Maupassant :: the semiotics of text : practical exercises /
Translated by Paul PerronMaupassant's short story, "Two Friends", is examined in order to test methodological tools and to hone them for their application in the analysis of narrative discourse, starting from the oral tale (Propp) and ending with the written tale instituted as literar...
Gespeichert in:
| 1. Verfasser: | |
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| Weitere Verfasser: | |
| Format: | Elektronisch E-Book |
| Sprache: | English French |
| Veröffentlicht: |
Amsterdam :
J. Benjamins Pub. Co.,
1988.
|
| Schriftenreihe: | Semiotic crossroads ;
v. 1. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Translated by Paul PerronMaupassant's short story, "Two Friends", is examined in order to test methodological tools and to hone them for their application in the analysis of narrative discourse, starting from the oral tale (Propp) and ending with the written tale instituted as literary genre. Complex procedures of textual production are identified: among which entire sequences as well as the "evenemential" level of narrative fade away in favor of its cognitive dimension. This semiotic investigation is accompanied by a challenge to certain conventions of literary criticism: dialogue, the locus. |
| Beschreibung: | Translation of: Maupassant : la sémiotique du texte. Includes the unabridged text of Two friends. |
| Beschreibung: | 1 online resource (xxxiv, 258 pages) : illustrations |
| Bibliographie: | Includes bibliographical references (pages xxi-xxii) and index. |
| ISBN: | 9789027278647 9027278644 9781556190391 1556190395 9781556190636 1556190638 9789027219442 9027219443 1283424606 9781283424608 9786613424600 6613424609 |
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| 100 | 1 | |a Greimas, Algirdas Julien. | |
| 240 | 1 | 0 | |a Maupassant. |l English |
| 245 | 1 | 0 | |a Maupassant : |b the semiotics of text : practical exercises / |c Algirdas Julien Greimas ; translated by Paul Perron. |
| 260 | |a Amsterdam : |b J. Benjamins Pub. Co., |c 1988. | ||
| 300 | |a 1 online resource (xxxiv, 258 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Semiotic crossroads ; |v v. 1 | |
| 500 | |a Translation of: Maupassant : la sémiotique du texte. | ||
| 500 | |a Includes the unabridged text of Two friends. | ||
| 504 | |a Includes bibliographical references (pages xxi-xxii) and index. | ||
| 505 | 0 | |a MAUPASSANT The Semiotics of Text Practical Exercises; Editorial page; Title page; Copyright page; Table of contents; INTRODUCTION; NOTES; REFERENCES; FOREWORD; TWO FRIENDS; SEQUENCE I. PARIS; I. TEXTUAL ORGANIZATION; 1. Spatial and Temporal Disjunctions; 1.1. Temporality; 1.2. Spatiality; 2. Actorial Disjunction; II. THE FIRST SENTENCE; 1. Thematic Roles; 2. Aspectual Structures; 3. A Logic of Approximations; III. THE SECOND SENTENCE; 1. The Discoursive Isotopy; 2. SpatialRepresentation; 3. Semantic Explicitation; 4. Axiological Investments; IV. THE THIRD SENTENCE | |
| 505 | 8 | |a 1. The Spatial Figure of Paris2. Toward the Abolition of Meaning; V. FINAL REMARKS; SEQUENCE II. FRIENDSHIP; I. THE SEQUENCE AND ITS CONTEXT; 1. Intercalation; 1.1. Disengagement; 1.2. Engagement; 2. The Linearity of Discourse; 2.1. The Cognitive Dimension and its Figurativization; 2.2. The Actorial Isotopy of Discourse; 2.3. Anaphorization and Cataphorization; II. THE INTERNAL ORGANIZATION OF THE SEQUENCE; 1. Paradigmatic Organization; 1.1. The Demarcators; 1.2. Segmentation; 1.3. Symmetries and Dissymmetries; 2. Syntagmatic Organization; 2.1. Doing and Being; 2.2. Doing; 2.3. The Pivot | |
