Elliott Carter studies /:
Over the course of an astonishingly long career, Elliott Carter has engaged with many musical developments of the twentieth and now twenty-first centuries, Äì from his early neo-classic music of the interwar period, to his modernist works of conflict and opposition in the 1960s and 1970s, to the re...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Cambridge University Press,
2012.
|
| Schriftenreihe: | Cambridge composer studies.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Over the course of an astonishingly long career, Elliott Carter has engaged with many musical developments of the twentieth and now twenty-first centuries, Äì from his early neo-classic music of the interwar period, to his modernist works of conflict and opposition in the 1960s and 1970s, to the reshaping of a modernist aesthetic in his latest compositions. Elliott Carter Studies throws new light on these many facets of Carter's extensive musical oeuvre. This collection of essays presents historic, philosophic, philological and theoretical points of departure for in-depth investigations of individual compositions, stylistic periods in Carter's output and his contributions to a variety of genres, including vocal music, the string quartet and the concerto. The first multi-authored book to appear on Carter's music, it brings together new research from a distinguished team of leading international Carter scholars, providing the reader with a wide range of perspectives on an extraordinary musical life. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781139525428 1139525425 9781139530095 1139530097 |
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| 520 | |a Over the course of an astonishingly long career, Elliott Carter has engaged with many musical developments of the twentieth and now twenty-first centuries, Äì from his early neo-classic music of the interwar period, to his modernist works of conflict and opposition in the 1960s and 1970s, to the reshaping of a modernist aesthetic in his latest compositions. Elliott Carter Studies throws new light on these many facets of Carter's extensive musical oeuvre. This collection of essays presents historic, philosophic, philological and theoretical points of departure for in-depth investigations of individual compositions, stylistic periods in Carter's output and his contributions to a variety of genres, including vocal music, the string quartet and the concerto. The first multi-authored book to appear on Carter's music, it brings together new research from a distinguished team of leading international Carter scholars, providing the reader with a wide range of perspectives on an extraordinary musical life. | ||
| 505 | 0 | 0 | |t The true significance of Elliott Carter's early music / |r Jonathan W. Bernard -- |t Elliott Carter's late music / |r John Link -- |t The search for order : Carter's Symphonia and late-modern thematicism / |r Arnold Whittall -- |t Ritornello form in Carter's Boston and ASKO concertos / |r Marguerite Boland -- |t "The matter of human cooperation" in Carter's mature style / |r John Roeder -- |t Time management : rhythm as a formula determinant in certain works of Elliott Carter / |r Andrew Mead -- |t "I try to write music that will appeal to an intelligent listener's ear" : on Elliott Carter's string quartets / |r Dörete Schmidt -- |t Composition with intervals : melodic invention in Elliott Carter's recent concertos / |r Steohen Heinemann -- |t Left by the wayside : Elliott Carter's unfinished Sonatina for Oboe and Harpsichord / |r Felix Meyer -- |t At the edge of creation : Elliott Carter's sketches in the Library of Congress / |r Stephen Soderberg -- |t Three illusions ... and maybe a fourth : a hermeneutic approach to Carter's recent music / |r Max Noubel -- |t Layers of meaning : expression and design in Carter's songs / |r Brenda Ravenscroft -- |t Text, music, and irony in What next? / |r Guy Capuzzo -- |t Words and music in The defense of Corinth / |r Annette van Dyck-Hemming. |
| 600 | 1 | 0 | |a Carter, Elliott, |d 1908-2012 |x Criticism and interpretation. |
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| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Boland, Marguerite. | |
| 700 | 1 | |a Link, John, |d 1962- |0 http://id.loc.gov/authorities/names/no2015121569 | |
| 758 | |i has work: |a Elliott Carter studies (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGQB9Gd3tc7jvcG7QmbkMq |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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| author2 | Boland, Marguerite Link, John, 1962- |
