No innocent bystanders :: performance art and audience /
At a moment when performance art, and performance in general, are at the center of the international art world, this book offers insightful readings of major performance pieces by the likes of Acconci, Burden, Abramović, and Hsieh, and confronts the twisting and troubled relationship that performan...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Hanover, N.H. :
Dartmouth College Press,
[2012]
|
| Schriftenreihe: | Interfaces, studies in visual culture.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | At a moment when performance art, and performance in general, are at the center of the international art world, this book offers insightful readings of major performance pieces by the likes of Acconci, Burden, Abramović, and Hsieh, and confronts the twisting and troubled relationship that performance art has had with the spectator and the public sphere. The author contends that the ethical challenges with which performance art confronts its viewers speak to the reimagining of the audience, in terms that suggest the collapse of notions like "public" and "community." This work is a discussion of the relationship between art and the audience that will appeal to a range of art historians, artists, and readers who are interested in constructions of the public sphere. -- Provided by publisher. |
| Beschreibung: | 1 online resource (205 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781611683363 161168336X |
Internformat
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| 245 | 1 | 0 | |a No innocent bystanders : |b performance art and audience / |c Frazer Ward. |
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| 490 | 1 | |a Interfaces: studies in visual culture | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction : reimagining the audience -- Performance after minimalism : fantasies of public and private -- Acconci : "Public space is wishful thinking" -- Burden : "I'd set it up by telling a bunch of people, and that would make it happen" -- Abramović : "You can stop, you don't have to do this" -- Hsieh : "For me, the audience is secondary, however, without them my performances couldn't exist". | |
| 520 | |a At a moment when performance art, and performance in general, are at the center of the international art world, this book offers insightful readings of major performance pieces by the likes of Acconci, Burden, Abramović, and Hsieh, and confronts the twisting and troubled relationship that performance art has had with the spectator and the public sphere. The author contends that the ethical challenges with which performance art confronts its viewers speak to the reimagining of the audience, in terms that suggest the collapse of notions like "public" and "community." This work is a discussion of the relationship between art and the audience that will appeal to a range of art historians, artists, and readers who are interested in constructions of the public sphere. -- Provided by publisher. | ||
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| 650 | 0 | |a Performing arts |x Audiences. |0 http://id.loc.gov/authorities/subjects/sh85099819 | |
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| 650 | 7 | |a Performing arts |x Audiences |2 fast | |
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| 830 | 0 | |a Interfaces, studies in visual culture. |0 http://id.loc.gov/authorities/names/n2005059573 | |
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| adam_text | |
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| author | Ward, Frazer |
| author_GND | http://id.loc.gov/authorities/names/no95004846 |
| author_facet | Ward, Frazer |
| author_role | aut |
| author_sort | Ward, Frazer |
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| callnumber-first | N - Fine Arts |
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| callnumber-search | NX456.5.P38 W37 2012eb |
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| collection | ZDB-4-EBA |
| contents | Introduction : reimagining the audience -- Performance after minimalism : fantasies of public and private -- Acconci : "Public space is wishful thinking" -- Burden : "I'd set it up by telling a bunch of people, and that would make it happen" -- Abramović : "You can stop, you don't have to do this" -- Hsieh : "For me, the audience is secondary, however, without them my performances couldn't exist". |
| ctrlnum | (OCoLC)818733962 |
| dewey-full | 709.04/0755 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709.04/0755 |
| dewey-search | 709.04/0755 |
| dewey-sort | 3709.04 3755 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| id | ZDB-4-EBA-ocn818733962 |
| illustrated | Illustrated |
| indexdate | 2024-10-25T16:21:08Z |
| institution | BVB |
| isbn | 9781611683363 161168336X |
| language | English |
| oclc_num | 818733962 |
