Hybrids of plants and of ghosts /:
"How I would like to catch the world / at pure idea," writes Jorie Graham, for whom a bird may be an alphabet, and flight an arc. Whatever the occasion--and her work offers a rich profusion of them--the poems reach to where possession is not within us, where new names are needed and meanin...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Princeton :
Princeton University Press,
1980.
|
Schriftenreihe: | Princeton series of contemporary poets
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | "How I would like to catch the world / at pure idea," writes Jorie Graham, for whom a bird may be an alphabet, and flight an arc. Whatever the occasion--and her work offers a rich profusion of them--the poems reach to where possession is not within us, where new names are needed and meaning enlarged. Hence, what she sees reminds her of what is missing, and what she knows suggests what she cannot. From any event, she arcs bravely into the farthest reaches of mind. Fast readers will have trouble, but so what. To the good reader afraid of complexity, I would offer the clear trust that must bond u. |
Beschreibung: | 1 online resource (80 pages) |
ISBN: | 9781400831449 140083144X |
Internformat
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520 | |a "How I would like to catch the world / at pure idea," writes Jorie Graham, for whom a bird may be an alphabet, and flight an arc. Whatever the occasion--and her work offers a rich profusion of them--the poems reach to where possession is not within us, where new names are needed and meaning enlarged. Hence, what she sees reminds her of what is missing, and what she knows suggests what she cannot. From any event, she arcs bravely into the farthest reaches of mind. Fast readers will have trouble, but so what. To the good reader afraid of complexity, I would offer the clear trust that must bond u. | ||
588 | 0 | |a Print version record. | |
505 | 0 | |a Cover; Title Page; Copyright Page; Table of Contents; I; The Way Things Work; I Was Taught Three; Whore's Bath; Ambergris; Tennessee June; Hybrids of Plants and of Ghosts; Angels for Cezanne; Cross-Stitch; Strangers; Drawing Wildflowers; II; Mother's Sewing Box; For My Father Looking for My Uncle; The Chicory Comes Out Late August in Umbria; Syntax; Tree Surgeons; Netting; Jackpot; Harvest for Bergson; Flooding; One in the Hand; An Artichoke for Montesquieu; Penmanship; To Paul Eluard; III; Framing; For Mark Rothko; The Geese; New Trees; On Why I Would Betray You; Mirrors; Mimicry | |
505 | 8 | |a Self-PortraitGirl at the Piano; My Face in the Mirror Tells a Story of Delicate Ambitions; Still Life; IV; How Morning Glories Could Bloom at Dusk; In High Waters; Over and Over Stitch; The Slow Sounding and Eventual Reemergence Of; The Nature of Evidence; Mind; Now the Sturdy Wind; Lourdes: Syllables for a Friend; The Afterlife; Pearls; A Feather for Voltaire; Notes | |
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Datensatz im Suchindex
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adam_text | |
any_adam_object | |
author | Graham, Jorie, 1950- |
author_GND | http://id.loc.gov/authorities/names/n80002893 |
author_facet | Graham, Jorie, 1950- |
author_role | aut |
author_sort | Graham, Jorie, 1950- |
author_variant | j g jg |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PS3557 |
callnumber-raw | PS3557.R214 H9 |
callnumber-search | PS3557.R214 H9 |
callnumber-sort | PS 43557 R214 H9 |
callnumber-subject | PS - American Literature |
collection | ZDB-4-EBA |
contents | Cover; Title Page; Copyright Page; Table of Contents; I; The Way Things Work; I Was Taught Three; Whore's Bath; Ambergris; Tennessee June; Hybrids of Plants and of Ghosts; Angels for Cezanne; Cross-Stitch; Strangers; Drawing Wildflowers; II; Mother's Sewing Box; For My Father Looking for My Uncle; The Chicory Comes Out Late August in Umbria; Syntax; Tree Surgeons; Netting; Jackpot; Harvest for Bergson; Flooding; One in the Hand; An Artichoke for Montesquieu; Penmanship; To Paul Eluard; III; Framing; For Mark Rothko; The Geese; New Trees; On Why I Would Betray You; Mirrors; Mimicry Self-PortraitGirl at the Piano; My Face in the Mirror Tells a Story of Delicate Ambitions; Still Life; IV; How Morning Glories Could Bloom at Dusk; In High Waters; Over and Over Stitch; The Slow Sounding and Eventual Reemergence Of; The Nature of Evidence; Mind; Now the Sturdy Wind; Lourdes: Syllables for a Friend; The Afterlife; Pearls; A Feather for Voltaire; Notes |
ctrlnum | (OCoLC)779826747 |
dewey-full | 811/.54 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 811 - American poetry in English |
dewey-raw | 811/.54 |
dewey-search | 811/.54 |
dewey-sort | 3811 254 |
dewey-tens | 810 - American literature in English |
discipline | Anglistik / Amerikanistik |
era | 1900-1999 fast |
era_facet | 1900-1999 |
format | Electronic eBook |
