Ancient Drama in Music for the Modern Stage.:
Opera was invented at the end of the sixteenth century in imitation of the supposed style of delivery of ancient Greek tragedy, and, since then, operas based on Greek drama have been among the most important in the repertoire. This collection of essays by leading authorities in the fields of Classic...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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OUP Oxford,
2010.
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| Online-Zugang: | Volltext |
| Zusammenfassung: | Opera was invented at the end of the sixteenth century in imitation of the supposed style of delivery of ancient Greek tragedy, and, since then, operas based on Greek drama have been among the most important in the repertoire. This collection of essays by leading authorities in the fields of Classics, Musicology, Dance Studies, English Literature, Modern Languages, and Theatre Studies provides an exceptionally wide-ranging and detailed overview of the relationship between the twogenres. Since tragedies have played a much larger part than comedies in this branch of operatic history, the volume. |
| Beschreibung: | 1 online resource (1862 pages) |
| ISBN: | 9780191610943 0191610941 |
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| 520 | |a Opera was invented at the end of the sixteenth century in imitation of the supposed style of delivery of ancient Greek tragedy, and, since then, operas based on Greek drama have been among the most important in the repertoire. This collection of essays by leading authorities in the fields of Classics, Musicology, Dance Studies, English Literature, Modern Languages, and Theatre Studies provides an exceptionally wide-ranging and detailed overview of the relationship between the twogenres. Since tragedies have played a much larger part than comedies in this branch of operatic history, the volume. | ||
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| 505 | 0 | 0 | |t Precursors, precedents, pretexts : the institutions of Greco-Roman theatre and the development of European opera / |r Roger Savage -- |t Greek tragedy and opera : notes on a marriage manqué / |r Michele Napolitano -- |t Incidental music and the revival of Greek tragedy from the Italian Renaissance to German Romanticism / |r Jason Geary -- |t Phaedra's handmaiden : tragedy as comedy and spectacle in seventeenth-century opera / |r Wendy Heller -- |t Dance in Lully's Alceste / |r Jennifer Thorp -- |t The ghost of Alcestis / |r Amy Wygant -- |t The rise and fall of Andromache on the operatic stage, 1660s-1820s / |r Suzana Ograjenšek -- |t Opera librettos and Greek tragedy in eighteenth-century Venice : the case of Agostino Piovene / |r Robert C. Ketterer -- |t Ancient tragedy in opera, and the operatic debut of Oedipus the King (Munich, 1729) / |r Reinhard Strohm -- |t Establishing a text, securing a reputation : Metastasio's use of Aristotle / |r Michael Burden -- |t The gods out of the machine -- |t and their comeback / |r Bruno Forment -- |t Who killed Gluck? / |r Simon Goldhill -- |t The metamorphosis of a Greek comedy and its protagonist : some musical versions of Aristophanes' Lysistrata / |r Simone Beta -- |t Taneyev's Oresteia / |r Anastasia Belina and Michael Ewans -- |t Crossings of experimental music and Greek tragedy / |r Christian Wolff -- |t The action drama and the still life : Enescu, Stravinsky, and Oedipus / |r Stephen Walsh -- |t Sing evohe! : three twentieth-century operatic versions of Euripides' Bacchae / |r Robert Cowan -- |t Re-staging the Welttheater : a critical view of Carl Orff's Antigonae and Oedipus der Tyrann / |r Nicholas Attfield -- |t "Batter the doom drum" : the music for Peter Hall's Oresteia and other productions of Greek tragedy by Harrison Birtwistle and Judith Weir / |r David Beard. |
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| 650 | 0 | |a Greek drama |x Modern presentation. |0 http://id.loc.gov/authorities/subjects/sh85057139 | |
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| author | Brown, Peter |
| author2 | Ograjenšek, Suzana |
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| author_additional | Roger Savage -- Michele Napolitano -- Jason Geary -- Wendy Heller -- Jennifer Thorp -- Amy Wygant -- Suzana Ograjenšek -- Robert C. Ketterer -- Reinhard Strohm -- Michael Burden -- Bruno Forment -- Simon Goldhill -- Simone Beta -- Anastasia Belina and Michael Ewans -- Christian Wolff -- Stephen Walsh -- Robert Cowan -- Nicholas Attfield -- David Beard. |
