Composing the citizen :: music as public utility in Third Republic France /
In a work that challenges modernists ideas about the value and role of music in Western society, 'Composing the Citizen' demonstrates how music can help forge a nation.
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berkeley, Calif. ; London :
University of California Press,
2009.
|
| Schriftenreihe: | Ahmanson Foundation book in the humanities.
|
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | In a work that challenges modernists ideas about the value and role of music in Western society, 'Composing the Citizen' demonstrates how music can help forge a nation. |
| Beschreibung: | "An Ahmanson Foundation Book in the Humanities." |
| Beschreibung: | 1 online resource (xxi, 789 pages) : illustrations, maps |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780520943872 0520943872 |
Internformat
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| 100 | 1 | |a Pasler, Jann, |e author. |0 http://id.loc.gov/authorities/names/n85018925 | |
| 245 | 1 | 0 | |a Composing the citizen : |b music as public utility in Third Republic France / |c Jann Pasler. |
| 260 | |a Berkeley, Calif. ; |a London : |b University of California Press, |c 2009. | ||
| 300 | |a 1 online resource (xxi, 789 pages) : |b illustrations, maps | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 490 | 1 | |a An Ahmanson foundation book in the humanities | |
| 500 | |a "An Ahmanson Foundation Book in the Humanities." | ||
| 520 | 8 | |a In a work that challenges modernists ideas about the value and role of music in Western society, 'Composing the Citizen' demonstrates how music can help forge a nation. | |
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Cover; Title; Copyright; Contents; Acknowledgments; Introduction. Paris: A Walking Tour; Topographies of Power: The Semiotics of the Parisian Landscape; Negotiating Life in the City; New Promenades in the Aural Landscapes of Paris; The Legacy of the Third Republic; PART ONE: FORMING PUBLIC SPIRIT AND USEFUL CITIZENS; 1 Use, the Useful, and Public Utility: A Theory of Musical Value; Tensions between the Useful and the Beautiful; Satisfying Social Needs and Creating the Nation; Music as Utilité Publique; 2 Reinscribing the Revolutionary Legacy; Public Instruction of Mind and Heart. | |
| 505 | 8 | |a Music in Public FestivalsNational Institutions; Music, Character, and the Utility of Gender; PART TWO: SHAPING JUDGMENT AND NATIONAL TASTE; 3 Music as Political Culture: From Active Listening to Active Citizenship; Political Legitimacy and Civic Society; Republican Pedagogy, Cultural Integration, and Citizenship; Performance and Public Taste under the Moral Order; 4 Regenerating National Pride: Musical Progress and International Glory; Moral and Musical Progress; Exporting French Music and French Values; Arts Policy and the Utility of Competition; Contradictions and Paradoxes. | |
| 505 | 8 | |a PART THREE: INSTITUTING REPUBLICAN CULTURE5 Imagining a New Nation through Music: New Traditions, New History; Enacting Change at Schools and the Opéra; Reevaluating Luxury and the Question of Opera; Renarrating the Revolution; Reconceiving Music History; 6 An Ideology of Diversity, Eclecticism, and Pleasure; Cultivating Aesthetic Tolerance; Redefining Music's Utilité Publique; Exploring Uncharted Territory; 7 Musical Hybridity and the Challenges of Colonialism; Musical Fantasies Fueling Colonialist Desire; Music and Colonial Assumptions; Songs Inspiring Resistance. | |
| 505 | 8 | |a 8 Useful Distractions and Economic Liberalism in the Belle EpoqueDepartment Stores; Competition in the Musical World; Expanded Performance Opportunities, Including for Women; Theater and Popular Entertainment; PART FOUR: SHIFTING NOTIONS OF UTILITY: BETWEEN THE NATION AND THE SELF; 9 Music as Resistance and an Emerging Avant-garde; Reviving Memory of the Ancien Régime; Wagner's Threatening Allure; Art beyond Politics, Music of and for the Mind; Intuition and Radically New Concepts of Music; 10 The Symbolic Utility of Music at the 1889 Universal Exhibition; Republican Values on Display. | |
