A History of Singing.:
From its prehistoric past to its multicultural present, this history examines singing as a historical and universal phenomenon.
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge :
Cambridge University Press,
2012.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | From its prehistoric past to its multicultural present, this history examines singing as a historical and universal phenomenon. |
| Beschreibung: | France and the chanson tradition. |
| Beschreibung: | 1 online resource (360 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781139220453 1139220454 9781139223881 1139223887 9781139024419 1139024418 9780521817059 0521817056 1139209353 9781139209359 1316088995 9781316088999 1280393734 9781280393730 1139222171 9781139222174 9786613571656 6613571652 1139217364 9781139217361 1139214284 9781139214285 9781107630093 1107630096 |
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| 100 | 1 | |a Potter, John. | |
| 245 | 1 | 2 | |a A History of Singing. |
| 260 | |a Cambridge : |b Cambridge University Press, |c 2012. | ||
| 300 | |a 1 online resource (360 pages) | ||
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| 505 | 0 | |a Cover; A HISTORY OF SINGING; Title; Copyright; Contents; Acknowledgements; Introduction; PART I Imagined voices; Chapter 1 Origins, myths and muses; WHAT MAKES US SING?; A POSSIBLE GENESIS; UNTANGLING UNIVERSALS; BIRDS AND BEASTS AS SINGERS; A SCIENTIFIC APPROACH; MYTHOLOGICAL CONCLUSIONS; PART II Historical voices; CHAPTER 2 The genesis of the Western tradition; SINGING IN THE WESTERN ART MUSIC TRADITION: AN OVERVIEW; ORAL TRADITION IN THE ANCIENT WORLD; ORAL TRADITION IN ANCIENT GREECE; CHRISTIANITY: A RELIGION OF THE VOICE; ORAL VERSUS WRITTEN SOURCES; THE SOUND OF MEDIEVAL SINGING. | |
| 505 | 8 | |a NOTRE DAME AND AFTER: THE SPECIALISED SOLOISTSECULAR MONOPHONY: FROM ORAL TRADITION TO POETIC LYRIC; CHAPTER 3 The emerging soloist and the primacy of text; POLYPHONIC SONG; OCKEGHEM AND JOSQUIN: COMPOSING SINGERS; THE WRITTEN AND THE SUNG: INTABULATION; FROM POLYPHONIST TO SOLOIST: THE RISE OF THE VIRTUOSO; REVELATION VERSUS ROULADES: VIRTUOSITY AND THE PRIMACY OF TEXT; ITALIAN SINGING EXPORTED; CHAPTER 4 The age of the virtuoso; CASTRATO: AN ARTIFICIAL VOICE FOR VOCAL ARTIFICE; TRAINING AND PEDAGOGY: THE LONG TAIL OF RENAISSANCE TECHNIQUES; FROM PRIMO UOMO TO PRIMA DONNA. | |
| 505 | 8 | |a TOSI'S EUROPEAN REACHTHE COMPOSER AS SINGER; CHAPTER 5 The nineteenth-century revolution; THE RISING MALE; NEW TIMES, NEW TEACHING: GARCIA AND THE CONSERVATOIRE; TECHNIQUE AND STYLE POST-GARCIA; WAGNER'S VOCAL VISION; NEW SINGING, ANCIENT TRADITION; PART III Recorded voices; CHAPTER 6 A Great Tradition: singing through history -- history through singing; APOLOGIA; CARRIERS OF TRADITION; ORIGINS AND PRIORITIES; CARNATIC MUSIC; BIMUSICALITY: WESTERN MUSICIANS CAN MASTER INDIAN MUSIC; HINDUSTANI MUSIC: DHRUPAD; KHYAL; SINGING AND MODERN TECHNOLOGY; GENDER. | |
