Narrative, interrupted :: the plotless, the disturbing and the trivial in literature /
Recent postclassical narratology has constructed top-down reading models that often remain blind to the frame-breaking potential of individual literary narratives. Narrative, Interrupted goes beyond the macro framing typical of postclassical narratology and sets out to sketch approaches more sensiti...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Boston :
De Gruyter,
2012.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Recent postclassical narratology has constructed top-down reading models that often remain blind to the frame-breaking potential of individual literary narratives. Narrative, Interrupted goes beyond the macro framing typical of postclassical narratology and sets out to sketch approaches more sensitive to generic specificities, disturbing details and authorial interference. Unlike the mainstream cognitive approaches or even the emergent unnatural narratology, the articles collected here explore the artifice involved in presenting something ordinary and realistic in literature. The first section of the book deals with anti-dynamic elements such as dialogue, details, private events and literary boredom. The second section, devoted to extensions of cognitive narratology, addresses spatiotemporal oddities and the possibility of non-human narratives. The third section focuses on frame-breaking, fragmentarity and problems of authorship in the works of Vladimir Nabokov. The book presents readings of texts ranging from the novels of Don DeLillo and Thomas Pynchon to the Animal Man comics. The common denominator for the texts discussed is the interruption of the chain of events or of the experiential flow of human-like narrative agents. |
| Beschreibung: | Includes index. |
| Beschreibung: | 1 online resource (xvi, 327 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9783110259971 3110259974 1283627914 9781283627917 9786613940360 6613940364 |
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| 245 | 0 | 0 | |a Narrative, interrupted : |b the plotless, the disturbing and the trivial in literature / |c edited by Markku Lehtimäki, Laura Karttunen, Maria Mäkelä. |
| 260 | |a Boston : |b De Gruyter, |c 2012. | ||
| 300 | |a 1 online resource (xvi, 327 pages) | ||
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| 500 | |a Includes index. | ||
| 505 | 0 | |a Preface -- The still waters of narrative: the boring and the plotless. James Phelan: Conversational and authorial disclosure in the dialogue novel: the case of The friends of Eddie Coyle -- Matti Hyvärinen: Resistance to plot and uneven narrativity: a journey from "a boring story" to The rings of Saturn -- Bo Pettersson: What happens when nothing happens: interpreting narrative technique in the plotless novels of Nicholson Baker -- Laura Karttunen: Events can be quoted (and words need not be) -- Samuli Hägg: Pynchon's poetics of boredom: cognitive and textual aspects of novelistic dreariness -- A web of sense: interpreting the disturbing and the difficult. David Herman: Toward a zoonarratology: storytelling and species difference in animal comics -- Markku Lehtimäki: Watching a tree grow: Terrence Malick's The new world and the nature of cinema -- Maria Mäkelä: Navigating "making sense" interpreting (the reader behind La jalousie) -- Mari Hatavara: History impossible: narrating and motivating the past -- Jan Alber: Unnatural temporalities: interfaces between postmodernism, science fiction, and the fantastic -- Sanna Katariina Bruun: The imperfect is our paradise: intertextuality and fragmentary narration in Margaret Atwood's Alias Grace -- Jakob Lothe: Fragile narrative situations: Conrad compared to Sebald -- Shadow of a tail: problems of authorship. Leona Toker: Name change and author avatars in Varlam Shalamov and Primo Levi -- Marina Grishakova: Stranger than fiction, or, Jerome David Salinger, author of Lolita: real, implied and fictive authorship -- Hannu Tommola: Translators, scoundrels and gentlemen of honor: problems of Nabokov's loyalty -- Brian McHale: Affordances of form in stanzaic narrative poetry -- Gennady Barabtarlo: A shadow on the marble. | |
