A staggering revolution :: a cultural history of thirties photography /
During the 1930s, the world of photography was unsettled, exciting, and boisterous. John Raeburn's A Staggering Revolution recreates the energy of the era by surveying photography's rich variety of innovation, exploring the aesthetic and cultural achievements of its leading figures, and ma...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Chicago :
University of Illinois Press,
[2006]
|
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | During the 1930s, the world of photography was unsettled, exciting, and boisterous. John Raeburn's A Staggering Revolution recreates the energy of the era by surveying photography's rich variety of innovation, exploring the aesthetic and cultural achievements of its leading figures, and mapping the paths their pictures blazed public's imagination. _x000B_While other studies of thirties photography have concentrated on the documentary work of the Farm Security Administration (FSA), no previous book has considered it alongside so many of the decade's other important photographic projects. A Staggering Revolution includes individual chapters on Edward Steichen's celebrity portraiture; Berenice Abbott's Changing New York project; the Photo League's ethnography of Harlem; and Edward Weston's western landscapes, made under the auspices of the first Guggenheim Fellowship awarded to a photographer. It also examines Margaret Bourke_White's industrial and documentary pictures, the collective undertakings by California's Group f.64, and the fashion magazine specialists, as well as the activities of the FSA and the Photo League. _x000B_Raeburn's expansive study explains how the democratic atmosphere of thirties photography nourished innovation and encouraged new heights of artistic achievement. It also produced the circumstances that permitted artful photography to become such a thriving public enterprise during the decade. A Staggering Revolution offers an illuminating analysis of the sociology of photography's art world and its galleries and exhibitions, but also demonstrates the importance of the novel venues created by impresarios and others that proved essential to photography's extraordinary dissemination. These new channels, including camera magazines and annuals, volumes of pictures enhanced by text, and omnibus exhibitions in unconventional spaces, greatly expanded photography's cultural visibility. They also made its enthusiastic audience larger and more heterogeneous than ever before - or since. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780252092190 0252092198 1283609088 9781283609081 9786613921536 661392153X |
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| 100 | 1 | |a Raeburn, John. | |
| 245 | 1 | 2 | |a A staggering revolution : |b a cultural history of thirties photography / |c John Raeburn. |
| 264 | 1 | |a Chicago : |b University of Illinois Press, |c [2006] | |
| 264 | 4 | |c ©2006 | |
| 300 | |a 1 online resource | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a The rebirth of photography in the thirties -- Disestablishing Stieglitz -- Group f.64 and the problem of California photography -- An eastern beachhead -- Edward Steichen and celebrity photography -- MoMA's big top show -- Camera periodicals and the popular audience -- Culture morphology in Berenice Abbott's New York -- Farm Security Administration photography and the dilemmas of art -- Farm Security Administration photography in the aura of art -- The nation's newsstands -- The photo league, Lewis Hine, and the Harlem document -- Seeing California with Edward Weston -- Photography at high tide. | |
| 588 | |a Description based on print version record. | ||
| 520 | |a During the 1930s, the world of photography was unsettled, exciting, and boisterous. John Raeburn's A Staggering Revolution recreates the energy of the era by surveying photography's rich variety of innovation, exploring the aesthetic and cultural achievements of its leading figures, and mapping the paths their pictures blazed public's imagination. _x000B_While other studies of thirties photography have concentrated on the documentary work of the Farm Security Administration (FSA), no previous book has considered it alongside so many of the decade's other important photographic projects. A Staggering Revolution includes individual chapters on Edward Steichen's celebrity portraiture; Berenice Abbott's Changing New York project; the Photo League's ethnography of Harlem; and Edward Weston's western landscapes, made under the auspices of the first Guggenheim Fellowship awarded to a photographer. It also examines Margaret Bourke_White's industrial and documentary pictures, the collective undertakings by California's Group f.64, and the fashion magazine specialists, as well as the activities of the FSA and the Photo League. _x000B_Raeburn's expansive study explains how the democratic atmosphere of thirties photography nourished innovation and encouraged new heights of artistic achievement. It also produced the circumstances that permitted artful photography to become such a thriving public enterprise during the decade. A Staggering Revolution offers an illuminating analysis of the sociology of photography's art world and its galleries and exhibitions, but also demonstrates the importance of the novel venues created by impresarios and others that proved essential to photography's extraordinary dissemination. These new channels, including camera magazines and annuals, volumes of pictures enhanced by text, and omnibus exhibitions in unconventional spaces, greatly expanded photography's cultural visibility. They also made its enthusiastic audience larger and more heterogeneous than ever before - or since. | ||