| 505 | 8 | |a The Utility of Exotic MusicThe Exhibition in Retrospect; 11 New Alliances and New Music; Mandating Change; The New Left's Hopes; The New Right's Progressism in Politics and Music; Revisiting Musique ancienne et moderne; 12 The Dynamics of Identity and the Struggle for Distinction; Race and French History; Listening through Women; Fusion versus Distinction; From the Useful to the Healthy; Coda; Appendix A. Important Political and Musical Events in the Early Third Republic; Appendix B. References in Ménestrel to Performances of French Operas Abroad, 1872-1888. | |
| 650 | 0 | |a Music |x Social aspects |z France |x History |y 19th century. | |
| 650 | 0 | |a Music |x Political aspects |z France |x History |y 19th century. | |
| 651 | 0 | |a France |x Social life and customs |y 19th century. |0 http://id.loc.gov/authorities/subjects/sh85051505 | |
| 651 | 0 | |a France |x Politics and government |y 1870-1940. |0 http://id.loc.gov/authorities/subjects/sh85051483 | |
| 650 | 6 | |a Musique |x Aspect social |z France |x Histoire |y 19e siècle. | |
| 650 | 6 | |a Musique |x Aspect politique |z France |x Histoire |y 19e siècle. | |
| 651 | 6 | |a France |x Murs et coutumes |y 19e siècle. | |
| 651 | 6 | |a France |x Politique et gouvernement |y 1870-1940. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
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| 650 | 7 | |a Music |x Political aspects |2 fast | |
| 650 | 7 | |a Music |x Social aspects |2 fast | |
| 650 | 7 | |a Politics and government |2 fast | |
| 651 | 7 | |a France |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP | |
| 648 | 7 | |a 1800-1940 |2 fast | |
| 655 | 7 | |a History |2 fast | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn808600746 |
|---|---|
| _version_ | 1826941987219046400 |
| adam_text | |
| any_adam_object | |
| author | Pasler, Jann |
| author_GND | http://id.loc.gov/authorities/names/n85018925 |
| author_facet | Pasler, Jann |
| author_role | aut |
| author_sort | Pasler, Jann |
| author_variant | j p jp |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML3917 |
| callnumber-raw | ML3917.F8 P37 2009 |
| callnumber-search | ML3917.F8 P37 2009 |
| callnumber-sort | ML 43917 F8 P37 42009 |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Cover; Title; Copyright; Contents; Acknowledgments; Introduction. Paris: A Walking Tour; Topographies of Power: The Semiotics of the Parisian Landscape; Negotiating Life in the City; New Promenades in the Aural Landscapes of Paris; The Legacy of the Third Republic; PART ONE: FORMING PUBLIC SPIRIT AND USEFUL CITIZENS; 1 Use, the Useful, and Public Utility: A Theory of Musical Value; Tensions between the Useful and the Beautiful; Satisfying Social Needs and Creating the Nation; Music as Utilité Publique; 2 Reinscribing the Revolutionary Legacy; Public Instruction of Mind and Heart. Music in Public FestivalsNational Institutions; Music, Character, and the Utility of Gender; PART TWO: SHAPING JUDGMENT AND NATIONAL TASTE; 3 Music as Political Culture: From Active Listening to Active Citizenship; Political Legitimacy and Civic Society; Republican Pedagogy, Cultural Integration, and Citizenship; Performance and Public Taste under the Moral Order; 4 Regenerating National Pride: Musical Progress and International Glory; Moral and Musical Progress; Exporting French Music and French Values; Arts Policy and the Utility of Competition; Contradictions and Paradoxes. PART THREE: INSTITUTING REPUBLICAN CULTURE5 Imagining a New Nation through Music: New Traditions, New History; Enacting Change at Schools and the Opéra; Reevaluating Luxury and the Question of Opera; Renarrating the Revolution; Reconceiving Music History; 6 An Ideology of Diversity, Eclecticism, and Pleasure; Cultivating Aesthetic Tolerance; Redefining Music's Utilité Publique; Exploring Uncharted Territory; 7 Musical Hybridity and the Challenges of Colonialism; Musical Fantasies Fueling Colonialist Desire; Music and Colonial Assumptions; Songs Inspiring Resistance. 