Sally Potter /:
This survey of Sally Potters work documents and explores her cinematic development from the feminist reworking of Puccinis opera La Boheme in Thriller to the provocative contemplation of romantic relationships after 9/11 in Yes. Catherine Fowler traces a clear trajectory of developing themes and pre...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Urbana :
University of Illinois Press,
[2009]
|
| Schriftenreihe: | Contemporary film directors.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | This survey of Sally Potters work documents and explores her cinematic development from the feminist reworking of Puccinis opera La Boheme in Thriller to the provocative contemplation of romantic relationships after 9/11 in Yes. Catherine Fowler traces a clear trajectory of developing themes and preoccupations and shows how Potter uses song, dance, performance, and poetry to expand our experience of cinema beyond the audiovisual._x000B__x000B_Potter has relentlessly struggled against predictability and safe options, and her work provides an example of the complexities of being a woman in charge. Instead of the quest to find a romantic partner that drives mainstream cinema, Potters films feature characters seeking answers to questions about their sexual, gendered, social, cultural, and ethnic identities. They find answers by retelling stories, investigating mysteries, traveling and interacting with people. At the heart of Potters work we find a concern with the ways in which narrative has circumscribed the actions of women and their ability to act, speak, look, desire, and think for themselves. Her first two films, Thriller and The Gold Diggers, largely deconstruct found stories, cliches, and images. By contrast her later films create new and original narratives that place female acts, voices, looks, desires and thoughts at their center._x000B__x000B_Fowlers analysis is supplemented by a detailed filmography, bibliography, and an extensive interview with the director. |
| Beschreibung: | 1 online resource. |
| Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
| Bibliographie: | Includes filmography: pages [135]-138. Includes bibliographical references (pages [139]-147) and index. |
| ISBN: | 9780252091261 0252091264 1283735385 9781283735384 |
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| 245 | 1 | 0 | |a Sally Potter / |c Catherine Fowler. |
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| 264 | 4 | |c ©2009 | |
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| 490 | 1 | |a Contemporary film directors | |
| 504 | |a Includes filmography: pages [135]-138. | ||
| 504 | |a Includes bibliographical references (pages [139]-147) and index. | ||
| 588 | |a Description based on print version record. | ||
| 505 | 0 | |a London in the 1970s: performance on- and offscreen -- Power plays: Potter's search for a "frame of her own" -- Absent women and tales taken apart: Thriller and the Gold diggers -- Towards pleasure, developing style: Orlando and The tango lesson -- Finally tears: The man who cried and YES -- Endings -- An interview with Sally Potter. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 520 | |a This survey of Sally Potters work documents and explores her cinematic development from the feminist reworking of Puccinis opera La Boheme in Thriller to the provocative contemplation of romantic relationships after 9/11 in Yes. Catherine Fowler traces a clear trajectory of developing themes and preoccupations and shows how Potter uses song, dance, performance, and poetry to expand our experience of cinema beyond the audiovisual._x000B__x000B_Potter has relentlessly struggled against predictability and safe options, and her work provides an example of the complexities of being a woman in charge. Instead of the quest to find a romantic partner that drives mainstream cinema, Potters films feature characters seeking answers to questions about their sexual, gendered, social, cultural, and ethnic identities. They find answers by retelling stories, investigating mysteries, traveling and interacting with people. At the heart of Potters work we find a concern with the ways in which narrative has circumscribed the actions of women and their ability to act, speak, look, desire, and think for themselves. Her first two films, Thriller and The Gold Diggers, largely deconstruct found stories, cliches, and images. By contrast her later films create new and original narratives that place female acts, voices, looks, desires and thoughts at their center._x000B__x000B_Fowlers analysis is supplemented by a detailed filmography, bibliography, and an extensive interview with the director. | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2012. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2012 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 546 | |a English. | ||
| 600 | 1 | 0 | |a Potter, Sally |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Potter |x Sally |x Criticism and interpretation. |2 blmlsh |
| 600 | 1 | 7 | |a Potter, Sally, |d 1949- |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJg4q9vgPD9qmGcfFcWbh3 |
| 600 | 1 | 7 | |a Potter, Sally. |2 idszbz |
| 600 | 1 | 7 | |a Potter, Sally. |2 swd |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Direction & Production. |2 bisacsh | |
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| 650 | 7 | |a Film. |2 idszbz | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |t Sally Potter |z 0252033825 (cloth : alk. paper) |w (DLC) 2008019207 |
| 830 | 0 | |a Contemporary film directors. |0 http://id.loc.gov/authorities/names/n2002038665 | |
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Datensatz im Suchindex
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| _version_ | 1816882210638135296 |
| adam_text | |
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| author | Fowler, Catherine, 1969- |
| author_GND | http://id.loc.gov/authorities/names/n2002032106 |
| author_facet | Fowler, Catherine, 1969- |
| author_role | |
| author_sort | Fowler, Catherine, 1969- |
| author_variant | c f cf |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1998 |
| callnumber-raw | PN1998.3.P68 |
