Playing by ear and the tip of the tongue :: precategorial information in poetry /
In our everyday life we are flooded by a pandemonium of information which consciousness organizes into more easily manageable phonetic and semantic categories. In poetry reading, however, the total effect of a poem is not only obtained by some of these categories but also by precategorial informatio...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam ; Philadelphia :
John Benjamins Pub. Co.,
2012.
|
| Schriftenreihe: | Linguistic approaches to literature ;
v. 14. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | In our everyday life we are flooded by a pandemonium of information which consciousness organizes into more easily manageable phonetic and semantic categories. In poetry reading, however, the total effect of a poem is not only obtained by some of these categories but also by precategorial information, for which there is a growing body of empirical evidence of its psychological reality. In the Tip of the Tongue phenomenon, a great amount of diffuse precategorial information is present but fails to "grow together" into a compact word, generating a feeling of some dense, undifferentiated mass. Po. |
| Beschreibung: | 1 online resource (x, 308 pages, 2 unnumbered pages of plates) : illustrations (some color) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9789027273253 9027273251 |
| ISSN: | 1569-3112 ; |
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| 100 | 1 | |a Tsur, Reuven. | |
| 245 | 1 | 0 | |a Playing by ear and the tip of the tongue : |b precategorial information in poetry / |c Reuven Tsur. |
| 260 | |a Amsterdam ; |a Philadelphia : |b John Benjamins Pub. Co., |c 2012. | ||
| 300 | |a 1 online resource (x, 308 pages, 2 unnumbered pages of plates) : |b illustrations (some color) | ||
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| 337 | |a computer |b c |2 rdamedia | ||
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| 490 | 1 | |a Linguistic approaches to literature, |x 1569-3112 ; |v v. 14 | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a In our everyday life we are flooded by a pandemonium of information which consciousness organizes into more easily manageable phonetic and semantic categories. In poetry reading, however, the total effect of a poem is not only obtained by some of these categories but also by precategorial information, for which there is a growing body of empirical evidence of its psychological reality. In the Tip of the Tongue phenomenon, a great amount of diffuse precategorial information is present but fails to "grow together" into a compact word, generating a feeling of some dense, undifferentiated mass. Po. | ||
| 505 | 0 | |a Playing by Ear and the Tip of the Tongue; Editorial page; Title page; LCC data; Supported by; Table of contents ; Preface; Introduction; 1.1 Precategorial information and critical communication; 1.2 "Speech mode", "Nonspeech mode", "Poetic mode"; 1.3 Thing destruction and thing-free qualities; 1.4 "The Roses of her Cheeks"; 1.5 Perceptual boundaries and fusion; 1.6 "Precategorial" -- predecessors and successors; 1.7 Guide through this book; The poetic mode of speech perception revisited; 2.1 Stating the problem; 2.2 Some experimental evidence; 2.3 Speech mode, nonspeech mode and poetic mode. | |
| 505 | 8 | |a 2.4 Colour and overtone interaction2.5 Individual differences; 2.6 Summary and conclusions; The tot phenomenon; 3.1 The tot phenomenon; 3.2 Referentiality, serial position, and the "God-gifted organ-voice of England"; 3.3 Summary and conclusions; "Oceanic" dedifferentiation and poetic metaphor; 4.1 Rapid vs. delayed conceptualization; 4.2 Poetic metaphors; 4.3 Oceanic Imagery in Faust; 4.4 Conclusions ; Deixis and abstractions; 5.1 Sequential and spatial processing; 5.2 Time in poetry; 5.3 More on the abstract of the concrete; 5.4 "Total Complexes" and "Just Noticeable Differences." | |
