Smoke signals :: Native cinema rising /
"Smoke Signals is a historical milestone in Native American filmmaking. Released in 1998 and based on a short-story collection by Sherman Alexie, it was the first wide-release feature film written, directed, coproduced, and acted by Native Americans. The most popular Native American film of all...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Lincoln :
University of Nebraska Press,
[2012]
|
| Schriftenreihe: | Indigenous films.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Smoke Signals is a historical milestone in Native American filmmaking. Released in 1998 and based on a short-story collection by Sherman Alexie, it was the first wide-release feature film written, directed, coproduced, and acted by Native Americans. The most popular Native American film of all time, Smoke Signals is also an innovative work of cinematic storytelling that demands sustained critical attention in its own right. Embedded in Smoke Signals's universal story of familial loss and renewal are uniquely Indigenous perspectives about political sovereignty, Hollywood's long history of misrepresentation, and the rise of Indigenous cinema across the twentieth and twenty-first centuries. Joanna Hearne's work foregrounds the voices of the filmmakers and performers--in interviews with Alexie and director Chris Eyre, among others--to explore the film's audiovisual and narrative strategies for speaking to multiple audiences. In particular, Hearne examines the filmmakers' appropriation of mainstream American popular culture forms to tell a Native story. Focusing in turn on the production and reception of the film and issues of performance, authenticity, social justice, and environmental history within the film's text and context, this in-depth introduction and analysis expands our understanding and deepens our enjoyment of a Native cinema landmark."-- "An introduction to and analysis of "Smoke Signals," the most popular Native American film of all time"-- |
| Beschreibung: | 1 online resource (xxxiv, 242 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780803244627 0803244622 1283631105 9781283631105 9786613943552 661394355X |
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| 100 | 1 | |a Hearne, Joanna, |e author. |0 http://id.loc.gov/authorities/names/n2012004123 | |
| 245 | 1 | 0 | |a Smoke signals : |b Native cinema rising / |c Joanna Hearne. |
| 264 | 1 | |a Lincoln : |b University of Nebraska Press, |c [2012] | |
| 264 | 4 | |c ©2012 | |
| 300 | |a 1 online resource (xxxiv, 242 pages) : |b illustrations | ||
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| 520 | |a "Smoke Signals is a historical milestone in Native American filmmaking. Released in 1998 and based on a short-story collection by Sherman Alexie, it was the first wide-release feature film written, directed, coproduced, and acted by Native Americans. The most popular Native American film of all time, Smoke Signals is also an innovative work of cinematic storytelling that demands sustained critical attention in its own right. Embedded in Smoke Signals's universal story of familial loss and renewal are uniquely Indigenous perspectives about political sovereignty, Hollywood's long history of misrepresentation, and the rise of Indigenous cinema across the twentieth and twenty-first centuries. Joanna Hearne's work foregrounds the voices of the filmmakers and performers--in interviews with Alexie and director Chris Eyre, among others--to explore the film's audiovisual and narrative strategies for speaking to multiple audiences. In particular, Hearne examines the filmmakers' appropriation of mainstream American popular culture forms to tell a Native story. Focusing in turn on the production and reception of the film and issues of performance, authenticity, social justice, and environmental history within the film's text and context, this in-depth introduction and analysis expands our understanding and deepens our enjoyment of a Native cinema landmark."-- |c Provided by publisher. | ||
| 520 | |a "An introduction to and analysis of "Smoke Signals," the most popular Native American film of all time"-- |c Provided by publisher. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction. "A way to sit at the same table": indigenizing popular culture -- 1 "Indians watching Indians": speaking to and from cinema history -- 2 "The storyteller is part of the story": making Smoke Signals -- 3 "Dances with salmon": reading Smoke Signals -- 4 "Take your dad's pickup": Smoke Signals's reception -- Conclusion. "Be a crazy horse of filmmaking": Smoke Signals and the ongoing production and reception of native cinema -- Appendix. Remembering Smoke Signals: interviews with Chris Eyre and Sherman Alexie. | |
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 630 | 0 | 0 | |a Smoke signals (Motion picture) |0 http://id.loc.gov/authorities/names/n98033643 |
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| 630 | 0 | 7 | |a Smoke Signals |2 gnd |0 http://d-nb.info/gnd/1034286129 |
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| 650 | 0 | |a Indians in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh85065084 | |
| 650 | 0 | |a Indigenous films |z United States. | |
| 650 | 6 | |a Peuples autochtones au cinéma. | |
| 650 | 6 | |a Films autochtones |z États-Unis. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Ethnic Studies |x Native American Studies. |2 bisacsh | |
| 650 | 7 | |a Indians in motion pictures |2 fast | |
| 650 | 7 | |a Indigenous films |2 fast | |
| 651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
