Opera /:
What is opera and how does it work? How has this dramatic form developed and what is its relevance in the modern world? Perfect for music students and opera-goers, this introductory guide addresses these questions and many more, exploring opera as a complete theatrical experience. Organised chronolo...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Cambridge University Press,
2012.
|
| Schriftenreihe: | Cambridge introductions to music.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | What is opera and how does it work? How has this dramatic form developed and what is its relevance in the modern world? Perfect for music students and opera-goers, this introductory guide addresses these questions and many more, exploring opera as a complete theatrical experience. Organised chronologically and avoiding technical musical terminology, the book clearly demonstrates how opera reflected and reacted to changes in the world around it. A special feature of the volume is the inclusion of illustrative tables throughout. These provide detailed, easy to follow analysis of arias, scenes and acts; visual guides to historical movements; and chronologies relating to genres and individual composers' works. Overall, the book fosters an understanding of opera as a living form as it encounters and uses material from an ever expanding repertoire in time, place and culture. |
| Beschreibung: | 1 online resource (xvii, 431 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781139223720 1139223720 9780511980558 0511980558 9781139220293 1139220292 9781280393310 1280393319 |
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| 505 | 0 | |a Part I : The seventeenth and eighteenth centuries. Pre-operatic forms -- First operatic forms -- Formalisation -- Reform : the reintegration of elements -- Comedy and the 'real world' -- Authentic performance -- -- Part II : The nineteenth century. Romanticism and romantic opera in Germany -- Opera in nineteenth-century Italy -- Grand opéra and the visual language of opera -- The Wagnerian revolution -- Nationalists : vernacular language and music -- The role of the singer -- -- Part III : The twentieth and twenty-first centuries. The turn of the century and the crisis in opera -- First modernism : Symbolist and Expressionist opera -- The dramaturgy of opera : libretto -- words and structures -- Narrative opera : realistic and non-realistic -- Radical narratives -- Directors and the direction of opera. | |
| 520 | |a What is opera and how does it work? How has this dramatic form developed and what is its relevance in the modern world? Perfect for music students and opera-goers, this introductory guide addresses these questions and many more, exploring opera as a complete theatrical experience. Organised chronologically and avoiding technical musical terminology, the book clearly demonstrates how opera reflected and reacted to changes in the world around it. A special feature of the volume is the inclusion of illustrative tables throughout. These provide detailed, easy to follow analysis of arias, scenes and acts; visual guides to historical movements; and chronologies relating to genres and individual composers' works. Overall, the book fosters an understanding of opera as a living form as it encounters and uses material from an ever expanding repertoire in time, place and culture. | ||
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn794002202 |
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| adam_text | |
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| author | Cannon, Robert, 1947- |
| author_GND | http://id.loc.gov/authorities/names/n2011069792 |
| author_facet | Cannon, Robert, 1947- |
| author_role | aut |
| author_sort | Cannon, Robert, 1947- |
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| contents | Part I : The seventeenth and eighteenth centuries. Pre-operatic forms -- First operatic forms -- Formalisation -- Reform : the reintegration of elements -- Comedy and the 'real world' -- Authentic performance -- -- Part II : The nineteenth century. Romanticism and romantic opera in Germany -- Opera in nineteenth-century Italy -- Grand opéra and the visual language of opera -- The Wagnerian revolution -- Nationalists : vernacular language and music -- The role of the singer -- -- Part III : The twentieth and twenty-first centuries. The turn of the century and the crisis in opera -- First modernism : Symbolist and Expressionist opera -- The dramaturgy of opera : libretto -- words and structures -- Narrative opera : realistic and non-realistic -- Radical narratives -- Directors and the direction of opera. |
| ctrlnum | (OCoLC)794002202 |
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| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.1 |
| dewey-search | 782.1 |
| dewey-sort | 3782.1 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| indexdate | 2024-11-27T13:18:23Z |