| open_access_boolean | |
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| physical | 1 online resource (205 pages) : illustrations |
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| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Dartmouth College Press, |
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| series | Interfaces, studies in visual culture. |
| series2 | Interfaces: studies in visual culture |
| spelling | Ward, Frazer, author. http://id.loc.gov/authorities/names/no95004846 No innocent bystanders : performance art and audience / Frazer Ward. Hanover, N.H. : Dartmouth College Press, [2012] ©2012 1 online resource (205 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Interfaces: studies in visual culture Includes bibliographical references and index. Introduction : reimagining the audience -- Performance after minimalism : fantasies of public and private -- Acconci : "Public space is wishful thinking" -- Burden : "I'd set it up by telling a bunch of people, and that would make it happen" -- Abramović : "You can stop, you don't have to do this" -- Hsieh : "For me, the audience is secondary, however, without them my performances couldn't exist". At a moment when performance art, and performance in general, are at the center of the international art world, this book offers insightful readings of major performance pieces by the likes of Acconci, Burden, Abramović, and Hsieh, and confronts the twisting and troubled relationship that performance art has had with the spectator and the public sphere. The author contends that the ethical challenges with which performance art confronts its viewers speak to the reimagining of the audience, in terms that suggest the collapse of notions like "public" and "community." This work is a discussion of the relationship between art and the audience that will appeal to a range of art historians, artists, and readers who are interested in constructions of the public sphere. -- Provided by publisher. Print version record. English. Performance art. http://id.loc.gov/authorities/subjects/sh85099809 Performing arts Audiences. http://id.loc.gov/authorities/subjects/sh85099819 Arts du spectacle Publics. ART Conceptual. bisacsh Performance art fast Performing arts Audiences fast has work: No innocent bystanders (Text) https://id.oclc.org/worldcat/entity/E39PCFMhdxK7ygBRgXRVpgtPDC https://id.oclc.org/worldcat/ontology/hasWork Print version: Ward, Frazer. No innocent bystanders. Hanover, N.H. : Dartmouth College Press, ©2012 9781611683349 (DLC) 2012014978 (OCoLC)785870511 Interfaces, studies in visual culture. http://id.loc.gov/authorities/names/n2005059573 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=506051 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=506051 Volltext |
| spellingShingle | Ward, Frazer No innocent bystanders : performance art and audience / Interfaces, studies in visual culture. Introduction : reimagining the audience -- Performance after minimalism : fantasies of public and private -- Acconci : "Public space is wishful thinking" -- Burden : "I'd set it up by telling a bunch of people, and that would make it happen" -- Abramović : "You can stop, you don't have to do this" -- Hsieh : "For me, the audience is secondary, however, without them my performances couldn't exist". Performance art. http://id.loc.gov/authorities/subjects/sh85099809 Performing arts Audiences. http://id.loc.gov/authorities/subjects/sh85099819 Arts du spectacle Publics. ART Conceptual. bisacsh Performance art fast Performing arts Audiences fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85099809 http://id.loc.gov/authorities/subjects/sh85099819 |
| title | No innocent bystanders : performance art and audience / |
| title_auth | No innocent bystanders : performance art and audience / |
| title_exact_search | No innocent bystanders : performance art and audience / |
| title_full | No innocent bystanders : performance art and audience / Frazer Ward. |
| title_fullStr | No innocent bystanders : performance art and audience / Frazer Ward. |
| title_full_unstemmed | No innocent bystanders : performance art and audience / Frazer Ward. |
| title_short | No innocent bystanders : |
| title_sort | no innocent bystanders performance art and audience |
| title_sub | performance art and audience / |
| topic | Performance art. http://id.loc.gov/authorities/subjects/sh85099809 Performing arts Audiences. http://id.loc.gov/authorities/subjects/sh85099819 Arts du spectacle Publics. ART Conceptual. bisacsh Performance art fast Performing arts Audiences fast |
| topic_facet | Performance art. Performing arts Audiences. Arts du spectacle Publics. ART Conceptual. Performance art Performing arts Audiences |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=506051 |
| work_keys_str_mv | AT wardfrazer noinnocentbystandersperformanceartandaudience |