| 505 | 8 | |a 2.4. BeingIII. EUPHORIC DOING; 1. The Discoursive Program; 2. The Valorization of the Program; 3. The Installation of the Dual Actant; IV. THE FIGURATIVE UNIVERSE OF VALUES; 1. The Identification of Values; 2. The Transfigurations of the Sun; 3. Aquatic Mist; 4. Celestial Mist; 5. Solar Blood; 6. The Seeming of the Sky; 7. The Semiotic Square; V. ACTANTIAL DISTRIBUTION; SEQUENCE III. THE PROMENADE; I. THE STATUS AND THE ORGANIZATION OF THE SEQUENCE; 1. The Spatio-temporal Frame; 2. The Promenade; 3. Walking and Halting; II. THE ADVENT OF THE EVENT; 1. Temporalization and Aspectualization | |
| 505 | 8 | |a 2. The Focalization of the Actor-Subject3. Triggering of Narration; III. RECONSTITUTING THE ACTANT; 1. Recognition; 2. The Reunion; 3. The Virtualization and the Actualization of Contents; 4. The Institution of Illusion; IV. THE COMPETENCE OF THE SUBJECT; 1. The Actualization of Wanting-to-do; 2. An Illusory Being-able-to-do; 3. The Tricksters; 4. The Two Figures of the Trickster; 5. The Non-Sender; 6. The Act; SEQUENCE IV. THE QUEST; I. PROVISIONAL SEGMENTATION; II. FAMILIAR SPACE; 1. The Pass; 2. The Spatial Organization of the Narrative; 2.1. The Crossing; 2.2. The Space of Folktale | |
| 505 | 8 | |a 2.3. Spatial Engagement and Disengagement2.4. Uttered Space; III. TOPICAL SPACE; 1. New Segmentation; 2. The Interpretive Halt; 2.1. The Exploration of Topical Space; 2.2. Interpretive Doing; 2.2.1. Variations of the Isotopies; 2.2.2. The Fiduciary Relation; 2.2.3. The Actualization of the Antactant; 2.3. The Social Anti-sender; 2.4. The Qualifying Test; 2.4.1. Anxiety; 2.4.2. Cheeky Humor; 2.4.3. Hesitation; 3. Persuasive Displacement; 3.1. The Pragmatic Program; 3.2. The Cognitive Program; SEQUENCE V. PEACE; I. PROBLEMS OF SEGMENTATION; II. THE CONSTRUCTION OF COGNITIVE SPACE | |
| 520 | |a Translated by Paul PerronMaupassant's short story, "Two Friends", is examined in order to test methodological tools and to hone them for their application in the analysis of narrative discourse, starting from the oral tale (Propp) and ending with the written tale instituted as literary genre. Complex procedures of textual production are identified: among which entire sequences as well as the "evenemential" level of narrative fade away in favor of its cognitive dimension. This semiotic investigation is accompanied by a challenge to certain conventions of literary criticism: dialogue, the locus. | ||
| 546 | |a English. | ||
| 600 | 1 | 0 | |a Maupassant, Guy de, |d 1850-1893. |t Deux amis. |0 http://id.loc.gov/authorities/names/no2019166148 |
| 630 | 0 | 7 | |a Deux amis (Maupassant, Guy de) |2 fast |
| 650 | 0 | |a Semiotics and literature |z France. | |
| 650 | 6 | |a Sémiotique et littérature |z France. | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x French. |2 bisacsh | |
| 650 | 7 | |a Semiotics and literature |2 fast | |
| 651 | 7 | |a France |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP | |
| 700 | 1 | 2 | |a Maupassant, Guy de, |d 1850-1893. |t Deux amis. |l English. |0 http://id.loc.gov/authorities/names/n88115492 |
| 776 | 0 | 8 | |i Print version: |a Greimas, Algirdas Julien. |s Maupassant. English. |t Maupassant. |d Amsterdam : J. Benjamins Pub. Co., 1988 |w (DLC) 88009542 |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn778434233 |
|---|---|
| _version_ | 1816881787550302208 |