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a Recent postclassical narratology has constructed top-down reading models that often remain blind to the frame-breaking potential of individual literary narratives. Narrative, Interrupted goes beyond the macro framing typical of postclassical narratology and sets out to sketch approaches more sensitive to generic specificities, disturbing details and authorial interference. Unlike the mainstream cognitive approaches or even the emergent unnatural narratology, the articles collected here explore the artifice involved in presenting something ordinary and realistic in literature. The first section of the book deals with anti-dynamic elements such as dialogue, details, private events and literary boredom. The second section, devoted to extensions of cognitive narratology, addresses spatiotemporal oddities and the possibility of non-human narratives. The third section focuses on frame-breaking, fragmentarity and problems of authorship in the works of Vladimir Nabokov. The book presents readings of texts ranging from the novels of Don DeLillo and Thomas Pynchon to the Animal Man comics. The common denominator for the texts discussed is the interruption of the chain of events or of the experiential flow of human-like narrative agents. | ||
| 546 | |a English. | ||
| 650 | 0 | |a Discourse analysis, Narrative. |0 http://id.loc.gov/authorities/subjects/sh85038364 | |
| 650 | 0 | |a Narration (Rhetoric) |0 http://id.loc.gov/authorities/subjects/sh85089833 | |
| 650 | 0 | |a Literature |x History and criticism |x Theory, etc. |0 http://id.loc.gov/authorities/subjects/sh85077521 | |
| 650 | 6 | |a Discours narratif. | |
| 650 | 6 | |a Narration. | |
| 650 | 6 | |a Littérature |x Histoire et critique |x Théorie, etc. | |
| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x Composition & Creative Writing. |2 bisacsh | |
| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x Rhetoric. |2 bisacsh | |
| 650 | 7 | |a REFERENCE |x Writing Skills. |2 bisacsh | |
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| 650 | 7 | |a Literature |x Theory, etc. |2 fast | |
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| 653 | |a Literary Authorship. | ||
| 653 | |a Narrative Theory. | ||
| 653 | |a Vladimir Nabokov. | ||
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Lehtimäki, Markku. | |
| 700 | 1 | |a Karttunen, Laura. | |
| 700 | 1 | |a Mäkelä, Maria. | |
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| author2 | Lehtimäki, Markku Karttunen, Laura Mäkelä, Maria |
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| contents | Preface -- The still waters of narrative: the boring and the plotless. James Phelan: Conversational and authorial disclosure in the dialogue novel: the case of The friends of Eddie Coyle -- Matti Hyvärinen: Resistance to plot and uneven narrativity: a journey from "a boring story" to The rings of Saturn -- Bo Pettersson: What happens when nothing happens: interpreting narrative technique in the plotless novels of Nicholson Baker -- Laura Karttunen: Events can be quoted (and words need not be) -- Samuli Hägg: Pynchon's poetics of boredom: cognitive and textual aspects of novelistic dreariness -- A web of sense: interpreting the disturbing and the difficult. David Herman: Toward a zoonarratology: storytelling and species difference in animal comics -- Markku Lehtimäki: Watching a tree grow: Terrence Malick's The new world and the nature of cinema -- Maria Mäkelä: Navigating "making sense" interpreting (the reader behind La jalousie) -- Mari Hatavara: History impossible: narrating and motivating the past -- Jan Alber: Unnatural temporalities: interfaces between postmodernism, science fiction, and the fantastic -- Sanna Katariina Bruun: The imperfect is our paradise: intertextuality and fragmentary narration in Margaret Atwood's Alias Grace -- Jakob Lothe: Fragile narrative situations: Conrad compared to Sebald -- Shadow of a tail: problems of authorship. Leona Toker: Name change and author avatars in Varlam Shalamov and Primo Levi -- Marina Grishakova: Stranger than fiction, or, Jerome David Salinger, author of Lolita: real, implied and fictive authorship -- Hannu Tommola: Translators, scoundrels and gentlemen of honor: problems of Nabokov's loyalty -- Brian McHale: Affordances of form in stanzaic narrative poetry -- Gennady Barabtarlo: A shadow on the marble. |
| ctrlnum | (OCoLC)815281406 |
| dewey-full | 808.036 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 808 - Rhetoric & collections of literature |
| dewey-raw | 808.036 |
| dewey-search | 808.036 |
| dewey-sort | 3808.036 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Literaturwissenschaft |
| format | Electronic eBook |
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"><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Preface -- The still waters of narrative: the boring and the plotless. 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Leona Toker: Name change and author avatars in Varlam Shalamov and Primo Levi -- Marina Grishakova: Stranger than fiction, or, Jerome David Salinger, author of Lolita: real, implied and fictive authorship -- Hannu Tommola: Translators, scoundrels and gentlemen of honor: problems of Nabokov's loyalty -- Brian McHale: Affordances of form in stanzaic narrative poetry -- Gennady Barabtarlo: A shadow on the marble.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Recent postclassical narratology has constructed top-down reading models that often remain blind to the frame-breaking potential of individual literary narratives. 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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn815281406 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:25:01Z |
