Mobilizing the hordes :: radio drama as development theatre in Sub-Saharan Africa /
This book draws on years of rich empirical research on radio drama production in Cameroon to offer a strikingly new perspective in Development Theatre discourse in Africa. Chronicling the history and evolution of Development Theatre practice in Anglophone Africa and arguing for literary forms that a...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bamenda :
Langaa RPCIG,
2012.
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| Online-Zugang: | Volltext |
| Zusammenfassung: | This book draws on years of rich empirical research on radio drama production in Cameroon to offer a strikingly new perspective in Development Theatre discourse in Africa. Chronicling the history and evolution of Development Theatre practice in Anglophone Africa and arguing for literary forms that address the basic everyday realities of ordinary people in a medium they understand, the book revisits the crucial question of utilitarian literature in a continent that continues to brandish a begging bowl even as it celebrates fifty years of independence. Radio Theatre's inherent latitude to reach the masses in a manner and matter that they identify with makes of it an invaluable albeit often neglected sub-genre in the universe of Development Theatre. Reaching an enlarged audience through radio drama productions plays that address the rustic, ascetic and practical realities of the people is liberating. Through radio plays and their capacity to provide for an enormous degree of authenticity, ordinary people are able to enhance their self-esteem. Like main stream Development Theatre, Radio Drama sets out to address the concerns of all in an all-embracing approach that explores interactive learning characterized by continuous questioning of and adaptation to reality. It disparages the omniscience of the superstructure meant to be perceived as indispensable and all-knowing. As a medium of development communication with unique aesthetic qualities found in and not limited to sound and silence, Radio Drama creates events and condenses reality into dramatic constellations with a high sense of authenticity that invites its audience to participate in the creation process with a strong sense of direction in a story, a plot and a moral. This people-oriented culture re-animation process is the fertile ground for grassroots empowerment. It is the point of departure for feasible development initiatives that this book explores. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references. |
| ISBN: | 9789956727933 9956727938 |
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| 520 | |a This book draws on years of rich empirical research on radio drama production in Cameroon to offer a strikingly new perspective in Development Theatre discourse in Africa. Chronicling the history and evolution of Development Theatre practice in Anglophone Africa and arguing for literary forms that address the basic everyday realities of ordinary people in a medium they understand, the book revisits the crucial question of utilitarian literature in a continent that continues to brandish a begging bowl even as it celebrates fifty years of independence. Radio Theatre's inherent latitude to reach the masses in a manner and matter that they identify with makes of it an invaluable albeit often neglected sub-genre in the universe of Development Theatre. Reaching an enlarged audience through radio drama productions plays that address the rustic, ascetic and practical realities of the people is liberating. Through radio plays and their capacity to provide for an enormous degree of authenticity, ordinary people are able to enhance their self-esteem. Like main stream Development Theatre, Radio Drama sets out to address the concerns of all in an all-embracing approach that explores interactive learning characterized by continuous questioning of and adaptation to reality. It disparages the omniscience of the superstructure meant to be perceived as indispensable and all-knowing. As a medium of development communication with unique aesthetic qualities found in and not limited to sound and silence, Radio Drama creates events and condenses reality into dramatic constellations with a high sense of authenticity that invites its audience to participate in the creation process with a strong sense of direction in a story, a plot and a moral. This people-oriented culture re-animation process is the fertile ground for grassroots empowerment. It is the point of departure for feasible development initiatives that this book explores. | ||
| 505 | 0 | |a Cover; Title Page; Copyright Page; Contents; Acknowledgements; Preface; Introduction; List of Abbreviations; Chapter One. Alternative Development Theatre; Chapter Two. Theoretical Basis and Critical Focus; Chapter Three Development Theatre: Progress, Impediments and an Alternative Approach; Chapter Four African Radio Drama as Theatre for the Multitude; Chapter Five. Radio Theatre Aesthetics: Engineering Development Initiatives on the Air; Chapter Six Development Discourse in Selected Cameroon Anglophone Radio Plays; Conclusion; Bibliography; Back Cover. | |
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| contents | Cover; Title Page; Copyright Page; Contents; Acknowledgements; Preface; Introduction; List of Abbreviations; Chapter One. Alternative Development Theatre; Chapter Two. Theoretical Basis and Critical Focus; Chapter Three Development Theatre: Progress, Impediments and an Alternative Approach; Chapter Four African Radio Drama as Theatre for the Multitude; Chapter Five. Radio Theatre Aesthetics: Engineering Development Initiatives on the Air; Chapter Six Development Discourse in Selected Cameroon Anglophone Radio Plays; Conclusion; Bibliography; Back Cover. |
