Contemporary Mexican Cinema, 1989-1999 :: History, Space and Identity.
This study examines, contextualizes, and evaluates the significance of contemporary Mexican filmmaking, focusing on the so-called 'cine nuevo' of 1989-1999. Accordingly, the study is divided into three sections, representing the key generic discourses that frame the films' narratives...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Lewiston :
Edwin Mellen Press,
2007.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | This study examines, contextualizes, and evaluates the significance of contemporary Mexican filmmaking, focusing on the so-called 'cine nuevo' of 1989-1999. Accordingly, the study is divided into three sections, representing the key generic discourses that frame the films' narratives and underlying aims: The first analyzes contemporary Mexican cinema's re-presentation of history on the cinematic screen; the second part of the book examines the rise in the number of women directors, comparing it with the previous lack of female participation within the filmmaking arena; the last section explore. |
| Beschreibung: | 3.3 Contemporary Visions of the Country: Felipe Cazal's Canona (1975). |
| Beschreibung: | 1 online resource (282 pages) |
| Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
| Bibliographie: | Includes bibliographical references (pages 235-246) and index. |
| ISBN: | 9780773412323 0773412328 |
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| 100 | 1 | |a Haddu, Miriam. | |
| 245 | 1 | 0 | |a Contemporary Mexican Cinema, 1989-1999 : |b History, Space and Identity. |
| 260 | |a Lewiston : |b Edwin Mellen Press, |c 2007. | ||
| 300 | |a 1 online resource (282 pages) | ||
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| 505 | 0 | |a Title Page; Copyright Page; Table of Contents; List of Illustrations; Preface; Foreword; Acknowledgements; Introduction- Mexican Filmmaking in the 1990's; Chapter 1- Political Histories: Three Case Studies; 1. Context(s); 2. Rojo amanecer (1989); 3. EL Bulto (1991); 31. Past and Present Collide; 3.2 Salinas' Mexico; 3.3 Political Revisions; 4. La Ley de Herodes (1999); 4.1 Political Stings; 4.2 Murder, Slander and Satire; 4.3 Political Maneuvers; Chapter 2- Rewriting the Conquest: Nicolas Exhvarria's Cabeza de Vaca (1992) and Salvador Carrasco's La Otra Conquista (1999). | |
| 505 | 8 | |a 1. Historical Context(s)1.1 The Year 1992; 2. Cabeza de Vaca (1992); 2.1 Truth and Lies; 2.2 Identity Crises; 2.3 Assimilation; 2.4 Conflicting Codes; 3. La Otra Conquista (1999); 3.1 The Spiritual Conquest; 3.1.1 The Mother; 3.1.2 The War of Images; 4. Reversing the Negative Paradigm; 4.1 This is my Body, this is my Blood; 5. A Hybrid Nation; Chapter 3- Re-defining la madre mexicana in Maria Novaro's Lola (1989); 1. Women and Filimmaking in Mexico: An Overview; 1.1 Sociohistorical Change(s); 2. Women Directors of Contemporary Mexican Cinema; 2.1 Female Narratives on the Contemporary Screen. | |
| 505 | 8 | |a 3. The Creation of an Idol: Sara Garcia and la madre mexicana3.1 Mexico's Mothering Complex: An Overview; 4. Motherhood Re-Visited: The Case of Maria Novaro's Lola (1989); 4.1 The Conflicts of Motherhood; 4.2 Mothers and Daughters; 4.3 Mexico's sagrada familia Demystified; Chapter 4- Retorno el arrabal: The Case of Dana Rotberg's Angel de Fuego (1992); 1. Context(s); 2. Dana Rotberg and Angel de fuego (1992); 3. Three Different Visions of the arrabal in Mexican Cinematic History; 3.1 The Good: Rodriguez's 'Valle de Lagrimas / Valley of Tears' vs Galindo's "Social Realism." | |