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| contents | Precursors, precedents, pretexts : the institutions of Greco-Roman theatre and the development of European opera / Greek tragedy and opera : notes on a marriage manqué / Incidental music and the revival of Greek tragedy from the Italian Renaissance to German Romanticism / Phaedra's handmaiden : tragedy as comedy and spectacle in seventeenth-century opera / Dance in Lully's Alceste / The ghost of Alcestis / The rise and fall of Andromache on the operatic stage, 1660s-1820s / Opera librettos and Greek tragedy in eighteenth-century Venice : the case of Agostino Piovene / Ancient tragedy in opera, and the operatic debut of Oedipus the King (Munich, 1729) / Establishing a text, securing a reputation : Metastasio's use of Aristotle / The gods out of the machine -- and their comeback / Who killed Gluck? / The metamorphosis of a Greek comedy and its protagonist : some musical versions of Aristophanes' Lysistrata / Taneyev's Oresteia / Crossings of experimental music and Greek tragedy / The action drama and the still life : Enescu, Stravinsky, and Oedipus / Sing evohe! : three twentieth-century operatic versions of Euripides' Bacchae / Re-staging the Welttheater : a critical view of Carl Orff's Antigonae and Oedipus der Tyrann / "Batter the doom drum" : the music for Peter Hall's Oresteia and other productions of Greek tragedy by Harrison Birtwistle and Judith Weir / |
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| dewey-full | 782.109 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.109 |
| dewey-search | 782.109 |
| dewey-sort | 3782.109 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| spelling | Brown, Peter. Ancient Drama in Music for the Modern Stage. Oxford : OUP Oxford, 2010. 1 online resource (1862 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Opera was invented at the end of the sixteenth century in imitation of the supposed style of delivery of ancient Greek tragedy, and, since then, operas based on Greek drama have been among the most important in the repertoire. This collection of essays by leading authorities in the fields of Classics, Musicology, Dance Studies, English Literature, Modern Languages, and Theatre Studies provides an exceptionally wide-ranging and detailed overview of the relationship between the twogenres. Since tragedies have played a much larger part than comedies in this branch of operatic history, the volume. Print version record. Precursors, precedents, pretexts : the institutions of Greco-Roman theatre and the development of European opera / Roger Savage -- Greek tragedy and opera : notes on a marriage manqué / Michele Napolitano -- Incidental music and the revival of Greek tragedy from the Italian Renaissance to German Romanticism / Jason Geary -- Phaedra's handmaiden : tragedy as comedy and spectacle in seventeenth-century opera / Wendy Heller -- Dance in Lully's Alceste / Jennifer Thorp -- The ghost of Alcestis / Amy Wygant -- The rise and fall of Andromache on the operatic stage, 1660s-1820s / Suzana Ograjenšek -- Opera librettos and Greek tragedy in eighteenth-century Venice : the case of Agostino Piovene / Robert C. Ketterer -- Ancient tragedy in opera, and the operatic debut of Oedipus the King (Munich, 1729) / Reinhard Strohm -- Establishing a text, securing a reputation : Metastasio's use of Aristotle / Michael Burden -- The gods out of the machine -- and their comeback / Bruno Forment -- Who killed Gluck? / Simon Goldhill -- The metamorphosis of a Greek comedy and its protagonist : some musical versions of Aristophanes' Lysistrata / Simone Beta -- Taneyev's Oresteia / Anastasia Belina and Michael Ewans -- Crossings of experimental music and Greek tragedy / Christian Wolff -- The action drama and the still life : Enescu, Stravinsky, and Oedipus / Stephen Walsh -- Sing evohe! : three twentieth-century operatic versions of Euripides' Bacchae / Robert Cowan -- Re-staging the Welttheater : a critical view of Carl Orff's Antigonae and Oedipus der Tyrann / Nicholas Attfield -- "Batter the doom drum" : the music for Peter Hall's Oresteia and other productions of Greek tragedy by Harrison Birtwistle and Judith Weir / David Beard. Opera Classical influences. http://id.loc.gov/authorities/subjects/sh87006798 Greek drama Modern presentation. http://id.loc.gov/authorities/subjects/sh85057139 Théâtre grec Production et mise en scène modernes. MUSIC Genres & Styles Opera. bisacsh MUSIC Printed Music Opera & Classical Scores. bisacsh Greek drama Modern presentation fast Opera Classical influences fast Ograjenšek, Suzana. Print version: Brown, Peter. Ancient Drama in Music for the Modern Stage. Oxford : OUP Oxford, 2010 9780191610943 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=462656 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=462656 Volltext |