| author2_role | |
| author2_variant | m b mb j l jl |
| author_GND | http://id.loc.gov/authorities/names/no2015121569 |
| author_additional | Jonathan W. Bernard -- John Link -- Arnold Whittall -- Marguerite Boland -- John Roeder -- Andrew Mead -- Dörete Schmidt -- Steohen Heinemann -- Felix Meyer -- Stephen Soderberg -- Max Noubel -- Brenda Ravenscroft -- Guy Capuzzo -- Annette van Dyck-Hemming. |
| author_facet | Boland, Marguerite Link, John, 1962- |
| author_sort | Boland, Marguerite |
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| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | The true significance of Elliott Carter's early music / Elliott Carter's late music / The search for order : Carter's Symphonia and late-modern thematicism / Ritornello form in Carter's Boston and ASKO concertos / "The matter of human cooperation" in Carter's mature style / Time management : rhythm as a formula determinant in certain works of Elliott Carter / "I try to write music that will appeal to an intelligent listener's ear" : on Elliott Carter's string quartets / Composition with intervals : melodic invention in Elliott Carter's recent concertos / Left by the wayside : Elliott Carter's unfinished Sonatina for Oboe and Harpsichord / At the edge of creation : Elliott Carter's sketches in the Library of Congress / Three illusions ... and maybe a fourth : a hermeneutic approach to Carter's recent music / Layers of meaning : expression and design in Carter's songs / Text, music, and irony in What next? / Words and music in The defense of Corinth / |
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| dewey-search | 780.92 |
| dewey-sort | 3780.92 |
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| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:24:52Z |
| institution | BVB |
| isbn | 9781139525428 1139525425 9781139530095 1139530097 |
| language | English |
| oclc_num | 804845579 |
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| series | Cambridge composer studies. |
| series2 | [Cambridge composer studies] |
| spelling | Elliott Carter studies / edited by Marguerite Boland and John Link. New York : Cambridge University Press, 2012. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier [Cambridge composer studies] Includes bibliographical references and index. Print version record. Over the course of an astonishingly long career, Elliott Carter has engaged with many musical developments of the twentieth and now twenty-first centuries, Äì from his early neo-classic music of the interwar period, to his modernist works of conflict and opposition in the 1960s and 1970s, to the reshaping of a modernist aesthetic in his latest compositions. Elliott Carter Studies throws new light on these many facets of Carter's extensive musical oeuvre. This collection of essays presents historic, philosophic, philological and theoretical points of departure for in-depth investigations of individual compositions, stylistic periods in Carter's output and his contributions to a variety of genres, including vocal music, the string quartet and the concerto. The first multi-authored book to appear on Carter's music, it brings together new research from a distinguished team of leading international Carter scholars, providing the reader with a wide range of perspectives on an extraordinary musical life. The true significance of Elliott Carter's early music / Jonathan W. Bernard -- Elliott Carter's late music / John Link -- The search for order : Carter's Symphonia and late-modern thematicism / Arnold Whittall -- Ritornello form in Carter's Boston and ASKO concertos / Marguerite Boland -- "The matter of human cooperation" in Carter's mature style / John Roeder -- Time management : rhythm as a formula determinant in certain works of Elliott Carter / Andrew Mead -- "I try to write music that will appeal to an intelligent listener's ear" : on Elliott Carter's string quartets / Dörete Schmidt -- Composition with intervals : melodic invention in Elliott Carter's recent concertos / Steohen Heinemann -- Left by the wayside : Elliott Carter's unfinished Sonatina for Oboe and Harpsichord / Felix Meyer -- At the edge of creation : Elliott Carter's sketches in the Library of Congress / Stephen Soderberg -- Three illusions ... and maybe a fourth : a hermeneutic approach to Carter's recent music / Max Noubel -- Layers of meaning : expression and design in Carter's songs / Brenda Ravenscroft -- Text, music, and irony in What next? / Guy Capuzzo -- Words and music in The defense of Corinth / Annette van Dyck-Hemming. Carter, Elliott, 