| adam_text | |
| any_adam_object | |
| author | Greimas, Algirdas Julien |
| author2 | Maupassant, Guy de, 1850-1893 |
| author2_role | |
| author2_variant | g d m gd gdm |
| author_GND | http://id.loc.gov/authorities/names/n88115492 |
| author_facet | Greimas, Algirdas Julien Maupassant, Guy de, 1850-1893 |
| author_role | |
| author_sort | Greimas, Algirdas Julien |
| author_variant | a j g aj ajg |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PQ2349 |
| callnumber-raw | PQ2349.D43 G713 1988eb |
| callnumber-search | PQ2349.D43 G713 1988eb |
| callnumber-sort | PQ 42349 D43 G713 41988EB |
| callnumber-subject | PQ - French, Italian, Spanish, Portuguese Literature |
| collection | ZDB-4-EBA |
| contents | MAUPASSANT The Semiotics of Text Practical Exercises; Editorial page; Title page; Copyright page; Table of contents; INTRODUCTION; NOTES; REFERENCES; FOREWORD; TWO FRIENDS; SEQUENCE I. PARIS; I. TEXTUAL ORGANIZATION; 1. Spatial and Temporal Disjunctions; 1.1. Temporality; 1.2. Spatiality; 2. Actorial Disjunction; II. THE FIRST SENTENCE; 1. Thematic Roles; 2. Aspectual Structures; 3. A Logic of Approximations; III. THE SECOND SENTENCE; 1. The Discoursive Isotopy; 2. SpatialRepresentation; 3. Semantic Explicitation; 4. Axiological Investments; IV. THE THIRD SENTENCE 1. The Spatial Figure of Paris2. Toward the Abolition of Meaning; V. FINAL REMARKS; SEQUENCE II. FRIENDSHIP; I. THE SEQUENCE AND ITS CONTEXT; 1. Intercalation; 1.1. Disengagement; 1.2. Engagement; 2. The Linearity of Discourse; 2.1. The Cognitive Dimension and its Figurativization; 2.2. The Actorial Isotopy of Discourse; 2.3. Anaphorization and Cataphorization; II. THE INTERNAL ORGANIZATION OF THE SEQUENCE; 1. Paradigmatic Organization; 1.1. The Demarcators; 1.2. Segmentation; 1.3. Symmetries and Dissymmetries; 2. Syntagmatic Organization; 2.1. Doing and Being; 2.2. Doing; 2.3. The Pivot 2.4. BeingIII. EUPHORIC DOING; 1. The Discoursive Program; 2. The Valorization of the Program; 3. The Installation of the Dual Actant; IV. THE FIGURATIVE UNIVERSE OF VALUES; 1. The Identification of Values; 2. The Transfigurations of the Sun; 3. Aquatic Mist; 4. Celestial Mist; 5. Solar Blood; 6. The Seeming of the Sky; 7. The Semiotic Square; V. ACTANTIAL DISTRIBUTION; SEQUENCE III. THE PROMENADE; I. THE STATUS AND THE ORGANIZATION OF THE SEQUENCE; 1. The Spatio-temporal Frame; 2. The Promenade; 3. Walking and Halting; II. THE ADVENT OF THE EVENT; 1. Temporalization and Aspectualization 2. The Focalization of the Actor-Subject3. Triggering of Narration; III. RECONSTITUTING THE ACTANT; 1. Recognition; 2. The Reunion; 3. The Virtualization and the Actualization of Contents; 4. The Institution of Illusion; IV. THE COMPETENCE OF THE SUBJECT; 1. The Actualization of Wanting-to-do; 2. An Illusory Being-able-to-do; 3. The Tricksters; 4. The Two Figures of the Trickster; 5. The Non-Sender; 6. The Act; SEQUENCE IV. THE QUEST; I. PROVISIONAL SEGMENTATION; II. FAMILIAR SPACE; 1. The Pass; 2. The Spatial Organization of the Narrative; 2.1. The Crossing; 2.2. The Space of Folktale 2.3. Spatial Engagement and Disengagement2.4. Uttered Space; III. TOPICAL SPACE; 1. New Segmentation; 2. The Interpretive Halt; 2.1. The Exploration of Topical Space; 2.2. Interpretive Doing; 2.2.1. Variations of the Isotopies; 2.2.2. The Fiduciary Relation; 2.2.3. The Actualization of the Antactant; 2.3. The Social Anti-sender; 2.4. The Qualifying Test; 2.4.1. Anxiety; 2.4.2. Cheeky Humor; 2.4.3. Hesitation; 3. Persuasive Displacement; 3.1. The Pragmatic Program; 3.2. The Cognitive Program; SEQUENCE V. PEACE; I. PROBLEMS OF SEGMENTATION; II. THE CONSTRUCTION OF COGNITIVE SPACE |