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| isbn | 9781139223720 1139223720 9780511980558 0511980558 9781139220293 1139220292 9781280393310 1280393319 |
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| series2 | Cambridge introductions to music |
| spelling | Cannon, Robert, 1947- author. https://id.oclc.org/worldcat/entity/E39PCjFT9PXJt7YjM7bPWVX36X http://id.loc.gov/authorities/names/n2011069792 Opera / Robert Cannon. New York : Cambridge University Press, 2012. 1 online resource (xvii, 431 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Cambridge introductions to music Includes bibliographical references and index. Print version record. Part I : The seventeenth and eighteenth centuries. Pre-operatic forms -- First operatic forms -- Formalisation -- Reform : the reintegration of elements -- Comedy and the 'real world' -- Authentic performance -- -- Part II : The nineteenth century. Romanticism and romantic opera in Germany -- Opera in nineteenth-century Italy -- Grand opéra and the visual language of opera -- The Wagnerian revolution -- Nationalists : vernacular language and music -- The role of the singer -- -- Part III : The twentieth and twenty-first centuries. The turn of the century and the crisis in opera -- First modernism : Symbolist and Expressionist opera -- The dramaturgy of opera : libretto -- words and structures -- Narrative opera : realistic and non-realistic -- Radical narratives -- Directors and the direction of opera. What is opera and how does it work? How has this dramatic form developed and what is its relevance in the modern world? Perfect for music students and opera-goers, this introductory guide addresses these questions and many more, exploring opera as a complete theatrical experience. Organised chronologically and avoiding technical musical terminology, the book clearly demonstrates how opera reflected and reacted to changes in the world around it. A special feature of the volume is the inclusion of illustrative tables throughout. These provide detailed, easy to follow analysis of arias, scenes and acts; visual guides to historical movements; and chronologies relating to genres and individual composers' works. Overall, the book fosters an understanding of opera as a living form as it encounters and uses material from an ever expanding repertoire in time, place and culture. Opera. MUSIC Genres & Styles Opera. bisacsh MUSIC Printed Music Opera & Classical Scores. bisacsh Opera fast Musique de scène Histoire et critique. dissertations. aat Academic theses fast Academic theses. lcgft http://id.loc.gov/authorities/genreForms/gf2014026039 Thèses et écrits académiques. rvmgf has work: Opera (Text) https://id.oclc.org/worldcat/entity/E39PCGHR4QxVXJyxVHPKYKgrD3 https://id.oclc.org/worldcat/ontology/hasWork Print version: Cannon, Robert, 1947- Opera. New York : Cambridge University Press, ©2012 9780521763028 (DLC) 2011041744 (OCoLC)756200236 Cambridge introductions to music. http://id.loc.gov/authorities/names/no2009003922 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=438538 Volltext |
| spellingShingle | Cannon, Robert, 1947- Opera / Cambridge introductions to music. Part I : The seventeenth and eighteenth centuries. Pre-operatic forms -- First operatic forms -- Formalisation -- Reform : the reintegration of elements -- Comedy and the 'real world' -- Authentic performance -- -- Part II : The nineteenth century. Romanticism and romantic opera in Germany -- Opera in nineteenth-century Italy -- Grand opéra and the visual language of opera -- The Wagnerian revolution -- Nationalists : vernacular language and music -- The role of the singer -- -- Part III : The twentieth and twenty-first centuries. The turn of the century and the crisis in opera -- First modernism : Symbolist and Expressionist opera -- The dramaturgy of opera : libretto -- words and structures -- Narrative opera : realistic and non-realistic -- Radical narratives -- Directors and the direction of opera. Opera. MUSIC Genres & Styles Opera. bisacsh MUSIC Printed Music Opera & Classical Scores. bisacsh Opera fast Musique de scène Histoire et critique. |
| subject_GND | http://id.loc.gov/authorities/genreForms/gf2014026039 |
| title | Opera / |
| title_auth | Opera / |
| title_exact_search | Opera / |
| title_full | Opera / Robert Cannon. |
| title_fullStr | Opera / Robert Cannon. |
| title_full_unstemmed | Opera / Robert Cannon. |
| title_short | Opera / |
| title_sort | opera |
| topic | Opera. MUSIC Genres & Styles Opera. bisacsh MUSIC Printed Music Opera & Classical Scores. bisacsh Opera fast Musique de scène Histoire et critique. |
| topic_facet | Opera. MUSIC Genres & Styles Opera. MUSIC Printed Music Opera & Classical Scores. Opera Musique de scène Histoire et critique. dissertations. Academic theses Academic theses. Thèses et écrits académiques. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=438538 |
| work_keys_str_mv | AT cannonrobert opera |