America's corporate art :: the studio authorship of Hollywood motion pictures /
Contrary to theories of single person authorship, America's Corporate Art argues that the corporate studio is the author of Hollywood motion pictures, both during the classical era of the studio system and beyond, when studios became players in global dramas staged by massive entertainment cong...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Stanford, Calif. :
Stanford University Press,
©2012.
|
| Schriftenreihe: | Post 45.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Contrary to theories of single person authorship, America's Corporate Art argues that the corporate studio is the author of Hollywood motion pictures, both during the classical era of the studio system and beyond, when studios became players in global dramas staged by massive entertainment conglomerates. Hollywood movies are examples of a commodity that, until the digital age, was rare: a self-advertising artifact that markets the studio's brand in the very act of consumption. The book covers the history of corporate authorship through the antithetical visions of two of the most dominant Hollywood studios, Warner Bros. and MGM. During the classical era, these studios promoted their brands as competing social visions in strategically significant pictures such as MGM's Singin' in the Rain and Warner's The Fountainhead. Christensen follows the studios' divergent fates as MGM declined into a valuable and portable logo, while Warner Bros. employed Batman, JFK, and You've Got Mail to seal deals that made it the biggest entertainment corporation in the world. The book concludes with an analysis of the Disney-Pixar merger and the first two Toy Story movies in light of the recent judicial extension of constitutional rights of the corporate person. |
| Beschreibung: | 1 online resource. |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 0804778426 9780804778428 |
Internformat
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| 100 | 1 | |a Christensen, Jerome, |d 1948- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjC98X8YgXkkmhYxjJy3Km |0 http://id.loc.gov/authorities/names/n81079267 | |
| 245 | 1 | 0 | |a America's corporate art : |b the studio authorship of Hollywood motion pictures / |c Jerome Christensen. |
| 260 | |a Stanford, Calif. : |b Stanford University Press, |c ©2012. | ||
| 300 | |a 1 online resource. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a The rackets : entertainment inc. and the Warners gang (1928-1939) -- MGM and the invention of the postwar era : Mrs. Miniver and Battleground (1940-1949) -- "'Til the stars go cold" : Singin' in the rain, The band wagon, and Executive suite (1952-1954) -- Ownership and authorship : Warners' Fountainhead and Hitchcock's Vertigo (1949-1958) -- Saving Warner Bros. : Bonnie and Clyde, the movements, and the merger (1964-1968) -- Post-Warners Warners : Batman and JFK; You've got mail (1989-1998) -- The conscience of a corporation : toys united the Disney-Pixar merger, and the assertion of "cultural" authorship (1939-2006). | |
| 588 | 0 | |a Print version record. | |
| 520 | 0 | |a Contrary to theories of single person authorship, America's Corporate Art argues that the corporate studio is the author of Hollywood motion pictures, both during the classical era of the studio system and beyond, when studios became players in global dramas staged by massive entertainment conglomerates. Hollywood movies are examples of a commodity that, until the digital age, was rare: a self-advertising artifact that markets the studio's brand in the very act of consumption. The book covers the history of corporate authorship through the antithetical visions of two of the most dominant Hollywood studios, Warner Bros. and MGM. During the classical era, these studios promoted their brands as competing social visions in strategically significant pictures such as MGM's Singin' in the Rain and Warner's The Fountainhead. Christensen follows the studios' divergent fates as MGM declined into a valuable and portable logo, while Warner Bros. employed Batman, JFK, and You've Got Mail to seal deals that made it the biggest entertainment corporation in the world. The book concludes with an analysis of the Disney-Pixar merger and the first two Toy Story movies in light of the recent judicial extension of constitutional rights of the corporate person. | |
| 650 | 0 | |a Motion picture authorship |z California |z Los Angeles |x History. | |
| 650 | 0 | |a Motion picture industry |z California |z Los Angeles |x History. | |
| 650 | 0 | |a Motion picture studios |z California |z Los Angeles |x History. | |
| 651 | 0 | |a Hollywood (Los Angeles, Calif.) |x History. | |
| 650 | 6 | |a Cinéma |x Art d'écrire |z Californie |z Los Angeles |x Histoire. | |
| 650 | 6 | |a Cinéma |x Industrie |z Californie |z Los Angeles |x Histoire. | |
| 650 | 6 | |a Studios de cinéma |z Californie |z Los Angeles |x Histoire. | |
| 650 | 7 | |a BUSINESS & ECONOMICS |x Industries |x Media & Communications. |2 bisacsh | |
