Best practices for graphic designers, grids and page layouts :: an essential guideline for understanding & applying page design principles /
"This unique, go-to guide for designers fully details the essential layout and design skills needed to succeed in this competitive industry. With fun and practical application, it offers valuable insight into strategy and business when working in the real world with real clients, starting with...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Beverly, MA :
Rockport Publishers,
©2012.
|
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | "This unique, go-to guide for designers fully details the essential layout and design skills needed to succeed in this competitive industry. With fun and practical application, it offers valuable insight into strategy and business when working in the real world with real clients, starting with basic information on layout principles before delving more deeply into theory and application on a project-by-project basis. Illustrated with real-world assignments and case studies, this guide offers a behind-the-scenes take on the entire process and steps necessary to go from concept to final outcome, including how to overcome challenges presented along the way"--Provided by publisher |
| Beschreibung: | 1 online resource (192 pages) : illustrations (chiefly color) |
| ISBN: | 9781610584128 1610584120 |
Internformat
MARC
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| 245 | 1 | 0 | |a Best practices for graphic designers, grids and page layouts : |b an essential guideline for understanding & applying page design principles / |c Amy Graver & Ben Jura. |
| 260 | |a Beverly, MA : |b Rockport Publishers, |c ©2012. | ||
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| 520 | |a "This unique, go-to guide for designers fully details the essential layout and design skills needed to succeed in this competitive industry. With fun and practical application, it offers valuable insight into strategy and business when working in the real world with real clients, starting with basic information on layout principles before delving more deeply into theory and application on a project-by-project basis. Illustrated with real-world assignments and case studies, this guide offers a behind-the-scenes take on the entire process and steps necessary to go from concept to final outcome, including how to overcome challenges presented along the way"--Provided by publisher | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover -- Title Page -- CONTENTS -- INTRODUCTION -- Vignelli Associates: Approach to Grid-based Design -- ELEMENTS OF A GRID SYSTEM: An Overview -- Oikos Associati: Turning the Grid into a Focal Point -- BASIC STRUCTURES: Single-Column/Manuscript Grids -- Multicolumn Grids -- Modular Grids -- Hierarchical Grids -- Baseline Grids -- Compound Grids -- UPPERCASE Magazine: Multicolumn Flexibility -- BEHIND THE GRID: An Overview -- Type and Column Widths -- HOW Magazine: Designing for Designers -- Type and Vertical Increments -- Type and Balance in Columns -- The Golden Section | |
| 505 | 8 | |a Caserta Design: Layout That Evokes an Emotional Response -- Live Area: Page Size -- Symmetry and Composition -- Folds and Relationship of Content Across Pages -- Production Considerations -- UnderConsideration: Grouping with Grids -- CONTENT STRUCTURE: An Overview -- Development of Read/Progression of Info -- Grouping Information -- Rhythm and Flow -- Pacing -- Memo Productions: Content Is King -- Alexander Isley, Incorporated: Illustration Grouped with Text -- Here Design: Illustrations Add Flavor to Layouts -- RELATIONSHIP OF DESIGN COMPONENTS: An Overview -- How Text and Image Can Be Separated | |
| 505 | 8 | |a How Text and Image Can Be Unified -- Space -- Scale -- 804: Spatial Flexibility -- WIRED Magazine: Design Fidelity Across Platforms -- TYPE AS IMAGE: An Overview -- Hand Lettering and Illustrative Typography -- Caption Treatment -- Pull Quotes -- Folios and Wayfinding -- Matador: Layout with a Typographic Focus -- COLOR: An Overview -- Color As a Unifying Element -- Color As an Organizational Tool -- AdamsMorioka: For the Love of Color -- BREAKING THE RULES: An Overview -- Grid Deconstruction -- Optical Composition -- Organic Design -- Modern Dog: Design Organically But Think Rationally | |