| callnumber-search | PN1998.3.P68 |
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| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | London in the 1970s: performance on- and offscreen -- Power plays: Potter's search for a "frame of her own" -- Absent women and tales taken apart: Thriller and the Gold diggers -- Towards pleasure, developing style: Orlando and The tango lesson -- Finally tears: The man who cried and YES -- Endings -- An interview with Sally Potter. |
| ctrlnum | (OCoLC)812194075 |
| dewey-full | 791.4302/33092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4302/33092 |
| dewey-search | 791.4302/33092 |
| dewey-sort | 3791.4302 533092 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn812194075 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:24:59Z |
| institution | BVB |
| isbn | 9780252091261 0252091264 1283735385 9781283735384 |
| language | English |
| lccn | 2019718435 |
| oclc_num | 812194075 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource. |
| psigel | ZDB-4-EBA |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | University of Illinois Press, |
| record_format | marc |
| series | Contemporary film directors. |
| series2 | Contemporary film directors |
| spelling | Fowler, Catherine, 1969- https://id.oclc.org/worldcat/entity/E39PCjHg8VyVMJWym7kCGHYxwy http://id.loc.gov/authorities/names/n2002032106 Sally Potter / Catherine Fowler. Urbana : University of Illinois Press, [2009] ©2009 1 online resource. text txt rdacontent computer c rdamedia online resource cr rdacarrier Contemporary film directors Includes filmography: pages [135]-138. Includes bibliographical references (pages [139]-147) and index. Description based on print version record. London in the 1970s: performance on- and offscreen -- Power plays: Potter's search for a "frame of her own" -- Absent women and tales taken apart: Thriller and the Gold diggers -- Towards pleasure, developing style: Orlando and The tango lesson -- Finally tears: The man who cried and YES -- Endings -- An interview with Sally Potter. Use copy Restrictions unspecified star MiAaHDL This survey of Sally Potters work documents and explores her cinematic development from the feminist reworking of Puccinis opera La Boheme in Thriller to the provocative contemplation of romantic relationships after 9/11 in Yes. Catherine Fowler traces a clear trajectory of developing themes and preoccupations and shows how Potter uses song, dance, performance, and poetry to expand our experience of cinema beyond the audiovisual._x000B__x000B_Potter has relentlessly struggled against predictability and safe options, and her work provides an example of the complexities of being a woman in charge. Instead of the quest to find a romantic partner that drives mainstream cinema, Potters films feature characters seeking answers to questions about their sexual, gendered, social, cultural, and ethnic identities. They find answers by retelling stories, investigating mysteries, traveling and interacting with people. At the heart of Potters work we find a concern with the ways in which narrative has circumscribed the actions of women and their ability to act, speak, look, desire, and think for themselves. Her first two films, Thriller and The Gold Diggers, largely deconstruct found stories, cliches, and images. By contrast her later films create new and original narratives that place female acts, voices, looks, desires and thoughts at their center._x000B__x000B_Fowlers analysis is supplemented by a detailed filmography, bibliography, and an extensive interview with the director. Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2012. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2012 HathiTrust Digital Library committed to preserve pda MiAaHDL English. Potter, Sally Criticism and interpretation. Potter Sally Criticism and interpretation. blmlsh Potter, Sally, 1949- fast https://id.oclc.org/worldcat/entity/E39PBJg4q9vgPD9qmGcfFcWbh3 Potter, Sally. idszbz Potter, Sally. swd PERFORMING ARTS Film & Video Direction & Production. bisacsh Film gnd http://d-nb.info/gnd/4017102-4 Film. idszbz Criticism, interpretation, etc. fast Print version: Sally Potter 0252033825 (cloth : alk. paper) (DLC) 2008019207 Contemporary film directors. http://id.loc.gov/authorities/names/n2002038665 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=569957 Volltext |
| spellingShingle | Fowler, Catherine, 1969- Sally Potter / Contemporary film directors. London in the 1970s: performance on- and offscreen -- Power plays: Potter's search for a "frame of her own" -- Absent women and tales taken apart: Thriller and the Gold diggers -- Towards pleasure, developing style: Orlando and The tango lesson -- Finally tears: The man who cried and YES -- Endings -- An interview with Sally Potter. Potter, Sally Criticism and interpretation. Potter Sally Criticism and interpretation. blmlsh Potter, Sally, 1949- fast https://id.oclc.org/worldcat/entity/E39PBJg4q9vgPD9qmGcfFcWbh3 Potter, Sally. idszbz Potter, Sally. swd PERFORMING ARTS Film & Video Direction & Production. bisacsh Film gnd http://d-nb.info/gnd/4017102-4 Film. idszbz |
| subject_GND | http://d-nb.info/gnd/4017102-4 |
| title | Sally Potter / |
| title_auth | Sally Potter / |
| title_exact_search | Sally Potter / |
| title_full | Sally Potter / Catherine Fowler. |
| title_fullStr | Sally Potter / Catherine Fowler. |
| title_full_unstemmed | Sally Potter / Catherine Fowler. |
| title_short | Sally Potter / |
| title_sort | sally potter |
| topic | Potter, Sally Criticism and interpretation. Potter Sally Criticism and interpretation. blmlsh Potter, Sally, 1949- fast https://id.oclc.org/worldcat/entity/E39PBJg4q9vgPD9qmGcfFcWbh3 Potter, Sally. idszbz Potter, Sally. swd PERFORMING ARTS Film & Video Direction & Production. bisacsh Film gnd http://d-nb.info/gnd/4017102-4 Film. idszbz |
| topic_facet | Potter, Sally Criticism and interpretation. Potter Sally Criticism and interpretation. Potter, Sally, 1949- Potter, Sally. PERFORMING ARTS Film & Video Direction & Production. Film Film. Criticism, interpretation, etc. |
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| work_keys_str_mv | AT fowlercatherine sallypotter |