| 505 | 8 | |a 5.5 Feeling and knowing5.6 Conclusion; Chapter 6. Three case studies -- keats, spenser, baudelaire; 6.1 Poetry and Altered States of Consciousness; 6.2 "On See℗Ưing the Elgin Marbles"; 6.3 Alternative Men℗Ưtal Performances; 6.4 Symbol and Allegory; 6.5 Keats and Marlowe; 6.6 Ambiguity and Soft Focus; 6.7 Chearlesse Night in Spenser and Baudelaire; 6.8 To Sum Up; Linguistic devices and ecstatic poetry; 7.1 Ecstatic quality, linguistic devices, and cognitive processes; 7.2 Vocal performance and lingering precategorial auditory information; Defamiliarization Revisited. | |
| 505 | 8 | |a Aesthetic qualities as structural resemblance9.1 Emotional qualities and onomatopoeia; 9.2 Convergent and divergent style; 9.3 Perceptual forces (large scale); 9.4 Perceptual forces (minute scale); 9.5 Materials and structures; Appendix; Observations on Larsen's criticism of the click experiment; Metaphor and figure -- ground relationship; 10.1 Basic gestalt rules of figure -- ground; 10.2 Figure and ground in the visual arts ; 10.3 Form in other senses ; 10.4 Figures in narrative ; 10.5 Figure and ground in poetry: Emily Dickinson ; 10.6 Figure and ground in Shakespeare. | |
| 505 | 8 | |a 10.7 Figure-ground reversal in music: "Moonlight" Sonata 10.8 Literature: Figure-ground reversals of the extralinguistic ; 10.9 Summary and wider perspectives ; Size-sound symbolism revisited; 11.1 Preliminary; 11.2 Phlogiston and precategorial information; 11.3 Sound symbolism and source's size; 11.3.1 Sound symbolism and referent's size; 11.4 Descriptive reduplication in Japanese; 11.5 Methodological comments; Issues in literary synaesthesia; 12.1 Synaesthesia as a neuropsychological and a literary phenomenon; 12.2 Four kinds of explanation; 12.3 Panchronistic tendencies in synaesthesia. | |
| 546 | |a English. | ||
| 650 | 0 | |a Poetics |x Psychological aspects. | |
| 650 | 0 | |a Sound symbolism. |0 http://id.loc.gov/authorities/subjects/sh85125403 | |
| 650 | 0 | |a Versification. |0 http://id.loc.gov/authorities/subjects/sh85142883 | |
| 650 | 0 | |a Cognition. |0 http://id.loc.gov/authorities/subjects/sh85027742 | |
| 650 | 0 | |a Psycholinguistics. |0 http://id.loc.gov/authorities/subjects/sh85108432 | |
| 650 | 6 | |a Poétique |x Aspect psychologique. | |
| 650 | 6 | |a Symbolisme phonique. | |
| 650 | 6 | |a Versification. | |
| 650 | 6 | |a Cognition. | |
| 650 | 6 | |a Psycholinguistique. | |
| 650 | 7 | |a cognition. |2 aat | |
| 650 | 7 | |a psycholinguistics. |2 aat | |
| 650 | 7 | |a LITERARY CRITICISM |x Poetry. |2 bisacsh | |
| 650 | 7 | |a Cognition |2 fast | |
| 650 | 7 | |a Poetics |x Psychological aspects |2 fast | |
| 650 | 7 | |a Psycholinguistics |2 fast | |
| 650 | 7 | |a Sound symbolism |2 fast | |
| 650 | 7 | |a Versification |2 fast | |
| 758 | |i has work: |a Playing by ear and the tip of the tongue (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFCJ6WhTHvkKHb3wY83KHP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Tsur, Reuven. |t Playing by ear and the tip of the tongue. |d Amsterdam ; Philadelphia : John Benjamins Pub. Co., 2012 |w (DLC) 2012026171 |
| 830 | 0 | |a Linguistic approaches to literature ; |v v. 14. |x 1569-3112 |0 http://id.loc.gov/authorities/names/n2002038656 | |
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| adam_text | |
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| author | Tsur, Reuven |
| author_facet | Tsur, Reuven |
| author_role | |
| author_sort | Tsur, Reuven |
| author_variant | r t rt |
| building | Verbundindex |
