Blackness in opera /:
"Blackness in Opera critically examines the intersections of race and music in the multifaceted genre of opera. A diverse cross-section of scholars places well-known operas (Porgy and Bess, Aida, Treemonisha) alongside lesser-known works such as Frederick Delius's Koanga, William Grant Sti...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Urbana :
University of Illinois Press,
[2012]
|
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | "Blackness in Opera critically examines the intersections of race and music in the multifaceted genre of opera. A diverse cross-section of scholars places well-known operas (Porgy and Bess, Aida, Treemonisha) alongside lesser-known works such as Frederick Delius's Koanga, William Grant Still's Blue Steel, and Clarence Cameron White's Ouanga! to reveal a new historical context for re-imagining race and blackness in opera. The volume brings a wide-ranging, theoretically informed, interdisciplinary approach to questions about how blackness has been represented in these operas, issues surrounding characterization of blacks, interpretation of racialized roles by blacks and whites, controversies over race in the theatre and the use of blackface, and extensions of blackness along the spectrum from grand opera to musical theatre and film. In addition to essays by scholars, the book also features reflections by renowned American tenor George Shirley."--Publisher description. |
| Beschreibung: | 1 online resource (xii, 289 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 0252093895 9780252093890 |
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| 245 | 0 | 0 | |a Blackness in opera / |c edited by Naomi Andre, Karen M. Bryan, and Eric Saylor. |
| 264 | 1 | |a Urbana : |b University of Illinois Press, |c [2012] | |
| 264 | 4 | |c ©2012 | |
| 300 | |a 1 online resource (xii, 289 pages) | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |g Introduction: |t Representing blackness on the operatic stage -- |t From Otello to Porgy : blackness, masculinity, and morality in opera / |r Naomi André -- |t Hearing the other in The masque of blackness / |r Sarah Schmalenberger -- |t Nationalism, racial difference, and "Egyptian" meaning in Verdi's Aida / |r Christopher R. Gauthier and Jennifer McFarlane-Harris -- |t Race, "realism," and fate in Frederick Delius's Koanga / |r Eric Saylor -- |t Political currents and black culture in Scott Joplin's Treemonisha / |r Ann Sears -- |t Clarence Cameron White's Ouanga! in the world of the Harlem Renaissance / |r Karen M. Bryan -- |t New paradigms in William Grant Still's Blue steel / |r Gayle Murchison -- |t Performers in Catfish Row : Porgy and Bess as collaboration / |r Gwynne Kuhner Brown -- |t Searching for "authenticity" in Paul Bowles's Denmark Vesey / |r Melissa J. de Graaf -- |t The politics of color in Oscar Hammerstein's Carmen Jones / |r Melinda Boyd -- |t Performing race in Ernst Krenek's Jonny spielt auf / |r Jonathan O. Wipplinger -- |t Il Rodolfo nero, or the masque of blackness / |r George Shirley. |
| 588 | 0 | |a Print version record. | |
| 520 | |a "Blackness in Opera critically examines the intersections of race and music in the multifaceted genre of opera. A diverse cross-section of scholars places well-known operas (Porgy and Bess, Aida, Treemonisha) alongside lesser-known works such as Frederick Delius's Koanga, William Grant Still's Blue Steel, and Clarence Cameron White's Ouanga! to reveal a new historical context for re-imagining race and blackness in opera. The volume brings a wide-ranging, theoretically informed, interdisciplinary approach to questions about how blackness has been represented in these operas, issues surrounding characterization of blacks, interpretation of racialized roles by blacks and whites, controversies over race in the theatre and the use of blackface, and extensions of blackness along the spectrum from grand opera to musical theatre and film. In addition to essays by scholars, the book also features reflections by renowned American tenor George Shirley."--Publisher description. | ||
| 650 | 0 | |a Black people in opera. | |
| 650 | 0 | |a Opera. | |
| 650 | 6 | |a Personnes noires à l'opéra. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Opera. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Printed Music |x Opera & Classical Scores. |2 bisacsh | |
| 650 | 7 | |a Black people in opera |2 fast | |
| 650 | 7 | |a Opera |2 fast | |
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a History |2 fast | |
| 700 | 1 | |a André, Naomi Adele, |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjJKFHB8CMRwxyYxr89fmb |0 http://id.loc.gov/authorities/names/nr97019849 | |
| 700 | 1 | |a Bryan, Karen M. |q (Karen McGaha), |d 1954- |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjFXdkYhdMrWwkvQxcFBj3 |0 http://id.loc.gov/authorities/names/no95034000 | |