| 650 | 7 | |a Indianer |g Motiv |2 gnd |0 http://d-nb.info/gnd/4122591-0 | |
| 758 | |i has work: |a Smoke signals (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGC633HCjR3mwBJPYHcWwC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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| author | Hearne, Joanna |
| author_GND | http://id.loc.gov/authorities/names/n2012004123 |
| author_facet | Hearne, Joanna |
| author_role | aut |
| author_sort | Hearne, Joanna |
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| building | Verbundindex |
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| callnumber-first | P - Language and Literature |
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| contents | Introduction. "A way to sit at the same table": indigenizing popular culture -- 1 "Indians watching Indians": speaking to and from cinema history -- 2 "The storyteller is part of the story": making Smoke Signals -- 3 "Dances with salmon": reading Smoke Signals -- 4 "Take your dad's pickup": Smoke Signals's reception -- Conclusion. "Be a crazy horse of filmmaking": Smoke Signals and the ongoing production and reception of native cinema -- Appendix. Remembering Smoke Signals: interviews with Chris Eyre and Sherman Alexie. |
| ctrlnum | (OCoLC)814065960 |
| dewey-full | 791.43/72 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/72 |
| dewey-search | 791.43/72 |
| dewey-sort | 3791.43 272 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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"><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Indigenous films</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"Smoke Signals is a historical milestone in Native American filmmaking. Released in 1998 and based on a short-story collection by Sherman Alexie, it was the first wide-release feature film written, directed, coproduced, and acted by Native Americans. The most popular Native American film of all time, Smoke Signals is also an innovative work of cinematic storytelling that demands sustained critical attention in its own right. Embedded in Smoke Signals's universal story of familial loss and renewal are uniquely Indigenous perspectives about political sovereignty, Hollywood's long history of misrepresentation, and the rise of Indigenous cinema across the twentieth and twenty-first centuries. Joanna Hearne's work foregrounds the voices of the filmmakers and performers--in interviews with Alexie and director Chris Eyre, among others--to explore the film's audiovisual and narrative strategies for speaking to multiple audiences. In particular, Hearne examines the filmmakers' appropriation of mainstream American popular culture forms to tell a Native story. Focusing in turn on the production and reception of the film and issues of performance, authenticity, social justice, and environmental history within the film's text and context, this in-depth introduction and analysis expands our understanding and deepens our enjoyment of a Native cinema landmark."--</subfield><subfield code="c">Provided by publisher.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"An introduction to and analysis of "Smoke Signals," the most popular Native American film of all time"--</subfield><subfield code="c">Provided by publisher.</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Introduction. "A way to sit at the same table": indigenizing popular culture -- 1 "Indians watching Indians": speaking to and from cinema history -- 2 "The storyteller is part of the story": making Smoke Signals -- 3 "Dances with salmon": reading Smoke Signals -- 4 "Take your dad's pickup": Smoke Signals's reception -- Conclusion. "Be a crazy horse of filmmaking": Smoke Signals and the ongoing production and reception of native cinema -- Appendix. 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| geographic | United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq |
| geographic_facet | United States |
| id | ZDB-4-EBA-ocn814065960 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:25:00Z |
| institution | BVB |
| isbn | 9780803244627 0803244622 1283631105 9781283631105 9786613943552 661394355X |
| language | English |
| oclc_num | 814065960 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xxxiv, 242 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | University of Nebraska Press, |
| record_format | marc |
| series | Indigenous films. |
| series2 | Indigenous films |
| spelling | Hearne, Joanna, author. http://id.loc.gov/authorities/names/n2012004123 Smoke signals : Native cinema rising / Joanna Hearne. Lincoln : University of Nebraska Press, [2012] ©2012 1 online resource (xxxiv, 242 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Indigenous films "Smoke Signals is a historical milestone in Native American filmmaking. Released in 1998 and based on a short-story collection by Sherman Alexie, it was the first wide-release feature film written, directed, coproduced, and acted by Native Americans. The most popular Native American film of all time, Smoke Signals is also an innovative work of cinematic storytelling that demands sustained critical attention in its own right. Embedded in Smoke Signals's universal story of familial loss and renewal are uniquely Indigenous perspectives about political sovereignty, Hollywood's long history of misrepresentation, and the rise of Indigenous cinema across the twentieth and twenty-first centuries. Joanna Hearne's work foregrounds the voices of the filmmakers and performers--in interviews with Alexie and director Chris Eyre, among others--to explore the film's audiovisual and narrative strategies for speaking to multiple audiences. In particular, Hearne examines the filmmakers' appropriation of mainstream American popular culture forms to tell a Native story. Focusing in turn on the production and reception of the film and issues of performance, authenticity, social justice, and environmental history within the film's text and context, this in-depth introduction and analysis expands our understanding and deepens our enjoyment of a Native cinema landmark."