| ctrlnum | (OCoLC)778434233 |
| dewey-full | 843/.8 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 843 - French fiction |
| dewey-raw | 843/.8 |
| dewey-search | 843/.8 |
| dewey-sort | 3843 18 |
| dewey-tens | 840 - Literatures of Romance languages |
| discipline | Romanistik |
| format | Electronic eBook |
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| illustrated | Illustrated |
| indexdate | 2024-11-27T13:18:16Z |
| institution | BVB |
| isbn | 9789027278647 9027278644 9781556190391 1556190395 9781556190636 1556190638 9789027219442 9027219443 1283424606 9781283424608 9786613424600 6613424609 |
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| series | Semiotic crossroads ; |
| series2 | Semiotic crossroads ; |
| spelling | Greimas, Algirdas Julien. Maupassant. English Maupassant : the semiotics of text : practical exercises / Algirdas Julien Greimas ; translated by Paul Perron. Amsterdam : J. Benjamins Pub. Co., 1988. 1 online resource (xxxiv, 258 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Semiotic crossroads ; v. 1 Translation of: Maupassant : la sémiotique du texte. Includes the unabridged text of Two friends. Includes bibliographical references (pages xxi-xxii) and index. MAUPASSANT The Semiotics of Text Practical Exercises; Editorial page; Title page; Copyright page; Table of contents; INTRODUCTION; NOTES; REFERENCES; FOREWORD; TWO FRIENDS; SEQUENCE I. PARIS; I. TEXTUAL ORGANIZATION; 1. Spatial and Temporal Disjunctions; 1.1. Temporality; 1.2. Spatiality; 2. Actorial Disjunction; II. THE FIRST SENTENCE; 1. Thematic Roles; 2. Aspectual Structures; 3. A Logic of Approximations; III. THE SECOND SENTENCE; 1. The Discoursive Isotopy; 2. SpatialRepresentation; 3. Semantic Explicitation; 4. Axiological Investments; IV. THE THIRD SENTENCE 1. The Spatial Figure of Paris2. Toward the Abolition of Meaning; V. FINAL REMARKS; SEQUENCE II. FRIENDSHIP; I. THE SEQUENCE AND ITS CONTEXT; 1. Intercalation; 1.1. Disengagement; 1.2. Engagement; 2. The Linearity of Discourse; 2.1. The Cognitive Dimension and its Figurativization; 2.2. The Actorial Isotopy of Discourse; 2.3. Anaphorization and Cataphorization; II. THE INTERNAL ORGANIZATION OF THE SEQUENCE; 1. Paradigmatic Organization; 1.1. The Demarcators; 1.2. Segmentation; 1.3. Symmetries and Dissymmetries; 2. Syntagmatic Organization; 2.1. Doing and Being; 2.2. Doing; 2.3. The Pivot 2.4. BeingIII. EUPHORIC DOING; 1. The Discoursive Program; 2. The Valorization of the Program; 3. The Installation of the Dual Actant; IV. THE FIGURATIVE UNIVERSE OF VALUES; 1. The Identification of Values; 2. The Transfigurations of the Sun; 3. Aquatic Mist; 4. Celestial Mist; 5. Solar Blood; 6. The Seeming of the Sky; 7. The Semiotic Square; V. ACTANTIAL DISTRIBUTION; SEQUENCE III. THE PROMENADE; I. THE STATUS AND THE ORGANIZATION OF THE SEQUENCE; 1. The Spatio-temporal Frame; 2. The Promenade; 3. Walking and Halting; II. THE ADVENT OF THE EVENT; 1. Temporalization and Aspectualization 2. The Focalization of the Actor-Subject3. Triggering of Narration; III. RECONSTITUTING THE ACTANT; 1. Recognition; 2. The Reunion; 3. The Virtualization and the Actualization of Contents; 4. The Institution of Illusion; IV. THE COMPETENCE OF THE SUBJECT; 1. The Actualization of Wanting-to-do; 2. An Illusory