Verfügbarkeit: The cinematic mode of production :

The cinematic mode of production :: attention economy and the society of the spectacle /

A revolutionary reconceptualization of capital and perception during the twentieth century.

Gespeichert in:

Bibliographische Detailangaben
1. Verfasser:	Beller, Jonathan
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	Hanover, N.H. : Dartmouth College Press, ©2006.
Schriftenreihe:	Interfaces, studies in visual culture.
Schlagworte:	Motion pictures > Philosophy. Cinéma > Philosophie. PERFORMING ARTS > Film & Video > History & Criticism. Motion pictures > Philosophy Philosophie Film Filmteori. Perception.
Online-Zugang:	Volltext
Zusammenfassung:	A revolutionary reconceptualization of capital and perception during the twentieth century.
Beschreibung:	1 online resource (332 pages).
Format:	Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Bibliographie:	Includes bibliographical references and index.
ISBN:	9781611683820 1611683823 1280678100 9781280678103 9786613655035 6613655031

Internformat

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contents	Introduction: The political economy of the postmodern. Circulation: Dziga Vertov and the film of money -- Production: The spectatorship of the proletariat -- The unconscious: the unconscious of the unconscious, or, the work of consciousness in the age of technological imagination -- Inspiration of objects, expiration of words: cinema, capital of the twentieth century -- The pyrotechnics of control: numismatics of the sensual, calculus of the image -- Proprioception: killer-eye, killer world: the media-environment for natural born killers. Epilogue: Paying attention.
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dewey-tens	790 - Recreational and performing arts
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series	Interfaces, studies in visual culture.
series2	Interfaces, studies in visual culture
spelling	Beller, Jonathan. http://id.loc.gov/authorities/names/n2006057644 The cinematic mode of production : attention economy and the society of the spectacle / Jonathan Beller. Hanover, N.H. : Dartmouth College Press, ©2006. 1 online resource (332 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Interfaces, studies in visual culture Includes bibliographical references and index. Introduction: The political economy of the postmodern. Circulation: Dziga Vertov and the film of money -- Production: The spectatorship of the proletariat -- The unconscious: the unconscious of the unconscious, or, the work of consciousness in the age of technological imagination -- Inspiration of objects, expiration of words: cinema, capital of the twentieth century -- The pyrotechnics of control: numismatics of the sensual, calculus of the image -- Proprioception: killer-eye, killer world: the media-environment for natural born killers. Epilogue: Paying attention. Print version record. Use copy Restrictions unspecified star MiAaHDL Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL A revolutionary reconceptualization of capital and perception during the twentieth century. English. Motion pictures Philosophy. Cinéma Philosophie. PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion pictures Philosophy fast Philosophie gnd Film gnd http://d-nb.info/gnd/4017102-4 Motion pictures Philosophy. nli Filmteori. sfit Perception. sfit has work: The cinematic mode of production (Text) https://id.oclc.org/worldcat/entity/E39PCGgkYpBKcKPG69wQJhWGVC https://id.oclc.org/worldcat/ontology/hasWork Print version: Beller, Jonathan. Cinematic mode of production. Hanover, N.H. : Dartmouth College Press, ©2006 9781584655824 (DLC) 2006024629 (OCoLC)70775696 Interfaces, studies in visual culture. http://id.loc.gov/authorities/names/n2005059573 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=458632 Volltext
spellingShingle	Beller, Jonathan The cinematic mode of production : attention economy and the society of the spectacle / Interfaces, studies in visual culture. Introduction: The political economy of the postmodern. Circulation: Dziga Vertov and the film of money -- Production: The spectatorship of the proletariat -- The unconscious: the unconscious of the unconscious, or, the work of consciousness in the age of technological imagination -- Inspiration of objects, expiration of words: cinema, capital of the twentieth century -- The pyrotechnics of control: numismatics of the sensual, calculus of the image -- Proprioception: killer-eye, killer world: the media-environment for natural born killers. Epilogue: Paying attention. Motion pictures Philosophy. Cinéma Philosophie. PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion pictures Philosophy fast Philosophie gnd Film gnd http://d-nb.info/gnd/4017102-4 Motion pictures Philosophy. nli Filmteori. sfit Perception. sfit
subject_GND	http://d-nb.info/gnd/4017102-4
title	The cinematic mode of production : attention economy and the society of the spectacle /
title_auth	The cinematic mode of production : attention economy and the society of the spectacle /
title_exact_search	The cinematic mode of production : attention economy and the society of the spectacle /
title_full	The cinematic mode of production : attention economy and the society of the spectacle / Jonathan Beller.
title_fullStr	The cinematic mode of production : attention economy and the society of the spectacle / Jonathan Beller.
title_full_unstemmed	The cinematic mode of production : attention economy and the society of the spectacle / Jonathan Beller.
title_short	The cinematic mode of production :
title_sort	cinematic mode of production attention economy and the society of the spectacle
title_sub	attention economy and the society of the spectacle /
topic	Motion pictures Philosophy. Cinéma Philosophie. PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion pictures Philosophy fast Philosophie gnd Film gnd http://d-nb.info/gnd/4017102-4 Motion pictures Philosophy. nli Filmteori. sfit Perception. sfit
topic_facet	Motion pictures Philosophy. Cinéma Philosophie. PERFORMING ARTS Film & Video History & Criticism. Motion pictures Philosophy Philosophie Film Filmteori. Perception.
url	https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=458632
work_keys_str_mv	AT bellerjonathan thecinematicmodeofproductionattentioneconomyandthesocietyofthespectacle AT bellerjonathan cinematicmodeofproductionattentioneconomyandthesocietyofthespectacle

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