| 650 | 7 | |a TECHNOLOGY & ENGINEERING |x Telecommunications. |2 bisacsh | |
| 650 | 7 | |a Motion picture authorship |2 fast | |
| 650 | 7 | |a Motion picture industry |2 fast | |
| 650 | 7 | |a Motion picture studios |2 fast | |
| 651 | 7 | |a California |z Los Angeles |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJfWYmJkDYcpGWYVDfWxDq | |
| 651 | 7 | |a California |z Los Angeles |z Hollywood |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJpYCXdfWCCGDF38RTMgKd | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |t America's corporate art. |d Stanford, CA : Stanford University Press, 2012 |w (DLC) 2011027422 |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn792947916 |
|---|---|
| _version_ | 1816881794140602368 |
| adam_text | |
| any_adam_object | |
| author | Christensen, Jerome, 1948- |
| author_GND | http://id.loc.gov/authorities/names/n81079267 |
| author_facet | Christensen, Jerome, 1948- |
| author_role | aut |
| author_sort | Christensen, Jerome, 1948- |
| author_variant | j c jc |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1993 |
| callnumber-raw | PN1993.5.U65 C525 2012 |
| callnumber-search | PN1993.5.U65 C525 2012 |
| callnumber-sort | PN 41993.5 U65 C525 42012 |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | The rackets : entertainment inc. and the Warners gang (1928-1939) -- MGM and the invention of the postwar era : Mrs. Miniver and Battleground (1940-1949) -- "'Til the stars go cold" : Singin' in the rain, The band wagon, and Executive suite (1952-1954) -- Ownership and authorship : Warners' Fountainhead and Hitchcock's Vertigo (1949-1958) -- Saving Warner Bros. : Bonnie and Clyde, the movements, and the merger (1964-1968) -- Post-Warners Warners : Batman and JFK; You've got mail (1989-1998) -- The conscience of a corporation : toys united the Disney-Pixar merger, and the assertion of "cultural" authorship (1939-2006). |
| ctrlnum | (OCoLC)792947916 |
| dewey-full | 384/.80979494 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 384 - Communications |
| dewey-raw | 384/.80979494 |
| dewey-search | 384/.80979494 |
| dewey-sort | 3384 880979494 |
| dewey-tens | 380 - Commerce, communications, transportation |
| discipline | Wirtschaftswissenschaften |
| format | Electronic eBook |
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| genre_facet | History |
| geographic | Hollywood (Los Angeles, Calif.) History. California Los Angeles fast https://id.oclc.org/worldcat/entity/E39PBJfWYmJkDYcpGWYVDfWxDq California Los Angeles Hollywood fast https://id.oclc.org/worldcat/entity/E39PBJpYCXdfWCCGDF38RTMgKd |
| geographic_facet | Hollywood (Los Angeles, Calif.) History. California Los Angeles California Los Angeles Hollywood |
| id | ZDB-4-EBA-ocn792947916 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:18:22Z |
| institution | BVB |
| isbn | 0804778426 9780804778428 |
| language | English |
| lccn | 2011027422 |
| oclc_num | 792947916 |
| open_access_boolean | |
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| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource. |
| psigel | ZDB-4-EBA |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Stanford University Press, |
| record_format | marc |
| series | Post 45. |
| series2 | Post 45 |
| spelling | Christensen, Jerome, 1948- author. https://id.oclc.org/worldcat/entity/E39PCjC98X8YgXkkmhYxjJy3Km http://id.loc.gov/authorities/names/n81079267 America's corporate art : the studio authorship of Hollywood motion pictures / Jerome Christensen. Stanford, Calif. : Stanford University Press, ©2012. 1 online resource. text txt rdacontent computer c rdamedia online resource cr rdacarrier Post 45 Includes bibliographical references and index. The rackets : entertainment inc. and the Warners gang (1928-1939) -- MGM and the invention of the postwar era : Mrs. Miniver and Battleground (1940-1949) -- "'Til the stars go cold" : Singin' in the rain, The band wagon, and Executive suite (1952-1954) -- Ownership and authorship : Warners' Fountainhead and Hitchcock's Vertigo (1949-1958) -- Saving Warner Bros. : Bonnie and Clyde, the movements, and the merger (1964-1968) -- Post-Warners Warners : Batman and JFK; You've got mail (1989-1998) -- The conscience of a corporation : toys united the Disney-Pixar merger, and the assertion of "cultural" authorship (1939-2006). Print version record. Contrary to theories of single person authorship, America's Corporate Art argues that the corporate studio is the author of Hollywood motion pictures, both during the classical era of the studio system and beyond, when studios became players in global dramas staged by massive entertainment conglomerates. Hollywood movies are examples of a commodity that, until the digital age, was rare: a self-advertising artifact that markets the studio's brand in the very act of consumption. The book covers the history of corporate authorship through the antithetical visions of two of the most dominant Hollywood studios, Warner Bros. and MGM. During the classical era, these studios promoted