The struggle for control of Soviet music from 1932 to 1948 :: socialist realism vs. western formalism /
During the sixteen critical years of tumultuous artistic upheaval from 1932-1948, the Soviet Union's cultural authorities strove diligently to establish and refine a functional administrative infrastructure with which to direct and control Soviet Music. Yet in reality, this music policy system...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Lewiston :
Edwin Mellen Press,
2012.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | During the sixteen critical years of tumultuous artistic upheaval from 1932-1948, the Soviet Union's cultural authorities strove diligently to establish and refine a functional administrative infrastructure with which to direct and control Soviet Music. Yet in reality, this music policy system did not function as it had been intended to, which was to ensure the creation of Soviet operas acceptable to the Party. Because the agencies controlling the operas could not define which style best represented Socialist Realism, the music policy failed to establish adequate centralized control of Soviet. |
| Beschreibung: | Not About the Music, But the Plot. |
| Beschreibung: | 1 online resource (702 pages) |
| ISBN: | 9780773411531 0773411534 |
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| 100 | 1 | |a Herrala, Meri E. |q (Meri Elisabet), |d 1971- |1 https://id.oclc.org/worldcat/entity/E39PCjJYgyrfjykxrjvpDjVjYP |0 http://id.loc.gov/authorities/names/no2012011732 | |
| 245 | 1 | 4 | |a The struggle for control of Soviet music from 1932 to 1948 : |b socialist realism vs. western formalism / |c Meri E. Herrala ; with a foreword by Timo Vihavainen. |
| 260 | |a Lewiston : |b Edwin Mellen Press, |c 2012. | ||
| 300 | |a 1 online resource (702 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a A Note on Transliteration; Abbreviations; Abstract; Foreword; Acknowledgements; Introduction; Problems of Soviet Music Research; From an Emphasis on Stalin to other "Actors"; Political and Ideaological Control of Soviet Music; Methodology; The Patron-Client Relationship; Soviet Subjectivism and Political Rhetoric; Sorces and Archives; Content of the Chapters; Part 1; Chapter 1- The Development of Soviet Cultural Policy; The Year 1932 as a Watershed; The Union of Soviet Composers; Development of Socialist Realism; Socialist Realism in Music. | |
| 505 | 8 | |a Chapter 2- The Creation of Soviet Opera in the 1930'sDubious Fate of 'Lady Macbeth of Mtsensk District'; Shostakovich's Opera as an Approved Opera; Pravada and the Socialist Realism of 'Lady Macbeth'; The Repercussions of the "Lady Macbeth Scandal"; Chapter 3- Discussions in the Soviet Music during 1936-1937; From Shostakovish's Mistakes to the Dangers of Formalism; Soviet Music Criticism and Sollertinksy in the Firing Line; Down with the Remnants of RAPM! "Cultural Conspiracy" Undermines the Purity of Soviet Realism. | |
| 505 | 8 | |a Fromer RAPM Elements are Dislodged Leading to the Deminse of Cheliapov and KerzhentsevPart 2; Chapter 4- Anti-Formalist Campaign in 1946-1948; Muradeli's Opera on Trial; The Polemics of 'The Great Friendship'; Faults in the Music of Muradeli's Opera; Faults in the Content of Muradeli's Opera; Mismanagement in the Financing of the Opera; Repercussions of the Muradeli's Affair; A Reduction of Funding at the Expense of Quality; Lebedev's Struggle as a Mediator; Chapter 5- Elite Hierarchies and Entrenched Conflicts of Intrest Are Revealed Within the Union of Soviet Composers. | |
| 505 | 8 | |a The Road to Financial AuditsMuzfond's Assets Must Be Audited!; The Audit of the Ministry of State Control; Violations Regarding the Payment of Grants; Noninterest Loans; Author's Royalities and Sheet Music Production; Sheet Music Production; Creative Resorts and Work-Related Trips; Housing and Facilities for Everyday Needs; Repercussions from the Investigations; Muradeli Tries to Escape Scot-Free; Questions Remain About the Results of the Audits; Chapter 6- Boris Asaf'yev's Impact on the Part Line of Soviet Music in 1948; The History of Asaf'yev's Musicological Ideas. | |
| 505 | 8 | |a Many Author of Asaf'yev's 1948 SpeechThe Relationship Between Asaf'yev's and Zhdanov's Theories; The Mystery of Asaf'yev's Letter to Audrey Zhdanov; Chapter 7- Sergey Prokofiev's Response to the Resolution; The Question of an All-Union Congress; Boris Khaykin's Different Faces; A Furious Attack on Prokofiev and His Opera; Khrennikov Gives Prokofiev a Slap on the Wrist; Prokofiev's Response to "Unjustified Criticism"; The Problem of Creating Soviet Opera; Part 3; Chapter 8- Frol Skobeyev and All One's Heart; Khrennikov Asserts His Authority; Khrennikov Wins the Round. | |