8 Useful Distractions and Economic Liberalism in the Belle EpoqueDepartment Stores; Competition in the Musical World; Expanded Performance Opportunities, Including for Women; Theater and Popular Entertainment; PART FOUR: SHIFTING NOTIONS OF UTILITY: BETWEEN THE NATION AND THE SELF; 9 Music as Resistance and an Emerging Avant-garde; Reviving Memory of the Ancien Régime; Wagner's Threatening Allure; Art beyond Politics, Music of and for the Mind; Intuition and Radically New Concepts of Music; 10 The Symbolic Utility of Music at the 1889 Universal Exhibition; Republican Values on Display. The Utility of Exotic MusicThe Exhibition in Retrospect; 11 New Alliances and New Music; Mandating Change; The New Left's Hopes; The New Right's Progressism in Politics and Music; Revisiting Musique ancienne et moderne; 12 The Dynamics of Identity and the Struggle for Distinction; Race and French History; Listening through Women; Fusion versus Distinction; From the Useful to the Healthy; Coda; Appendix A. Important Political and Musical Events in the Early Third Republic; Appendix B. References in Ménestrel to Performances of French Operas Abroad, 1872-1888. |
| ctrlnum | (OCoLC)808600746 |
| dewey-full | 306.4842094409034 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 306 - Culture and institutions |
| dewey-raw | 306.4842094409034 |
| dewey-search | 306.4842094409034 |
| dewey-sort | 3306.4842094409034 |
| dewey-tens | 300 - Social sciences |
| discipline | Soziologie |
| era | 1800-1940 fast |
| era_facet | 1800-1940 |
| format | Electronic eBook |
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| genre | History fast |
| genre_facet | History |
| geographic | France Social life and customs 19th century. http://id.loc.gov/authorities/subjects/sh85051505 France Politics and government 1870-1940. http://id.loc.gov/authorities/subjects/sh85051483 France Murs et coutumes 19e siècle. France Politique et gouvernement 1870-1940. France fast https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP |
| geographic_facet | France Social life and customs 19th century. France Politics and government 1870-1940. France Murs et coutumes 19e siècle. France Politique et gouvernement 1870-1940. France |
| id | ZDB-4-EBA-ocn808600746 |
| illustrated | Illustrated |
| indexdate | 2025-03-18T14:20:50Z |
| institution | BVB |
| isbn | 9780520943872 0520943872 |
| language | English |
| oclc_num | 808600746 |
| open_access_boolean | |
| owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| physical | 1 online resource (xxi, 789 pages) : illustrations, maps |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | University of California Press, |
| record_format | marc |
| series | Ahmanson Foundation book in the humanities. |
| series2 | An Ahmanson foundation book in the humanities |
| spelling | Pasler, Jann, author. http://id.loc.gov/authorities/names/n85018925 Composing the citizen : music as public utility in Third Republic France / Jann Pasler. Berkeley, Calif. ; London : University of California Press, 2009. 1 online resource (xxi, 789 pages) : illustrations, maps text txt rdacontent computer c rdamedia online resource cr rdacarrier data file rda An Ahmanson foundation book in the humanities "An Ahmanson Foundation Book in the Humanities." In a work that challenges modernists ideas about the value and role of music in Western society, 'Composing the Citizen' demonstrates how music can help forge a nation. Print version record. Includes bibliographical references and index. Cover; Title; Copyright; Contents; Acknowledgments; Introduction. Paris: A Walking Tour; Topographies of Power: The Semiotics of the Parisian Landscape; Negotiating Life in the City; New Promenades in the Aural Landscapes of Paris; The Legacy of the Third Republic; PART ONE: FORMING PUBLIC SPIRIT AND USEFUL CITIZENS; 1 Use, the Useful, and Public Utility: A Theory of Musical Value; Tensions between the Useful and the Beautiful; Satisfying Social Needs and Creating the Nation; Music as Utilité Publique; 2 Reinscribing the Revolutionary Legacy; Public Instruction of Mind and Heart. Music in Public FestivalsNational Institutions; Music, Character, and the Utility of Gender; PART TWO: SHAPING JUDGMENT AND NATIONAL TASTE; 3 Music as Political Culture: From Active Listening