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| contents | Playing by Ear and the Tip of the Tongue; Editorial page; Title page; LCC data; Supported by; Table of contents ; Preface; Introduction; 1.1 Precategorial information and critical communication; 1.2 "Speech mode", "Nonspeech mode", "Poetic mode"; 1.3 Thing destruction and thing-free qualities; 1.4 "The Roses of her Cheeks"; 1.5 Perceptual boundaries and fusion; 1.6 "Precategorial" -- predecessors and successors; 1.7 Guide through this book; The poetic mode of speech perception revisited; 2.1 Stating the problem; 2.2 Some experimental evidence; 2.3 Speech mode, nonspeech mode and poetic mode. 2.4 Colour and overtone interaction2.5 Individual differences; 2.6 Summary and conclusions; The tot phenomenon; 3.1 The tot phenomenon; 3.2 Referentiality, serial position, and the "God-gifted organ-voice of England"; 3.3 Summary and conclusions; "Oceanic" dedifferentiation and poetic metaphor; 4.1 Rapid vs. delayed conceptualization; 4.2 Poetic metaphors; 4.3 Oceanic Imagery in Faust; 4.4 Conclusions ; Deixis and abstractions; 5.1 Sequential and spatial processing; 5.2 Time in poetry; 5.3 More on the abstract of the concrete; 5.4 "Total Complexes" and "Just Noticeable Differences." 5.5 Feeling and knowing5.6 Conclusion; Chapter 6. Three case studies -- keats, spenser, baudelaire; 6.1 Poetry and Altered States of Consciousness; 6.2 "On See℗Ưing the Elgin Marbles"; 6.3 Alternative Men℗Ưtal Performances; 6.4 Symbol and Allegory; 6.5 Keats and Marlowe; 6.6 Ambiguity and Soft Focus; 6.7 Chearlesse Night in Spenser and Baudelaire; 6.8 To Sum Up; Linguistic devices and ecstatic poetry; 7.1 Ecstatic quality, linguistic devices, and cognitive processes; 7.2 Vocal performance and lingering precategorial auditory information; Defamiliarization Revisited. Aesthetic qualities as structural resemblance9.1 Emotional qualities and onomatopoeia; 9.2 Convergent and divergent style; 9.3 Perceptual forces (large scale); 9.4 Perceptual forces (minute scale); 9.5 Materials and structures; Appendix; Observations on Larsen's criticism of the click experiment; Metaphor and figure -- ground relationship; 10.1 Basic gestalt rules of figure -- ground; 10.2 Figure and ground in the visual arts ; 10.3 Form in other senses ; 10.4 Figures in narrative ; 10.5 Figure and ground in poetry: Emily Dickinson ; 10.6 Figure and ground in Shakespeare. 10.7 Figure-ground reversal in music: "Moonlight" Sonata 10.8 Literature: Figure-ground reversals of the extralinguistic ; 10.9 Summary and wider perspectives ; Size-sound symbolism revisited; 11.1 Preliminary; 11.2 Phlogiston and precategorial information; 11.3 Sound symbolism and source's size; 11.3.1 Sound symbolism and referent's size; 11.4 Descriptive reduplication in Japanese; 11.5 Methodological comments; Issues in literary synaesthesia; 12.1 Synaesthesia as a neuropsychological and a literary phenomenon; 12.2 Four kinds of explanation; 12.3 Panchronistic tendencies in synaesthesia. |
| ctrlnum | (OCoLC)820841285 |
| dewey-full | 808.1 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 808 - Rhetoric & collections of literature |
| dewey-raw | 808.1 |
| dewey-search | 808.1 |
| dewey-sort | 3808.1 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Literaturwissenschaft |
| format | Electronic eBook |
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| id | ZDB-4-EBA-ocn820841285 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:25:05Z |
| institution | BVB |
| isbn | 9789027273253 9027273251 |
| issn | 1569-3112 ; |
| language | English |
| oclc_num | 820841285 |
| open_access_boolean | |
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| physical | 1 online resource (x, 308 pages, 2 unnumbered pages of plates) : illustrations (some color) |