| 500 | |a Not About the Music, But the Plot. | ||
| 520 | |a During the sixteen critical years of tumultuous artistic upheaval from 1932-1948, the Soviet Union's cultural authorities strove diligently to establish and refine a functional administrative infrastructure with which to direct and control Soviet Music. Yet in reality, this music policy system did not function as it had been intended to, which was to ensure the creation of Soviet operas acceptable to the Party. Because the agencies controlling the operas could not define which style best represented Socialist Realism, the music policy failed to establish adequate centralized control of Soviet. | ||
| 546 | |a English. | ||
| 650 | 0 | |a Music and state |z Soviet Union. | |
| 650 | 0 | |a Music |x Political aspects |z Soviet Union. | |
| 650 | 0 | |a Music |z Soviet Union |x History and criticism. | |
| 650 | 0 | |a Opera |z Soviet Union. | |
| 650 | 0 | |a Socialist realism in music. |0 http://id.loc.gov/authorities/subjects/sh2001002506 | |
| 650 | 0 | |a Communism and music |z Soviet Union. | |
| 651 | 0 | |a Soviet Union |x Cultural policy. | |
| 650 | 6 | |a Musique |x Politique gouvernementale |z URSS. | |
| 650 | 6 | |a Musique |x Aspect politique |z URSS. | |
| 650 | 6 | |a Musique |z URSS |x Histoire et critique. | |
| 650 | 6 | |a Réalisme socialiste dans la musique. | |
| 650 | 6 | |a Communisme et musique |z URSS. | |
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| 650 | 7 | |a Socialist realism in music |2 fast | |
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| 776 | 0 | 8 | |i Print version: |a Herrala, Meri Elisabet. |t Struggle for Control of Soviet Music From 1932 to 1948 : Socialist Realism vs. Western Formalism. |d Lewiston : Edwin Mellen Press, ©2012 |z 9780773426115 |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn797916313 |
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| _version_ | 1816882199362797569 |
| adam_text | |
| any_adam_object | |
| author | Herrala, Meri E. (Meri Elisabet), 1971- |
| author_GND | http://id.loc.gov/authorities/names/no2012011732 |
| author_facet | Herrala, Meri E. (Meri Elisabet), 1971- |
| author_role | |
| author_sort | Herrala, Meri E. 1971- |
| author_variant | m e h me meh |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML3917 |
| callnumber-raw | ML3917.R8 H47 2012 |
| callnumber-search | ML3917.R8 H47 2012 |
| callnumber-sort | ML 43917 R8 H47 42012 |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | A Note on Transliteration; Abbreviations; Abstract; Foreword; Acknowledgements; Introduction; Problems of Soviet Music Research; From an Emphasis on Stalin to other "Actors"; Political and Ideaological Control of Soviet Music; Methodology; The Patron-Client Relationship; Soviet Subjectivism and Political Rhetoric; Sorces and Archives; Content of the Chapters; Part 1; Chapter 1- The Development of Soviet Cultural Policy; The Year 1932 as a Watershed; The Union of Soviet Composers; Development of Socialist Realism; Socialist Realism in Music. Chapter 2- The Creation of Soviet Opera in the 1930'sDubious Fate of 'Lady Macbeth of Mtsensk District'; Shostakovich's Opera as an Approved Opera; Pravada and the Socialist Realism of 'Lady Macbeth'; The Repercussions of the "Lady Macbeth Scandal"; Chapter 3- Discussions in the Soviet Music during 1936-1937; From Shostakovish's Mistakes to the Dangers of Formalism; Soviet Music Criticism and Sollertinksy in the Firing Line; Down with the Remnants of RAPM! "Cultural Conspiracy" Undermines the Purity of Soviet Realism. Fromer RAPM Elements are Dislodged Leading to the Deminse of Cheliapov and KerzhentsevPart 2; Chapter 4- Anti-Formalist Campaign in 1946-1948; Muradeli's Opera on Trial; The Polemics of 'The Great Friendship'; Faults in the Music of Muradeli's Opera; Faults in the Content of Muradeli's Opera; Mismanagement in the Financing of the Opera; Repercussions of the Muradeli's Affair; A Reduction of Funding at the Expense of Quality; Lebedev's Struggle as a Mediator; Chapter 5- Elite Hierarchies and Entrenched Conflicts of Intrest Are Revealed Within the Union of Soviet Composers. The