Performing Greek Comedy.:
A new account of Greek comedy performance from its sixth-century origins to New Comedy, drawing upon fresh visual evidence.
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge :
Cambridge University Press,
2011.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | A new account of Greek comedy performance from its sixth-century origins to New Comedy, drawing upon fresh visual evidence. |
| Beschreibung: | Canonical poets. |
| Beschreibung: | 1 online resource (330 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781139338516 113933851X 9781139336772 1139336770 1280394005 9781280394003 9780511920820 0511920822 1107437369 9781107437364 |
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| 100 | 1 | |a Hughes, Alan. | |
| 245 | 1 | 0 | |a Performing Greek Comedy. |
| 260 | |a Cambridge : |b Cambridge University Press, |c 2011. | ||
| 300 | |a 1 online resource (330 pages) | ||
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| 505 | 0 | |a Cover; PERFORMING GREEK COMEDY; TITLE; COPYRIGHT; Contents; Illustrations; Preface; CHAPTER 1: Comedy in art, Athens and abroad; THE EVIDENCE; Vases; Figurines; Is this evidence reliable?; FESTIVAL AND COMPETITION; THE PROFESSION OF ACTOR; TOURING; CHAPTER 2: Poets of Old and Middle Comedy; ARCHAIC COMEDY; OLD COMEDY AND FESTIVAL; Magnes; THE SICILIAN CONNECTION; Epicharmos; MATURE OLD COMEDY; Kratinos; Krates; Pherekrates; Eupolis; Aristophanes; Aristophanic comedy; Lost Aristophanes; MIDDLE COMEDY; Professional theatre; Navigating Middle Comedy; Aristophanes' Middle Comedies. | |
| 505 | 8 | |a Decline of the chorus?POETS AND TYPES OF MIDDLE COMEDY; Myth and tragedy upside-down; City comedy; Satire; THE ARCHAEOLOGICAL RECORD; Archaeology, uses and limitations; Vases, changing comic styles; Figurines, stage characters; BEYOND ATHENS; CHAPTER 3: Theatres; ATHENS: THE EARLIEST THEATRE; Orchestra and theatron; Skene; SECOND PHASE, 446-440; THEATRES OUTSIDE ATTICA; Lost theatres; FOURTH-CENTURY STAGES IN THE GREEK WEST; Taras; Paestum; Sicily; ATHENS: THE STONE THEATRE; Theatron and orchestra; Skene; SPECIAL EFFECTS; Ekkyklema; Mechane; Skene painting; CHAPTER 4: The comic chorus. | |
| 505 | 8 | |a EARLY COMEDY IN WRITINGEARLY COMEDY IN PICTURES; Fat men; Archaic choruses; Presenting the chorus; ENTER THE ACTOR; THE CHORUS IN LATER ART; CHORIC DANCE; Formation and size; The chorus in the Greek west; DECLINE OF THE CHORUS?; CHAPTER 5: Music in comedy; THE AULOS; Musicians at festivals; Musicians and convention; MUSICAL LANGUAGE; Choral music; THE NEW MUSIC; SONG AND DANCE; CHAPTER 6: Acting, from lyric to dual consciousness; BEGINNERS ON STAGE; From poet to actor; First comic actors; PLOT AND THE RISING ACTOR; ACTORS IN SOCIETY; CASTING; How many actors?; Doubling opportunities. | |
| 505 | 8 | |a Nothing to do with StanislavskyVOICE, SPEECH, MOVEMENT; AESTHETICS, PROCESS; Believing characters; Transitions; CHAPTER 7: Technique and style of acting comedy; PHYSICAL CHARACTERIZATION; THE EVIDENCE; ATTITUDE, GESTURE; TYPES OF GESTURE; Emblems; Affective gestures; Manipulators; ACTING WOMEN; The maiden; The wife; The crone; PROBLEMS OF INTERPRETATION; Helping the sick; Mistaken identity; Terracotta husbandmen; CHAPTER 8: The masks of comedy; WHAT MASKS WERE LIKE; SIGNIFICANCE OF THE MASK; Spiritual or practical?; Mask and metatheatre; Actor and mask; Symbolism; HOW MASKS WERE MADE; Origins. | |