| 505 | 8 | |a 3.2 The Bad: Benevolent Poverty on the Screen3.3 The Ugly: Bunel's Demystification of the arrabal; 3.3.1 Los olvidados (1950); 3.4 Rotberg's re-vision of the arrabal- Social/Poltical Contexts; 3.4.1 The arrabol Re-visited; 4 Representations of the Body in Angel de fuego- Body Vs Soul; 4.1 The Body as Sin; 4.1.1 The Body as Text; Chapter 5- Re-Mapping the Boderlands: Maria Novaro's El Jardin del Eden (1994); 1. Context(s); 1.1 El jardin del Eden (1994); 2. Geographies of Location: Borders and Boundaries- Physical Borders; 2.1 Boundaries- Geographical Boundaries; 2.1.1 Other Boundaries. | |
| 505 | 8 | |a 3. Imagined Spaces: Re-locating the Garden of EdenChapter 6- Mexico's Other Geographies: The Big City vs The Country; 1. Context(s); 1.1 The City in Mexican Cinema; 1.1.1 Mexico City in Golden Age Cinema; 1.2 Contemporary Mexican Cinema Returns to the City; 2. Solo con tu pareja (1991); 2.1 Mexico City in Solo con tu pareja (1991); 2.1.1 Urban Geographies; 2.2 The Postmodern City; 3. The 'Other' Mexicos; 3.1 The Birth of the Rancheras; 3.2 Rural Life in Golden Age Mexican Cinema: the Figueroa-Fernandez Formula; 3.2.1 Mexicanidad on the Screen. | |
| 500 | |a 3.3 Contemporary Visions of the Country: Felipe Cazal's Canona (1975). | ||
| 520 | |a This study examines, contextualizes, and evaluates the significance of contemporary Mexican filmmaking, focusing on the so-called 'cine nuevo' of 1989-1999. Accordingly, the study is divided into three sections, representing the key generic discourses that frame the films' narratives and underlying aims: The first analyzes contemporary Mexican cinema's re-presentation of history on the cinematic screen; the second part of the book examines the rise in the number of women directors, comparing it with the previous lack of female participation within the filmmaking arena; the last section explore. | ||
| 504 | |a Includes bibliographical references (pages 235-246) and index. | ||
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [S.l.] : |c HathiTrust Digital Library, |d 2011. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2011 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 546 | |a English. | ||
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn801363571 |
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| _version_ | 1816882200972361728 |
| adam_text | |
| any_adam_object | |
| author | Haddu, Miriam |
| author_facet | Haddu, Miriam |
| author_role | |
| author_sort | Haddu, Miriam |
| author_variant | m h mh |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1993 |
| callnumber-raw | PN1993.5.M4 H33 2007 |
| callnumber-search | PN1993.5.M4 H33 2007 |
| callnumber-sort | PN 41993.5 M4 H33 42007 |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Title Page; Copyright Page; Table of Contents; List of Illustrations; Preface; Foreword; Acknowledgements; Introduction- Mexican Filmmaking in the 1990's; Chapter 1- Political Histories: Three Case Studies; 1. Context(s); 2. Rojo amanecer (1989); 3. EL Bulto (1991); 31. Past and Present Collide; 3.2 Salinas' Mexico; 3.3 Political Revisions; 4. La Ley de Herodes (1999); 4.1 Political Stings; 4.2 Murder, Slander and Satire; 4.3 Political Maneuvers; Chapter 2- Rewriting the Conquest: Nicolas Exhvarria's Cabeza de Vaca (1992) and Salvador Carrasco's La Otra Conquista (1999). 