| 700 | 1 | |a Saylor, Eric, |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjt9mbhfjykqrk4W6hX883 |0 http://id.loc.gov/authorities/names/n2011044003 | |
| 758 | |i has work: |a Blackness in opera (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGVcFcjJ87VBbgCPfq36Vd |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t Blackness in opera. |d Urbana : University of Illinois Press, ©2012 |z 9780252036781 |w (DLC) 2011027787 |w (OCoLC)741937646 |
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Datensatz im Suchindex
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| adam_text | |
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| author2 | André, Naomi Adele Bryan, Karen M. (Karen McGaha), 1954- Saylor, Eric |
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| author_additional | Naomi André -- Sarah Schmalenberger -- Christopher R. Gauthier and Jennifer McFarlane-Harris -- Eric Saylor -- Ann Sears -- Karen M. Bryan -- Gayle Murchison -- Gwynne Kuhner Brown -- Melissa J. de Graaf -- Melinda Boyd -- Jonathan O. Wipplinger -- George Shirley. |
| author_facet | André, Naomi Adele Bryan, Karen M. (Karen McGaha), 1954- Saylor, Eric |
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| contents | Representing blackness on the operatic stage -- From Otello to Porgy : blackness, masculinity, and morality in opera / Hearing the other in The masque of blackness / Nationalism, racial difference, and "Egyptian" meaning in Verdi's Aida / Race, "realism," and fate in Frederick Delius's Koanga / Political currents and black culture in Scott Joplin's Treemonisha / Clarence Cameron White's Ouanga! in the world of the Harlem Renaissance / New paradigms in William Grant Still's Blue steel / Performers in Catfish Row : Porgy and Bess as collaboration / Searching for "authenticity" in Paul Bowles's Denmark Vesey / The politics of color in Oscar Hammerstein's Carmen Jones / Performing race in Ernst Krenek's Jonny spielt auf / Il Rodolfo nero, or the masque of blackness / |
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| dewey-search | 782.1089/96 |
| dewey-sort | 3782.1089 296 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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Bryan --</subfield><subfield code="t">New paradigms in William Grant Still's Blue steel /</subfield><subfield code="r">Gayle Murchison --</subfield><subfield code="t">Performers in Catfish Row : Porgy and Bess as collaboration /</subfield><subfield code="r">Gwynne Kuhner Brown --</subfield><subfield code="t">Searching for "authenticity" in Paul Bowles's Denmark Vesey /</subfield><subfield code="r">Melissa J. de Graaf --</subfield><subfield code="t">The politics of color in Oscar Hammerstein's Carmen Jones /</subfield><subfield code="r">Melinda Boyd --</subfield><subfield code="t">Performing race in Ernst Krenek's Jonny spielt auf /</subfield><subfield code="r">Jonathan O. 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The volume brings a wide-ranging, theoretically informed, interdisciplinary approach to questions about how blackness has been represented in these operas, issues surrounding characterization of blacks, interpretation of racialized roles by blacks and whites, controversies over race in the theatre and the use of blackface, and extensions of blackness along the spectrum from grand opera to musical theatre and film. 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| genre | Electronic books. History fast |
| genre_facet | Electronic books. History |
| id | ZDB-4-EBA-ocn822890086 |
| illustrated | Not Illustrated |
| indexdate | 2025-04-11T08:41:10Z |
| institution | BVB |
| isbn | 0252093895 9780252093890 |
| language | English |
| lccn | 2011027787 |
| oclc_num | 822890086 |
| open_access_boolean | |
| owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| physical | 1 online resource (xii, 289 pages) |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | University of Illinois Press, |
| record_format | marc |
| spelling | Blackness in opera / edited by Naomi Andre, Karen M. Bryan, and Eric Saylor. Urbana : University of Illinois Press, [2012] ©2012 1 online resource (xii, 289 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier data file rda Includes bibliographical references and index. Introduction: Representing blackness on the operatic stage -- From Otello to Porgy : blackness, masculinity, and morality in opera / Naomi André -- Hearing the other in The masque of blackness / Sarah Schmalenberger -- Nationalism, racial difference, and "Egyptian" meaning in Verdi's Aida / Christopher R. Gauthier and Jennifer McFarlane-Harris -- Race, "realism," and fate in Frederick Delius's Koanga / Eric Saylor -- Political currents and black culture in Scott Joplin's Treemonisha / Ann Sears -- Clarence Cameron White's Ouanga! in the world of the Harlem Renaissance / Karen M. Bryan -- New paradigms in William Grant Still's Blue steel / Gayle Murchison -- Performers in Catfish Row : Porgy and Bess as collaboration / Gwynne Kuhner Brown -- Searching for "authenticity" in Paul Bowles's Denmark Vesey / Melissa J. de Graaf -- The politics of color in Oscar Hammerstein's Carmen Jones / Melinda Boyd -- Performing race in Ernst Krenek's Jonny spielt auf / Jonathan O. Wipplinger -- Il Rodolfo nero, or the masque of blackness / George Shirley. Print version record. "Blackness in Opera critically examines the intersections of race and music in the multifaceted genre of opera. A diverse cross-section of scholars places well-known operas (Porgy and Bess, Aida, Treemonisha) alongside lesser-known works such as Frederick Delius's Koanga, William Grant Still's Blue Steel, and Clarence Cameron White's Ouanga! to reveal a new historical context for re-imagining race and blackness in opera. The volume brings a wide-ranging, theoretically informed, interdisciplinary approach to questions about how blackness has been represented in these operas, issues surrounding characterization of blacks, interpretation of racialized roles by blacks and whites, controversies over race in the theatre and the use of blackface, and extensions of blackness along the spectrum from grand opera to musical theatre and film. In addition to essays by scholars, the book also features reflections by renowned American tenor George Shirley."--Publisher description. Black people in opera. Opera. Personnes noires à l'opéra. MUSIC Genres & Styles Opera. bisacsh MUSIC Printed Music Opera & Classical Scores. bisacsh Black people in opera fast Opera fast Electronic books. History fast André, Naomi Adele, editor. https://id.oclc.org/worldcat/entity/E39PCjJKFHB8CMRwxyYxr89fmb http://id.loc.gov/authorities/names/nr97019849 Bryan, Karen M. (Karen McGaha), 1954- editor. https://id.oclc.org/worldcat/entity/E39PCjFXdkYhdMrWwkvQxcFBj3 http://id.loc.gov/authorities/names/no95034000 Saylor, Eric, editor. https://id.oclc.org/worldcat/entity/E39PCjt9mbhfjykqrk4W6hX883 http://id.loc.gov/authorities/names/n2011044003 has work: Blackness in opera (Text) https://id.oclc.org/worldcat/entity/E39PCGVcFcjJ87VBbgCPfq36Vd https://id.oclc.org/worldcat/ontology/hasWork Print version: Blackness in opera. Urbana : University of Illinois Press, ©2012 9780252036781 (DLC) 2011027787 (OCoLC)741937646 |
| spellingShingle | Blackness in opera / Representing blackness on the operatic stage -- From Otello to Porgy : blackness, masculinity, and morality in opera / Hearing the other in The masque of blackness / Nationalism, racial difference, and "Egyptian" meaning in Verdi's Aida / Race, "realism," and fate in Frederick Delius's Koanga / Political currents and black culture in Scott Joplin's Treemonisha / Clarence Cameron White's Ouanga! in the world of the Harlem Renaissance / New paradigms in William Grant Still's Blue steel / Performers in Catfish Row : Porgy and Bess as collaboration / Searching for "authenticity" in Paul Bowles's Denmark Vesey / The politics of color in Oscar Hammerstein's Carmen Jones / Performing race in Ernst Krenek's Jonny spielt auf / Il Rodolfo nero, or the masque of blackness / Black people in opera. Opera. Personnes noires à l'opéra. MUSIC Genres & Styles Opera. bisacsh MUSIC Printed Music Opera & Classical Scores. bisacsh Black people in opera fast Opera fast |
| title | Blackness in opera / |
| title_alt | Representing blackness on the operatic stage -- From Otello to Porgy : blackness, masculinity, and morality in opera / Hearing the other in The masque of blackness / Nationalism, racial difference, and "Egyptian" meaning in Verdi's Aida / Race, "realism," and fate in Frederick Delius's Koanga / Political currents and black culture in Scott Joplin's Treemonisha / Clarence Cameron White's Ouanga! in the world of the Harlem Renaissance / New paradigms in William Grant Still's Blue steel / Performers in Catfish Row : Porgy and Bess as collaboration / Searching for "authenticity" in Paul Bowles's Denmark Vesey / The politics of color in Oscar Hammerstein's Carmen Jones / Performing race in Ernst Krenek's Jonny spielt auf / Il Rodolfo nero, or the masque of blackness / |
| title_auth | Blackness in opera / |
| title_exact_search | Blackness in opera / |
| title_full | Blackness in opera / edited by Naomi Andre, Karen M. Bryan, and Eric Saylor. |
| title_fullStr | Blackness in opera / edited by Naomi Andre, Karen M. Bryan, and Eric Saylor. |
| title_full_unstemmed | Blackness in opera / edited by Naomi Andre, Karen M. Bryan, and Eric Saylor. |
| title_short | Blackness in opera / |
| title_sort | blackness in opera |
| topic | Black people in opera. Opera. Personnes noires à l'opéra. MUSIC Genres & Styles Opera. bisacsh MUSIC Printed Music Opera & Classical Scores. bisacsh Black people in opera fast Opera fast |
| topic_facet | Black people in opera. Opera. Personnes noires à l'opéra. MUSIC Genres & Styles Opera. MUSIC Printed Music Opera & Classical Scores. Black people in opera Opera Electronic books. History |
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