| 505 | 8 | |a Fabric and plasterWood; MASK TYPES; CHAPTER 9: Costumes of Old and Middle Comedy; CHORUSES; Archaic; Later choruses; THE ACTOR'S UNDERCOSTUME; OUTER COSTUME: EVIDENCE; The comic costume controversy; Evidence in two media; WOMEN'S COSTUME; Tunics; Outerwear: cloaks, headgear; Shoes; MEN'S COSTUME; Tunics; Cloaks; Shoes; Headgear; DEVELOPMENT AND TRANSITION; CHAPTER 10: Comedy and women; IMAGINARY WOMEN; Protagonist roles: Lysistrata, Praxagora; Deities; REAL WOMEN; Women in the audience; Poets; Design and production; WOMEN PERFORMING; Musicians; Women on stage; Mutes; CHAPTER 11: New Comedy. | |
| 500 | |a Canonical poets. | ||
| 520 | |a A new account of Greek comedy performance from its sixth-century origins to New Comedy, drawing upon fresh visual evidence. | ||
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references and index. | ||
| 610 | 2 | 7 | |a Comédie de Genève |2 gnd |0 http://d-nb.info/gnd/4603398-1 |
| 650 | 0 | |a Theater |z Greece |x History |y To 500. | |
| 650 | 0 | |a Greek drama (Comedy) |x History and criticism. | |
| 650 | 6 | |a Théâtre |z Grèce |x Histoire |y Jusqu'à 500. | |
| 650 | 6 | |a Comédie grecque |x Histoire et critique. | |
| 650 | 7 | |a DRAMA |x Ancient, Classical & Medieval. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x General. |2 bisacsh | |
| 650 | 7 | |a Greek drama (Comedy) |2 fast | |
| 650 | 7 | |a Theater |2 fast | |
| 651 | 7 | |a Greece |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJxd6hw8HtWYq9JY6hjjYP | |
| 650 | 7 | |a Aufführung |2 gnd |0 http://d-nb.info/gnd/4143388-9 | |
| 650 | 7 | |a Komödie. |2 idszbz | |
| 650 | 7 | |a Griechisch. |2 idszbz | |
| 650 | 7 | |a Aufführung. |2 idszbz | |
| 651 | 7 | |a Griechisch. |0 (DE-588c)4113791-7 |2 swd | |
| 648 | 7 | |a To 500 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 758 | |i has work: |a Performing Greek comedy (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFqhH3Fmbd4yJdyPmTgmQy |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn792684437 |
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| _version_ | 1816881793115095040 |
| adam_text | |
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| author | Hughes, Alan |
| author_facet | Hughes, Alan |
| author_role | |
| author_sort | Hughes, Alan |
| author_variant | a h ah |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PA3201 |
| callnumber-raw | PA3201 .H84 2011 |
| callnumber-search | PA3201 .H84 2011 |
| callnumber-sort | PA 43201 H84 42011 |
| callnumber-subject | PA - Latin and Greek |
| classification_rvk | LG 8000 |
| collection | ZDB-4-EBA |