| 505 | 8 | |a SINGING WITH THE HANDS AND THROUGH THE INSTRUMENTS HOW SINGING IS ACCOMPANIED; TOWARDS VOCAL AND INSTRUMENTAL PARITY; CHAPTER 7 Classical singing in the twentieth century: recording and retrenchment; THE GRAMOPHONE AND THE END OF INNOCENCE; THE SONG REPERTOIRE AND THE CREATION OF ART SONG; INTERPRETING THE FIRST RECORDINGS; PORTAMENTO AS A DEFINING CRITERION OF GOOD SINGING; THE WAR YEARS AND AFTER: 'STÄNDCHEN' AS A BAROMETER OF TASTE; PORTAMENTO AND CURRENT PERFORMANCE PRACTICE; FROM PARADIGM TO PERFORMANCE: PERFORMERS, TEACHERS AND THEIR MODELS. | |
| 505 | 8 | |a CHAPTER 8 Post-classical: beyond the mainstreamSTYLISTIC FRAGMENTATION AND DIVERGENCE; THE EARLY MUSIC MOVEMENT; THE VOCAL AVANT-GARDE; CHAPTER 9 The emancipation of the popular voice; POPULAR CLASSICAL: ASPIRATIONAL IMITATION; THE MICROPHONE AND THE INTERNATIONAL PROJECTION OF INTIMACY; CROONING; VIRTUOSITY, IMPROVISATION AND THE LIMITS OF JAZZ; THE END OF AN ERA; ELVIS PRESLEY AND STYLISTIC SYNTHESIS; THE SINGER RECLAIMS THE SONG; HIP-HOP: A GLOBAL SUBCULTURE; THE END OF THE ANGLOPHONE ERA?; CHAPTER 10 Sung and unsung: singers and songs of the non-English-speaking world; GERMANY AND CABARET. | |
| 500 | |a France and the chanson tradition. | ||
| 520 | |a From its prehistoric past to its multicultural present, this history examines singing as a historical and universal phenomenon. | ||
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references and index. | ||
| 546 | |a English. | ||
| 650 | 0 | |a Singing |x History. | |
| 650 | 0 | |a Choral singing |x History. | |
| 650 | 0 | |a Vocal music |x History and criticism. |0 http://id.loc.gov/authorities/subjects/sh85144092 | |
| 650 | 6 | |a Chant |x Histoire. | |
| 650 | 6 | |a Chant choral |x Histoire. | |
| 650 | 6 | |a Musique vocale |x Histoire et critique. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Voice. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Lyrics. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Printed Music |x Vocal. |2 bisacsh | |
| 650 | 7 | |a Choral singing |2 fast | |
| 650 | 7 | |a Singing |2 fast | |
| 650 | 7 | |a Vocal music |2 fast | |
| 650 | 7 | |a Gesang |2 gnd |0 http://d-nb.info/gnd/4020470-4 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 700 | 1 | |a Sorrell, Neil. | |
| 776 | 0 | 8 | |i Print version: |a Potter, John. |t A History of Singing. |d Cambridge : Cambridge University Press, ©2012 |z 9780521817059 |
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Datensatz im Suchindex
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| adam_text | |
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| author | Potter, John |
| author2 | Sorrell, Neil |
| author2_role | |
| author2_variant | n s ns |
| author_facet | Potter, John Sorrell, Neil |
| author_role | |
| author_sort | Potter, John |
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| callnumber-search | MT893 |
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| collection | ZDB-4-EBA |