Road to Financial AuditsMuzfond's Assets Must Be Audited!; The Audit of the Ministry of State Control; Violations Regarding the Payment of Grants; Noninterest Loans; Author's Royalities and Sheet Music Production; Sheet Music Production; Creative Resorts and Work-Related Trips; Housing and Facilities for Everyday Needs; Repercussions from the Investigations; Muradeli Tries to Escape Scot-Free; Questions Remain About the Results of the Audits; Chapter 6- Boris Asaf'yev's Impact on the Part Line of Soviet Music in 1948; The History of Asaf'yev's Musicological Ideas. Many Author of Asaf'yev's 1948 SpeechThe Relationship Between Asaf'yev's and Zhdanov's Theories; The Mystery of Asaf'yev's Letter to Audrey Zhdanov; Chapter 7- Sergey Prokofiev's Response to the Resolution; The Question of an All-Union Congress; Boris Khaykin's Different Faces; A Furious Attack on Prokofiev and His Opera; Khrennikov Gives Prokofiev a Slap on the Wrist; Prokofiev's Response to "Unjustified Criticism"; The Problem of Creating Soviet Opera; Part 3; Chapter 8- Frol Skobeyev and All One's Heart; Khrennikov Asserts His Authority; Khrennikov Wins the Round. |
| ctrlnum | (OCoLC)797916313 |
| dewey-full | 780.947/0904 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.947/0904 |
| dewey-search | 780.947/0904 |
| dewey-sort | 3780.947 3904 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| geographic | Soviet Union Cultural policy. Soviet Union fast |
| geographic_facet | Soviet Union Cultural policy. Soviet Union |
| id | ZDB-4-EBA-ocn797916313 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:24:49Z |
| institution | BVB |
| isbn | 9780773411531 0773411534 |
| language | English |
| oclc_num | 797916313 |
| open_access_boolean | |
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| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (702 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Edwin Mellen Press, |
| record_format | marc |
| spelling | Herrala, Meri E. (Meri Elisabet), 1971- https://id.oclc.org/worldcat/entity/E39PCjJYgyrfjykxrjvpDjVjYP http://id.loc.gov/authorities/names/no2012011732 The struggle for control of Soviet music from 1932 to 1948 : socialist realism vs. western formalism / Meri E. Herrala ; with a foreword by Timo Vihavainen. Lewiston : Edwin Mellen Press, 2012. 1 online resource (702 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Print version record. A Note on Transliteration; Abbreviations; Abstract; Foreword; Acknowledgements; Introduction; Problems of Soviet Music Research; From an Emphasis on Stalin to other "Actors"; Political and Ideaological Control of Soviet Music; Methodology; The Patron-Client Relationship; Soviet Subjectivism and Political Rhetoric; Sorces and Archives; Content of the Chapters; Part 1; Chapter 1- The Development of Soviet Cultural Policy; The Year 1932 as a Watershed; The Union of Soviet Composers; Development of Socialist Realism; Socialist Realism in Music. Chapter 2- The Creation of Soviet Opera in the 1930'sDubious Fate of 'Lady Macbeth of Mtsensk District'; Shostakovich's Opera as an Approved Opera; Pravada and the Socialist Realism of 'Lady Macbeth'; The Repercussions of the "Lady Macbeth Scandal"; Chapter 3- Discussions in the Soviet Music during 1936-1937; From Shostakovish's Mistakes to the Dangers of Formalism; Soviet Music Criticism and Sollertinksy in the Firing Line; Down with the Remnants of RAPM! "Cultural Conspiracy" Undermines the Purity of Soviet Realism. Fromer RAPM Elements are Dislodged Leading to the Deminse of Cheliapov and KerzhentsevPart 2; Chapter 4- Anti-Formalist Campaign in 1946-1948; Muradeli's Opera on Trial; The Polemics of 'The Great Friendship'; Faults in the Music of Muradeli's Opera; Faults in the Content of Muradeli's Opera; Mismanagement in the Financing of the Opera; Repercussions of the Muradeli's Affair; A Reduction of Funding at the Expense of Quality; Lebedev's Struggle as a Mediator; Chapter 5- Elite Hierarchies and Entrenched Conflicts of Intrest Are Revealed Within the Union of Soviet Composers. The Road to Financial AuditsMuzfond's Assets Must Be Audited!; The Audit of the Ministry of State Control; Violations Regarding the Payment of Grants; Noninterest Loans; Author's Royalities and Sheet Music Production; Sheet Music Production; Creative Resorts and Work-Related Trips; Housing and Facilities for Everyday Needs; Repercussions from the Investigations; Muradeli Tries