| 505 | 8 | |a Lucid Design: The Twelve-Column Grid and Website Design -- HIERARCHY/ORGANIZATION OF INFORMATION: An Overview -- Organizing the Content Scale and Impact -- Typographic Techniques Can Impact Flow -- Negative Space As a Map -- Using Relative Position to Establish Importance -- Color Can Bring Content Forward, or Push It Back -- Brandon Bird Design: Grids on Display -- Elements: A Modular System to Ease Line Extension -- The Official Manufacturing Company: Divisions in Space Form Content Areas -- PAGE STRUCTURE: An Overview -- Size and Shape of the Page -- Page Margins | |
| 650 | 0 | |a Graphic arts |x Technique. | |
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| 700 | 1 | |a Jura, Ben. | |
| 758 | |i has work: |a Best practices for graphic designers, grids and page layouts (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFGCwxmX6WRQ7qM83G9KwK |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Graver, Amy. |t Best practices for graphic designers, grids and page layouts. |d Beverly, MA : Rockport Publishers, ©2012 |z 9781592537853 |w (DLC) 2012002397 |w (OCoLC)749856535 |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn808126988 |
|---|---|
| _version_ | 1826941986107555840 |
| adam_text | |
| any_adam_object | |
| author | Graver, Amy |
| author2 | Jura, Ben |
| author2_role | |
| author2_variant | b j bj |
| author_facet | Graver, Amy Jura, Ben |
| author_role | |
| author_sort | Graver, Amy |
| author_variant | a g ag |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | N - Fine Arts |
| callnumber-label | NC1000 |
| callnumber-raw | NC1000 .G73 2012eb |
| callnumber-search | NC1000 .G73 2012eb |
| callnumber-sort | NC 41000 G73 42012EB |
| callnumber-subject | NC - Drawing, Design, Illustration |
| collection | ZDB-4-EBA |
| contents | Cover -- Title Page -- CONTENTS -- INTRODUCTION -- Vignelli Associates: Approach to Grid-based Design -- ELEMENTS OF A GRID SYSTEM: An Overview -- Oikos Associati: Turning the Grid into a Focal Point -- BASIC STRUCTURES: Single-Column/Manuscript Grids -- Multicolumn Grids -- Modular Grids -- Hierarchical Grids -- Baseline Grids -- Compound Grids -- UPPERCASE Magazine: Multicolumn Flexibility -- BEHIND THE GRID: An Overview -- Type and Column Widths -- HOW Magazine: Designing for Designers -- Type and Vertical Increments -- Type and Balance in Columns -- The Golden Section Caserta Design: Layout That Evokes an Emotional Response -- Live Area: Page Size -- Symmetry and Composition -- Folds and Relationship of Content Across Pages -- Production Considerations -- UnderConsideration: Grouping with Grids -- CONTENT STRUCTURE: An Overview -- Development of Read/Progression of Info -- Grouping Information -- Rhythm and Flow -- Pacing -- Memo Productions: Content Is King -- Alexander Isley, Incorporated: Illustration Grouped with Text -- Here Design: Illustrations Add Flavor to Layouts -- RELATIONSHIP OF DESIGN COMPONENTS: An Overview -- How Text and Image Can Be Separated How Text and Image Can Be Unified -- Space -- Scale -- 804: Spatial Flexibility -- WIRED Magazine: Design Fidelity Across Platforms -- TYPE AS IMAGE: An Overview -- Hand Lettering and Illustrative Typography -- Caption Treatment -- Pull Quotes -- Folios and Wayfinding -- Matador: Layout with a Typographic Focus -- COLOR: An Overview -- Color As a Unifying Element -- Color As an Organizational Tool -- AdamsMorioka: For the Love of Color -- BREAKING THE RULES: An Overview -- Grid Deconstruction -- Optical Composition -- Organic Design -- Modern Dog: Design Organically But Think Rationally Lucid Design: The Twelve-Column Grid and Website Design -- HIERARCHY/ORGANIZATION OF INFORMATION: An Overview -- Organizing the Content Scale and Impact -- Typographic Techniques Can Impact Flow -- Negative Space As a Map -- Using Relative Position to Establish Importance -- Color Can Bring Content Forward, or Push It Back -- Brandon Bird Design: Grids on Display -- Elements: A Modular System to Ease Line Extension -- The Official Manufacturing Company: Divisions in Space Form Content Areas -- PAGE STRUCTURE: An Overview -- Size and Shape of the Page -- Page Margins |
| ctrlnum | (OCoLC)808126988 |
| dewey-full | 741.6 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 741 - Drawing and drawings |
| dewey-raw | 741.6 |
| dewey-search | 741.6 |
| dewey-sort | 3741.6 |
| dewey-tens | 740 - Graphic arts and decorative arts |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| id | ZDB-4-EBA-ocn808126988 |
| illustrated | Illustrated |
| indexdate | 2025-03-18T14:20:49Z |
| institution | BVB |
| isbn | 9781610584128 1610584120 |
| language | English |
| oclc_num | 808126988 |
| open_access_boolean | |
| owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| physical | 1 online resource (192 pages) : illustrations (chiefly color) |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Rockport Publishers, |
