Who hears in Shakespeare? :: auditory worlds on stage and screen /
This volume examines the ways in which Shakespeare's plays are designed for hearers as well as spectators and shows how Shakespeare's stagecraft, actualized both on stage and screen, revolves around various hearing conventions such as soliloquies, asides, eavesdropping, overhearing, and st...
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| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Madison, NJ : Lanham, Md. :
Fairleigh Dickinson University Press ; Rowman & Littlefield,
©2012.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | This volume examines the ways in which Shakespeare's plays are designed for hearers as well as spectators and shows how Shakespeare's stagecraft, actualized both on stage and screen, revolves around various hearing conventions such as soliloquies, asides, eavesdropping, overhearing, and stage whispers. In short, Who Hears in Shakespeare? enunciates Shakespeare's nuanced, powerful stagecraft of hearing. </sp. |
| Beschreibung: | 1 online resource (xxxiv, 249 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781611474756 1611474752 |
Internformat
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| 245 | 0 | 0 | |a Who hears in Shakespeare? : |b auditory worlds on stage and screen / |c editors, Laury Magnus, Walter W. Cannon. |
| 260 | |a Madison, NJ : |b Fairleigh Dickinson University Press ; |a Lanham, Md. : |b Rowman & Littlefield, |c ©2012. | ||
| 300 | |a 1 online resource (xxxiv, 249 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Why was the Globe round? / Andrew Gurr -- Guarded, unguarded, and unguardable speech in late Renaissance drama / James Hirsh -- Hearing complexity : speech, reticence, and the construction of character / Walter W. Cannon -- If this be worth your hearing : theorizing gossip on Shakespeare's stage / Jennifer Holl -- Mimetic hearing and meta-hearing in Hamlet / David Bevington -- Hearing and overhearing in The tempest / David Bevington -- Asides and multiple audiences in The merchant of Venice / Anthony Burton -- And now behold the meaning : audience, interpretation, and translation in All's well that ends well and Henry V / Kathleen Kalpin Smith -- Hearing power in Measure for measure / Bernice W. Kliman -- Hark, a word in your ear : whispers, asides, and interpretation in Troilus and Cressida / Nova Myhill -- Mutes or audience to this act : eavesdroppers in Branagh's Shakespeare films / Philippa Sheppard -- Overhearing Malvolio for pleasure or pity : the letter scene and the dark house scene in Twelfth night on stage and screen / Gayle Gaskill -- But mark his gesture : hearing and seeing in Othello's eavesdropping scene / Erin Minear. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a This volume examines the ways in which Shakespeare's plays are designed for hearers as well as spectators and shows how Shakespeare's stagecraft, actualized both on stage and screen, revolves around various hearing conventions such as soliloquies, asides, eavesdropping, overhearing, and stage whispers. In short, Who Hears in Shakespeare? enunciates Shakespeare's nuanced, powerful stagecraft of hearing. </sp. | ||
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Dramatic production. |0 http://id.loc.gov/authorities/subjects/sh85120938 |
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Film adaptations. |
| 600 | 1 | 7 | |a Shakespeare, William, |d 1564-1616 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd |
| 650 | 0 | |a Speech in literature. |0 http://id.loc.gov/authorities/subjects/sh94008738 | |
| 650 | 0 | |a Listening in literature. |0 http://id.loc.gov/authorities/subjects/sh2002007730 | |
| 650 | 0 | |a Voice in literature. |0 http://id.loc.gov/authorities/subjects/sh94008912 | |
| 650 | 0 | |a Oral communication in literature. |0 http://id.loc.gov/authorities/subjects/sh94007490 | |
| 650 | 6 | |a Parole dans la littérature. | |
| 650 | 6 | |a Voix dans la littérature. | |
| 650 | 6 | |a Communication orale dans la littérature. | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Listening in literature |2 fast | |
| 650 | 7 | |a Oral communication in literature |2 fast | |
| 650 | 7 | |a Speech in literature |2 fast | |
| 650 | 7 | |a Theater |2 fast | |
| 650 | 7 | |a Voice in literature |2 fast | |
| 655 | 7 | |a Film adaptations |2 fast | |
| 700 | 1 | |a Magnus, Laury. | |
| 700 | 1 | |a Cannon, Walter W., |d 1945- |1 https://id.oclc.org/worldcat/entity/E39PCjH8738rxmRdQhPY6FpC6X |0 http://id.loc.gov/authorities/names/n2011066554 | |
| 758 | |i has work: |a Who hears in Shakespeare? (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFvPtYcvrCk3RpJdcvBRXd |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t Who hears in Shakespeare? |d Madison, NJ : Fairleigh Dickinson University Press ; Lanham, Md. : Rowman & Littlefield, ©2012 |z 9781611474749 |w (DLC) 2011037022 |w (OCoLC)749855724 |
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| author2 | Magnus, Laury Cannon, Walter W., 1945- |