| contents | Cover; A HISTORY OF SINGING; Title; Copyright; Contents; Acknowledgements; Introduction; PART I Imagined voices; Chapter 1 Origins, myths and muses; WHAT MAKES US SING?; A POSSIBLE GENESIS; UNTANGLING UNIVERSALS; BIRDS AND BEASTS AS SINGERS; A SCIENTIFIC APPROACH; MYTHOLOGICAL CONCLUSIONS; PART II Historical voices; CHAPTER 2 The genesis of the Western tradition; SINGING IN THE WESTERN ART MUSIC TRADITION: AN OVERVIEW; ORAL TRADITION IN THE ANCIENT WORLD; ORAL TRADITION IN ANCIENT GREECE; CHRISTIANITY: A RELIGION OF THE VOICE; ORAL VERSUS WRITTEN SOURCES; THE SOUND OF MEDIEVAL SINGING. NOTRE DAME AND AFTER: THE SPECIALISED SOLOISTSECULAR MONOPHONY: FROM ORAL TRADITION TO POETIC LYRIC; CHAPTER 3 The emerging soloist and the primacy of text; POLYPHONIC SONG; OCKEGHEM AND JOSQUIN: COMPOSING SINGERS; THE WRITTEN AND THE SUNG: INTABULATION; FROM POLYPHONIST TO SOLOIST: THE RISE OF THE VIRTUOSO; REVELATION VERSUS ROULADES: VIRTUOSITY AND THE PRIMACY OF TEXT; ITALIAN SINGING EXPORTED; CHAPTER 4 The age of the virtuoso; CASTRATO: AN ARTIFICIAL VOICE FOR VOCAL ARTIFICE; TRAINING AND PEDAGOGY: THE LONG TAIL OF RENAISSANCE TECHNIQUES; FROM PRIMO UOMO TO PRIMA DONNA. TOSI'S EUROPEAN REACHTHE COMPOSER AS SINGER; CHAPTER 5 The nineteenth-century revolution; THE RISING MALE; NEW TIMES, NEW TEACHING: GARCIA AND THE CONSERVATOIRE; TECHNIQUE AND STYLE POST-GARCIA; WAGNER'S VOCAL VISION; NEW SINGING, ANCIENT TRADITION; PART III Recorded voices; CHAPTER 6 A Great Tradition: singing through history -- history through singing; APOLOGIA; CARRIERS OF TRADITION; ORIGINS AND PRIORITIES; CARNATIC MUSIC; BIMUSICALITY: WESTERN MUSICIANS CAN MASTER INDIAN MUSIC; HINDUSTANI MUSIC: DHRUPAD; KHYAL; SINGING AND MODERN TECHNOLOGY; GENDER. SINGING WITH THE HANDS AND THROUGH THE INSTRUMENTS HOW SINGING IS ACCOMPANIED; TOWARDS VOCAL AND INSTRUMENTAL PARITY; CHAPTER 7 Classical singing in the twentieth century: recording and retrenchment; THE GRAMOPHONE AND THE END OF INNOCENCE; THE SONG REPERTOIRE AND THE CREATION OF ART SONG; INTERPRETING THE FIRST RECORDINGS; PORTAMENTO AS A DEFINING CRITERION OF GOOD SINGING; THE WAR YEARS AND AFTER: 'STÄNDCHEN' AS A BAROMETER OF TASTE; PORTAMENTO AND CURRENT PERFORMANCE PRACTICE; FROM PARADIGM TO PERFORMANCE: PERFORMERS, TEACHERS AND THEIR MODELS. CHAPTER 8 Post-classical: beyond the mainstreamSTYLISTIC FRAGMENTATION AND DIVERGENCE; THE EARLY MUSIC MOVEMENT; THE VOCAL AVANT-GARDE; CHAPTER 9 The emancipation of the popular voice; POPULAR CLASSICAL: ASPIRATIONAL IMITATION; THE MICROPHONE AND THE INTERNATIONAL PROJECTION OF INTIMACY; CROONING; VIRTUOSITY, IMPROVISATION AND THE LIMITS OF JAZZ; THE END OF AN ERA; ELVIS PRESLEY AND STYLISTIC SYNTHESIS; THE SINGER RECLAIMS THE SONG; HIP-HOP: A GLOBAL SUBCULTURE; THE END OF THE ANGLOPHONE ERA?; CHAPTER 10 Sung and unsung: singers and songs of the non-English-speaking world; GERMANY AND CABARET. |
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| dewey-ones | 783 - Music for single voices |
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| genre | Criticism, interpretation, etc. fast History fast |
| genre_facet | Criticism, interpretation, etc. History |