| record_format | marc |
| spelling | Graver, Amy. Best practices for graphic designers, grids and page layouts : an essential guideline for understanding & applying page design principles / Amy Graver & Ben Jura. Beverly, MA : Rockport Publishers, ©2012. 1 online resource (192 pages) : illustrations (chiefly color) text txt rdacontent computer c rdamedia online resource cr rdacarrier "This unique, go-to guide for designers fully details the essential layout and design skills needed to succeed in this competitive industry. With fun and practical application, it offers valuable insight into strategy and business when working in the real world with real clients, starting with basic information on layout principles before delving more deeply into theory and application on a project-by-project basis. Illustrated with real-world assignments and case studies, this guide offers a behind-the-scenes take on the entire process and steps necessary to go from concept to final outcome, including how to overcome challenges presented along the way"--Provided by publisher Print version record. Cover -- Title Page -- CONTENTS -- INTRODUCTION -- Vignelli Associates: Approach to Grid-based Design -- ELEMENTS OF A GRID SYSTEM: An Overview -- Oikos Associati: Turning the Grid into a Focal Point -- BASIC STRUCTURES: Single-Column/Manuscript Grids -- Multicolumn Grids -- Modular Grids -- Hierarchical Grids -- Baseline Grids -- Compound Grids -- UPPERCASE Magazine: Multicolumn Flexibility -- BEHIND THE GRID: An Overview -- Type and Column Widths -- HOW Magazine: Designing for Designers -- Type and Vertical Increments -- Type and Balance in Columns -- The Golden Section Caserta Design: Layout That Evokes an Emotional Response -- Live Area: Page Size -- Symmetry and Composition -- Folds and Relationship of Content Across Pages -- Production Considerations -- UnderConsideration: Grouping with Grids -- CONTENT STRUCTURE: An Overview -- Development of Read/Progression of Info -- Grouping Information -- Rhythm and Flow -- Pacing -- Memo Productions: Content Is King -- Alexander Isley, Incorporated: Illustration Grouped with Text -- Here Design: Illustrations Add Flavor to Layouts -- RELATIONSHIP OF DESIGN COMPONENTS: An Overview -- How Text and Image Can Be Separated How Text and Image Can Be Unified -- Space -- Scale -- 804: Spatial Flexibility -- WIRED Magazine: Design Fidelity Across Platforms -- TYPE AS IMAGE: An Overview -- Hand Lettering and Illustrative Typography -- Caption Treatment -- Pull Quotes -- Folios and Wayfinding -- Matador: Layout with a Typographic Focus -- COLOR: An Overview -- Color As a Unifying Element -- Color As an Organizational Tool -- AdamsMorioka: For the Love of Color -- BREAKING THE RULES: An Overview -- Grid Deconstruction -- Optical Composition -- Organic Design -- Modern Dog: Design Organically But Think Rationally Lucid Design: The Twelve-Column Grid and Website Design -- HIERARCHY/ORGANIZATION OF INFORMATION: An Overview -- Organizing the Content Scale and Impact -- Typographic Techniques Can Impact Flow -- Negative Space As a Map -- Using Relative Position to Establish Importance -- Color Can Bring Content Forward, or Push It Back -- Brandon Bird Design: Grids on Display -- Elements: A Modular System to Ease Line Extension -- The Official Manufacturing Company: Divisions in Space Form Content Areas -- PAGE STRUCTURE: An Overview -- Size and Shape of the Page -- Page Margins Graphic arts Technique. Arts graphiques Technique. DESIGN Graphic Arts General. bisacsh ANTIQUES & COLLECTIBLES Paper Ephemera. bisacsh DESIGN Clip Art. bisacsh DESIGN Graphic Arts Branding & Logo Design. bisacsh DESIGN Graphic Arts Commercial & Corporate. bisacsh DESIGN Graphic Arts Illustration. bisacsh Graphic arts Technique fast Jura, Ben. has work: Best practices for graphic designers, grids and page layouts (Text) https://id.oclc.org/worldcat/entity/E39PCFGCwxmX6WRQ7qM83G9KwK https://id.oclc.org/worldcat/ontology/hasWork Print version: Graver, Amy. Best practices for graphic designers, grids and page layouts. Beverly, MA : Rockport Publishers, ©2012 9781592537853 (DLC) 2012002397 (OCoLC)749856535 |
