Making race :: modernism and "racial art" in America /
"Malvin Gray Johnson, Yasuo Kuniyoshi, and Max Weber were three New York City artists whose work was popularly assigned to the category of "racial art" in the interwar years of the twentieth century. The term was widely used by critics and the public at the time, and was an unexamined...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Seattle :
University of Washington Press,
[2012]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Malvin Gray Johnson, Yasuo Kuniyoshi, and Max Weber were three New York City artists whose work was popularly assigned to the category of "racial art" in the interwar years of the twentieth century. The term was widely used by critics and the public at the time, and was an unexamined, unquestioned category for the work of non-whites (such as Johnson, an African American), non-Westerners (such as Kuniyoshi, a Japanese-born American), and ethnicized non-Christians (such as Weber, a Russian-born Jewish American). The discourse on racial art is a troubling chapter in the history of early American modernism that has not, until now, been sufficiently documented. Jacqueline Francis juxtaposes the work of these three artists in order to consider their understanding of the category and their stylistic responses to the expectations created by it, in the process revealing much about the nature of modernist art practices. Most American audiences in the interwar period disapproved of figural abstraction and held modernist painting in contempt, yet the critics who first expressed appreciation for Johnson, Kuniyoshi, and Weber praised their bright palettes and energetic pictures--and expected to find the residue of the minority artist's heritage in the work itself. Francis explores the flowering of racial art rhetoric in criticism and history published in the 1920s and 1930s, and analyzes its underlying presence in contemporary discussions of artists of color. Making Race is a history of a past phenomenon which has ramifications for the present. Jacqueline Francis is a senior lecturer at the California College of the Arts"--Provided by publisher "A comparative history of New York expressionist painters Malvin Gray Johnson (1896-1934), Yasuo Kuniyoshi (1893-1953), and Max Weber (1881-1961)"--Provided by publisher |
| Beschreibung: | "A McLellan book." |
| Beschreibung: | 1 online resource (xiv, 250 pages) : illustrations (some color) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780295804330 0295804335 |
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| 100 | 1 | |a Francis, Jacqueline, |e author. |0 http://id.loc.gov/authorities/names/n2010023958 | |
| 245 | 1 | 0 | |a Making race : |b modernism and "racial art" in America / |c Jacqueline Francis. |
| 264 | 1 | |a Seattle : |b University of Washington Press, |c [2012] | |
| 264 | 4 | |c ©2012 | |
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| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a "Malvin Gray Johnson, Yasuo Kuniyoshi, and Max Weber were three New York City artists whose work was popularly assigned to the category of "racial art" in the interwar years of the twentieth century. The term was widely used by critics and the public at the time, and was an unexamined, unquestioned category for the work of non-whites (such as Johnson, an African American), non-Westerners (such as Kuniyoshi, a Japanese-born American), and ethnicized non-Christians (such as Weber, a Russian-born Jewish American). The discourse on racial art is a troubling chapter in the history of early American modernism that has not, until now, been sufficiently documented. Jacqueline Francis juxtaposes the work of these three artists in order to consider their understanding of the category and their stylistic responses to the expectations created by it, in the process revealing much about the nature of modernist art practices. Most American audiences in the interwar period disapproved of figural abstraction and held modernist painting in contempt, yet the critics who first expressed appreciation for Johnson, Kuniyoshi, and Weber praised their bright palettes and energetic pictures--and expected to find the residue of the minority artist's heritage in the work itself. Francis explores the flowering of racial art rhetoric in criticism and history published in the 1920s and 1930s, and analyzes its underlying presence in contemporary discussions of artists of color. Making Race is a history of a past phenomenon which has ramifications for the present. Jacqueline Francis is a senior lecturer at the California College of the Arts"--Provided by publisher | ||