to Escape Scot-Free; Questions Remain About the Results of the Audits; Chapter 6- Boris Asaf'yev's Impact on the Part Line of Soviet Music in 1948; The History of Asaf'yev's Musicological Ideas. Many Author of Asaf'yev's 1948 SpeechThe Relationship Between Asaf'yev's and Zhdanov's Theories; The Mystery of Asaf'yev's Letter to Audrey Zhdanov; Chapter 7- Sergey Prokofiev's Response to the Resolution; The Question of an All-Union Congress; Boris Khaykin's Different Faces; A Furious Attack on Prokofiev and His Opera; Khrennikov Gives Prokofiev a Slap on the Wrist; Prokofiev's Response to "Unjustified Criticism"; The Problem of Creating Soviet Opera; Part 3; Chapter 8- Frol Skobeyev and All One's Heart; Khrennikov Asserts His Authority; Khrennikov Wins the Round. Not About the Music, But the Plot. During the sixteen critical years of tumultuous artistic upheaval from 1932-1948, the Soviet Union's cultural authorities strove diligently to establish and refine a functional administrative infrastructure with which to direct and control Soviet Music. Yet in reality, this music policy system did not function as it had been intended to, which was to ensure the creation of Soviet operas acceptable to the Party. Because the agencies controlling the operas could not define which style best represented Socialist Realism, the music policy failed to establish adequate centralized control of Soviet. English. Music and state Soviet Union. Music Political aspects Soviet Union. Music Soviet Union History and criticism. Opera Soviet Union. Socialist realism in music. http://id.loc.gov/authorities/subjects/sh2001002506 Communism and music Soviet Union. Soviet Union Cultural policy. Musique Politique gouvernementale URSS. Musique Aspect politique URSS. Musique URSS Histoire et critique. Réalisme socialiste dans la musique. Communisme et musique URSS. MUSIC Genres & Styles International. bisacsh Communism and music fast Cultural policy fast Music and state fast Music fast Music Political aspects fast Opera fast Socialist realism in music fast Soviet Union fast Music. hilcc Music, Dance, Drama & Film. hilcc Music Philosophy. hilcc Criticism, interpretation, etc. fast has work: The struggle for control of Soviet music from 1932 to 1948 (Text) https://id.oclc.org/worldcat/entity/E39PCGHTfDwWKcfKBxW9Tg8tJC https://id.oclc.org/worldcat/ontology/hasWork Print version: Herrala, Meri Elisabet. Struggle for Control of Soviet Music From 1932 to 1948 : Socialist Realism vs. Western Formalism. Lewiston : Edwin Mellen Press, ©2012 9780773426115 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=467270 Volltext |
| spellingShingle | Herrala, Meri E. (Meri Elisabet), 1971- The struggle for control of Soviet music from 1932 to 1948 : socialist realism vs. western formalism / A Note on Transliteration; Abbreviations; Abstract; Foreword; Acknowledgements; Introduction; Problems of Soviet Music Research; From an Emphasis on Stalin to other "Actors"; Political and Ideaological Control of Soviet Music; Methodology; The Patron-Client Relationship; Soviet Subjectivism and Political Rhetoric; Sorces and Archives; Content of the Chapters; Part 1; Chapter 1- The Development of Soviet Cultural Policy; The Year 1932 as a Watershed; The Union of Soviet Composers; Development of Socialist Realism; Socialist Realism in Music. Chapter 2- The Creation of Soviet Opera in the 1930'sDubious Fate of 'Lady Macbeth of Mtsensk District'; Shostakovich's Opera as an Approved Opera; Pravada and the Socialist Realism of 'Lady Macbeth'; The Repercussions of the "Lady Macbeth Scandal"; Chapter 3- Discussions in the Soviet Music during 1936-1937; From Shostakovish's Mistakes to the Dangers of Formalism; Soviet Music Criticism and Sollertinksy in the Firing Line; Down with the Remnants of RAPM! "Cultural Conspiracy" Undermines the Purity of Soviet Realism. Fromer RAPM Elements are Dislodged Leading to the Deminse of Cheliapov and KerzhentsevPart 2; Chapter 4- Anti-Formalist Campaign in 1946-1948; Muradeli's Opera on Trial; The Polemics of 'The Great Friendship'; Faults in the Music of Muradeli's Opera; Faults in the Content of Muradeli's Opera; Mismanagement in the Financing of the Opera; Repercussions of the Muradeli's Affair; A Reduction of Funding at the Expense of Quality; Lebedev's Struggle as a Mediator; Chapter 5- Elite Hierarchies and Entrenched Conflicts of Intrest Are Revealed Within the Union of Soviet Composers. The