| psigel | ZDB-4-EBA |
| publishDate | 2012 |
| publishDateSearch | 2012 |
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| publisher | John Benjamins Pub. Co., |
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| series | Linguistic approaches to literature ; |
| series2 | Linguistic approaches to literature, |
| spelling | Tsur, Reuven. Playing by ear and the tip of the tongue : precategorial information in poetry / Reuven Tsur. Amsterdam ; Philadelphia : John Benjamins Pub. Co., 2012. 1 online resource (x, 308 pages, 2 unnumbered pages of plates) : illustrations (some color) text txt rdacontent computer c rdamedia online resource cr rdacarrier data file rda Linguistic approaches to literature, 1569-3112 ; v. 14 Includes bibliographical references and index. In our everyday life we are flooded by a pandemonium of information which consciousness organizes into more easily manageable phonetic and semantic categories. In poetry reading, however, the total effect of a poem is not only obtained by some of these categories but also by precategorial information, for which there is a growing body of empirical evidence of its psychological reality. In the Tip of the Tongue phenomenon, a great amount of diffuse precategorial information is present but fails to "grow together" into a compact word, generating a feeling of some dense, undifferentiated mass. Po. Playing by Ear and the Tip of the Tongue; Editorial page; Title page; LCC data; Supported by; Table of contents ; Preface; Introduction; 1.1 Precategorial information and critical communication; 1.2 "Speech mode", "Nonspeech mode", "Poetic mode"; 1.3 Thing destruction and thing-free qualities; 1.4 "The Roses of her Cheeks"; 1.5 Perceptual boundaries and fusion; 1.6 "Precategorial" -- predecessors and successors; 1.7 Guide through this book; The poetic mode of speech perception revisited; 2.1 Stating the problem; 2.2 Some experimental evidence; 2.3 Speech mode, nonspeech mode and poetic mode. 2.4 Colour and overtone interaction2.5 Individual differences; 2.6 Summary and conclusions; The tot phenomenon; 3.1 The tot phenomenon; 3.2 Referentiality, serial position, and the "God-gifted organ-voice of England"; 3.3 Summary and conclusions; "Oceanic" dedifferentiation and poetic metaphor; 4.1 Rapid vs. delayed conceptualization; 4.2 Poetic metaphors; 4.3 Oceanic Imagery in Faust; 4.4 Conclusions ; Deixis and abstractions; 5.1 Sequential and spatial processing; 5.2 Time in poetry; 5.3 More on the abstract of the concrete; 5.4 "Total Complexes" and "Just Noticeable Differences." 5.5 Feeling and knowing5.6 Conclusion; Chapter 6. Three case studies -- keats, spenser, baudelaire; 6.1 Poetry and Altered States of Consciousness; 6.2 "On See℗Ưing the Elgin Marbles"; 6.3 Alternative Men℗Ưtal Performances; 6.4 Symbol and Allegory; 6.5 Keats and Marlowe; 6.6 Ambiguity and Soft Focus; 6.7 Chearlesse Night in Spenser and Baudelaire; 6.8 To Sum Up; Linguistic devices and ecstatic poetry; 7.1 Ecstatic quality, linguistic devices, and cognitive processes; 7.2 Vocal performance and lingering precategorial auditory information; Defamiliarization Revisited. Aesthetic qualities as structural resemblance9.1 Emotional qualities and onomatopoeia; 9.2 Convergent and divergent style; 9.3 Perceptual forces (large scale); 9.4 Perceptual forces (minute scale); 9.5 Materials and structures; Appendix; Observations on Larsen's criticism of the click experiment; Metaphor and figure -- ground relationship; 10.1 Basic gestalt rules of figure -- ground; 10.2 Figure and ground in the visual arts ; 10.3 Form in other senses ; 10.4 Figures in narrative ; 10.5 Figure and ground in poetry: Emily Dickinson ; 10.6 Figure and ground in Shakespeare. 