| spellingShingle | Graver, Amy Best practices for graphic designers, grids and page layouts : an essential guideline for understanding & applying page design principles / Cover -- Title Page -- CONTENTS -- INTRODUCTION -- Vignelli Associates: Approach to Grid-based Design -- ELEMENTS OF A GRID SYSTEM: An Overview -- Oikos Associati: Turning the Grid into a Focal Point -- BASIC STRUCTURES: Single-Column/Manuscript Grids -- Multicolumn Grids -- Modular Grids -- Hierarchical Grids -- Baseline Grids -- Compound Grids -- UPPERCASE Magazine: Multicolumn Flexibility -- BEHIND THE GRID: An Overview -- Type and Column Widths -- HOW Magazine: Designing for Designers -- Type and Vertical Increments -- Type and Balance in Columns -- The Golden Section Caserta Design: Layout That Evokes an Emotional Response -- Live Area: Page Size -- Symmetry and Composition -- Folds and Relationship of Content Across Pages -- Production Considerations -- UnderConsideration: Grouping with Grids -- CONTENT STRUCTURE: An Overview -- Development of Read/Progression of Info -- Grouping Information -- Rhythm and Flow -- Pacing -- Memo Productions: Content Is King -- Alexander Isley, Incorporated: Illustration Grouped with Text -- Here Design: Illustrations Add Flavor to Layouts -- RELATIONSHIP OF DESIGN COMPONENTS: An Overview -- How Text and Image Can Be Separated How Text and Image Can Be Unified -- Space -- Scale -- 804: Spatial Flexibility -- WIRED Magazine: Design Fidelity Across Platforms -- TYPE AS IMAGE: An Overview -- Hand Lettering and Illustrative Typography -- Caption Treatment -- Pull Quotes -- Folios and Wayfinding -- Matador: Layout with a Typographic Focus -- COLOR: An Overview -- Color As a Unifying Element -- Color As an Organizational Tool -- AdamsMorioka: For the Love of Color -- BREAKING THE RULES: An Overview -- Grid Deconstruction -- Optical Composition -- Organic Design -- Modern Dog: Design Organically But Think Rationally Lucid Design: The Twelve-Column Grid and Website Design -- HIERARCHY/ORGANIZATION OF INFORMATION: An Overview -- Organizing the Content Scale and Impact -- Typographic Techniques Can Impact Flow -- Negative Space As a Map -- Using Relative Position to Establish Importance -- Color Can Bring Content Forward, or Push It Back -- Brandon Bird Design: Grids on Display -- Elements: A Modular System to Ease Line Extension -- The Official Manufacturing Company: Divisions in Space Form Content Areas -- PAGE STRUCTURE: An Overview -- Size and Shape of the Page -- Page Margins Graphic arts Technique. Arts graphiques Technique. DESIGN Graphic Arts General. bisacsh ANTIQUES & COLLECTIBLES Paper Ephemera. bisacsh DESIGN Clip Art. bisacsh DESIGN Graphic Arts Branding & Logo Design. bisacsh DESIGN Graphic Arts Commercial & Corporate. bisacsh DESIGN Graphic Arts Illustration. bisacsh Graphic arts Technique fast |
| title | Best practices for graphic designers, grids and page layouts : an essential guideline for understanding & applying page design principles / |
| title_auth | Best practices for graphic designers, grids and page layouts : an essential guideline for understanding & applying page design principles / |
| title_exact_search | Best practices for graphic designers, grids and page layouts : an essential guideline for understanding & applying page design principles / |
| title_full | Best practices for graphic designers, grids and page layouts : an essential guideline for understanding & applying page design principles / Amy Graver & Ben Jura. |
| title_fullStr | Best practices for graphic designers, grids and page layouts : an essential guideline for understanding & applying page design principles / Amy Graver & Ben Jura. |
| title_full_unstemmed | Best practices for graphic designers, grids and page layouts : an essential guideline for understanding & applying page design principles / Amy Graver & Ben Jura. |
| title_short | Best practices for graphic designers, grids and page layouts : |
| title_sort | best practices for graphic designers grids and page layouts an essential guideline for understanding applying page design principles |
| title_sub | an essential guideline for understanding & applying page design principles / |
| topic | Graphic arts Technique. Arts graphiques Technique. DESIGN Graphic Arts General. bisacsh ANTIQUES & COLLECTIBLES Paper Ephemera. bisacsh DESIGN Clip Art. bisacsh DESIGN Graphic Arts Branding & Logo Design. bisacsh DESIGN Graphic Arts Commercial & Corporate. bisacsh DESIGN Graphic Arts Illustration. bisacsh Graphic arts Technique fast |
| topic_facet | Graphic arts Technique. Arts graphiques Technique. DESIGN Graphic Arts General. ANTIQUES & COLLECTIBLES Paper Ephemera. DESIGN Clip Art. DESIGN Graphic Arts Branding & Logo Design. DESIGN Graphic Arts Commercial & Corporate. DESIGN Graphic Arts Illustration. Graphic arts Technique |
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