to Active Citizenship; Political Legitimacy and Civic Society; Republican Pedagogy, Cultural Integration, and Citizenship; Performance and Public Taste under the Moral Order; 4 Regenerating National Pride: Musical Progress and International Glory; Moral and Musical Progress; Exporting French Music and French Values; Arts Policy and the Utility of Competition; Contradictions and Paradoxes. PART THREE: INSTITUTING REPUBLICAN CULTURE5 Imagining a New Nation through Music: New Traditions, New History; Enacting Change at Schools and the Opéra; Reevaluating Luxury and the Question of Opera; Renarrating the Revolution; Reconceiving Music History; 6 An Ideology of Diversity, Eclecticism, and Pleasure; Cultivating Aesthetic Tolerance; Redefining Music's Utilité Publique; Exploring Uncharted Territory; 7 Musical Hybridity and the Challenges of Colonialism; Musical Fantasies Fueling Colonialist Desire; Music and Colonial Assumptions; Songs Inspiring Resistance. 8 Useful Distractions and Economic Liberalism in the Belle EpoqueDepartment Stores; Competition in the Musical World; Expanded Performance Opportunities, Including for Women; Theater and Popular Entertainment; PART FOUR: SHIFTING NOTIONS OF UTILITY: BETWEEN THE NATION AND THE SELF; 9 Music as Resistance and an Emerging Avant-garde; Reviving Memory of the Ancien Régime; Wagner's Threatening Allure; Art beyond Politics, Music of and for the Mind; Intuition and Radically New Concepts of Music; 10 The Symbolic Utility of Music at the 1889 Universal Exhibition; Republican Values on Display. The Utility of Exotic MusicThe Exhibition in Retrospect; 11 New Alliances and New Music; Mandating Change; The New Left's Hopes; The New Right's Progressism in Politics and Music; Revisiting Musique ancienne et moderne; 12 The Dynamics of Identity and the Struggle for Distinction; Race and French History; Listening through Women; Fusion versus Distinction; From the Useful to the Healthy; Coda; Appendix A. Important Political and Musical Events in the Early Third Republic; Appendix B. References in Ménestrel to Performances of French Operas Abroad, 1872-1888. Music Social aspects France History 19th century. Music Political aspects France History 19th century. France Social life and customs 19th century. http://id.loc.gov/authorities/subjects/sh85051505 France Politics and government 1870-1940. http://id.loc.gov/authorities/subjects/sh85051483 Musique Aspect social France Histoire 19e siècle. Musique Aspect politique France Histoire 19e siècle. France Murs et coutumes 19e siècle. France Politique et gouvernement 1870-1940. MUSIC Genres & Styles Classical. bisacsh Manners and customs fast Music Political aspects fast Music Social aspects fast Politics and government fast France fast https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP 1800-1940 fast History fast Print version: Pasler, Jann. Composing the citizen. Berkeley : University of California Press, ©2009 9780520257405 (DLC) 2008029252 (OCoLC)233635072 Ahmanson Foundation book in the humanities. |
| spellingShingle | Pasler, Jann Composing the citizen : music as public utility in Third Republic France / Ahmanson Foundation book in the humanities. Cover; Title; Copyright; Contents; Acknowledgments; Introduction. Paris: A Walking Tour; Topographies of Power: The Semiotics of the Parisian Landscape; Negotiating Life in the City; New Promenades in the Aural Landscapes of Paris; The Legacy of the Third Republic; PART ONE: FORMING PUBLIC SPIRIT AND USEFUL CITIZENS; 1 Use, the Useful, and Public Utility: A Theory of Musical Value; Tensions between the Useful and the Beautiful; Satisfying Social Needs and Creating the Nation; Music as Utilité Publique; 2 Reinscribing the Revolutionary Legacy; Public Instruction of Mind and Heart. Music in Public FestivalsNational Institutions; Music, Character, and the Utility of Gender; PART TWO: SHAPING JUDGMENT AND NATIONAL TASTE; 3 Music as Political Culture: From Active Listening to Active Citizenship; Political Legitimacy and Civic Society; Republican Pedagogy, Cultural Integration, and Citizenship; Performance and Public Taste under the Moral Order; 4 Regenerating