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| author_facet | Magnus, Laury Cannon, Walter W., 1945- |
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| callnumber-search | PR3091 .W47 2012 |
| callnumber-sort | PR 43091 W47 42012 |
| callnumber-subject | PR - English Literature |
| collection | ZDB-4-EBA |
| contents | Why was the Globe round? / Andrew Gurr -- Guarded, unguarded, and unguardable speech in late Renaissance drama / James Hirsh -- Hearing complexity : speech, reticence, and the construction of character / Walter W. Cannon -- If this be worth your hearing : theorizing gossip on Shakespeare's stage / Jennifer Holl -- Mimetic hearing and meta-hearing in Hamlet / David Bevington -- Hearing and overhearing in The tempest / David Bevington -- Asides and multiple audiences in The merchant of Venice / Anthony Burton -- And now behold the meaning : audience, interpretation, and translation in All's well that ends well and Henry V / Kathleen Kalpin Smith -- Hearing power in Measure for measure / Bernice W. Kliman -- Hark, a word in your ear : whispers, asides, and interpretation in Troilus and Cressida / Nova Myhill -- Mutes or audience to this act : eavesdroppers in Branagh's Shakespeare films / Philippa Sheppard -- Overhearing Malvolio for pleasure or pity : the letter scene and the dark house scene in Twelfth night on stage and screen / Gayle Gaskill -- But mark his gesture : hearing and seeing in Othello's eavesdropping scene / Erin Minear. |
| ctrlnum | (OCoLC)780165803 |
| dewey-full | 792.9/5 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.9/5 |
| dewey-search | 792.9/5 |
| dewey-sort | 3792.9 15 |
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| discipline | Allgemeines |
| format | Electronic eBook |
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| genre | Film adaptations fast |
| genre_facet | Film adaptations |
| id | ZDB-4-EBA-ocn780165803 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:18:17Z |
| institution | BVB |
| isbn | 9781611474756 1611474752 |
| language | English |
| oclc_num | 780165803 |
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| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xxxiv, 249 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2012 |
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| publisher | Fairleigh Dickinson University Press ; Rowman & Littlefield, |
| record_format | marc |
| spelling | Who hears in Shakespeare? : auditory worlds on stage and screen / editors, Laury Magnus, Walter W. Cannon. Madison, NJ : Fairleigh Dickinson University Press ; Lanham, Md. : Rowman & Littlefield, ©2012. 1 online resource (xxxiv, 249 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Why was the Globe round? / Andrew Gurr -- Guarded, unguarded, and unguardable speech in late Renaissance drama / James Hirsh -- Hearing complexity : speech, reticence, and the construction of character / Walter W. Cannon -- If this be worth your hearing : theorizing gossip on Shakespeare's stage / Jennifer Holl -- Mimetic hearing and meta-hearing in Hamlet / David Bevington -- Hearing and overhearing in The tempest / David Bevington -- Asides and multiple audiences in The merchant of Venice / Anthony Burton -- And now behold the meaning : audience, interpretation, and translation in All's well that ends well and Henry V / Kathleen Kalpin Smith -- Hearing power in Measure for measure / Bernice W. Kliman -- Hark, a word in your ear : whispers, asides, and interpretation in Troilus and Cressida / Nova Myhill -- Mutes or audience to this act : eavesdroppers in Branagh's Shakespeare films / Philippa Sheppard -- Overhearing Malvolio for pleasure or pity : the letter scene and the dark house scene in Twelfth night on stage and screen / Gayle Gaskill -- But mark his gesture : hearing and seeing in Othello's eavesdropping scene / Erin Minear. Print version record. This volume examines the ways in which Shakespeare's plays are designed for hearers as well as spectators and shows how Shakespeare's stagecraft, actualized both on stage and screen, revolves around various hearing conventions such as soliloquies, asides, eavesdropping, overhearing, and stage whispers. In short, Who Hears in Shakespeare? enunciates Shakespeare's nuanced, powerful stagecraft of hearing. </sp. Shakespeare, William, 1564-1616 Dramatic production. http://id.loc.gov/authorities/subjects/sh85120938 Shakespeare, William, 1564-1616 Film adaptations. Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Speech in literature. http://id.loc.gov/authorities/subjects/sh94008738 Listening in literature. http://id.loc.gov/authorities/subjects/sh2002007730 Voice in literature. http://id.loc.gov/authorities/subjects/sh94008912 Oral communication in literature. http://id.loc.gov/authorities/subjects/sh94007490 Parole dans la littérature. Voix dans la littérature. Communication orale dans la littérature. PERFORMING ARTS Theater History & Criticism. bisacsh Listening in literature fast Oral communication in literature fast Speech in literature fast Theater fast Voice in literature fast Film adaptations fast Magnus, Laury. Cannon, Walter W., 1945- https://id.oclc.org/worldcat/entity/E39PCjH8738rxmRdQhPY6FpC6X http://id.loc.gov/authorities/names/n2011066554 has work: Who hears in Shakespeare? (Text) https://id.oclc.org/worldcat/entity/E39PCFvPtYcvrCk3RpJdcvBRXd https://id.oclc.org/worldcat/ontology/hasWork Print version: Who hears in Shakespeare? Madison, NJ : Fairleigh Dickinson University Press ; Lanham, Md. : Rowman & Littlefield, ©2012 9781611474749 (DLC) 2011037022 (OCoLC)749855724 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=433597 Volltext |
