That's All Folks? :: Ecocritical Readings of American Animated Features.
Although some credit the environmental movement of the 1970s, with its profound impact on children's television programs and movies, for paving the way for later eco-films, the history of environmental expression in animated film reaches much further back in American history, as That's All...
Gespeichert in:
1. Verfasser: | |
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Weitere Verfasser: | |
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Lincoln :
UNP - Nebraska,
2011.
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Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Although some credit the environmental movement of the 1970s, with its profound impact on children's television programs and movies, for paving the way for later eco-films, the history of environmental expression in animated film reaches much further back in American history, as That's All Folks? makes clear. Countering the view that the contemporary environmental movement--and the cartoons it influenced--came to life in the 1960s, Robin L. Murray and Joseph K. Heumann reveal how environmentalism was already a growing concern in animated films of the 1930s, 1940s, and 1950s. From Felix the Cat c. |
Beschreibung: | 1 online resource (296 pages) |
ISBN: | 9780803239647 0803239645 |
Internformat
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505 | 0 | |a Cover; Title Page; Copyright Page; Contents; Illustrations; Acknowledgments; IntroductionA Foundation for Contemporary Enviro-toons; 1. Bambi and Mr. Bug Goes to Town: Nature with or without Us; 2. Animal Liberation inthe 1940s and 1950s: What Disney Does for the Animal Rights Movement; 3. The UPA and the Environment: A Modernist Look at Urban Nature; 4. Animation and Live Action: A Demonstration of Interdependence?; 5. Rankin/Bass Studios, Nature, and the Supernatural: Where Technology Serves and Destroys; 6. Disney in the 1960s and 1970s: Blurring Boundaries between Human and Nonhuman Nature. | |
505 | 8 | |a 7. Dinosaurs Return: Evolution Outplays Disney's Binaries8. DreamWorks and Human and Nonhuman Ecology: Escape or Interdependence in Over the Hedge and Bee Movie; 9. Pixar and the Case of WALL-E: Moving between Environmental Adaptation and Sentimental Nostalgia; 10. The Simpsons Movie, Happy Feet, and Avatar: The Continuing Influence of Human, Organismic, Economic, and Chaotic Approaches to Ecology; Conclusion: Animation's Movement to Green?; Filmography; Works Cited; Index. | |
520 | |a Although some credit the environmental movement of the 1970s, with its profound impact on children's television programs and movies, for paving the way for later eco-films, the history of environmental expression in animated film reaches much further back in American history, as That's All Folks? makes clear. Countering the view that the contemporary environmental movement--and the cartoons it influenced--came to life in the 1960s, Robin L. Murray and Joseph K. Heumann reveal how environmentalism was already a growing concern in animated films of the 1930s, 1940s, and 1950s. From Felix the Cat c. | ||
588 | 0 | |a Print version record. | |
650 | 0 | |a Environmentalism in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh2009000538 | |
650 | 0 | |a Animated films. |0 http://id.loc.gov/authorities/subjects/sh85088032 | |
650 | 6 | |a Environnementalisme au cinéma. | |
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650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
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650 | 7 | |a Environmentalism in motion pictures |2 fast | |
655 | 7 | |a Animated films |2 fast | |
655 | 7 | |a Animated films. |2 lcgft |0 http://id.loc.gov/authorities/genreForms/gf2011026049 | |
700 | 1 | |a Heumann, Joseph K. | |
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776 | 0 | 8 | |i Print version: |a Murray, Robin L. |t That's All Folks? : Ecocritical Readings of American Animated Features. |d Lincoln : UNP - Nebraska, ©2011 |
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn793511402 |
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adam_text | |
