. Films, cinema. bicssc Film theory & criticism. bicssc Film: styles & genres. bicssc PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion pictures fast 1900-1999 fast History fast Ortoli, Philippe. has work: In praise of cinematic bastardy (Text) https://id.oclc.org/worldcat/entity/E39PCFBHVtfYTbx7jwjmgq98T3 https://id.oclc.org/worldcat/ontology/hasWork Print version: Lefait, Sebastien. In Praise of Cinematic Bastardy. Newcastle upon Tyne : Cambridge Scholars Publishing, ©2012 9781443837828 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=523750 Volltext |
| spellingShingle | Lefait, Sebastien In Praise of Cinematic Bastardy. TABLE OF CONTENTS; ACKNOWLEDGMENTS; INTRODUCTION; PART I; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; CHAPTER FIVE; PART II; CHAPTER SIX; CHAPTER SEVEN; PART III; CHAPTER EIGHT; CHAPTER NINE; CHAPTER TEN; CHAPTER ELEVEN; CHAPTER TWELVE; PART IV; CHAPTER THIRTEEN; CHAPTER FOURTEEN; CHAPTER FIFTEEN; CHAPTER SIXTEEN; PART V; CHAPTER SEVENTEEN; CHAPTER EIGHTEEN; CHAPTER NINETEEN; BIBLIOGRAPHY; FILMS CITED; CONTRIBUTORS; INDEX Motion pictures History 20th century. Cinéma Histoire 20e siècle. Films, cinema. bicssc Film theory & criticism. bicssc Film: styles & genres. bicssc PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion pictures fast |
| title | In Praise of Cinematic Bastardy. |
| title_auth | In Praise of Cinematic Bastardy. |
| title_exact_search | In Praise of Cinematic Bastardy. |
| title_full | In Praise of Cinematic Bastardy. |
| title_fullStr | In Praise of Cinematic Bastardy. |
| title_full_unstemmed | In Praise of Cinematic Bastardy. |
| title_short | In Praise of Cinematic Bastardy. |
| title_sort | in praise of cinematic bastardy |
| topic | Motion pictures History 20th century. Cinéma Histoire 20e siècle. Films, cinema. bicssc Film theory & criticism. bicssc Film: styles & genres. bicssc PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion pictures fast |
| topic_facet | Motion pictures History 20th century. Cinéma Histoire 20e siècle. Films, cinema. Film theory & criticism. Film: styles & genres. PERFORMING ARTS Film & Video History & Criticism. Motion pictures History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=523750 |
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