| 546 | |a English. | ||
| 650 | 0 | |a Photography, Artistic. |0 http://id.loc.gov/authorities/subjects/sh85101269 | |
| 651 | 0 | |a United States |v Pictorial works. |0 http://id.loc.gov/authorities/subjects/sh85140007 | |
| 650 | 6 | |a Photographie artistique. | |
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| 655 | 0 | |a Electronic books. | |
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Datensatz im Suchindex
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| _version_ | 1826941993344827392 |
| adam_text | |
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| author | Raeburn, John |
| author_facet | Raeburn, John |
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| callnumber-first | T - Technology |
| callnumber-label | TR653 |
| callnumber-raw | TR653 |
| callnumber-search | TR653 |
| callnumber-sort | TR 3653 |
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| collection | ZDB-4-EBA |
| contents | The rebirth of photography in the thirties -- Disestablishing Stieglitz -- Group f.64 and the problem of California photography -- An eastern beachhead -- Edward Steichen and celebrity photography -- MoMA's big top show -- Camera periodicals and the popular audience -- Culture morphology in Berenice Abbott's New York -- Farm Security Administration photography and the dilemmas of art -- Farm Security Administration photography in the aura of art -- The nation's newsstands -- The photo league, Lewis Hine, and the Harlem document -- Seeing California with Edward Weston -- Photography at high tide. |
| ctrlnum | (OCoLC)817813568 |
| dewey-full | 770.973/09043 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 770 - Photography, computer art, cinematography |
| dewey-raw | 770.973/09043 |
| dewey-search | 770.973/09043 |
| dewey-sort | 3770.973 49043 |
| dewey-tens | 770 - Photography, computer art, cinematography |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">data file</subfield><subfield code="2">rda</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">The rebirth of photography in the thirties -- Disestablishing Stieglitz -- Group f.64 and the problem of California photography -- An eastern beachhead -- Edward Steichen and celebrity photography -- MoMA's big top show -- Camera periodicals and the popular audience -- Culture morphology in Berenice Abbott's New York -- Farm Security Administration photography and the dilemmas of art -- Farm Security 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John Raeburn's A Staggering Revolution recreates the energy of the era by surveying photography's rich variety of innovation, exploring the aesthetic and cultural achievements of its leading figures, and mapping the paths their pictures blazed public's imagination. _x000B_While other studies of thirties photography have concentrated on the documentary work of the Farm Security Administration (FSA), no previous book has considered it alongside so many of the decade's other important photographic projects. A Staggering Revolution includes individual chapters on Edward Steichen's celebrity portraiture; Berenice Abbott's Changing New York project; the Photo League's ethnography of Harlem; and Edward Weston's western landscapes, made under the auspices of the first Guggenheim Fellowship awarded to a photographer. 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| genre | Electronic books. Pictorial works fast |
| genre_facet | Electronic books. Pictorial works |
| geographic | United States Pictorial works. http://id.loc.gov/authorities/subjects/sh85140007 United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq |
| geographic_facet | United States Pictorial works. United States |
| id | ZDB-4-EBA-ocn817813568 |
| illustrated | Illustrated |
| indexdate | 2025-03-18T14:20:56Z |
| institution | BVB |
| isbn | 9780252092190 0252092198 1283609088 9781283609081 9786613921536 661392153X |
| language | English |
| lccn | 2019718607 |
| oclc_num | 817813568 |
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| physical | 1 online resource |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2006 |
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| publisher | University of Illinois Press, |