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id | ZDB-4-EBA-ocn779826747 |
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isbn | 9781400831449 140083144X |
language | English |
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series2 | Princeton series of contemporary poets |
spelling | Graham, Jorie, 1950- author. https://id.oclc.org/worldcat/entity/E39PBJxhqD9Hr4WRCFdfjkkdQq http://id.loc.gov/authorities/names/n80002893 Poems. Selections Hybrids of plants and of ghosts / Jorie Graham. Princeton : Princeton University Press, 1980. 1 online resource (80 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Princeton series of contemporary poets "How I would like to catch the world / at pure idea," writes Jorie Graham, for whom a bird may be an alphabet, and flight an arc. Whatever the occasion--and her work offers a rich profusion of them--the poems reach to where possession is not within us, where new names are needed and meaning enlarged. Hence, what she sees reminds her of what is missing, and what she knows suggests what she cannot. From any event, she arcs bravely into the farthest reaches of mind. Fast readers will have trouble, but so what. To the good reader afraid of complexity, I would offer the clear trust that must bond u. Print version record. Cover; Title Page; Copyright Page; Table of Contents; I; The Way Things Work; I Was Taught Three; Whore's Bath; Ambergris; Tennessee June; Hybrids of Plants and of Ghosts; Angels for Cezanne; Cross-Stitch; Strangers; Drawing Wildflowers; II; Mother's Sewing Box; For My Father Looking for My Uncle; The Chicory Comes Out Late August in Umbria; Syntax; Tree Surgeons; Netting; Jackpot; Harvest for Bergson; Flooding; One in the Hand; An Artichoke for Montesquieu; Penmanship; To Paul Eluard; III; Framing; For Mark Rothko; The Geese; New Trees; On Why I Would Betray You; Mirrors; Mimicry Self-PortraitGirl at the Piano; My Face in the Mirror Tells a Story of Delicate Ambitions; Still Life; IV; How Morning Glories Could Bloom at Dusk; In High Waters; Over and Over Stitch; The Slow Sounding and Eventual Reemergence Of; The Nature of Evidence; Mind; Now the Sturdy Wind; Lourdes: Syllables for a Friend; The Afterlife; Pearls; A Feather for Voltaire; Notes American poetry 20th century. http://id.loc.gov/authorities/subjects/sh85004387 Poésie américaine 20e siècle. POETRY American General. bisacsh American poetry fast 1900-1999 fast Electronic book. has work: Selections Poems (Text) https://id.oclc.org/worldcat/entity/E39PCGYcypMK9Pj7JHK4WMBQMP https://id.oclc.org/worldcat/ontology/hasWork Print version: Graham, Jorie Hybrids of Plants and of Ghosts Princeton : Princeton University Press, c1980 9780691013350 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=405721 Volltext |
spellingShingle | Graham, Jorie, 1950- Hybrids of plants and of ghosts / Cover; Title Page; Copyright Page; Table of Contents; I; The Way Things Work; I Was Taught Three; Whore's Bath; Ambergris; Tennessee June; Hybrids of Plants and of Ghosts; Angels for Cezanne; Cross-Stitch; Strangers; Drawing Wildflowers; II; Mother's Sewing Box; For My Father Looking for My Uncle; The Chicory Comes Out Late August in Umbria; Syntax; Tree Surgeons; Netting; Jackpot; Harvest for Bergson; Flooding; One in the Hand; An Artichoke for Montesquieu; Penmanship; To Paul Eluard; III; Framing; For Mark Rothko; The Geese; New Trees; On Why I Would Betray You; Mirrors; Mimicry Self-PortraitGirl at the Piano; My Face in the Mirror Tells a Story of Delicate Ambitions; Still Life; IV; How Morning Glories Could Bloom at Dusk; In High Waters; Over and Over Stitch; The Slow Sounding and Eventual Reemergence Of; The Nature of Evidence; Mind; Now the Sturdy Wind; Lourdes: Syllables for a Friend; The Afterlife; Pearls; A Feather for Voltaire; Notes American poetry 20th century. http://id.loc.gov/authorities/subjects/sh85004387 Poésie américaine 20e siècle. POETRY American General. bisacsh American poetry fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh85004387 |
title | Hybrids of plants and of ghosts / |
title_alt | Poems. |
title_auth | Hybrids of plants and of ghosts / |
title_exact_search | Hybrids of plants and of ghosts / |
title_full | Hybrids of plants and of ghosts / Jorie Graham. |
title_fullStr | Hybrids of plants and of ghosts / Jorie Graham. |
title_full_unstemmed | Hybrids of plants and of ghosts / Jorie Graham. |
title_short | Hybrids of plants and of ghosts / |
title_sort | hybrids of plants and of ghosts |
topic | American poetry 20th century. http://id.loc.gov/authorities/subjects/sh85004387 Poésie américaine 20e siècle. POETRY American General. bisacsh American poetry fast |
topic_facet | American poetry 20th century. Poésie américaine 20e siècle. POETRY American General. American poetry Electronic book. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=405721 |
work_keys_str_mv | AT grahamjorie poems AT grahamjorie hybridsofplantsandofghosts |