-- Provided by publisher. "An introduction to and analysis of "Smoke Signals," the most popular Native American film of all time"-- Provided by publisher. Includes bibliographical references and index. Introduction. "A way to sit at the same table": indigenizing popular culture -- 1 "Indians watching Indians": speaking to and from cinema history -- 2 "The storyteller is part of the story": making Smoke Signals -- 3 "Dances with salmon": reading Smoke Signals -- 4 "Take your dad's pickup": Smoke Signals's reception -- Conclusion. "Be a crazy horse of filmmaking": Smoke Signals and the ongoing production and reception of native cinema -- Appendix. Remembering Smoke Signals: interviews with Chris Eyre and Sherman Alexie. Print version record. English. Smoke signals (Motion picture) http://id.loc.gov/authorities/names/n98033643 Smoke signals (Motion picture) fast Smoke Signals gnd http://d-nb.info/gnd/1034286129 Bibel Philemonbrief gnd Umschulungswerkstätten für Siedler und Auswanderer Bitterfeld gnd Indians in motion pictures. http://id.loc.gov/authorities/subjects/sh85065084 Indigenous films United States. Peuples autochtones au cinéma. Films autochtones États-Unis. PERFORMING ARTS Film & Video History & Criticism. bisacsh SOCIAL SCIENCE Ethnic Studies Native American Studies. bisacsh Indians in motion pictures fast Indigenous films fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq Indianer Motiv gnd http://d-nb.info/gnd/4122591-0 has work: Smoke signals (Text) https://id.oclc.org/worldcat/entity/E39PCGC633HCjR3mwBJPYHcWwC https://id.oclc.org/worldcat/ontology/hasWork Print version: Hearne, Joanna. Smoke signals. Lincoln : University of Nebraska Press, 2012 9780803219274 (DLC) 2012026247 (OCoLC)785862652 Indigenous films. http://id.loc.gov/authorities/names/no2010059439 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=490361 Volltext |
| spellingShingle | Hearne, Joanna Smoke signals : Native cinema rising / Indigenous films. Introduction. "A way to sit at the same table": indigenizing popular culture -- 1 "Indians watching Indians": speaking to and from cinema history -- 2 "The storyteller is part of the story": making Smoke Signals -- 3 "Dances with salmon": reading Smoke Signals -- 4 "Take your dad's pickup": Smoke Signals's reception -- Conclusion. "Be a crazy horse of filmmaking": Smoke Signals and the ongoing production and reception of native cinema -- Appendix. Remembering Smoke Signals: interviews with Chris Eyre and Sherman Alexie. Smoke signals (Motion picture) http://id.loc.gov/authorities/names/n98033643 Smoke signals (Motion picture) fast Smoke Signals gnd http://d-nb.info/gnd/1034286129 Bibel Philemonbrief gnd Umschulungswerkstätten für Siedler und Auswanderer Bitterfeld gnd Indians in motion pictures. http://id.loc.gov/authorities/subjects/sh85065084 Indigenous films United States. Peuples autochtones au cinéma. Films autochtones États-Unis. PERFORMING ARTS Film & Video History & Criticism. bisacsh SOCIAL SCIENCE Ethnic Studies Native American Studies. bisacsh Indians in motion pictures fast Indigenous films fast Indianer Motiv gnd http://d-nb.info/gnd/4122591-0 |
| subject_GND | http://id.loc.gov/authorities/names/n98033643 http://d-nb.info/gnd/1034286129 http://id.loc.gov/authorities/subjects/sh85065084 http://d-nb.info/gnd/4122591-0 |
| title | Smoke signals : Native cinema rising / |
| title_auth | Smoke signals : Native cinema rising / |
| title_exact_search | Smoke signals : Native cinema rising / |
| title_full | Smoke signals : Native cinema rising / Joanna Hearne. |
| title_fullStr | Smoke signals : Native cinema rising / Joanna Hearne. |
| title_full_unstemmed | Smoke signals : Native cinema rising / Joanna Hearne. |
| title_short | Smoke signals : |
| title_sort | smoke signals native cinema rising |
| title_sub | Native cinema rising / |
| topic | Smoke signals (Motion picture) http://id.loc.gov/authorities/names/n98033643 Smoke signals (Motion picture) fast Smoke Signals gnd http://d-nb.info/gnd/1034286129 Bibel Philemonbrief gnd Umschulungswerkstätten für Siedler und Auswanderer Bitterfeld gnd Indians in motion pictures. http://id.loc.gov/authorities/subjects/sh85065084 Indigenous films United States. Peuples autochtones au cinéma. Films autochtones États-Unis. PERFORMING ARTS Film & Video History & Criticism. bisacsh SOCIAL SCIENCE Ethnic Studies Native American Studies. bisacsh Indians in motion pictures fast Indigenous films fast Indianer Motiv gnd http://d-nb.info/gnd/4122591-0 |
| topic_facet | Smoke signals (Motion picture) Smoke Signals Bibel Philemonbrief Umschulungswerkstätten für Siedler und Auswanderer Bitterfeld Indians in motion pictures. Indigenous films United States. Peuples autochtones au cinéma. Films autochtones États-Unis. PERFORMING ARTS Film & Video History & Criticism. SOCIAL SCIENCE Ethnic Studies Native American Studies. Indians in motion pictures Indigenous films United States Indianer Motiv |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=490361 |
| work_keys_str_mv | AT hearnejoanna smokesignalsnativecinemarising |