National Pride: Musical Progress and International Glory; Moral and Musical Progress; Exporting French Music and French Values; Arts Policy and the Utility of Competition; Contradictions and Paradoxes. PART THREE: INSTITUTING REPUBLICAN CULTURE5 Imagining a New Nation through Music: New Traditions, New History; Enacting Change at Schools and the Opéra; Reevaluating Luxury and the Question of Opera; Renarrating the Revolution; Reconceiving Music History; 6 An Ideology of Diversity, Eclecticism, and Pleasure; Cultivating Aesthetic Tolerance; Redefining Music's Utilité Publique; Exploring Uncharted Territory; 7 Musical Hybridity and the Challenges of Colonialism; Musical Fantasies Fueling Colonialist Desire; Music and Colonial Assumptions; Songs Inspiring Resistance. 8 Useful Distractions and Economic Liberalism in the Belle EpoqueDepartment Stores; Competition in the Musical World; Expanded Performance Opportunities, Including for Women; Theater and Popular Entertainment; PART FOUR: SHIFTING NOTIONS OF UTILITY: BETWEEN THE NATION AND THE SELF; 9 Music as Resistance and an Emerging Avant-garde; Reviving Memory of the Ancien Régime; Wagner's Threatening Allure; Art beyond Politics, Music of and for the Mind; Intuition and Radically New Concepts of Music; 10 The Symbolic Utility of Music at the 1889 Universal Exhibition; Republican Values on Display. The Utility of Exotic MusicThe Exhibition in Retrospect; 11 New Alliances and New Music; Mandating Change; The New Left's Hopes; The New Right's Progressism in Politics and Music; Revisiting Musique ancienne et moderne; 12 The Dynamics of Identity and the Struggle for Distinction; Race and French History; Listening through Women; Fusion versus Distinction; From the Useful to the Healthy; Coda; Appendix A. Important Political and Musical Events in the Early Third Republic; Appendix B. References in Ménestrel to Performances of French Operas Abroad, 1872-1888. Music Social aspects France History 19th century. Music Political aspects France History 19th century. Musique Aspect social France Histoire 19e siècle. Musique Aspect politique France Histoire 19e siècle. MUSIC Genres & Styles Classical. bisacsh Manners and customs fast Music Political aspects fast Music Social aspects fast Politics and government fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85051505 http://id.loc.gov/authorities/subjects/sh85051483 |
| title | Composing the citizen : music as public utility in Third Republic France / |
| title_auth | Composing the citizen : music as public utility in Third Republic France / |
| title_exact_search | Composing the citizen : music as public utility in Third Republic France / |
| title_full | Composing the citizen : music as public utility in Third Republic France / Jann Pasler. |
| title_fullStr | Composing the citizen : music as public utility in Third Republic France / Jann Pasler. |
| title_full_unstemmed | Composing the citizen : music as public utility in Third Republic France / Jann Pasler. |
| title_short | Composing the citizen : |
| title_sort | composing the citizen music as public utility in third republic france |
| title_sub | music as public utility in Third Republic France / |
| topic | Music Social aspects France History 19th century. Music Political aspects France History 19th century. Musique Aspect social France Histoire 19e siècle. Musique Aspect politique France Histoire 19e siècle. MUSIC Genres & Styles Classical. bisacsh Manners and customs fast Music Political aspects fast Music Social aspects fast Politics and government fast |
| topic_facet | Music Social aspects France History 19th century. Music Political aspects France History 19th century. France Social life and customs 19th century. France Politics and government 1870-1940. Musique Aspect social France Histoire 19e siècle. Musique Aspect politique France Histoire 19e siècle. France Murs et coutumes 19e siècle. France Politique et gouvernement 1870-1940. MUSIC Genres & Styles Classical. Manners and customs Music Political aspects Music Social aspects Politics and government France History |
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