| institution | BVB |
| isbn | 9783110259971 3110259974 1283627914 9781283627917 9786613940360 6613940364 |
| language | English |
| oclc_num | 815281406 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xvi, 327 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | De Gruyter, |
| record_format | marc |
| spelling | Narrative, interrupted : the plotless, the disturbing and the trivial in literature / edited by Markku Lehtimäki, Laura Karttunen, Maria Mäkelä. Boston : De Gruyter, 2012. 1 online resource (xvi, 327 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes index. Preface -- The still waters of narrative: the boring and the plotless. James Phelan: Conversational and authorial disclosure in the dialogue novel: the case of The friends of Eddie Coyle -- Matti Hyvärinen: Resistance to plot and uneven narrativity: a journey from "a boring story" to The rings of Saturn -- Bo Pettersson: What happens when nothing happens: interpreting narrative technique in the plotless novels of Nicholson Baker -- Laura Karttunen: Events can be quoted (and words need not be) -- Samuli Hägg: Pynchon's poetics of boredom: cognitive and textual aspects of novelistic dreariness -- A web of sense: interpreting the disturbing and the difficult. David Herman: Toward a zoonarratology: storytelling and species difference in animal comics -- Markku Lehtimäki: Watching a tree grow: Terrence Malick's The new world and the nature of cinema -- Maria Mäkelä: Navigating "making sense" interpreting (the reader behind La jalousie) -- Mari Hatavara: History impossible: narrating and motivating the past -- Jan Alber: Unnatural temporalities: interfaces between postmodernism, science fiction, and the fantastic -- Sanna Katariina Bruun: The imperfect is our paradise: intertextuality and fragmentary narration in Margaret Atwood's Alias Grace -- Jakob Lothe: Fragile narrative situations: Conrad compared to Sebald -- Shadow of a tail: problems of authorship. Leona Toker: Name change and author avatars in Varlam Shalamov and Primo Levi -- Marina Grishakova: Stranger than fiction, or, Jerome David Salinger, author of Lolita: real, implied and fictive authorship -- Hannu Tommola: Translators, scoundrels and gentlemen of honor: problems of Nabokov's loyalty -- Brian McHale: Affordances of form in stanzaic narrative poetry -- Gennady Barabtarlo: A shadow on the marble. Print version record. Includes bibliographical references and index. Recent postclassical narratology has constructed top-down reading models that often remain blind to the frame-breaking potential of individual literary narratives. Narrative, Interrupted goes beyond the macro framing typical of postclassical narratology and sets out to sketch approaches more sensitive to generic specificities, disturbing details and authorial interference. Unlike the mainstream cognitive approaches or even the emergent unnatural narratology, the articles collected here explore the artifice involved in presenting something ordinary and realistic in literature. The first section of the book deals with anti-dynamic elements such as dialogue, details, private events and literary boredom. The second section, devoted to extensions of cognitive narratology, addresses spatiotemporal oddities and the possibility of non-human narratives. The third section focuses on frame-breaking, fragmentarity and problems of authorship in the works of Vladimir Nabokov. The book presents readings of texts ranging from the novels of Don DeLillo and Thomas Pynchon to the Animal Man comics. The common denominator for the texts discussed is the interruption of the chain of events or of the experiential flow of human-like narrative agents. English. Discourse analysis, Narrative. http://id.loc.gov/authorities/subjects/sh85038364 Narration (Rhetoric) http://id.loc.gov/authorities/subjects/sh85089833 Literature History and criticism Theory, etc. http://id.loc.gov/authorities/subjects/sh85077521 Discours narratif. Narration. Littérature Histoire et critique Théorie, etc. LANGUAGE ARTS & DISCIPLINES Composition & Creative Writing. bisacsh LANGUAGE ARTS & DISCIPLINES Rhetoric. bisacsh REFERENCE Writing Skills. bisacsh Discourse analysis, Narrative fast Literature Theory, etc. fast Narration (Rhetoric) fast Literary Authorship. Narrative Theory. Vladimir Nabokov. Criticism, interpretation, etc. fast Lehtimäki, Markku. Karttunen, Laura. Mäkelä, Maria. Print version: Narrative, interrupted. Boston : De Gruyter, 2012 9783110259957 (DLC) 2012031098 (OCoLC)808316425 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=494136 Volltext |