| contents | Cover; PERFORMING GREEK COMEDY; TITLE; COPYRIGHT; Contents; Illustrations; Preface; CHAPTER 1: Comedy in art, Athens and abroad; THE EVIDENCE; Vases; Figurines; Is this evidence reliable?; FESTIVAL AND COMPETITION; THE PROFESSION OF ACTOR; TOURING; CHAPTER 2: Poets of Old and Middle Comedy; ARCHAIC COMEDY; OLD COMEDY AND FESTIVAL; Magnes; THE SICILIAN CONNECTION; Epicharmos; MATURE OLD COMEDY; Kratinos; Krates; Pherekrates; Eupolis; Aristophanes; Aristophanic comedy; Lost Aristophanes; MIDDLE COMEDY; Professional theatre; Navigating Middle Comedy; Aristophanes' Middle Comedies. Decline of the chorus?POETS AND TYPES OF MIDDLE COMEDY; Myth and tragedy upside-down; City comedy; Satire; THE ARCHAEOLOGICAL RECORD; Archaeology, uses and limitations; Vases, changing comic styles; Figurines, stage characters; BEYOND ATHENS; CHAPTER 3: Theatres; ATHENS: THE EARLIEST THEATRE; Orchestra and theatron; Skene; SECOND PHASE, 446-440; THEATRES OUTSIDE ATTICA; Lost theatres; FOURTH-CENTURY STAGES IN THE GREEK WEST; Taras; Paestum; Sicily; ATHENS: THE STONE THEATRE; Theatron and orchestra; Skene; SPECIAL EFFECTS; Ekkyklema; Mechane; Skene painting; CHAPTER 4: The comic chorus. EARLY COMEDY IN WRITINGEARLY COMEDY IN PICTURES; Fat men; Archaic choruses; Presenting the chorus; ENTER THE ACTOR; THE CHORUS IN LATER ART; CHORIC DANCE; Formation and size; The chorus in the Greek west; DECLINE OF THE CHORUS?; CHAPTER 5: Music in comedy; THE AULOS; Musicians at festivals; Musicians and convention; MUSICAL LANGUAGE; Choral music; THE NEW MUSIC; SONG AND DANCE; CHAPTER 6: Acting, from lyric to dual consciousness; BEGINNERS ON STAGE; From poet to actor; First comic actors; PLOT AND THE RISING ACTOR; ACTORS IN SOCIETY; CASTING; How many actors?; Doubling opportunities. Nothing to do with StanislavskyVOICE, SPEECH, MOVEMENT; AESTHETICS, PROCESS; Believing characters; Transitions; CHAPTER 7: Technique and style of acting comedy; PHYSICAL CHARACTERIZATION; THE EVIDENCE; ATTITUDE, GESTURE; TYPES OF GESTURE; Emblems; Affective gestures; Manipulators; ACTING WOMEN; The maiden; The wife; The crone; PROBLEMS OF INTERPRETATION; Helping the sick; Mistaken identity; Terracotta husbandmen; CHAPTER 8: The masks of comedy; WHAT MASKS WERE LIKE; SIGNIFICANCE OF THE MASK; Spiritual or practical?; Mask and metatheatre; Actor and mask; Symbolism; HOW MASKS WERE MADE; Origins. Fabric and plasterWood; MASK TYPES; CHAPTER 9: Costumes of Old and Middle Comedy; CHORUSES; Archaic; Later choruses; THE ACTOR'S UNDERCOSTUME; OUTER COSTUME: EVIDENCE; The comic costume controversy; Evidence in two media; WOMEN'S COSTUME; Tunics; Outerwear: cloaks, headgear; Shoes; MEN'S COSTUME; Tunics; Cloaks; Shoes; Headgear; DEVELOPMENT AND TRANSITION; CHAPTER 10: Comedy and women; IMAGINARY WOMEN; Protagonist roles: Lysistrata, Praxagora; Deities; REAL WOMEN; Women in the audience; Poets; Design and production; WOMEN PERFORMING; Musicians; Women on stage; Mutes; CHAPTER 11: New Comedy. |
| ctrlnum | (OCoLC)792684437 |
| dewey-full | 792.2/30938 792.230938 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
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| dewey-search | 792.2/30938 792.230938 |
| dewey-sort | 3792.2 530938 |
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| discipline | Allgemeines Klassische Archäologie |
| era | To 500 fast |
| era_facet | To 500 |
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| genre_facet | Criticism, interpretation, etc. History |
| geographic | Greece fast https://id.oclc.org/worldcat/entity/E39PBJxd6hw8HtWYq9JY6hjjYP Griechisch. (DE-588c)4113791-7 swd |