10.7 Figure-ground reversal in music: "Moonlight" Sonata 10.8 Literature: Figure-ground reversals of the extralinguistic ; 10.9 Summary and wider perspectives ; Size-sound symbolism revisited; 11.1 Preliminary; 11.2 Phlogiston and precategorial information; 11.3 Sound symbolism and source's size; 11.3.1 Sound symbolism and referent's size; 11.4 Descriptive reduplication in Japanese; 11.5 Methodological comments; Issues in literary synaesthesia; 12.1 Synaesthesia as a neuropsychological and a literary phenomenon; 12.2 Four kinds of explanation; 12.3 Panchronistic tendencies in synaesthesia. English. Poetics Psychological aspects. Sound symbolism. http://id.loc.gov/authorities/subjects/sh85125403 Versification. http://id.loc.gov/authorities/subjects/sh85142883 Cognition. http://id.loc.gov/authorities/subjects/sh85027742 Psycholinguistics. http://id.loc.gov/authorities/subjects/sh85108432 Poétique Aspect psychologique. Symbolisme phonique. Versification. Cognition. Psycholinguistique. cognition. aat psycholinguistics. aat LITERARY CRITICISM Poetry. bisacsh Cognition fast Poetics Psychological aspects fast Psycholinguistics fast Sound symbolism fast Versification fast has work: Playing by ear and the tip of the tongue (Text) https://id.oclc.org/worldcat/entity/E39PCFCJ6WhTHvkKHb3wY83KHP https://id.oclc.org/worldcat/ontology/hasWork Print version: Tsur, Reuven. Playing by ear and the tip of the tongue. Amsterdam ; Philadelphia : John Benjamins Pub. Co., 2012 (DLC) 2012026171 Linguistic approaches to literature ; v. 14. 1569-3112 http://id.loc.gov/authorities/names/n2002038656 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=500729 Volltext |
| spellingShingle | Tsur, Reuven Playing by ear and the tip of the tongue : precategorial information in poetry / Linguistic approaches to literature ; Playing by Ear and the Tip of the Tongue; Editorial page; Title page; LCC data; Supported by; Table of contents ; Preface; Introduction; 1.1 Precategorial information and critical communication; 1.2 "Speech mode", "Nonspeech mode", "Poetic mode"; 1.3 Thing destruction and thing-free qualities; 1.4 "The Roses of her Cheeks"; 1.5 Perceptual boundaries and fusion; 1.6 "Precategorial" -- predecessors and successors; 1.7 Guide through this book; The poetic mode of speech perception revisited; 2.1 Stating the problem; 2.2 Some experimental evidence; 2.3 Speech mode, nonspeech mode and poetic mode. 2.4 Colour and overtone interaction2.5 Individual differences; 2.6 Summary and conclusions; The tot phenomenon; 3.1 The tot phenomenon; 3.2 Referentiality, serial position, and the "God-gifted organ-voice of England"; 3.3 Summary and conclusions; "Oceanic" dedifferentiation and poetic metaphor; 4.1 Rapid vs. delayed conceptualization; 4.2 Poetic metaphors; 4.3 Oceanic Imagery in Faust; 4.4 Conclusions ; Deixis and abstractions; 5.1 Sequential and spatial processing; 5.2 Time in poetry; 5.3 More on the abstract of the concrete; 5.4 "Total Complexes" and "Just Noticeable Differences." 5.5 Feeling and knowing5.6 Conclusion; Chapter 6. Three case studies -- keats, spenser, baudelaire; 6.1 Poetry and Altered States of Consciousness; 6.2 "On See℗Ưing the Elgin Marbles"; 6.3 Alternative Men℗Ưtal Performances; 6.4 Symbol and Allegory; 6.5 Keats and Marlowe; 6.6 Ambiguity and Soft Focus; 6.7 Chearlesse Night in Spenser and Baudelaire; 6.8 To Sum Up; Linguistic devices and ecstatic poetry; 7.1 Ecstatic quality, linguistic devices, and cognitive processes; 7.2 Vocal performance and lingering precategorial auditory information; Defamiliarization Revisited. Aesthetic qualities as structural resemblance9.1 Emotional qualities and onomatopoeia; 9.2 Convergent and divergent style; 9.3 Perceptual forces (large scale); 9.4 Perceptual forces (minute scale); 9.5 Materials and structures; Appendix; Observations on Larsen's criticism of the click experiment; Metaphor and figure -- ground relationship; 10.1 Basic gestalt rules of figure -- ground; 10.2 Figure and ground in the visual arts ; 10.3 Form in other senses ; 10.4 Figures in narrative ; 10.5 Figure and ground in poetry: Emily Dickinson ; 10.6 Figure and ground in Shakespeare. 