their brands as competing social visions in strategically significant pictures such as MGM's Singin' in the Rain and Warner's The Fountainhead. Christensen follows the studios' divergent fates as MGM declined into a valuable and portable logo, while Warner Bros. employed Batman, JFK, and You've Got Mail to seal deals that made it the biggest entertainment corporation in the world. The book concludes with an analysis of the Disney-Pixar merger and the first two Toy Story movies in light of the recent judicial extension of constitutional rights of the corporate person. Motion picture authorship California Los Angeles History. Motion picture industry California Los Angeles History. Motion picture studios California Los Angeles History. Hollywood (Los Angeles, Calif.) History. Cinéma Art d'écrire Californie Los Angeles Histoire. Cinéma Industrie Californie Los Angeles Histoire. Studios de cinéma Californie Los Angeles Histoire. BUSINESS & ECONOMICS Industries Media & Communications. bisacsh TECHNOLOGY & ENGINEERING Telecommunications. bisacsh Motion picture authorship fast Motion picture industry fast Motion picture studios fast California Los Angeles fast https://id.oclc.org/worldcat/entity/E39PBJfWYmJkDYcpGWYVDfWxDq California Los Angeles Hollywood fast https://id.oclc.org/worldcat/entity/E39PBJpYCXdfWCCGDF38RTMgKd History fast Print version: America's corporate art. Stanford, CA : Stanford University Press, 2012 (DLC) 2011027422 Post 45. http://id.loc.gov/authorities/names/no2011100329 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=713315 Volltext |
| spellingShingle | Christensen, Jerome, 1948- America's corporate art : the studio authorship of Hollywood motion pictures / Post 45. The rackets : entertainment inc. and the Warners gang (1928-1939) -- MGM and the invention of the postwar era : Mrs. Miniver and Battleground (1940-1949) -- "'Til the stars go cold" : Singin' in the rain, The band wagon, and Executive suite (1952-1954) -- Ownership and authorship : Warners' Fountainhead and Hitchcock's Vertigo (1949-1958) -- Saving Warner Bros. : Bonnie and Clyde, the movements, and the merger (1964-1968) -- Post-Warners Warners : Batman and JFK; You've got mail (1989-1998) -- The conscience of a corporation : toys united the Disney-Pixar merger, and the assertion of "cultural" authorship (1939-2006). Motion picture authorship California Los Angeles History. Motion picture industry California Los Angeles History. Motion picture studios California Los Angeles History. Cinéma Art d'écrire Californie Los Angeles Histoire. Cinéma Industrie Californie Los Angeles Histoire. Studios de cinéma Californie Los Angeles Histoire. BUSINESS & ECONOMICS Industries Media & Communications. bisacsh TECHNOLOGY & ENGINEERING Telecommunications. bisacsh Motion picture authorship fast Motion picture industry fast Motion picture studios fast |
| title | America's corporate art : the studio authorship of Hollywood motion pictures / |
| title_auth | America's corporate art : the studio authorship of Hollywood motion pictures / |
| title_exact_search | America's corporate art : the studio authorship of Hollywood motion pictures / |
| title_full | America's corporate art : the studio authorship of Hollywood motion pictures / Jerome Christensen. |
| title_fullStr | America's corporate art : the studio authorship of Hollywood motion pictures / Jerome Christensen. |
| title_full_unstemmed | America's corporate art : the studio authorship of Hollywood motion pictures / Jerome Christensen. |
| title_short | America's corporate art : |
| title_sort | america s corporate art the studio authorship of hollywood motion pictures |
| title_sub | the studio authorship of Hollywood motion pictures / |
| topic | Motion picture authorship California Los Angeles History. Motion picture industry California Los Angeles History. Motion picture studios California Los Angeles History. Cinéma Art d'écrire Californie Los Angeles Histoire. Cinéma Industrie Californie Los Angeles Histoire. Studios de cinéma Californie Los Angeles Histoire. BUSINESS & ECONOMICS Industries Media & Communications. bisacsh TECHNOLOGY & ENGINEERING Telecommunications. bisacsh Motion picture authorship fast Motion picture industry fast Motion picture studios fast |
| topic_facet | Motion picture authorship California Los Angeles History. Motion picture industry California Los Angeles History. Motion picture studios California Los Angeles History. Hollywood (Los Angeles, Calif.) History. Cinéma Art d'écrire Californie Los Angeles Histoire. Cinéma Industrie Californie Los Angeles Histoire. Studios de cinéma Californie Los Angeles Histoire. BUSINESS & ECONOMICS Industries Media & Communications. TECHNOLOGY & ENGINEERING Telecommunications. Motion picture authorship Motion picture industry Motion picture studios California Los Angeles California Los Angeles Hollywood History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=713315 |
| work_keys_str_mv | AT christensenjerome americascorporateartthestudioauthorshipofhollywoodmotionpictures |