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| spelling | Gomia, Victor N. http://id.loc.gov/authorities/names/no2012131145 Mobilizing the hordes : radio drama as development theatre in Sub-Saharan Africa / Victor N. Gomia. Bamenda : Langaa RPCIG, 2012. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Print version record. Includes bibliographical references. This book draws on years of rich empirical research on radio drama production in Cameroon to offer a strikingly new perspective in Development Theatre discourse in Africa. Chronicling the history and evolution of Development Theatre practice in Anglophone Africa and arguing for literary forms that address the basic everyday realities of ordinary people in a medium they understand, the book revisits the crucial question of utilitarian literature in a continent that continues to brandish a begging bowl even as it celebrates fifty years of independence. Radio Theatre's inherent latitude to reach the masses in a manner and matter that they identify with makes of it an invaluable albeit often neglected sub-genre in the universe of Development Theatre. Reaching an enlarged audience through radio drama productions plays that address the rustic, ascetic and practical realities of the people is liberating. Through radio plays and their capacity to provide for an enormous degree of authenticity, ordinary people are able to enhance their self-esteem. Like main stream Development Theatre, Radio Drama sets out to address the concerns of all in an all-embracing approach that explores interactive learning characterized by continuous questioning of and adaptation to reality. It disparages the omniscience of the superstructure meant to be perceived as indispensable and all-knowing. As a medium of development communication with unique aesthetic qualities found in and not limited to sound and silence, Radio Drama creates events and condenses reality into dramatic constellations with a high sense of authenticity that invites its audience to participate in the creation process with a strong sense of direction in a story, a plot and a moral. This people-oriented culture re-animation process is the fertile ground for grassroots empowerment. It is the point of departure for feasible development initiatives that this book explores. Cover; Title Page; Copyright Page; Contents; Acknowledgements; Preface; Introduction; List of Abbreviations; Chapter One. Alternative Development Theatre; Chapter Two. Theoretical Basis and Critical Focus; Chapter Three Development Theatre: Progress, Impediments and an Alternative Approach; Chapter Four African Radio Drama as Theatre for the Multitude; Chapter Five. Radio Theatre Aesthetics: Engineering Development Initiatives on the Air; Chapter Six Development Discourse in Selected Cameroon Anglophone Radio Plays; Conclusion; Bibliography; Back Cover. Radio broadcasting Africa, Sub-Saharan. Radio plays. http://id.loc.gov/authorities/subjects/sh85110529 Radio in community development Africa, Sub-Saharan. Radio Afrique subsaharienne. Audiodrames. Radio dans le développement communautaire Afrique subsaharienne. African history. bicssc SOCIAL SCIENCE Media Studies. bisacsh Radio broadcasting fast Radio in community development fast Radio plays fast Sub-Saharan Africa fast has work: Mobilizing the hordes (Text) https://id.oclc.org/worldcat/entity/E39PCG8M7fdfQV34MRBjPfJ3Bd https://id.oclc.org/worldcat/ontology/hasWork Print version: Mobilizing the Hordes. Langaa Rpcig 2012 9789956727544 (OCoLC)802320267 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=470821 Volltext |
| spellingShingle | Gomia, Victor N. Mobilizing the hordes : radio drama as development theatre in Sub-Saharan Africa / Cover; Title Page; Copyright Page; Contents; Acknowledgements; Preface; Introduction; List of Abbreviations; Chapter One. Alternative Development Theatre; Chapter Two. Theoretical Basis and Critical Focus; Chapter Three Development Theatre: Progress, Impediments and an Alternative Approach; Chapter Four African Radio Drama as Theatre for the Multitude; Chapter Five. Radio Theatre Aesthetics: Engineering Development Initiatives on the Air; Chapter Six Development Discourse in Selected Cameroon Anglophone Radio Plays; Conclusion; Bibliography; Back Cover. Radio broadcasting Africa, Sub-Saharan. Radio plays. http://id.loc.gov/authorities/subjects/sh85110529 Radio in community development Africa, Sub-Saharan. Radio Afrique subsaharienne. Audiodrames. Radio dans le développement communautaire Afrique subsaharienne. African history. bicssc SOCIAL SCIENCE Media Studies. bisacsh Radio broadcasting fast Radio in community development fast Radio plays fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85110529 |
| title | Mobilizing the hordes : radio drama as development theatre in Sub-Saharan Africa / |
| title_auth | Mobilizing the hordes : radio drama as development theatre in Sub-Saharan Africa / |
| title_exact_search | Mobilizing the hordes : radio drama as development theatre in Sub-Saharan Africa / |
| title_full | Mobilizing the hordes : radio drama as development theatre in Sub-Saharan Africa / Victor N. Gomia. |
| title_fullStr | Mobilizing the hordes : radio drama as development theatre in Sub-Saharan Africa / Victor N. Gomia. |
| title_full_unstemmed | Mobilizing the hordes : radio drama as development theatre in Sub-Saharan Africa / Victor N. Gomia. |
| title_short | Mobilizing the hordes : |
| title_sort | mobilizing the hordes radio drama as development theatre in sub saharan africa |
| title_sub | radio drama as development theatre in Sub-Saharan Africa / |
| topic | Radio broadcasting Africa, Sub-Saharan. Radio plays. http://id.loc.gov/authorities/subjects/sh85110529 Radio in community development Africa, Sub-Saharan. Radio Afrique subsaharienne. Audiodrames. Radio dans le développement communautaire Afrique subsaharienne. African history. bicssc SOCIAL SCIENCE Media Studies. bisacsh Radio broadcasting fast Radio in community development fast Radio plays fast |
| topic_facet | Radio broadcasting Africa, Sub-Saharan. Radio plays. Radio in community development Africa, Sub-Saharan. Radio Afrique subsaharienne. Audiodrames. Radio dans le développement communautaire Afrique subsaharienne. African history. SOCIAL SCIENCE Media Studies. Radio broadcasting Radio in community development Radio plays Sub-Saharan Africa |
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