1. Historical Context(s)1.1 The Year 1992; 2. Cabeza de Vaca (1992); 2.1 Truth and Lies; 2.2 Identity Crises; 2.3 Assimilation; 2.4 Conflicting Codes; 3. La Otra Conquista (1999); 3.1 The Spiritual Conquest; 3.1.1 The Mother; 3.1.2 The War of Images; 4. Reversing the Negative Paradigm; 4.1 This is my Body, this is my Blood; 5. A Hybrid Nation; Chapter 3- Re-defining la madre mexicana in Maria Novaro's Lola (1989); 1. Women and Filimmaking in Mexico: An Overview; 1.1 Sociohistorical Change(s); 2. Women Directors of Contemporary Mexican Cinema; 2.1 Female Narratives on the Contemporary Screen. 3. The Creation of an Idol: Sara Garcia and la madre mexicana3.1 Mexico's Mothering Complex: An Overview; 4. Motherhood Re-Visited: The Case of Maria Novaro's Lola (1989); 4.1 The Conflicts of Motherhood; 4.2 Mothers and Daughters; 4.3 Mexico's sagrada familia Demystified; Chapter 4- Retorno el arrabal: The Case of Dana Rotberg's Angel de Fuego (1992); 1. Context(s); 2. Dana Rotberg and Angel de fuego (1992); 3. Three Different Visions of the arrabal in Mexican Cinematic History; 3.1 The Good: Rodriguez's 'Valle de Lagrimas / Valley of Tears' vs Galindo's "Social Realism." 3.2 The Bad: Benevolent Poverty on the Screen3.3 The Ugly: Bunel's Demystification of the arrabal; 3.3.1 Los olvidados (1950); 3.4 Rotberg's re-vision of the arrabal- Social/Poltical Contexts; 3.4.1 The arrabol Re-visited; 4 Representations of the Body in Angel de fuego- Body Vs Soul; 4.1 The Body as Sin; 4.1.1 The Body as Text; Chapter 5- Re-Mapping the Boderlands: Maria Novaro's El Jardin del Eden (1994); 1. Context(s); 1.1 El jardin del Eden (1994); 2. Geographies of Location: Borders and Boundaries- Physical Borders; 2.1 Boundaries- Geographical Boundaries; 2.1.1 Other Boundaries. 3. Imagined Spaces: Re-locating the Garden of EdenChapter 6- Mexico's Other Geographies: The Big City vs The Country; 1. Context(s); 1.1 The City in Mexican Cinema; 1.1.1 Mexico City in Golden Age Cinema; 1.2 Contemporary Mexican Cinema Returns to the City; 2. Solo con tu pareja (1991); 2.1 Mexico City in Solo con tu pareja (1991); 2.1.1 Urban Geographies; 2.2 The Postmodern City; 3. The 'Other' Mexicos; 3.1 The Birth of the Rancheras; 3.2 Rural Life in Golden Age Mexican Cinema: the Figueroa-Fernandez Formula; 3.2.1 Mexicanidad on the Screen. |
| ctrlnum | (OCoLC)801363571 |
| dewey-full | 791.430972 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.430972 |
| dewey-search | 791.430972 |
| dewey-sort | 3791.430972 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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Imagined Spaces: Re-locating the Garden of EdenChapter 6- Mexico's Other Geographies: The Big City vs The Country; 1. Context(s); 1.1 The City in Mexican Cinema; 1.1.1 Mexico City in Golden Age Cinema; 1.2 Contemporary Mexican Cinema Returns to the City; 2. Solo con tu pareja (1991); 2.1 Mexico City in Solo con tu pareja (1991); 2.1.1 Urban Geographies; 2.2 The Postmodern City; 3. The 'Other' Mexicos; 3.1 The Birth of the Rancheras; 3.2 Rural Life in Golden Age Mexican Cinema: the Figueroa-Fernandez Formula; 3.2.1 Mexicanidad on the Screen.</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">3.3 Contemporary Visions of the Country: Felipe Cazal's Canona (1975).</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This study examines, contextualizes, and evaluates the significance of contemporary Mexican filmmaking, focusing on the so-called 'cine nuevo' of 1989-1999. 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| geographic | Mexico fast https://id.oclc.org/worldcat/entity/E39QbtfRkxCrqQ3XXbCkdP63kc Mexiko gnd Mexiko Film Geschichte 1989-1999. idszbz |
| geographic_facet | Mexico Mexiko Mexiko Film Geschichte 1989-1999. |
| id | ZDB-4-EBA-ocn801363571 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:24:50Z |