any_adam_object | |
author | Murray, Robin L. |
author2 | Heumann, Joseph K. |
author2_role | |
author2_variant | j k h jk jkh |
author_facet | Murray, Robin L. Heumann, Joseph K. |
author_role | |
author_sort | Murray, Robin L. |
author_variant | r l m rl rlm |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | N - Fine Arts |
callnumber-label | NC1766 |
callnumber-raw | NC1766.5.E58 .M87 2011 |
callnumber-search | NC1766.5.E58 .M87 2011 |
callnumber-sort | NC 41766.5 E58 M87 42011 |
callnumber-subject | NC - Drawing, Design, Illustration |
collection | ZDB-4-EBA |
contents | Cover; Title Page; Copyright Page; Contents; Illustrations; Acknowledgments; IntroductionA Foundation for Contemporary Enviro-toons; 1. Bambi and Mr. Bug Goes to Town: Nature with or without Us; 2. Animal Liberation inthe 1940s and 1950s: What Disney Does for the Animal Rights Movement; 3. The UPA and the Environment: A Modernist Look at Urban Nature; 4. Animation and Live Action: A Demonstration of Interdependence?; 5. Rankin/Bass Studios, Nature, and the Supernatural: Where Technology Serves and Destroys; 6. Disney in the 1960s and 1970s: Blurring Boundaries between Human and Nonhuman Nature. 7. Dinosaurs Return: Evolution Outplays Disney's Binaries8. DreamWorks and Human and Nonhuman Ecology: Escape or Interdependence in Over the Hedge and Bee Movie; 9. Pixar and the Case of WALL-E: Moving between Environmental Adaptation and Sentimental Nostalgia; 10. The Simpsons Movie, Happy Feet, and Avatar: The Continuing Influence of Human, Organismic, Economic, and Chaotic Approaches to Ecology; Conclusion: Animation's Movement to Green?; Filmography; Works Cited; Index. |
ctrlnum | (OCoLC)793511402 |
dewey-full | 791.4334 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.4334 |
dewey-search | 791.4334 |
dewey-sort | 3791.4334 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
format | Electronic eBook |
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genre | Animated films fast Animated films. lcgft http://id.loc.gov/authorities/genreForms/gf2011026049 |
genre_facet | Animated films Animated films. |
id | ZDB-4-EBA-ocn793511402 |
illustrated | Not Illustrated |
indexdate | 2024-11-27T13:18:23Z |
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isbn | 9780803239647 0803239645 |
language | English |
oclc_num | 793511402 |
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psigel | ZDB-4-EBA |
publishDate | 2011 |
publishDateSearch | 2011 |
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publisher | UNP - Nebraska, |
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spelling | Murray, Robin L. That's All Folks? : Ecocritical Readings of American Animated Features. Lincoln : UNP - Nebraska, 2011. 1 online resource (296 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Cover; Title Page; Copyright Page; Contents; Illustrations; Acknowledgments; IntroductionA Foundation for Contemporary Enviro-toons; 1. Bambi and Mr. Bug Goes to Town: Nature with or without Us; 2. Animal Liberation inthe 1940s and 1950s: What Disney Does for the Animal Rights Movement; 3. The UPA and the Environment: A Modernist Look at Urban Nature; 4. Animation and Live Action: A Demonstration of Interdependence?; 5. Rankin/Bass Studios, Nature, and the Supernatural: Where Technology Serves and Destroys; 6. Disney in the 1960s and 1970s: Blurring Boundaries between Human and Nonhuman Nature. 7. Dinosaurs Return: Evolution Outplays Disney's Binaries8. DreamWorks and Human and Nonhuman Ecology: Escape or Interdependence in Over the Hedge and Bee Movie; 9. Pixar and the Case of WALL-E: Moving between Environmental Adaptation and Sentimental Nostalgia; 10. The Simpsons Movie, Happy Feet, and Avatar: The Continuing Influence of Human, Organismic, Economic, and Chaotic Approaches to Ecology; Conclusion: Animation's Movement to Green?; Filmography; Works Cited; Index. Although some credit the environmental movement of the 1970s, with its profound impact on children's television programs and movies, for paving the way for later eco-films, the history of environmental expression in animated film reaches much further back in American history, as That's All Folks? makes clear. Countering the view that the contemporary environmental movement--and the cartoons it influenced--came to life in the 1960s, Robin L. Murray and Joseph K. Heumann reveal how environmentalism was already a growing concern in animated films of the 1930s, 1940s, and 1950s. From Felix the Cat c. Print version record. Environmentalism in motion pictures. http://id.loc.gov/authorities/subjects/sh2009000538 Animated films. http://id.loc.gov/authorities/subjects/sh85088032 Environnementalisme au cinéma. PERFORMING ARTS Animation. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Animated films fast Environmentalism in motion pictures fast Animated films. lcgft http://id.loc.gov/authorities/genreForms/gf2011026049 Heumann, Joseph K. has work: That's all folks? (Text) https://id.oclc.org/worldcat/entity/E39PCG3HFhPbwwdmRkwyCCRTxP https://id.oclc.org/worldcat/ontology/hasWork Print version: Murray, Robin L. That's All Folks? : Ecocritical Readings of American Animated Features. Lincoln : UNP - Nebraska, ©2011 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=447379 Volltext |
spellingShingle | Murray, Robin L. That's All Folks? : Ecocritical Readings of American Animated Features. Cover; Title Page; Copyright Page; Contents; Illustrations; Acknowledgments; IntroductionA Foundation for Contemporary Enviro-toons; 1. Bambi and Mr. Bug Goes to Town: Nature with or without Us; 2. Animal Liberation inthe 1940s and 1950s: What Disney Does for the Animal Rights Movement; 3. The UPA and the Environment: A Modernist Look at Urban Nature; 4. Animation and Live Action: A Demonstration of Interdependence?; 5. Rankin/Bass Studios, Nature, and the Supernatural: Where Technology Serves and Destroys; 6. Disney in the 1960s and 1970s: Blurring Boundaries between Human and Nonhuman Nature. 7. Dinosaurs Return: Evolution Outplays Disney's Binaries8. DreamWorks and Human and Nonhuman Ecology: Escape or Interdependence in Over the Hedge and Bee Movie; 9. Pixar and the Case of WALL-E: Moving between Environmental Adaptation and Sentimental Nostalgia; 10. The Simpsons Movie, Happy Feet, and Avatar: The Continuing Influence of Human, Organismic, Economic, and Chaotic Approaches to Ecology; Conclusion: Animation's Movement to Green?; Filmography; Works Cited; Index. Environmentalism in motion pictures. http://id.loc.gov/authorities/subjects/sh2009000538 Animated films. http://id.loc.gov/authorities/subjects/sh85088032 Environnementalisme au cinéma. PERFORMING ARTS Animation. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Animated films fast Environmentalism in motion pictures fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh2009000538 http://id.loc.gov/authorities/subjects/sh85088032 http://id.loc.gov/authorities/genreForms/gf2011026049 |
title | That's All Folks? : Ecocritical Readings of American Animated Features. |
title_auth | That's All Folks? : Ecocritical Readings of American Animated Features. |
title_exact_search | That's All Folks? : Ecocritical Readings of American Animated Features. |
title_full | That's All Folks? : Ecocritical Readings of American Animated Features. |
title_fullStr | That's All Folks? : Ecocritical Readings of American Animated Features. |
title_full_unstemmed | That's All Folks? : Ecocritical Readings of American Animated Features. |
title_short | That's All Folks? : |
title_sort | that s all folks ecocritical readings of american animated features |
title_sub | Ecocritical Readings of American Animated Features. |
topic | Environmentalism in motion pictures. http://id.loc.gov/authorities/subjects/sh2009000538 Animated films. http://id.loc.gov/authorities/subjects/sh85088032 Environnementalisme au cinéma. PERFORMING ARTS Animation. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Animated films fast Environmentalism in motion pictures fast |
topic_facet | Environmentalism in motion pictures. Animated films. Environnementalisme au cinéma. PERFORMING ARTS Animation. PERFORMING ARTS Film & Video History & Criticism. Animated films Environmentalism in motion pictures |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=447379 |
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