| spellingShingle | Narrative, interrupted : the plotless, the disturbing and the trivial in literature / Preface -- The still waters of narrative: the boring and the plotless. James Phelan: Conversational and authorial disclosure in the dialogue novel: the case of The friends of Eddie Coyle -- Matti Hyvärinen: Resistance to plot and uneven narrativity: a journey from "a boring story" to The rings of Saturn -- Bo Pettersson: What happens when nothing happens: interpreting narrative technique in the plotless novels of Nicholson Baker -- Laura Karttunen: Events can be quoted (and words need not be) -- Samuli Hägg: Pynchon's poetics of boredom: cognitive and textual aspects of novelistic dreariness -- A web of sense: interpreting the disturbing and the difficult. David Herman: Toward a zoonarratology: storytelling and species difference in animal comics -- Markku Lehtimäki: Watching a tree grow: Terrence Malick's The new world and the nature of cinema -- Maria Mäkelä: Navigating "making sense" interpreting (the reader behind La jalousie) -- Mari Hatavara: History impossible: narrating and motivating the past -- Jan Alber: Unnatural temporalities: interfaces between postmodernism, science fiction, and the fantastic -- Sanna Katariina Bruun: The imperfect is our paradise: intertextuality and fragmentary narration in Margaret Atwood's Alias Grace -- Jakob Lothe: Fragile narrative situations: Conrad compared to Sebald -- Shadow of a tail: problems of authorship. Leona Toker: Name change and author avatars in Varlam Shalamov and Primo Levi -- Marina Grishakova: Stranger than fiction, or, Jerome David Salinger, author of Lolita: real, implied and fictive authorship -- Hannu Tommola: Translators, scoundrels and gentlemen of honor: problems of Nabokov's loyalty -- Brian McHale: Affordances of form in stanzaic narrative poetry -- Gennady Barabtarlo: A shadow on the marble. Discourse analysis, Narrative. http://id.loc.gov/authorities/subjects/sh85038364 Narration (Rhetoric) http://id.loc.gov/authorities/subjects/sh85089833 Literature History and criticism Theory, etc. http://id.loc.gov/authorities/subjects/sh85077521 Discours narratif. Narration. Littérature Histoire et critique Théorie, etc. LANGUAGE ARTS & DISCIPLINES Composition & Creative Writing. bisacsh LANGUAGE ARTS & DISCIPLINES Rhetoric. bisacsh REFERENCE Writing Skills. bisacsh Discourse analysis, Narrative fast Literature Theory, etc. fast Narration (Rhetoric) fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85038364 http://id.loc.gov/authorities/subjects/sh85089833 http://id.loc.gov/authorities/subjects/sh85077521 |
| title | Narrative, interrupted : the plotless, the disturbing and the trivial in literature / |
| title_auth | Narrative, interrupted : the plotless, the disturbing and the trivial in literature / |
| title_exact_search | Narrative, interrupted : the plotless, the disturbing and the trivial in literature / |
| title_full | Narrative, interrupted : the plotless, the disturbing and the trivial in literature / edited by Markku Lehtimäki, Laura Karttunen, Maria Mäkelä. |
| title_fullStr | Narrative, interrupted : the plotless, the disturbing and the trivial in literature / edited by Markku Lehtimäki, Laura Karttunen, Maria Mäkelä. |
| title_full_unstemmed | Narrative, interrupted : the plotless, the disturbing and the trivial in literature / edited by Markku Lehtimäki, Laura Karttunen, Maria Mäkelä. |
| title_short | Narrative, interrupted : |
| title_sort | narrative interrupted the plotless the disturbing and the trivial in literature |
| title_sub | the plotless, the disturbing and the trivial in literature / |
| topic | Discourse analysis, Narrative. http://id.loc.gov/authorities/subjects/sh85038364 Narration (Rhetoric) http://id.loc.gov/authorities/subjects/sh85089833 Literature History and criticism Theory, etc. http://id.loc.gov/authorities/subjects/sh85077521 Discours narratif. Narration. Littérature Histoire et critique Théorie, etc. LANGUAGE ARTS & DISCIPLINES Composition & Creative Writing. bisacsh LANGUAGE ARTS & DISCIPLINES Rhetoric. bisacsh REFERENCE Writing Skills. bisacsh Discourse analysis, Narrative fast Literature Theory, etc. fast Narration (Rhetoric) fast |
| topic_facet | Discourse analysis, Narrative. Narration (Rhetoric) Literature History and criticism Theory, etc. Discours narratif. Narration. Littérature Histoire et critique Théorie, etc. LANGUAGE ARTS & DISCIPLINES Composition & Creative Writing. LANGUAGE ARTS & DISCIPLINES Rhetoric. REFERENCE Writing Skills. Discourse analysis, Narrative Literature Theory, etc. Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=494136 |
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