| id | ZDB-4-EBA-ocn793510845 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:18:23Z |
| institution | BVB |
| isbn | 9781139220453 1139220454 9781139223881 1139223887 9781139024419 1139024418 9780521817059 0521817056 1139209353 9781139209359 1316088995 9781316088999 1280393734 9781280393730 1139222171 9781139222174 9786613571656 6613571652 1139217364 9781139217361 1139214284 9781139214285 9781107630093 1107630096 |
| language | English |
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| physical | 1 online resource (360 pages) |
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| spelling | Potter, John. A History of Singing. Cambridge : Cambridge University Press, 2012. 1 online resource (360 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Cover; A HISTORY OF SINGING; Title; Copyright; Contents; Acknowledgements; Introduction; PART I Imagined voices; Chapter 1 Origins, myths and muses; WHAT MAKES US SING?; A POSSIBLE GENESIS; UNTANGLING UNIVERSALS; BIRDS AND BEASTS AS SINGERS; A SCIENTIFIC APPROACH; MYTHOLOGICAL CONCLUSIONS; PART II Historical voices; CHAPTER 2 The genesis of the Western tradition; SINGING IN THE WESTERN ART MUSIC TRADITION: AN OVERVIEW; ORAL TRADITION IN THE ANCIENT WORLD; ORAL TRADITION IN ANCIENT GREECE; CHRISTIANITY: A RELIGION OF THE VOICE; ORAL VERSUS WRITTEN SOURCES; THE SOUND OF MEDIEVAL SINGING. NOTRE DAME AND AFTER: THE SPECIALISED SOLOISTSECULAR MONOPHONY: FROM ORAL TRADITION TO POETIC LYRIC; CHAPTER 3 The emerging soloist and the primacy of text; POLYPHONIC SONG; OCKEGHEM AND JOSQUIN: COMPOSING SINGERS; THE WRITTEN AND THE SUNG: INTABULATION; FROM POLYPHONIST TO SOLOIST: THE RISE OF THE VIRTUOSO; REVELATION VERSUS ROULADES: VIRTUOSITY AND THE PRIMACY OF TEXT; ITALIAN SINGING EXPORTED; CHAPTER 4 The age of the virtuoso; CASTRATO: AN ARTIFICIAL VOICE FOR VOCAL ARTIFICE; TRAINING AND PEDAGOGY: THE LONG TAIL OF RENAISSANCE TECHNIQUES; FROM PRIMO UOMO TO PRIMA DONNA. TOSI'S EUROPEAN REACHTHE COMPOSER AS SINGER; CHAPTER 5 The nineteenth-century revolution; THE RISING MALE; NEW TIMES, NEW TEACHING: GARCIA AND THE CONSERVATOIRE; TECHNIQUE AND STYLE POST-GARCIA; WAGNER'S VOCAL VISION; NEW SINGING, ANCIENT TRADITION; PART III Recorded voices; CHAPTER 6 A Great Tradition: singing through history -- history through singing; APOLOGIA; CARRIERS OF TRADITION; ORIGINS AND PRIORITIES; CARNATIC MUSIC; BIMUSICALITY: WESTERN MUSICIANS CAN MASTER INDIAN MUSIC; HINDUSTANI MUSIC: DHRUPAD; KHYAL; SINGING AND MODERN TECHNOLOGY; GENDER. SINGING WITH THE HANDS AND THROUGH THE INSTRUMENTS HOW SINGING IS ACCOMPANIED; TOWARDS VOCAL AND INSTRUMENTAL PARITY; CHAPTER 7 Classical singing in the twentieth century: recording and retrenchment; THE GRAMOPHONE AND THE END OF INNOCENCE; THE SONG REPERTOIRE AND THE CREATION OF ART SONG; INTERPRETING THE FIRST RECORDINGS; PORTAMENTO AS A DEFINING CRITERION OF GOOD SINGING; THE WAR YEARS AND AFTER: 'STÄNDCHEN' AS A BAROMETER OF TASTE; PORTAMENTO AND CURRENT PERFORMANCE PRACTICE; FROM PARADIGM TO PERFORMANCE: