Censorship and sexuality in Bombay cinema /:
India produces an impressive number of films each year in a variety of languages. Here, Monika Mehta breaks new ground by analyzing Hindi films and exploring the censorship of gender and heterosexuality in Bombay cinema. She studies how film censorship on various levels makes the female body and fem...
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| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Austin :
University of Texas Press,
©2011.
|
| Ausgabe: | 1st ed. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | India produces an impressive number of films each year in a variety of languages. Here, Monika Mehta breaks new ground by analyzing Hindi films and exploring the censorship of gender and heterosexuality in Bombay cinema. She studies how film censorship on various levels makes the female body and female sexuality pivotal in constructing national identity, not just through the films themselves but also through the heated debates that occur in newspapers and other periodicals. The standard claim is that the state dictates censorship and various prohibitions, but Mehta explores how relationships among the state, the film industry, and the public illuminate censorship's role in identity formation, while also examining how desire, profits, and corruption are generated through the act of censoring. Committed to extending a feminist critique of mass culture in the global south, Mehta situates the story of censorship in a broad social context and traces the intriguing ways in which the heated debates on sexuality in Bombay cinema actually produce the very forms of sexuality they claim to regulate. She imagines afresh the theoretical field of censorship by combining textual analysis, archival research, and qualitative fieldwork. Her analysis reveals how central concepts of film studies, such as stardom, spectacle, genre, and sound, are employed and (re)configured within the ambit of state censorship, thereby expanding the scope of their application and impact. |
| Beschreibung: | Based on the author's thesis (doctoral)--University of Minnesota, 2001. |
| Beschreibung: | 1 online resource (xi, 304 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780292737853 0292737858 |
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| 245 | 1 | 0 | |a Censorship and sexuality in Bombay cinema / |c Monika Mehta. |
| 250 | |a 1st ed. | ||
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| 505 | 0 | |a Beginning -- Revisiting the history of film censorship -- Close-up: the Central Board of Film Certification -- The first sex-education film: a classification conundrum -- Satyam shivam sundaram: (im)proper suturing of sound, scar, and stardom -- An anomalous dilemma: to ban or to certify the self-sacrificial wife in Pati parmeshwar -- Tracking the twists and turns in the Khalnayak -- Debates on censorship -- Dilwale dulhania le jayenge: certifying a "family love" story -- From censorship to selections. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a India produces an impressive number of films each year in a variety of languages. Here, Monika Mehta breaks new ground by analyzing Hindi films and exploring the censorship of gender and heterosexuality in Bombay cinema. She studies how film censorship on various levels makes the female body and female sexuality pivotal in constructing national identity, not just through the films themselves but also through the heated debates that occur in newspapers and other periodicals. The standard claim is that the state dictates censorship and various prohibitions, but Mehta explores how relationships among the state, the film industry, and the public illuminate censorship's role in identity formation, while also examining how desire, profits, and corruption are generated through the act of censoring. Committed to extending a feminist critique of mass culture in the global south, Mehta situates the story of censorship in a broad social context and traces the intriguing ways in which the heated debates on sexuality in Bombay cinema actually produce the very forms of sexuality they claim to regulate. She imagines afresh the theoretical field of censorship by combining textual analysis, archival research, and qualitative fieldwork. Her analysis reveals how central concepts of film studies, such as stardom, spectacle, genre, and sound, are employed and (re)configured within the ambit of state censorship, thereby expanding the scope of their application and impact. | ||
| 546 | |a English. | ||
| 650 | 0 | |a Motion pictures |x Censorship |z India |z Mumbai. | |
| 650 | 0 | |a Motion pictures |z India |z Mumbai |x History |y 20th century. | |
| 650 | 0 | |a Sex in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh85120622 | |
| 650 | 0 | |a Sex role in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh89005585 | |
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| 650 | 6 | |a Cinéma |z Inde |z Mumbai |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Sexualité au cinéma. | |
| 650 | 6 | |a Rôle selon le sexe au cinéma. | |
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| 650 | 7 | |a Sex in motion pictures |2 fast | |
