Italian post-neorealist cinema /:
Unlike countries such as France, the Czech Republic or Brazil, Italy did not have a new wave properly understood as a movement. However, while new artistic schools were emerging in many other countries, Italy was undergoing its most dramatic social and economic transformations. Those violent changes...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh :
Edinburgh University Press,
[2012]
|
| Schriftenreihe: | Traditions in world cinema.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Unlike countries such as France, the Czech Republic or Brazil, Italy did not have a new wave properly understood as a movement. However, while new artistic schools were emerging in many other countries, Italy was undergoing its most dramatic social and economic transformations. Those violent changes, together with the perceived necessity of renewing the aesthetic heritage of Neorealism, sparked a drastic regeneration of the cinematic language and marked the most memorable period of Italian film history. Italian Post-Neorealist Cinema explores the ferments of Italian cinema from the mid-50s to the end of the 60s, situating its wealth in the context of other national cinemas emerging at the same time. Olmi, Pasolini, Antonioni, Fellini, Visconti, the Taviani Brothers, Cavani, Rosi, Ferreri and many others all made their debut or directed their most representative works during the period. The book brings to the surface the lines of experimentation and artistic renewal appearing after the exhaustion of Neorealism, mapping complex areas of interest such as the emergence of ethical concerns, the relationship between ideology and representation, and the role of Italian counter-culture. |
| Beschreibung: | 1 online resource (xi, 292 pages) |
| Bibliographie: | Includes bibliographical references (pages 248-268) and index. |
| ISBN: | 9780748650736 0748650733 |
Internformat
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| 520 | |a Unlike countries such as France, the Czech Republic or Brazil, Italy did not have a new wave properly understood as a movement. However, while new artistic schools were emerging in many other countries, Italy was undergoing its most dramatic social and economic transformations. Those violent changes, together with the perceived necessity of renewing the aesthetic heritage of Neorealism, sparked a drastic regeneration of the cinematic language and marked the most memorable period of Italian film history. Italian Post-Neorealist Cinema explores the ferments of Italian cinema from the mid-50s to the end of the 60s, situating its wealth in the context of other national cinemas emerging at the same time. Olmi, Pasolini, Antonioni, Fellini, Visconti, the Taviani Brothers, Cavani, Rosi, Ferreri and many others all made their debut or directed their most representative works during the period. The book brings to the surface the lines of experimentation and artistic renewal appearing after the exhaustion of Neorealism, mapping complex areas of interest such as the emergence of ethical concerns, the relationship between ideology and representation, and the role of Italian counter-culture. | ||
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| 650 | 6 | |a Nouvelle Vague (Cinéma) |z Italie |x Histoire et critique. | |
| 650 | 6 | |a Réalisme au cinéma. | |
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| author | Barattoni, Luca |
| author_GND | http://id.loc.gov/authorities/names/no2012072015 |
| author_facet | Barattoni, Luca |
| author_role | aut |
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| callnumber-first | P - Language and Literature |
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| contents | 1. Historic, economic, and cultural background -- 2. The New Wave proper/Italian style debate and the explosion of national cinemas -- 3. The aesthetics emerging after the war -- 4. Ideological perimeters: the Catholic-Marxist protocol -- 5. Negotiating modernity: the ethics of disorientation and entrenchment -- 6. Reimagining national identity -- 7. Behavioral codes and sexual mores -- Conclusion: the missing Italy and its missing cinema today. |
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| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| geographic_facet | Italy |
| id | ZDB-4-EBA-ocn820723062 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:25:05Z |
| institution | BVB |
| isbn | 9780748650736 0748650733 |
| language | English |
| lccn | 2012551905 |
| oclc_num | 820723062 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xi, 292 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Edinburgh University Press, |
| record_format | marc |
| series | Traditions in world cinema. |
| series2 | Traditions in world cinema |