| geographic_facet | Greece Griechisch. |
| id | ZDB-4-EBA-ocn792684437 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:18:21Z |
| institution | BVB |
| isbn | 9781139338516 113933851X 9781139336772 1139336770 1280394005 9781280394003 9780511920820 0511920822 1107437369 9781107437364 |
| language | English |
| oclc_num | 792684437 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (330 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | Cambridge University Press, |
| record_format | marc |
| spelling | Hughes, Alan. Performing Greek Comedy. Cambridge : Cambridge University Press, 2011. 1 online resource (330 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Cover; PERFORMING GREEK COMEDY; TITLE; COPYRIGHT; Contents; Illustrations; Preface; CHAPTER 1: Comedy in art, Athens and abroad; THE EVIDENCE; Vases; Figurines; Is this evidence reliable?; FESTIVAL AND COMPETITION; THE PROFESSION OF ACTOR; TOURING; CHAPTER 2: Poets of Old and Middle Comedy; ARCHAIC COMEDY; OLD COMEDY AND FESTIVAL; Magnes; THE SICILIAN CONNECTION; Epicharmos; MATURE OLD COMEDY; Kratinos; Krates; Pherekrates; Eupolis; Aristophanes; Aristophanic comedy; Lost Aristophanes; MIDDLE COMEDY; Professional theatre; Navigating Middle Comedy; Aristophanes' Middle Comedies. Decline of the chorus?POETS AND TYPES OF MIDDLE COMEDY; Myth and tragedy upside-down; City comedy; Satire; THE ARCHAEOLOGICAL RECORD; Archaeology, uses and limitations; Vases, changing comic styles; Figurines, stage characters; BEYOND ATHENS; CHAPTER 3: Theatres; ATHENS: THE EARLIEST THEATRE; Orchestra and theatron; Skene; SECOND PHASE, 446-440; THEATRES OUTSIDE ATTICA; Lost theatres; FOURTH-CENTURY STAGES IN THE GREEK WEST; Taras; Paestum; Sicily; ATHENS: THE STONE THEATRE; Theatron and orchestra; Skene; SPECIAL EFFECTS; Ekkyklema; Mechane; Skene painting; CHAPTER 4: The comic chorus. EARLY COMEDY IN WRITINGEARLY COMEDY IN PICTURES; Fat men; Archaic choruses; Presenting the chorus; ENTER THE ACTOR; THE CHORUS IN LATER ART; CHORIC DANCE; Formation and size; The chorus in the Greek west; DECLINE OF THE CHORUS?; CHAPTER 5: Music in comedy; THE AULOS; Musicians at festivals; Musicians and convention; MUSICAL LANGUAGE; Choral music; THE NEW MUSIC; SONG AND DANCE; CHAPTER 6: Acting, from lyric to dual consciousness; BEGINNERS ON STAGE; From poet to actor; First comic actors; PLOT AND THE RISING ACTOR; ACTORS IN SOCIETY; CASTING; How many actors?; Doubling opportunities. Nothing to do with StanislavskyVOICE, SPEECH, MOVEMENT; AESTHETICS, PROCESS; Believing characters; Transitions; CHAPTER 7: Technique and style of acting comedy; PHYSICAL CHARACTERIZATION; THE EVIDENCE; ATTITUDE, GESTURE; TYPES OF GESTURE; Emblems; Affective gestures; Manipulators; ACTING WOMEN; The maiden; The wife; The crone; PROBLEMS OF INTERPRETATION; Helping the sick; Mistaken identity; Terracotta husbandmen; CHAPTER 8: The masks of comedy; WHAT MASKS WERE LIKE; SIGNIFICANCE OF THE MASK; Spiritual or practical?; Mask and metatheatre; Actor and mask; Symbolism; HOW MASKS WERE MADE; Origins. Fabric and plasterWood; MASK TYPES; CHAPTER 9: Costumes of Old and Middle Comedy; CHORUSES; Archaic; Later