Being-able-to-do; 3. The Tricksters; 4. The Two Figures of the Trickster; 5. The Non-Sender; 6. The Act; SEQUENCE IV. THE QUEST; I. PROVISIONAL SEGMENTATION; II. FAMILIAR SPACE; 1. The Pass; 2. The Spatial Organization of the Narrative; 2.1. The Crossing; 2.2. The Space of Folktale 2.3. Spatial Engagement and Disengagement2.4. Uttered Space; III. TOPICAL SPACE; 1. New Segmentation; 2. The Interpretive Halt; 2.1. The Exploration of Topical Space; 2.2. Interpretive Doing; 2.2.1. Variations of the Isotopies; 2.2.2. The Fiduciary Relation; 2.2.3. The Actualization of the Antactant; 2.3. The Social Anti-sender; 2.4. The Qualifying Test; 2.4.1. Anxiety; 2.4.2. Cheeky Humor; 2.4.3. Hesitation; 3. Persuasive Displacement; 3.1. The Pragmatic Program; 3.2. The Cognitive Program; SEQUENCE V. PEACE; I. PROBLEMS OF SEGMENTATION; II. THE CONSTRUCTION OF COGNITIVE SPACE Translated by Paul PerronMaupassant's short story, "Two Friends", is examined in order to test methodological tools and to hone them for their application in the analysis of narrative discourse, starting from the oral tale (Propp) and ending with the written tale instituted as literary genre. Complex procedures of textual production are identified: among which entire sequences as well as the "evenemential" level of narrative fade away in favor of its cognitive dimension. This semiotic investigation is accompanied by a challenge to certain conventions of literary criticism: dialogue, the locus. English. Maupassant, Guy de, 1850-1893. Deux amis. http://id.loc.gov/authorities/names/no2019166148 Deux amis (Maupassant, Guy de) fast Semiotics and literature France. Sémiotique et littérature France. LITERARY CRITICISM European French. bisacsh Semiotics and literature fast France fast https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP Maupassant, Guy de, 1850-1893. Deux amis. English. http://id.loc.gov/authorities/names/n88115492 Print version: Greimas, Algirdas Julien. Maupassant. English. Maupassant. Amsterdam : J. Benjamins Pub. Co., 1988 (DLC) 88009542 Semiotic crossroads ; v. 1. http://id.loc.gov/authorities/names/n86749499 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=416453 Volltext |
| spellingShingle | Greimas, Algirdas Julien Maupassant : the semiotics of text : practical exercises / Semiotic crossroads ; MAUPASSANT The Semiotics of Text Practical Exercises; Editorial page; Title page; Copyright page; Table of contents; INTRODUCTION; NOTES; REFERENCES; FOREWORD; TWO FRIENDS; SEQUENCE I. PARIS; I. TEXTUAL ORGANIZATION; 1. Spatial and Temporal Disjunctions; 1.1. Temporality; 1.2. Spatiality; 2. Actorial Disjunction; II. THE FIRST SENTENCE; 1. Thematic Roles; 2. Aspectual Structures; 3. A Logic of Approximations; III. THE SECOND SENTENCE; 1. The Discoursive Isotopy; 2. SpatialRepresentation; 3. Semantic Explicitation; 4. Axiological Investments; IV. THE THIRD SENTENCE 1. The Spatial Figure of Paris2. Toward the Abolition of Meaning; V. FINAL REMARKS; SEQUENCE II. FRIENDSHIP; I. THE SEQUENCE AND ITS CONTEXT; 1. Intercalation; 1.1. Disengagement; 1.2. Engagement; 2. The Linearity of Discourse; 2.1. The Cognitive Dimension and its Figurativization; 2.2. The Actorial Isotopy of Discourse; 2.3. Anaphorization and Cataphorization; II. THE INTERNAL ORGANIZATION OF THE SEQUENCE; 1. Paradigmatic Organization; 1.1. The Demarcators; 1.2. Segmentation; 1.3. Symmetries and Dissymmetries; 2. Syntagmatic Organization; 2.1. Doing and Being; 2.2. Doing; 2.3. The Pivot 