| institution | BVB |
| isbn | 9780773412323 0773412328 |
| language | English |
| oclc_num | 801363571 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (282 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | Edwin Mellen Press, |
| record_format | marc |
| spelling | Haddu, Miriam. Contemporary Mexican Cinema, 1989-1999 : History, Space and Identity. Lewiston : Edwin Mellen Press, 2007. 1 online resource (282 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Print version record. Title Page; Copyright Page; Table of Contents; List of Illustrations; Preface; Foreword; Acknowledgements; Introduction- Mexican Filmmaking in the 1990's; Chapter 1- Political Histories: Three Case Studies; 1. Context(s); 2. Rojo amanecer (1989); 3. EL Bulto (1991); 31. Past and Present Collide; 3.2 Salinas' Mexico; 3.3 Political Revisions; 4. La Ley de Herodes (1999); 4.1 Political Stings; 4.2 Murder, Slander and Satire; 4.3 Political Maneuvers; Chapter 2- Rewriting the Conquest: Nicolas Exhvarria's Cabeza de Vaca (1992) and Salvador Carrasco's La Otra Conquista (1999). 1. Historical Context(s)1.1 The Year 1992; 2. Cabeza de Vaca (1992); 2.1 Truth and Lies; 2.2 Identity Crises; 2.3 Assimilation; 2.4 Conflicting Codes; 3. La Otra Conquista (1999); 3.1 The Spiritual Conquest; 3.1.1 The Mother; 3.1.2 The War of Images; 4. Reversing the Negative Paradigm; 4.1 This is my Body, this is my Blood; 5. A Hybrid Nation; Chapter 3- Re-defining la madre mexicana in Maria Novaro's Lola (1989); 1. Women and Filimmaking in Mexico: An Overview; 1.1 Sociohistorical Change(s); 2. Women Directors of Contemporary Mexican Cinema; 2.1 Female Narratives on the Contemporary Screen. 3. The Creation of an Idol: Sara Garcia and la madre mexicana3.1 Mexico's Mothering Complex: An Overview; 4. Motherhood Re-Visited: The Case of Maria Novaro's Lola (1989); 4.1 The Conflicts of Motherhood; 4.2 Mothers and Daughters; 4.3 Mexico's sagrada familia Demystified; Chapter 4- Retorno el arrabal: The Case of Dana Rotberg's Angel de Fuego (1992); 1. Context(s); 2. Dana Rotberg and Angel de fuego (1992); 3. Three Different Visions of the arrabal in Mexican Cinematic History; 3.1 The Good: Rodriguez's 'Valle de Lagrimas / Valley of Tears' vs Galindo's "Social Realism." 3.2 The Bad: Benevolent Poverty on the Screen3.3 The Ugly: Bunel's Demystification of the arrabal; 3.3.1 Los olvidados (1950); 3.4 Rotberg's re-vision of the arrabal- Social/Poltical Contexts; 3.4.1 The arrabol Re-visited; 4 Representations of the Body in Angel de fuego- Body Vs Soul; 4.1 The Body as Sin; 4.1.1 The Body as Text; Chapter 5- Re-Mapping the Boderlands: Maria Novaro's El Jardin del Eden (1994); 1. Context(s); 1.1 El jardin del Eden (1994); 2. Geographies of Location: Borders and Boundaries- Physical Borders; 2.1 Boundaries- Geographical Boundaries; 2.1.1 Other Boundaries. 3. Imagined Spaces: Re-locating the Garden of EdenChapter 6- Mexico's Other Geographies: The Big City vs The Country; 1. Context(s); 1.1 The City in Mexican Cinema; 1.1.1 Mexico City in Golden Age Cinema; 1.2 Contemporary Mexican Cinema Returns to the City; 2. Solo con tu pareja (1991); 2.1 Mexico City in Solo con tu pareja (1991); 2.1.1 Urban Geographies; 2.2 The Postmodern City; 3. The 'Other' Mexicos; 3.1 The Birth of the Rancheras; 3.2 Rural Life in Golden Age Mexican Cinema: the Figueroa-Fernandez Formula; 3.2.1 Mexicanidad on the Screen. 