| spellingShingle | Brown, Peter Ancient Drama in Music for the Modern Stage. Precursors, precedents, pretexts : the institutions of Greco-Roman theatre and the development of European opera / Greek tragedy and opera : notes on a marriage manqué / Incidental music and the revival of Greek tragedy from the Italian Renaissance to German Romanticism / Phaedra's handmaiden : tragedy as comedy and spectacle in seventeenth-century opera / Dance in Lully's Alceste / The ghost of Alcestis / The rise and fall of Andromache on the operatic stage, 1660s-1820s / Opera librettos and Greek tragedy in eighteenth-century Venice : the case of Agostino Piovene / Ancient tragedy in opera, and the operatic debut of Oedipus the King (Munich, 1729) / Establishing a text, securing a reputation : Metastasio's use of Aristotle / The gods out of the machine -- and their comeback / Who killed Gluck? / The metamorphosis of a Greek comedy and its protagonist : some musical versions of Aristophanes' Lysistrata / Taneyev's Oresteia / Crossings of experimental music and Greek tragedy / The action drama and the still life : Enescu, Stravinsky, and Oedipus / Sing evohe! : three twentieth-century operatic versions of Euripides' Bacchae / Re-staging the Welttheater : a critical view of Carl Orff's Antigonae and Oedipus der Tyrann / "Batter the doom drum" : the music for Peter Hall's Oresteia and other productions of Greek tragedy by Harrison Birtwistle and Judith Weir / Opera Classical influences. http://id.loc.gov/authorities/subjects/sh87006798 Greek drama Modern presentation. http://id.loc.gov/authorities/subjects/sh85057139 Théâtre grec Production et mise en scène modernes. MUSIC Genres & Styles Opera. bisacsh MUSIC Printed Music Opera & Classical Scores. bisacsh Greek drama Modern presentation fast Opera Classical influences fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh87006798 http://id.loc.gov/authorities/subjects/sh85057139 |
| title | Ancient Drama in Music for the Modern Stage. |
| title_alt | Precursors, precedents, pretexts : the institutions of Greco-Roman theatre and the development of European opera / Greek tragedy and opera : notes on a marriage manqué / Incidental music and the revival of Greek tragedy from the Italian Renaissance to German Romanticism / Phaedra's handmaiden : tragedy as comedy and spectacle in seventeenth-century opera / Dance in Lully's Alceste / The ghost of Alcestis / The rise and fall of Andromache on the operatic stage, 1660s-1820s / Opera librettos and Greek tragedy in eighteenth-century Venice : the case of Agostino Piovene / Ancient tragedy in opera, and the operatic debut of Oedipus the King (Munich, 1729) / Establishing a text, securing a reputation : Metastasio's use of Aristotle / The gods out of the machine -- and their comeback / Who killed Gluck? / The metamorphosis of a Greek comedy and its protagonist : some musical versions of Aristophanes' Lysistrata / Taneyev's Oresteia / Crossings of experimental music and Greek tragedy / The action drama and the still life : Enescu, Stravinsky, and Oedipus / Sing evohe! : three twentieth-century operatic versions of Euripides' Bacchae / Re-staging the Welttheater : a critical view of Carl Orff's Antigonae and Oedipus der Tyrann / "Batter the doom drum" : the music for Peter Hall's Oresteia and other productions of Greek tragedy by Harrison Birtwistle and Judith Weir / |
| title_auth | Ancient Drama in Music for the Modern Stage. |
| title_exact_search | Ancient Drama in Music for the Modern Stage. |
| title_full | Ancient Drama in Music for the Modern Stage. |
| title_fullStr | Ancient Drama in Music for the Modern Stage. |
| title_full_unstemmed | Ancient Drama in Music for the Modern Stage. |
| title_short | Ancient Drama in Music for the Modern Stage. |
| title_sort | ancient drama in music for the modern stage |
| topic | Opera Classical influences. http://id.loc.gov/authorities/subjects/sh87006798 Greek drama Modern presentation. http://id.loc.gov/authorities/subjects/sh85057139 Théâtre grec Production et mise en scène modernes. MUSIC Genres & Styles Opera. bisacsh MUSIC Printed Music Opera & Classical Scores. bisacsh Greek drama Modern presentation fast Opera Classical influences fast |
| topic_facet | Opera Classical influences. Greek drama Modern presentation. Théâtre grec Production et mise en scène modernes. MUSIC Genres & Styles Opera. MUSIC Printed Music Opera & Classical Scores. Greek drama Modern presentation Opera Classical influences |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=462656 |
| work_keys_str_mv | AT brownpeter ancientdramainmusicforthemodernstage AT ograjenseksuzana ancientdramainmusicforthemodernstage |