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| spelling | Raeburn, John. A staggering revolution : a cultural history of thirties photography / John Raeburn. Chicago : University of Illinois Press, [2006] ©2006 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier data file rda Includes bibliographical references and index. The rebirth of photography in the thirties -- Disestablishing Stieglitz -- Group f.64 and the problem of California photography -- An eastern beachhead -- Edward Steichen and celebrity photography -- MoMA's big top show -- Camera periodicals and the popular audience -- Culture morphology in Berenice Abbott's New York -- Farm Security Administration photography and the dilemmas of art -- Farm Security Administration photography in the aura of art -- The nation's newsstands -- The photo league, Lewis Hine, and the Harlem document -- Seeing California with Edward Weston -- Photography at high tide. Description based on print version record. During the 1930s, the world of photography was unsettled, exciting, and boisterous. John Raeburn's A Staggering Revolution recreates the energy of the era by surveying photography's rich variety of innovation, exploring the aesthetic and cultural achievements of its leading figures, and mapping the paths their pictures blazed public's imagination. _x000B_While other studies of thirties photography have concentrated on the documentary work of the Farm Security Administration (FSA), no previous book has considered it alongside so many of the decade's other important photographic projects. A Staggering Revolution includes individual chapters on Edward Steichen's celebrity portraiture; Berenice Abbott's Changing New York project; the Photo League's ethnography of Harlem; and Edward Weston's western landscapes, made under the auspices of the first Guggenheim Fellowship awarded to a photographer. It also examines Margaret Bourke_White's industrial and documentary pictures, the collective undertakings by California's Group f.64, and the fashion magazine specialists, as well as the activities of the FSA and the Photo League. _x000B_Raeburn's expansive study explains how the democratic atmosphere of thirties photography nourished innovation and encouraged new heights of artistic achievement. It also produced the circumstances that permitted artful photography to become such a thriving public enterprise during the decade. A Staggering Revolution offers an illuminating analysis of the sociology of photography's art world and its galleries and exhibitions, but also demonstrates the importance of the novel venues created by impresarios and others that proved essential to photography's extraordinary dissemination. These new channels, including camera magazines and annuals, volumes of pictures enhanced by text, and omnibus exhibitions in unconventional spaces, greatly expanded photography's cultural visibility. They also made its enthusiastic audience larger and more heterogeneous than ever before - or since. English. Photography, Artistic. http://id.loc.gov/authorities/subjects/sh85101269 United States Pictorial works. http://id.loc.gov/authorities/subjects/sh85140007 Photographie artistique. art photography. aat PHOTOGRAPHY Criticism. bisacsh PHOTOGRAPHY History. bisacsh HISTORY United States 20th Century. bisacsh Photography, Artistic fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq Electronic books. Pictorial works fast has work: A staggering revolution (Text) https://id.oclc.org/worldcat/entity/E39PCFFxWKvfw3XqwvTFQFkcrq https://id.oclc.org/worldcat/ontology/hasWork Print version: A staggering revolution 0252030842 (DLC) 2005028928 |
| spellingShingle | Raeburn, John A staggering revolution : a cultural history of thirties photography / The rebirth of photography in the thirties -- Disestablishing Stieglitz -- Group f.64 and the problem of California photography -- An eastern beachhead -- Edward Steichen and celebrity photography -- MoMA's big top show -- Camera periodicals and the popular audience -- Culture morphology in Berenice Abbott's New York -- Farm Security Administration photography and the dilemmas of art -- Farm Security Administration photography in the aura of art -- The nation's newsstands -- The photo league, Lewis Hine, and the Harlem document -- Seeing California with Edward Weston -- Photography at high tide. Photography, Artistic. http://id.loc.gov/authorities/subjects/sh85101269 Photographie artistique. art photography. aat PHOTOGRAPHY Criticism. bisacsh PHOTOGRAPHY History. bisacsh HISTORY United States 20th Century. bisacsh Photography, Artistic fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85101269 http://id.loc.gov/authorities/subjects/sh85140007 |
| title | A staggering revolution : a cultural history of thirties photography / |
| title_auth | A staggering revolution : a cultural history of thirties photography / |
| title_exact_search | A staggering revolution : a cultural history of thirties photography / |
| title_full | A staggering revolution : a cultural history of thirties photography / John Raeburn. |
| title_fullStr | A staggering revolution : a cultural history of thirties photography / John Raeburn. |
| title_full_unstemmed | A staggering revolution : a cultural history of thirties photography / John Raeburn. |
| title_short | A staggering revolution : |
| title_sort | staggering revolution a cultural history of thirties photography |
| title_sub | a cultural history of thirties photography / |
| topic | Photography, Artistic. http://id.loc.gov/authorities/subjects/sh85101269 Photographie artistique. art photography. aat PHOTOGRAPHY Criticism. bisacsh PHOTOGRAPHY History. bisacsh HISTORY United States 20th Century. bisacsh Photography, Artistic fast |
| topic_facet | Photography, Artistic. United States Pictorial works. Photographie artistique. art photography. PHOTOGRAPHY Criticism. PHOTOGRAPHY History. HISTORY United States 20th Century. Photography, Artistic United States Electronic books. Pictorial works |
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