Road to Financial AuditsMuzfond's Assets Must Be Audited!; The Audit of the Ministry of State Control; Violations Regarding the Payment of Grants; Noninterest Loans; Author's Royalities and Sheet Music Production; Sheet Music Production; Creative Resorts and Work-Related Trips; Housing and Facilities for Everyday Needs; Repercussions from the Investigations; Muradeli Tries to Escape Scot-Free; Questions Remain About the Results of the Audits; Chapter 6- Boris Asaf'yev's Impact on the Part Line of Soviet Music in 1948; The History of Asaf'yev's Musicological Ideas. Many Author of Asaf'yev's 1948 SpeechThe Relationship Between Asaf'yev's and Zhdanov's Theories; The Mystery of Asaf'yev's Letter to Audrey Zhdanov; Chapter 7- Sergey Prokofiev's Response to the Resolution; The Question of an All-Union Congress; Boris Khaykin's Different Faces; A Furious Attack on Prokofiev and His Opera; Khrennikov Gives Prokofiev a Slap on the Wrist; Prokofiev's Response to "Unjustified Criticism"; The Problem of Creating Soviet Opera; Part 3; Chapter 8- Frol Skobeyev and All One's Heart; Khrennikov Asserts His Authority; Khrennikov Wins the Round. Music and state Soviet Union. Music Political aspects Soviet Union. Music Soviet Union History and criticism. Opera Soviet Union. Socialist realism in music. http://id.loc.gov/authorities/subjects/sh2001002506 Communism and music Soviet Union. Musique Politique gouvernementale URSS. Musique Aspect politique URSS. Musique URSS Histoire et critique. Réalisme socialiste dans la musique. Communisme et musique URSS. MUSIC Genres & Styles International. bisacsh Communism and music fast Cultural policy fast Music and state fast Music fast Music Political aspects fast Opera fast Socialist realism in music fast Music. hilcc Music, Dance, Drama & Film. hilcc Music Philosophy. hilcc |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2001002506 |
| title | The struggle for control of Soviet music from 1932 to 1948 : socialist realism vs. western formalism / |
| title_auth | The struggle for control of Soviet music from 1932 to 1948 : socialist realism vs. western formalism / |
| title_exact_search | The struggle for control of Soviet music from 1932 to 1948 : socialist realism vs. western formalism / |
| title_full | The struggle for control of Soviet music from 1932 to 1948 : socialist realism vs. western formalism / Meri E. Herrala ; with a foreword by Timo Vihavainen. |
| title_fullStr | The struggle for control of Soviet music from 1932 to 1948 : socialist realism vs. western formalism / Meri E. Herrala ; with a foreword by Timo Vihavainen. |
| title_full_unstemmed | The struggle for control of Soviet music from 1932 to 1948 : socialist realism vs. western formalism / Meri E. Herrala ; with a foreword by Timo Vihavainen. |
| title_short | The struggle for control of Soviet music from 1932 to 1948 : |
| title_sort | struggle for control of soviet music from 1932 to 1948 socialist realism vs western formalism |
| title_sub | socialist realism vs. western formalism / |
| topic | Music and state Soviet Union. Music Political aspects Soviet Union. Music Soviet Union History and criticism. Opera Soviet Union. Socialist realism in music. http://id.loc.gov/authorities/subjects/sh2001002506 Communism and music Soviet Union. Musique Politique gouvernementale URSS. Musique Aspect politique URSS. Musique URSS Histoire et critique. Réalisme socialiste dans la musique. Communisme et musique URSS. MUSIC Genres & Styles International. bisacsh Communism and music fast Cultural policy fast Music and state fast Music fast Music Political aspects fast Opera fast Socialist realism in music fast Music. hilcc Music, Dance, Drama & Film. hilcc Music Philosophy. hilcc |
| topic_facet | Music and state Soviet Union. Music Political aspects Soviet Union. Music Soviet Union History and criticism. Opera Soviet Union. Socialist realism in music. Communism and music Soviet Union. Soviet Union Cultural policy. Musique Politique gouvernementale URSS. Musique Aspect politique URSS. Musique URSS Histoire et critique. Réalisme socialiste dans la musique. Communisme et musique URSS. MUSIC Genres & Styles International. Communism and music Cultural policy Music and state Music Music Political aspects Opera Socialist realism in music Soviet Union Music. Music, Dance, Drama & Film. Music Philosophy. Criticism, interpretation, etc. |
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