1908-2012 Criticism and interpretation. Carter, Elliott, 1908-2012 fast https://id.oclc.org/worldcat/entity/E39PBJw93wVpdXvypmhrcqHV4q Carter, Elliott 1908-2012 gnd http://d-nb.info/gnd/119086964 Carter, Elliott, 1908-2012. gnd (DE-601)079879497 BIOGRAPHY & AUTOBIOGRAPHY Composers & Musicians. bisacsh MUSIC Individual Composer & Musician. bisacsh Criticism, interpretation, etc. fast Boland, Marguerite. Link, John, 1962- http://id.loc.gov/authorities/names/no2015121569 has work: Elliott Carter studies (Text) https://id.oclc.org/worldcat/entity/E39PCGQB9Gd3tc7jvcG7QmbkMq https://id.oclc.org/worldcat/ontology/hasWork Print version: Elliott Carter studies. New York : Cambridge University Press, 2012 9780521113625 (DLC) 2012013415 (OCoLC)784708364 Cambridge composer studies. http://id.loc.gov/authorities/names/no2016017860 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=465699 Volltext |
| spellingShingle | Elliott Carter studies / Cambridge composer studies. The true significance of Elliott Carter's early music / Elliott Carter's late music / The search for order : Carter's Symphonia and late-modern thematicism / Ritornello form in Carter's Boston and ASKO concertos / "The matter of human cooperation" in Carter's mature style / Time management : rhythm as a formula determinant in certain works of Elliott Carter / "I try to write music that will appeal to an intelligent listener's ear" : on Elliott Carter's string quartets / Composition with intervals : melodic invention in Elliott Carter's recent concertos / Left by the wayside : Elliott Carter's unfinished Sonatina for Oboe and Harpsichord / At the edge of creation : Elliott Carter's sketches in the Library of Congress / Three illusions ... and maybe a fourth : a hermeneutic approach to Carter's recent music / Layers of meaning : expression and design in Carter's songs / Text, music, and irony in What next? / Words and music in The defense of Corinth / Carter, Elliott, 1908-2012 Criticism and interpretation. Carter, Elliott, 1908-2012 fast https://id.oclc.org/worldcat/entity/E39PBJw93wVpdXvypmhrcqHV4q Carter, Elliott 1908-2012 gnd http://d-nb.info/gnd/119086964 Carter, Elliott, 1908-2012. gnd (DE-601)079879497 BIOGRAPHY & AUTOBIOGRAPHY Composers & Musicians. bisacsh MUSIC Individual Composer & Musician. bisacsh |
| subject_GND | http://d-nb.info/gnd/119086964 (DE-601)079879497 |
| title | Elliott Carter studies / |
| title_alt | The true significance of Elliott Carter's early music / Elliott Carter's late music / The search for order : Carter's Symphonia and late-modern thematicism / Ritornello form in Carter's Boston and ASKO concertos / "The matter of human cooperation" in Carter's mature style / Time management : rhythm as a formula determinant in certain works of Elliott Carter / "I try to write music that will appeal to an intelligent listener's ear" : on Elliott Carter's string quartets / Composition with intervals : melodic invention in Elliott Carter's recent concertos / Left by the wayside : Elliott Carter's unfinished Sonatina for Oboe and Harpsichord / At the edge of creation : Elliott Carter's sketches in the Library of Congress / Three illusions ... and maybe a fourth : a hermeneutic approach to Carter's recent music / Layers of meaning : expression and design in Carter's songs / Text, music, and irony in What next? / Words and music in The defense of Corinth / |
| title_auth | Elliott Carter studies / |
| title_exact_search | Elliott Carter studies / |
| title_full | Elliott Carter studies / edited by Marguerite Boland and John Link. |
| title_fullStr | Elliott Carter studies / edited by Marguerite Boland and John Link. |
| title_full_unstemmed | Elliott Carter studies / edited by Marguerite Boland and John Link. |
| title_short | Elliott Carter studies / |
| title_sort | elliott carter studies |
| topic | Carter, Elliott, 1908-2012 Criticism and interpretation. Carter, Elliott, 1908-2012 fast https://id.oclc.org/worldcat/entity/E39PBJw93wVpdXvypmhrcqHV4q Carter, Elliott 1908-2012 gnd http://d-nb.info/gnd/119086964 Carter, Elliott, 1908-2012. gnd (DE-601)079879497 BIOGRAPHY & AUTOBIOGRAPHY Composers & Musicians. bisacsh MUSIC Individual Composer & Musician. bisacsh |
| topic_facet | Carter, Elliott, 1908-2012 Criticism and interpretation. Carter, Elliott, 1908-2012 Carter, Elliott 1908-2012 Carter, Elliott, 1908-2012. BIOGRAPHY & AUTOBIOGRAPHY Composers & Musicians. MUSIC Individual Composer & Musician. Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=465699 |
| work_keys_str_mv | AT bolandmarguerite elliottcarterstudies AT linkjohn elliottcarterstudies |