choruses; THE ACTOR'S UNDERCOSTUME; OUTER COSTUME: EVIDENCE; The comic costume controversy; Evidence in two media; WOMEN'S COSTUME; Tunics; Outerwear: cloaks, headgear; Shoes; MEN'S COSTUME; Tunics; Cloaks; Shoes; Headgear; DEVELOPMENT AND TRANSITION; CHAPTER 10: Comedy and women; IMAGINARY WOMEN; Protagonist roles: Lysistrata, Praxagora; Deities; REAL WOMEN; Women in the audience; Poets; Design and production; WOMEN PERFORMING; Musicians; Women on stage; Mutes; CHAPTER 11: New Comedy. Canonical poets. A new account of Greek comedy performance from its sixth-century origins to New Comedy, drawing upon fresh visual evidence. Print version record. Includes bibliographical references and index. Comédie de Genève gnd http://d-nb.info/gnd/4603398-1 Theater Greece History To 500. Greek drama (Comedy) History and criticism. Théâtre Grèce Histoire Jusqu'à 500. Comédie grecque Histoire et critique. DRAMA Ancient, Classical & Medieval. bisacsh PERFORMING ARTS Theater General. bisacsh Greek drama (Comedy) fast Theater fast Greece fast https://id.oclc.org/worldcat/entity/E39PBJxd6hw8HtWYq9JY6hjjYP Aufführung gnd http://d-nb.info/gnd/4143388-9 Komödie. idszbz Griechisch. idszbz Aufführung. idszbz Griechisch. (DE-588c)4113791-7 swd To 500 fast Criticism, interpretation, etc. fast History fast has work: Performing Greek comedy (Text) https://id.oclc.org/worldcat/entity/E39PCFqhH3Fmbd4yJdyPmTgmQy https://id.oclc.org/worldcat/ontology/hasWork Print version: Hughes, Alan. Performing Greek Comedy. Cambridge : Cambridge University Press, ©2011 9781107009301 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=438958 Volltext |
| spellingShingle | Hughes, Alan Performing Greek Comedy. Cover; PERFORMING GREEK COMEDY; TITLE; COPYRIGHT; Contents; Illustrations; Preface; CHAPTER 1: Comedy in art, Athens and abroad; THE EVIDENCE; Vases; Figurines; Is this evidence reliable?; FESTIVAL AND COMPETITION; THE PROFESSION OF ACTOR; TOURING; CHAPTER 2: Poets of Old and Middle Comedy; ARCHAIC COMEDY; OLD COMEDY AND FESTIVAL; Magnes; THE SICILIAN CONNECTION; Epicharmos; MATURE OLD COMEDY; Kratinos; Krates; Pherekrates; Eupolis; Aristophanes; Aristophanic comedy; Lost Aristophanes; MIDDLE COMEDY; Professional theatre; Navigating Middle Comedy; Aristophanes' Middle Comedies. Decline of the chorus?POETS AND TYPES OF MIDDLE COMEDY; Myth and tragedy upside-down; City comedy; Satire; THE ARCHAEOLOGICAL RECORD; Archaeology, uses and limitations; Vases, changing comic styles; Figurines, stage characters; BEYOND ATHENS; CHAPTER 3: Theatres; ATHENS: THE EARLIEST THEATRE; Orchestra and theatron; Skene; SECOND PHASE, 446-440; THEATRES OUTSIDE ATTICA; Lost theatres; FOURTH-CENTURY STAGES IN THE GREEK WEST; Taras; Paestum; Sicily; ATHENS: THE STONE THEATRE; Theatron and orchestra; Skene; SPECIAL EFFECTS; Ekkyklema; Mechane; Skene painting; CHAPTER 4: The comic chorus. EARLY COMEDY IN WRITINGEARLY COMEDY IN PICTURES; Fat men; Archaic choruses; Presenting the chorus; ENTER THE ACTOR; THE CHORUS IN LATER ART; CHORIC DANCE; Formation and size; The chorus in the Greek west; DECLINE OF THE CHORUS?; CHAPTER 5: Music in comedy; THE AULOS; Musicians at festivals; Musicians and convention; MUSICAL