PERFORMERS, TEACHERS AND THEIR MODELS. CHAPTER 8 Post-classical: beyond the mainstreamSTYLISTIC FRAGMENTATION AND DIVERGENCE; THE EARLY MUSIC MOVEMENT; THE VOCAL AVANT-GARDE; CHAPTER 9 The emancipation of the popular voice; POPULAR CLASSICAL: ASPIRATIONAL IMITATION; THE MICROPHONE AND THE INTERNATIONAL PROJECTION OF INTIMACY; CROONING; VIRTUOSITY, IMPROVISATION AND THE LIMITS OF JAZZ; THE END OF AN ERA; ELVIS PRESLEY AND STYLISTIC SYNTHESIS; THE SINGER RECLAIMS THE SONG; HIP-HOP: A GLOBAL SUBCULTURE; THE END OF THE ANGLOPHONE ERA?; CHAPTER 10 Sung and unsung: singers and songs of the non-English-speaking world; GERMANY AND CABARET. France and the chanson tradition. From its prehistoric past to its multicultural present, this history examines singing as a historical and universal phenomenon. Print version record. Includes bibliographical references and index. English. Singing History. Choral singing History. Vocal music History and criticism. http://id.loc.gov/authorities/subjects/sh85144092 Chant Histoire. Chant choral Histoire. Musique vocale Histoire et critique. MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh Choral singing fast Singing fast Vocal music fast Gesang gnd http://d-nb.info/gnd/4020470-4 Criticism, interpretation, etc. fast History fast Sorrell, Neil. Print version: Potter, John. A History of Singing. Cambridge : Cambridge University Press, ©2012 9780521817059 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=438962 Volltext |
| spellingShingle | Potter, John A History of Singing. Cover; A HISTORY OF SINGING; Title; Copyright; Contents; Acknowledgements; Introduction; PART I Imagined voices; Chapter 1 Origins, myths and muses; WHAT MAKES US SING?; A POSSIBLE GENESIS; UNTANGLING UNIVERSALS; BIRDS AND BEASTS AS SINGERS; A SCIENTIFIC APPROACH; MYTHOLOGICAL CONCLUSIONS; PART II Historical voices; CHAPTER 2 The genesis of the Western tradition; SINGING IN THE WESTERN ART MUSIC TRADITION: AN OVERVIEW; ORAL TRADITION IN THE ANCIENT WORLD; ORAL TRADITION IN ANCIENT GREECE; CHRISTIANITY: A RELIGION OF THE VOICE; ORAL VERSUS WRITTEN SOURCES; THE SOUND OF MEDIEVAL SINGING. NOTRE DAME AND AFTER: THE SPECIALISED SOLOISTSECULAR MONOPHONY: FROM ORAL TRADITION TO POETIC LYRIC; CHAPTER 3 The emerging soloist and the primacy of text; POLYPHONIC SONG; OCKEGHEM AND JOSQUIN: COMPOSING SINGERS; THE WRITTEN AND THE SUNG: INTABULATION; FROM POLYPHONIST TO SOLOIST: THE RISE OF THE VIRTUOSO; REVELATION VERSUS ROULADES: VIRTUOSITY AND THE PRIMACY OF TEXT; ITALIAN SINGING EXPORTED; CHAPTER 4 The age of the virtuoso; CASTRATO: AN ARTIFICIAL VOICE FOR VOCAL ARTIFICE; TRAINING AND PEDAGOGY: THE LONG TAIL OF RENAISSANCE TECHNIQUES; FROM PRIMO UOMO TO PRIMA DONNA. TOSI'S EUROPEAN REACHTHE COMPOSER AS SINGER; CHAPTER 5 The nineteenth-century revolution; THE RISING MALE; NEW TIMES, NEW TEACHING: GARCIA AND THE CONSERVATOIRE; TECHNIQUE AND STYLE POST-GARCIA; WAGNER'S VOCAL VISION; NEW SINGING, ANCIENT TRADITION; PART III Recorded voices; CHAPTER 6 A Great Tradition: singing through history -- history