2.4. BeingIII. EUPHORIC DOING; 1. The Discoursive Program; 2. The Valorization of the Program; 3. The Installation of the Dual Actant; IV. THE FIGURATIVE UNIVERSE OF VALUES; 1. The Identification of Values; 2. The Transfigurations of the Sun; 3. Aquatic Mist; 4. Celestial Mist; 5. Solar Blood; 6. The Seeming of the Sky; 7. The Semiotic Square; V. ACTANTIAL DISTRIBUTION; SEQUENCE III. THE PROMENADE; I. THE STATUS AND THE ORGANIZATION OF THE SEQUENCE; 1. The Spatio-temporal Frame; 2. The Promenade; 3. Walking and Halting; II. THE ADVENT OF THE EVENT; 1. Temporalization and Aspectualization 2. The Focalization of the Actor-Subject3. Triggering of Narration; III. RECONSTITUTING THE ACTANT; 1. Recognition; 2. The Reunion; 3. The Virtualization and the Actualization of Contents; 4. The Institution of Illusion; IV. THE COMPETENCE OF THE SUBJECT; 1. The Actualization of Wanting-to-do; 2. An Illusory Being-able-to-do; 3. The Tricksters; 4. The Two Figures of the Trickster; 5. The Non-Sender; 6. The Act; SEQUENCE IV. THE QUEST; I. PROVISIONAL SEGMENTATION; II. FAMILIAR SPACE; 1. The Pass; 2. The Spatial Organization of the Narrative; 2.1. The Crossing; 2.2. The Space of Folktale 2.3. Spatial Engagement and Disengagement2.4. Uttered Space; III. TOPICAL SPACE; 1. New Segmentation; 2. The Interpretive Halt; 2.1. The Exploration of Topical Space; 2.2. Interpretive Doing; 2.2.1. Variations of the Isotopies; 2.2.2. The Fiduciary Relation; 2.2.3. The Actualization of the Antactant; 2.3. The Social Anti-sender; 2.4. The Qualifying Test; 2.4.1. Anxiety; 2.4.2. Cheeky Humor; 2.4.3. Hesitation; 3. Persuasive Displacement; 3.1. The Pragmatic Program; 3.2. The Cognitive Program; SEQUENCE V. PEACE; I. PROBLEMS OF SEGMENTATION; II. THE CONSTRUCTION OF COGNITIVE SPACE Maupassant, Guy de, 1850-1893. Deux amis. http://id.loc.gov/authorities/names/no2019166148 Deux amis (Maupassant, Guy de) fast Semiotics and literature France. Sémiotique et littérature France. LITERARY CRITICISM European French. bisacsh Semiotics and literature fast |
| subject_GND | http://id.loc.gov/authorities/names/no2019166148 |
| title | Maupassant : the semiotics of text : practical exercises / |
| title_alt | Maupassant. Deux amis. |
| title_auth | Maupassant : the semiotics of text : practical exercises / |
| title_exact_search | Maupassant : the semiotics of text : practical exercises / |
| title_full | Maupassant : the semiotics of text : practical exercises / Algirdas Julien Greimas ; translated by Paul Perron. |
| title_fullStr | Maupassant : the semiotics of text : practical exercises / Algirdas Julien Greimas ; translated by Paul Perron. |
| title_full_unstemmed | Maupassant : the semiotics of text : practical exercises / Algirdas Julien Greimas ; translated by Paul Perron. |
| title_short | Maupassant : |
| title_sort | maupassant the semiotics of text practical exercises |
| title_sub | the semiotics of text : practical exercises / |
| topic | Maupassant, Guy de, 1850-1893. Deux amis. http://id.loc.gov/authorities/names/no2019166148 Deux amis (Maupassant, Guy de) fast Semiotics and literature France. Sémiotique et littérature France. LITERARY CRITICISM European French. bisacsh Semiotics and literature fast |
| topic_facet | Maupassant, Guy de, 1850-1893. Deux amis. Deux amis (Maupassant, Guy de) Semiotics and literature France. Sémiotique et littérature France. LITERARY CRITICISM European French. Semiotics and literature France |
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