LANGUAGE; Choral music; THE NEW MUSIC; SONG AND DANCE; CHAPTER 6: Acting, from lyric to dual consciousness; BEGINNERS ON STAGE; From poet to actor; First comic actors; PLOT AND THE RISING ACTOR; ACTORS IN SOCIETY; CASTING; How many actors?; Doubling opportunities. Nothing to do with StanislavskyVOICE, SPEECH, MOVEMENT; AESTHETICS, PROCESS; Believing characters; Transitions; CHAPTER 7: Technique and style of acting comedy; PHYSICAL CHARACTERIZATION; THE EVIDENCE; ATTITUDE, GESTURE; TYPES OF GESTURE; Emblems; Affective gestures; Manipulators; ACTING WOMEN; The maiden; The wife; The crone; PROBLEMS OF INTERPRETATION; Helping the sick; Mistaken identity; Terracotta husbandmen; CHAPTER 8: The masks of comedy; WHAT MASKS WERE LIKE; SIGNIFICANCE OF THE MASK; Spiritual or practical?; Mask and metatheatre; Actor and mask; Symbolism; HOW MASKS WERE MADE; Origins. Fabric and plasterWood; MASK TYPES; CHAPTER 9: Costumes of Old and Middle Comedy; CHORUSES; Archaic; Later choruses; THE ACTOR'S UNDERCOSTUME; OUTER COSTUME: EVIDENCE; The comic costume controversy; Evidence in two media; WOMEN'S COSTUME; Tunics; Outerwear: cloaks, headgear; Shoes; MEN'S COSTUME; Tunics; Cloaks; Shoes; Headgear; DEVELOPMENT AND TRANSITION; CHAPTER 10: Comedy and women; IMAGINARY WOMEN; Protagonist roles: Lysistrata, Praxagora; Deities; REAL WOMEN; Women in the audience; Poets; Design and production; WOMEN PERFORMING; Musicians; Women on stage; Mutes; CHAPTER 11: New Comedy. Comédie de Genève gnd http://d-nb.info/gnd/4603398-1 Theater Greece History To 500. Greek drama (Comedy) History and criticism. Théâtre Grèce Histoire Jusqu'à 500. Comédie grecque Histoire et critique. DRAMA Ancient, Classical & Medieval. bisacsh PERFORMING ARTS Theater General. bisacsh Greek drama (Comedy) fast Theater fast Aufführung gnd http://d-nb.info/gnd/4143388-9 Komödie. idszbz Griechisch. idszbz Aufführung. idszbz |
| subject_GND | http://d-nb.info/gnd/4603398-1 http://d-nb.info/gnd/4143388-9 (DE-588c)4113791-7 |
| title | Performing Greek Comedy. |
| title_auth | Performing Greek Comedy. |
| title_exact_search | Performing Greek Comedy. |
| title_full | Performing Greek Comedy. |
| title_fullStr | Performing Greek Comedy. |
| title_full_unstemmed | Performing Greek Comedy. |
| title_short | Performing Greek Comedy. |
| title_sort | performing greek comedy |
| topic | Comédie de Genève gnd http://d-nb.info/gnd/4603398-1 Theater Greece History To 500. Greek drama (Comedy) History and criticism. Théâtre Grèce Histoire Jusqu'à 500. Comédie grecque Histoire et critique. DRAMA Ancient, Classical & Medieval. bisacsh PERFORMING ARTS Theater General. bisacsh Greek drama (Comedy) fast Theater fast Aufführung gnd http://d-nb.info/gnd/4143388-9 Komödie. idszbz Griechisch. idszbz Aufführung. idszbz |
| topic_facet | Comédie de Genève Theater Greece History To 500. Greek drama (Comedy) History and criticism. Théâtre Grèce Histoire Jusqu'à 500. Comédie grecque Histoire et critique. DRAMA Ancient, Classical & Medieval. PERFORMING ARTS Theater General. Greek drama (Comedy) Theater Greece Aufführung Komödie. Griechisch. Aufführung. Criticism, interpretation, etc. History |
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