10.7 Figure-ground reversal in music: "Moonlight" Sonata 10.8 Literature: Figure-ground reversals of the extralinguistic ; 10.9 Summary and wider perspectives ; Size-sound symbolism revisited; 11.1 Preliminary; 11.2 Phlogiston and precategorial information; 11.3 Sound symbolism and source's size; 11.3.1 Sound symbolism and referent's size; 11.4 Descriptive reduplication in Japanese; 11.5 Methodological comments; Issues in literary synaesthesia; 12.1 Synaesthesia as a neuropsychological and a literary phenomenon; 12.2 Four kinds of explanation; 12.3 Panchronistic tendencies in synaesthesia. Poetics Psychological aspects. Sound symbolism. http://id.loc.gov/authorities/subjects/sh85125403 Versification. http://id.loc.gov/authorities/subjects/sh85142883 Cognition. http://id.loc.gov/authorities/subjects/sh85027742 Psycholinguistics. http://id.loc.gov/authorities/subjects/sh85108432 Poétique Aspect psychologique. Symbolisme phonique. Versification. Cognition. Psycholinguistique. cognition. aat psycholinguistics. aat LITERARY CRITICISM Poetry. bisacsh Cognition fast Poetics Psychological aspects fast Psycholinguistics fast Sound symbolism fast Versification fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85125403 http://id.loc.gov/authorities/subjects/sh85142883 http://id.loc.gov/authorities/subjects/sh85027742 http://id.loc.gov/authorities/subjects/sh85108432 |
| title | Playing by ear and the tip of the tongue : precategorial information in poetry / |
| title_auth | Playing by ear and the tip of the tongue : precategorial information in poetry / |
| title_exact_search | Playing by ear and the tip of the tongue : precategorial information in poetry / |
| title_full | Playing by ear and the tip of the tongue : precategorial information in poetry / Reuven Tsur. |
| title_fullStr | Playing by ear and the tip of the tongue : precategorial information in poetry / Reuven Tsur. |
| title_full_unstemmed | Playing by ear and the tip of the tongue : precategorial information in poetry / Reuven Tsur. |
| title_short | Playing by ear and the tip of the tongue : |
| title_sort | playing by ear and the tip of the tongue precategorial information in poetry |
| title_sub | precategorial information in poetry / |
| topic | Poetics Psychological aspects. Sound symbolism. http://id.loc.gov/authorities/subjects/sh85125403 Versification. http://id.loc.gov/authorities/subjects/sh85142883 Cognition. http://id.loc.gov/authorities/subjects/sh85027742 Psycholinguistics. http://id.loc.gov/authorities/subjects/sh85108432 Poétique Aspect psychologique. Symbolisme phonique. Versification. Cognition. Psycholinguistique. cognition. aat psycholinguistics. aat LITERARY CRITICISM Poetry. bisacsh Cognition fast Poetics Psychological aspects fast Psycholinguistics fast Sound symbolism fast Versification fast |
| topic_facet | Poetics Psychological aspects. Sound symbolism. Versification. Cognition. Psycholinguistics. Poétique Aspect psychologique. Symbolisme phonique. Psycholinguistique. cognition. psycholinguistics. LITERARY CRITICISM Poetry. Cognition Poetics Psychological aspects Psycholinguistics Sound symbolism Versification |
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| work_keys_str_mv | AT tsurreuven playingbyearandthetipofthetongueprecategorialinformationinpoetry |