3.3 Contemporary Visions of the Country: Felipe Cazal's Canona (1975). This study examines, contextualizes, and evaluates the significance of contemporary Mexican filmmaking, focusing on the so-called 'cine nuevo' of 1989-1999. Accordingly, the study is divided into three sections, representing the key generic discourses that frame the films' narratives and underlying aims: The first analyzes contemporary Mexican cinema's re-presentation of history on the cinematic screen; the second part of the book examines the rise in the number of women directors, comparing it with the previous lack of female participation within the filmmaking arena; the last section explore. Includes bibliographical references (pages 235-246) and index. Use copy Restrictions unspecified star MiAaHDL Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2011. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2011 HathiTrust Digital Library committed to preserve pda MiAaHDL English. Motion pictures Mexico. http://id.loc.gov/authorities/subjects/sh2005004559 Cinéma Mexique. ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh Motion pictures fast Mexico fast https://id.oclc.org/worldcat/entity/E39QbtfRkxCrqQ3XXbCkdP63kc Film gnd Mexiko gnd Filmwirtschaft gnd http://d-nb.info/gnd/4154384-1 Audiovisuelle Medien gnd http://d-nb.info/gnd/4068939-6 Politische Identität gnd http://d-nb.info/gnd/4129611-4 Filmregisseurin gnd http://d-nb.info/gnd/4244485-8 Music, Dance, Drama & Film. hilcc Film. hilcc Film Mexiko Geschichte 1989-1999. idszbz Mexiko Film Geschichte 1989-1999. idszbz has work: Contemporary Mexican cinema, 1989-1999 (Text) https://id.oclc.org/worldcat/entity/E39PCGqwDCkBR9BghDghtHq8Fq https://id.oclc.org/worldcat/ontology/hasWork Print version: Haddu, Miriam. Contemporary Mexican Cinema, 1989-1999 : History, Space and Identity. Lewiston : Edwin Mellen Press, ©2007 9780773454330 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=469154 Volltext |
| spellingShingle | Haddu, Miriam Contemporary Mexican Cinema, 1989-1999 : History, Space and Identity. Title Page; Copyright Page; Table of Contents; List of Illustrations; Preface; Foreword; Acknowledgements; Introduction- Mexican Filmmaking in the 1990's; Chapter 1- Political Histories: Three Case Studies; 1. Context(s); 2. Rojo amanecer (1989); 3. EL Bulto (1991); 31. Past and Present Collide; 3.2 Salinas' Mexico; 3.3 Political Revisions; 4. La Ley de Herodes (1999); 4.1 Political Stings; 4.2 Murder, Slander and Satire; 4.3 Political Maneuvers; Chapter 2- Rewriting the Conquest: Nicolas Exhvarria's Cabeza de Vaca (1992) and Salvador Carrasco's La Otra Conquista (1999). 1. Historical Context(s)1.1 The Year 1992; 2. Cabeza de Vaca (1992); 2.1 Truth and Lies; 2.2 Identity Crises; 2.3 Assimilation; 2.4 Conflicting Codes; 3. La Otra Conquista (1999); 3.1 The Spiritual Conquest; 3.1.1 The Mother; 3.1.2 The War of Images; 4. Reversing the Negative Paradigm; 4.1 This is my Body, this is my Blood; 5. A Hybrid Nation; Chapter 3- Re-defining la madre mexicana in Maria Novaro's Lola (1989); 1. Women and Filimmaking in Mexico: An Overview; 1.1 Sociohistorical Change(s); 2. Women Directors of Contemporary Mexican Cinema; 2.1 Female Narratives on the Contemporary Screen. 3. The Creation of an Idol: Sara Garcia and la madre mexicana3.1 Mexico's Mothering Complex: An Overview; 4. Motherhood Re-Visited: The Case of Maria Novaro's Lola (1989); 4.1 The Conflicts of Motherhood; 4.2 Mothers and Daughters; 4.3 Mexico's sagrada familia Demystified; Chapter 4- Retorno el arrabal: The Case of Dana Rotberg's Angel de Fuego (1992); 1. Context(s); 2. Dana Rotberg and Angel de fuego (1992); 3. Three Different Visions of the arrabal in Mexican Cinematic History; 3.1 The Good: Rodriguez's 'Valle de Lagrimas / Valley of Tears' vs Galindo's "Social Realism." 