| spellingShingle | Who hears in Shakespeare? : auditory worlds on stage and screen / Why was the Globe round? / Andrew Gurr -- Guarded, unguarded, and unguardable speech in late Renaissance drama / James Hirsh -- Hearing complexity : speech, reticence, and the construction of character / Walter W. Cannon -- If this be worth your hearing : theorizing gossip on Shakespeare's stage / Jennifer Holl -- Mimetic hearing and meta-hearing in Hamlet / David Bevington -- Hearing and overhearing in The tempest / David Bevington -- Asides and multiple audiences in The merchant of Venice / Anthony Burton -- And now behold the meaning : audience, interpretation, and translation in All's well that ends well and Henry V / Kathleen Kalpin Smith -- Hearing power in Measure for measure / Bernice W. Kliman -- Hark, a word in your ear : whispers, asides, and interpretation in Troilus and Cressida / Nova Myhill -- Mutes or audience to this act : eavesdroppers in Branagh's Shakespeare films / Philippa Sheppard -- Overhearing Malvolio for pleasure or pity : the letter scene and the dark house scene in Twelfth night on stage and screen / Gayle Gaskill -- But mark his gesture : hearing and seeing in Othello's eavesdropping scene / Erin Minear. Shakespeare, William, 1564-1616 Dramatic production. http://id.loc.gov/authorities/subjects/sh85120938 Shakespeare, William, 1564-1616 Film adaptations. Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Speech in literature. http://id.loc.gov/authorities/subjects/sh94008738 Listening in literature. http://id.loc.gov/authorities/subjects/sh2002007730 Voice in literature. http://id.loc.gov/authorities/subjects/sh94008912 Oral communication in literature. http://id.loc.gov/authorities/subjects/sh94007490 Parole dans la littérature. Voix dans la littérature. Communication orale dans la littérature. PERFORMING ARTS Theater History & Criticism. bisacsh Listening in literature fast Oral communication in literature fast Speech in literature fast Theater fast Voice in literature fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85120938 http://id.loc.gov/authorities/subjects/sh94008738 http://id.loc.gov/authorities/subjects/sh2002007730 http://id.loc.gov/authorities/subjects/sh94008912 http://id.loc.gov/authorities/subjects/sh94007490 |
| title | Who hears in Shakespeare? : auditory worlds on stage and screen / |
| title_auth | Who hears in Shakespeare? : auditory worlds on stage and screen / |
| title_exact_search | Who hears in Shakespeare? : auditory worlds on stage and screen / |
| title_full | Who hears in Shakespeare? : auditory worlds on stage and screen / editors, Laury Magnus, Walter W. Cannon. |
| title_fullStr | Who hears in Shakespeare? : auditory worlds on stage and screen / editors, Laury Magnus, Walter W. Cannon. |
| title_full_unstemmed | Who hears in Shakespeare? : auditory worlds on stage and screen / editors, Laury Magnus, Walter W. Cannon. |
| title_short | Who hears in Shakespeare? : |
| title_sort | who hears in shakespeare auditory worlds on stage and screen |
| title_sub | auditory worlds on stage and screen / |
| topic | Shakespeare, William, 1564-1616 Dramatic production. http://id.loc.gov/authorities/subjects/sh85120938 Shakespeare, William, 1564-1616 Film adaptations. Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Speech in literature. http://id.loc.gov/authorities/subjects/sh94008738 Listening in literature. http://id.loc.gov/authorities/subjects/sh2002007730 Voice in literature. http://id.loc.gov/authorities/subjects/sh94008912 Oral communication in literature. http://id.loc.gov/authorities/subjects/sh94007490 Parole dans la littérature. Voix dans la littérature. Communication orale dans la littérature. PERFORMING ARTS Theater History & Criticism. bisacsh Listening in literature fast Oral communication in literature fast Speech in literature fast Theater fast Voice in literature fast |
| topic_facet | Shakespeare, William, 1564-1616 Dramatic production. Shakespeare, William, 1564-1616 Film adaptations. Shakespeare, William, 1564-1616 Speech in literature. Listening in literature. Voice in literature. Oral communication in literature. Parole dans la littérature. Voix dans la littérature. Communication orale dans la littérature. PERFORMING ARTS Theater History & Criticism. Listening in literature Oral communication in literature Speech in literature Theater Voice in literature Film adaptations |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=433597 |
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