| 520 | |a "A comparative history of New York expressionist painters Malvin Gray Johnson (1896-1934), Yasuo Kuniyoshi (1893-1953), and Max Weber (1881-1961)"--Provided by publisher | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Introduction -- The meanings of modernism -- Making race in American religious painting -- Type/face/mask: racial portraiture -- The race of landscape -- Conclusion. | |
| 546 | |a English. | ||
| 600 | 1 | 0 | |a Johnson, Malvin Gray, |d 1896-1934 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Kuniyoshi, Yasuo, |d 1889-1953 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Weber, Max, |d 1881-1961 |x Criticism and interpretation. |
| 600 | 1 | 1 | |a Weber, Max, |d 1881-1961 |x Critique et interpretation. |
| 600 | 1 | 1 | |a Kuniyoshi, Yasuo, |d 1889-1953 |x Critique et interpretation. |
| 600 | 1 | 1 | |a Johnson, Malvin Gray, |d 1896-1934 |x Critique et interpretation. |
| 600 | 1 | 7 | |a Johnson, Malvin Gray, |d 1896-1934 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJktmjjChDGF4HWT74dmh3 |
| 600 | 1 | 7 | |a Kuniyoshi, Yasuo, |d 1889-1953 |2 fast |
| 600 | 1 | 7 | |a Weber, Max, |d 1881-1961 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJrckVkJ4fyQJRC8bdV6Kd |
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| 600 | 1 | 7 | |a Kuniyoshi, Yasuo |d 1889-1953 |2 gnd |
| 600 | 1 | 7 | |a Weber, Max |d 1881-1961 |2 gnd |
| 610 | 2 | 7 | |a Metropolitan Museum of Art |2 gnd |
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| 600 | 1 | 7 | |a Kuniyoshi, Yasuo, |d (1889-1953) |x Critique et interpretation. |2 ram |
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Datensatz im Suchindex
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| author | Francis, Jacqueline |
| author_GND | http://id.loc.gov/authorities/names/n2010023958 |
| author_facet | Francis, Jacqueline |
| author_role | aut |
| author_sort | Francis, Jacqueline |
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| collection | ZDB-4-EBA |
| contents | Introduction -- The meanings of modernism -- Making race in American religious painting -- Type/face/mask: racial portraiture -- The race of landscape -- Conclusion. |
| ctrlnum | (OCoLC)774399342 |
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| dewey-search | 759.13 |
| dewey-sort | 3759.13 |
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| genre | Criticism, interpretation, etc. fast History fast |
| genre_facet | Criticism, interpretation, etc. History |
| geographic | United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq |
| geographic_facet | United States |
| id | ZDB-4-EBA-ocn774399342 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:18:13Z |
| institution | BVB |
| isbn | 9780295804330 0295804335 |
| language | English |
| oclc_num | 774399342 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xiv, 250 pages) : illustrations (some color) |
| psigel | ZDB-4-EBA |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | University of Washington Press, |
| record_format | marc |
| spelling | Francis, Jacqueline, author. http://id.loc.gov/authorities/names/n2010023958 Making race : modernism and "racial art" in America / Jacqueline Francis. Seattle : University of Washington Press, [2012] ©2012 1 online resource (xiv, 250 pages) : illustrations (some color) text txt rdacontent computer c rdamedia online resource cr rdacarrier polychrome. rdacc http://rdaregistry.info/termList/RDAColourContent/1003 data file "A McLellan book." Includes bibliographical references and index. "Malvin Gray Johnson, Yasuo Kuniyoshi, and Max Weber were three New York City artists whose work was popularly assigned to the category of "racial art" in the interwar years of the twentieth century. The term was widely used by critics and the public at the time, and was an unexamined, unquestioned category for the work of non-whites (such as Johnson, an African American), non-Westerners (such as Kuniyoshi, a Japanese-born American), and ethnicized non-Christians (such as Weber, a Russian-born Jewish American). The discourse on racial art is a troubling chapter in the history of early American modernism that has not, until now, been sufficiently documented. Jacqueline Francis juxtaposes the work of these three artists in order to consider their understanding of the category and their stylistic responses to the expectations created by it, in the process revealing much about the nature of modernist art practices. Most American audiences in the interwar period disapproved of figural abstraction and held modernist painting in contempt, yet the critics who first