through singing; APOLOGIA; CARRIERS OF TRADITION; ORIGINS AND PRIORITIES; CARNATIC MUSIC; BIMUSICALITY: WESTERN MUSICIANS CAN MASTER INDIAN MUSIC; HINDUSTANI MUSIC: DHRUPAD; KHYAL; SINGING AND MODERN TECHNOLOGY; GENDER. SINGING WITH THE HANDS AND THROUGH THE INSTRUMENTS HOW SINGING IS ACCOMPANIED; TOWARDS VOCAL AND INSTRUMENTAL PARITY; CHAPTER 7 Classical singing in the twentieth century: recording and retrenchment; THE GRAMOPHONE AND THE END OF INNOCENCE; THE SONG REPERTOIRE AND THE CREATION OF ART SONG; INTERPRETING THE FIRST RECORDINGS; PORTAMENTO AS A DEFINING CRITERION OF GOOD SINGING; THE WAR YEARS AND AFTER: 'STÄNDCHEN' AS A BAROMETER OF TASTE; PORTAMENTO AND CURRENT PERFORMANCE PRACTICE; FROM PARADIGM TO PERFORMANCE: PERFORMERS, TEACHERS AND THEIR MODELS. CHAPTER 8 Post-classical: beyond the mainstreamSTYLISTIC FRAGMENTATION AND DIVERGENCE; THE EARLY MUSIC MOVEMENT; THE VOCAL AVANT-GARDE; CHAPTER 9 The emancipation of the popular voice; POPULAR CLASSICAL: ASPIRATIONAL IMITATION; THE MICROPHONE AND THE INTERNATIONAL PROJECTION OF INTIMACY; CROONING; VIRTUOSITY, IMPROVISATION AND THE LIMITS OF JAZZ; THE END OF AN ERA; ELVIS PRESLEY AND STYLISTIC SYNTHESIS; THE SINGER RECLAIMS THE SONG; HIP-HOP: A GLOBAL SUBCULTURE; THE END OF THE ANGLOPHONE ERA?; CHAPTER 10 Sung and unsung: singers and songs of the non-English-speaking world; GERMANY AND CABARET. Singing History. Choral singing History. Vocal music History and criticism. http://id.loc.gov/authorities/subjects/sh85144092 Chant Histoire. Chant choral Histoire. Musique vocale Histoire et critique. MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh Choral singing fast Singing fast Vocal music fast Gesang gnd http://d-nb.info/gnd/4020470-4 |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85144092 http://d-nb.info/gnd/4020470-4 |
| title | A History of Singing. |
| title_auth | A History of Singing. |
| title_exact_search | A History of Singing. |
| title_full | A History of Singing. |
| title_fullStr | A History of Singing. |
| title_full_unstemmed | A History of Singing. |
| title_short | A History of Singing. |
| title_sort | history of singing |
| topic | Singing History. Choral singing History. Vocal music History and criticism. http://id.loc.gov/authorities/subjects/sh85144092 Chant Histoire. Chant choral Histoire. Musique vocale Histoire et critique. MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh Choral singing fast Singing fast Vocal music fast Gesang gnd http://d-nb.info/gnd/4020470-4 |
| topic_facet | Singing History. Choral singing History. Vocal music History and criticism. Chant Histoire. Chant choral Histoire. Musique vocale Histoire et critique. MUSIC Instruction & Study Voice. MUSIC Lyrics. MUSIC Printed Music Vocal. Choral singing Singing Vocal music Gesang Criticism, interpretation, etc. History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=438962 |
| work_keys_str_mv | AT potterjohn ahistoryofsinging AT sorrellneil ahistoryofsinging AT potterjohn historyofsinging AT sorrellneil historyofsinging |