| spelling | Barattoni, Luca, author. http://id.loc.gov/authorities/names/no2012072015 Italian post-neorealist cinema / Luca Barattoni. Edinburgh : Edinburgh University Press, [2012] 1 online resource (xi, 292 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Traditions in world cinema Includes bibliographical references (pages 248-268) and index. Print version record. 1. Historic, economic, and cultural background -- 2. The New Wave proper/Italian style debate and the explosion of national cinemas -- 3. The aesthetics emerging after the war -- 4. Ideological perimeters: the Catholic-Marxist protocol -- 5. Negotiating modernity: the ethics of disorientation and entrenchment -- 6. Reimagining national identity -- 7. Behavioral codes and sexual mores -- Conclusion: the missing Italy and its missing cinema today. Unlike countries such as France, the Czech Republic or Brazil, Italy did not have a new wave properly understood as a movement. However, while new artistic schools were emerging in many other countries, Italy was undergoing its most dramatic social and economic transformations. Those violent changes, together with the perceived necessity of renewing the aesthetic heritage of Neorealism, sparked a drastic regeneration of the cinematic language and marked the most memorable period of Italian film history. Italian Post-Neorealist Cinema explores the ferments of Italian cinema from the mid-50s to the end of the 60s, situating its wealth in the context of other national cinemas emerging at the same time. Olmi, Pasolini, Antonioni, Fellini, Visconti, the Taviani Brothers, Cavani, Rosi, Ferreri and many others all made their debut or directed their most representative works during the period. The book brings to the surface the lines of experimentation and artistic renewal appearing after the exhaustion of Neorealism, mapping complex areas of interest such as the emergence of ethical concerns, the relationship between ideology and representation, and the role of Italian counter-culture. English. New wave films Italy History and criticism. Realism in motion pictures. http://id.loc.gov/authorities/subjects/sh85111771 Motion pictures Italy History. Nouvelle Vague (Cinéma) Italie Histoire et critique. Réalisme au cinéma. Cinéma Italie Histoire. ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh New wave films fast Motion pictures fast Realism in motion pictures fast Italy fast https://id.oclc.org/worldcat/entity/E39PBJvd8mVMcRhwVmbtcqCPcP Criticism, interpretation, etc. fast History fast has work: Italian post-neorealist cinema (Text) https://id.oclc.org/worldcat/entity/E39PCGq9kBjgRkwrH9y9bbBvDy https://id.oclc.org/worldcat/ontology/hasWork Print version: Barattoni, Luca. Italian post-neorealist cinema. Edinburgh : Edinburgh University Press, ©2012 0748640541 (DLC) 2012551905 (OCoLC)775413292 Traditions in world cinema. http://id.loc.gov/authorities/names/no2005058764 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=504134 Volltext |
| spellingShingle | Barattoni, Luca Italian post-neorealist cinema / Traditions in world cinema. 1. Historic, economic, and cultural background -- 2. The New Wave proper/Italian style debate and the explosion of national cinemas -- 3. The aesthetics emerging after the war -- 4. Ideological perimeters: the Catholic-Marxist protocol -- 5. Negotiating modernity: the ethics of disorientation and entrenchment -- 6. Reimagining national identity -- 7. Behavioral codes and sexual mores -- Conclusion: the missing Italy and its missing cinema today. New wave films Italy History and criticism. Realism in motion pictures. http://id.loc.gov/authorities/subjects/sh85111771 Motion pictures Italy History. Nouvelle Vague (Cinéma) Italie Histoire et critique. Réalisme au cinéma. Cinéma Italie Histoire. ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh New wave films fast Motion pictures fast Realism in motion pictures fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85111771 |
| title | Italian post-neorealist cinema / |
| title_auth | Italian post-neorealist cinema / |
| title_exact_search | Italian post-neorealist cinema / |
| title_full | Italian post-neorealist cinema / Luca Barattoni. |
| title_fullStr | Italian post-neorealist cinema / Luca Barattoni. |
| title_full_unstemmed | Italian post-neorealist cinema / Luca Barattoni. |
| title_short | Italian post-neorealist cinema / |
| title_sort | italian post neorealist cinema |
| topic | New wave films Italy History and criticism. Realism in motion pictures. http://id.loc.gov/authorities/subjects/sh85111771 Motion pictures Italy History. Nouvelle Vague (Cinéma) Italie Histoire et critique. Réalisme au cinéma. Cinéma Italie Histoire. ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh New wave films fast Motion pictures fast Realism in motion pictures fast |
| topic_facet | New wave films Italy History and criticism. Realism in motion pictures. Motion pictures Italy History. Nouvelle Vague (Cinéma) Italie Histoire et critique. Réalisme au cinéma. Cinéma Italie Histoire. ART Film & Video. PERFORMING ARTS Film & Video Reference. PERFORMING ARTS Film & Video History & Criticism. New wave films Motion pictures Realism in motion pictures Italy Criticism, interpretation, etc. History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=504134 |
| work_keys_str_mv | AT barattoniluca italianpostneorealistcinema |