expressed appreciation for Johnson, Kuniyoshi, and Weber praised their bright palettes and energetic pictures--and expected to find the residue of the minority artist's heritage in the work itself. Francis explores the flowering of racial art rhetoric in criticism and history published in the 1920s and 1930s, and analyzes its underlying presence in contemporary discussions of artists of color. Making Race is a history of a past phenomenon which has ramifications for the present. Jacqueline Francis is a senior lecturer at the California College of the Arts"--Provided by publisher "A comparative history of New York expressionist painters Malvin Gray Johnson (1896-1934), Yasuo Kuniyoshi (1893-1953), and Max Weber (1881-1961)"--Provided by publisher Print version record. Introduction -- The meanings of modernism -- Making race in American religious painting -- Type/face/mask: racial portraiture -- The race of landscape -- Conclusion. English. Johnson, Malvin Gray, 1896-1934 Criticism and interpretation. Kuniyoshi, Yasuo, 1889-1953 Criticism and interpretation. Weber, Max, 1881-1961 Criticism and interpretation. Weber, Max, 1881-1961 Critique et interpretation. Kuniyoshi, Yasuo, 1889-1953 Critique et interpretation. Johnson, Malvin Gray, 1896-1934 Critique et interpretation. Johnson, Malvin Gray, 1896-1934 fast https://id.oclc.org/worldcat/entity/E39PBJktmjjChDGF4HWT74dmh3 Kuniyoshi, Yasuo, 1889-1953 fast Weber, Max, 1881-1961 fast https://id.oclc.org/worldcat/entity/E39PBJrckVkJ4fyQJRC8bdV6Kd Johnson, Malvin Gray 1896-1934 gnd http://d-nb.info/gnd/1021166162 Kuniyoshi, Yasuo 1889-1953 gnd Weber, Max 1881-1961 gnd Metropolitan Museum of Art gnd Weber, Max, (1881-1961) Critique et interpretation. ram Kuniyoshi, Yasuo, (1889-1953) Critique et interpretation. ram Modernism (Art) United States. Painting, American 20th century. http://id.loc.gov/authorities/subjects/sh85096806 Art criticism United States History 20th century. Art and race. http://id.loc.gov/authorities/subjects/sh85007971 Modernisme (Art) États-Unis. Peinture américaine 20e siècle. Critique d'art États-Unis Histoire 20e siècle. Art et race. ART American African American. bisacsh ART American Asian American. bisacsh SOCIAL SCIENCE Ethnic Studies General. bisacsh ART History General. bisacsh Art and race fast Art criticism fast Modernism (Art) fast Painting, American fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq Künstler gnd http://d-nb.info/gnd/4033423-5 Ethnizität Motiv gnd http://d-nb.info/gnd/4438896-2 Malerei gnd Minderheit gnd http://d-nb.info/gnd/4752223-9 Critique d'art États-Unis 20e siecle. ram Peinture americaine 20e siecle. ram Modernisme (art) États-Unis. ram Amerikansk målarkonst. sao Modernism (konst) sao 1900-1999 fast Geschichte 1920-1940. swd Criticism, interpretation, etc. fast History fast has work: Making race (Text) https://id.oclc.org/worldcat/entity/E39PCGGdyx3HXrXgYQRpTtWQjd https://id.oclc.org/worldcat/ontology/hasWork Print version: Francis, Jacqueline. Making race. Seattle : University of Washington Press, ©2012 9780295991450 (DLC) 2011017782 (OCoLC)713189786 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=421467 Volltext |
| spellingShingle | Francis, Jacqueline Making race : modernism and "racial art" in America / Introduction -- The meanings of modernism -- Making race in American religious painting -- Type/face/mask: racial portraiture -- The race of landscape -- Conclusion. Johnson, Malvin Gray, 1896-1934 Criticism and interpretation. Kuniyoshi, Yasuo, 1889-1953 Criticism and interpretation. Weber, Max, 1881-1961 Criticism and interpretation. Weber, Max, 1881-1961 Critique et interpretation. Kuniyoshi, Yasuo, 1889-1953 Critique et interpretation. Johnson, Malvin Gray, 1896-1934 Critique et interpretation. Johnson, Malvin Gray, 1896-1934 fast https://id.oclc.org/worldcat/entity/E39PBJktmjjChDGF4HWT74dmh3 Kuniyoshi, Yasuo, 1889-1953 fast Weber, Max, 1881-1961 fast https://id.oclc.org/worldcat/entity/E39PBJrckVkJ4fyQJRC8bdV6Kd Johnson, Malvin Gray 1896-1934 gnd http://d-nb.info/gnd/1021166162 Kuniyoshi, Yasuo 1889-1953 gnd Weber, Max 1881-1961 gnd Metropolitan Museum of Art gnd Weber, Max, (1881-1961) Critique et interpretation. ram Kuniyoshi, Yasuo, (1889-1953) Critique et interpretation. ram Modernism (Art) United States. Painting, American 20th century. http://id.loc.gov/authorities/subjects/sh85096806 Art criticism United States History 20th century. Art and race. http://id.loc.gov/authorities/subjects/sh85007971 Modernisme (Art) États-Unis. Peinture américaine 20e siècle. Critique d'art États-Unis Histoire 20e siècle. Art et race. ART American African American. bisacsh ART American Asian American. bisacsh SOCIAL SCIENCE Ethnic Studies General. bisacsh ART History General. bisacsh Art and race fast Art criticism fast Modernism (Art) fast Painting, American fast Künstler gnd http://d-nb.info/gnd/4033423-5 Ethnizität Motiv gnd http://d-nb.info/gnd/4438896-2 Malerei gnd Minderheit gnd http://d-nb.info/gnd/4752223-9 Critique d'art États-Unis 20e siecle. ram Peinture americaine 20e siecle. ram Modernisme (art) États-Unis. ram Amerikansk målarkonst. sao Modernism (konst) sao |