3.2 The Bad: Benevolent Poverty on the Screen3.3 The Ugly: Bunel's Demystification of the arrabal; 3.3.1 Los olvidados (1950); 3.4 Rotberg's re-vision of the arrabal- Social/Poltical Contexts; 3.4.1 The arrabol Re-visited; 4 Representations of the Body in Angel de fuego- Body Vs Soul; 4.1 The Body as Sin; 4.1.1 The Body as Text; Chapter 5- Re-Mapping the Boderlands: Maria Novaro's El Jardin del Eden (1994); 1. Context(s); 1.1 El jardin del Eden (1994); 2. Geographies of Location: Borders and Boundaries- Physical Borders; 2.1 Boundaries- Geographical Boundaries; 2.1.1 Other Boundaries. 3. Imagined Spaces: Re-locating the Garden of EdenChapter 6- Mexico's Other Geographies: The Big City vs The Country; 1. Context(s); 1.1 The City in Mexican Cinema; 1.1.1 Mexico City in Golden Age Cinema; 1.2 Contemporary Mexican Cinema Returns to the City; 2. Solo con tu pareja (1991); 2.1 Mexico City in Solo con tu pareja (1991); 2.1.1 Urban Geographies; 2.2 The Postmodern City; 3. The 'Other' Mexicos; 3.1 The Birth of the Rancheras; 3.2 Rural Life in Golden Age Mexican Cinema: the Figueroa-Fernandez Formula; 3.2.1 Mexicanidad on the Screen. Motion pictures Mexico. http://id.loc.gov/authorities/subjects/sh2005004559 Cinéma Mexique. ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh Motion pictures fast Film gnd Filmwirtschaft gnd http://d-nb.info/gnd/4154384-1 Audiovisuelle Medien gnd http://d-nb.info/gnd/4068939-6 Politische Identität gnd http://d-nb.info/gnd/4129611-4 Filmregisseurin gnd http://d-nb.info/gnd/4244485-8 Music, Dance, Drama & Film. hilcc Film. hilcc Film Mexiko Geschichte 1989-1999. idszbz |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2005004559 http://d-nb.info/gnd/4154384-1 http://d-nb.info/gnd/4068939-6 http://d-nb.info/gnd/4129611-4 http://d-nb.info/gnd/4244485-8 |
| title | Contemporary Mexican Cinema, 1989-1999 : History, Space and Identity. |
| title_auth | Contemporary Mexican Cinema, 1989-1999 : History, Space and Identity. |
| title_exact_search | Contemporary Mexican Cinema, 1989-1999 : History, Space and Identity. |
| title_full | Contemporary Mexican Cinema, 1989-1999 : History, Space and Identity. |
| title_fullStr | Contemporary Mexican Cinema, 1989-1999 : History, Space and Identity. |
| title_full_unstemmed | Contemporary Mexican Cinema, 1989-1999 : History, Space and Identity. |
| title_short | Contemporary Mexican Cinema, 1989-1999 : |
| title_sort | contemporary mexican cinema 1989 1999 history space and identity |
| title_sub | History, Space and Identity. |
| topic | Motion pictures Mexico. http://id.loc.gov/authorities/subjects/sh2005004559 Cinéma Mexique. ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh Motion pictures fast Film gnd Filmwirtschaft gnd http://d-nb.info/gnd/4154384-1 Audiovisuelle Medien gnd http://d-nb.info/gnd/4068939-6 Politische Identität gnd http://d-nb.info/gnd/4129611-4 Filmregisseurin gnd http://d-nb.info/gnd/4244485-8 Music, Dance, Drama & Film. hilcc Film. hilcc Film Mexiko Geschichte 1989-1999. idszbz |
| topic_facet | Motion pictures Mexico. Cinéma Mexique. ART Film & Video. PERFORMING ARTS Film & Video Reference. Motion pictures Mexico Film Mexiko Filmwirtschaft Audiovisuelle Medien Politische Identität Filmregisseurin Music, Dance, Drama & Film. Film. Film Mexiko Geschichte 1989-1999. Mexiko Film Geschichte 1989-1999. |
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| work_keys_str_mv | AT haddumiriam contemporarymexicancinema19891999historyspaceandidentity |