| subject_GND | http://d-nb.info/gnd/1021166162 http://id.loc.gov/authorities/subjects/sh85096806 http://id.loc.gov/authorities/subjects/sh85007971 http://d-nb.info/gnd/4033423-5 http://d-nb.info/gnd/4438896-2 http://d-nb.info/gnd/4752223-9 |
| title | Making race : modernism and "racial art" in America / |
| title_auth | Making race : modernism and "racial art" in America / |
| title_exact_search | Making race : modernism and "racial art" in America / |
| title_full | Making race : modernism and "racial art" in America / Jacqueline Francis. |
| title_fullStr | Making race : modernism and "racial art" in America / Jacqueline Francis. |
| title_full_unstemmed | Making race : modernism and "racial art" in America / Jacqueline Francis. |
| title_short | Making race : |
| title_sort | making race modernism and racial art in america |
| title_sub | modernism and "racial art" in America / |
| topic | Johnson, Malvin Gray, 1896-1934 Criticism and interpretation. Kuniyoshi, Yasuo, 1889-1953 Criticism and interpretation. Weber, Max, 1881-1961 Criticism and interpretation. Weber, Max, 1881-1961 Critique et interpretation. Kuniyoshi, Yasuo, 1889-1953 Critique et interpretation. Johnson, Malvin Gray, 1896-1934 Critique et interpretation. Johnson, Malvin Gray, 1896-1934 fast https://id.oclc.org/worldcat/entity/E39PBJktmjjChDGF4HWT74dmh3 Kuniyoshi, Yasuo, 1889-1953 fast Weber, Max, 1881-1961 fast https://id.oclc.org/worldcat/entity/E39PBJrckVkJ4fyQJRC8bdV6Kd Johnson, Malvin Gray 1896-1934 gnd http://d-nb.info/gnd/1021166162 Kuniyoshi, Yasuo 1889-1953 gnd Weber, Max 1881-1961 gnd Metropolitan Museum of Art gnd Weber, Max, (1881-1961) Critique et interpretation. ram Kuniyoshi, Yasuo, (1889-1953) Critique et interpretation. ram Modernism (Art) United States. Painting, American 20th century. http://id.loc.gov/authorities/subjects/sh85096806 Art criticism United States History 20th century. Art and race. http://id.loc.gov/authorities/subjects/sh85007971 Modernisme (Art) États-Unis. Peinture américaine 20e siècle. Critique d'art États-Unis Histoire 20e siècle. Art et race. ART American African American. bisacsh ART American Asian American. bisacsh SOCIAL SCIENCE Ethnic Studies General. bisacsh ART History General. bisacsh Art and race fast Art criticism fast Modernism (Art) fast Painting, American fast Künstler gnd http://d-nb.info/gnd/4033423-5 Ethnizität Motiv gnd http://d-nb.info/gnd/4438896-2 Malerei gnd Minderheit gnd http://d-nb.info/gnd/4752223-9 Critique d'art États-Unis 20e siecle. ram Peinture americaine 20e siecle. ram Modernisme (art) États-Unis. ram Amerikansk målarkonst. sao Modernism (konst) sao |
| topic_facet | Johnson, Malvin Gray, 1896-1934 Criticism and interpretation. Kuniyoshi, Yasuo, 1889-1953 Criticism and interpretation. Weber, Max, 1881-1961 Criticism and interpretation. Weber, Max, 1881-1961 Critique et interpretation. Kuniyoshi, Yasuo, 1889-1953 Critique et interpretation. Johnson, Malvin Gray, 1896-1934 Critique et interpretation. Johnson, Malvin Gray, 1896-1934 Kuniyoshi, Yasuo, 1889-1953 Weber, Max, 1881-1961 Johnson, Malvin Gray 1896-1934 Kuniyoshi, Yasuo 1889-1953 Weber, Max 1881-1961 Metropolitan Museum of Art Weber, Max, (1881-1961) Critique et interpretation. Kuniyoshi, Yasuo, (1889-1953) Critique et interpretation. Modernism (Art) United States. Painting, American 20th century. Art criticism United States History 20th century. Art and race. Modernisme (Art) États-Unis. Peinture américaine 20e siècle. Critique d'art États-Unis Histoire 20e siècle. Art et race. ART American African American. ART American Asian American. SOCIAL SCIENCE Ethnic Studies General. ART History General. Art and race Art criticism Modernism (Art) Painting, American United States Künstler Ethnizität Motiv Malerei Minderheit Critique d'art États-Unis 20e siecle. Peinture americaine 20e siecle. Modernisme (art) États-Unis. Amerikansk målarkonst. Modernism (konst) Criticism, interpretation, etc. History |
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| work_keys_str_mv | AT francisjacqueline makingracemodernismandracialartinamerica |