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| author | Mehta, Monika, 1970- |
| author_GND | http://id.loc.gov/authorities/names/n2011047011 |
| author_facet | Mehta, Monika, 1970- |
| author_role | aut |
| author_sort | Mehta, Monika, 1970- |
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| contents | Beginning -- Revisiting the history of film censorship -- Close-up: the Central Board of Film Certification -- The first sex-education film: a classification conundrum -- Satyam shivam sundaram: (im)proper suturing of sound, scar, and stardom -- An anomalous dilemma: to ban or to certify the self-sacrificial wife in Pati parmeshwar -- Tracking the twists and turns in the Khalnayak -- Debates on censorship -- Dilwale dulhania le jayenge: certifying a "family love" story -- From censorship to selections. |
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| dewey-search | 303.3/76 |
| dewey-sort | 3303.3 276 |
| dewey-tens | 300 - Social sciences |
| discipline | Allgemeines Soziologie Politologie |
| edition | 1st ed. |
| era | 1900 - 1999 fast |
| era_facet | 1900 - 1999 |
| format | Electronic eBook |
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Committed to extending a feminist critique of mass culture in the global south, Mehta situates the story of censorship in a broad social context and traces the intriguing ways in which the heated debates on sexuality in Bombay cinema actually produce the very forms of sexuality they claim to regulate. She imagines afresh the theoretical field of censorship by combining textual analysis, archival research, and qualitative fieldwork. 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| genre | History fast |
| genre_facet | History |
| geographic | India Mumbai fast Bombay gnd Indien gnd |
| geographic_facet | India Mumbai Bombay Indien |
| id | ZDB-4-EBA-ocn774026846 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:18:13Z |
| institution | BVB |
| isbn | 9780292737853 0292737858 |
| language | English |
| oclc_num | 774026846 |
| open_access_boolean | |
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| physical | 1 online resource (xi, 304 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2011 |
| publishDateSearch | 2011 |
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| publisher | University of Texas Press, |
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| spelling | Mehta, Monika, 1970- author. https://id.oclc.org/worldcat/entity/E39PCjKhwtk3RMMKftGPYwwt8C http://id.loc.gov/authorities/names/n2011047011 Censorship and sexuality in Bombay cinema / Monika Mehta. 1st ed. Austin : University of Texas Press, ©2011. 1 online resource (xi, 304 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Based on the author's thesis (doctoral)--University of Minnesota, 2001. Includes bibliographical references and index. Beginning -- Revisiting the history of film censorship -- Close-up: the Central Board of Film Certification -- The first sex-education film: a classification conundrum -- Satyam shivam sundaram: (im)proper suturing of sound, scar, and stardom -- An anomalous dilemma: to ban or to certify the self-sacrificial wife in Pati parmeshwar -- Tracking the twists and turns in the Khalnayak -- Debates on censorship -- Dilwale dulhania le jayenge: certifying a "family love" story -- From censorship to selections. Print version record. India produces an impressive number of films each year in a variety of languages. Here, Monika Mehta breaks new ground by analyzing Hindi films and exploring the censorship of gender and heterosexuality in Bombay cinema. She studies how film censorship on various levels makes the female body and female sexuality pivotal in constructing national identity, not just through the films themselves but also through the heated debates that occur in newspapers and other periodicals. The standard claim is that the state dictates censorship and various prohibitions, but Mehta explores how relationships among the state, the film industry, and the public illuminate censorship's role in identity formation, while also examining how desire, profits, and corruption are generated through the act of censoring. Committed to extending a feminist critique of mass culture in the global south, Mehta situates the story of censorship in a broad social context and traces the intriguing ways in which the heated debates on sexuality in Bombay cinema actually produce the very forms of sexuality they claim to regulate. She imagines afresh the theoretical field of censorship by combining textual analysis, archival research, and qualitative fieldwork. Her analysis reveals how central concepts of film studies, such as stardom, spectacle, genre, and sound, are employed and (re)configured within the ambit of state censorship, thereby expanding the scope of their application and impact. English. Motion pictures Censorship India Mumbai. Motion pictures India Mumbai History 20th century. Sex in motion pictures. http://id.loc.gov/authorities/subjects/sh85120622 Sex role in motion pictures. http://id.loc.gov/authorities/subjects/sh89005585 Cinéma Censure Inde Mumbai. Cinéma Inde Mumbai Histoire 20e siècle. Sexualité au cinéma. Rôle selon le sexe au cinéma. SOCIAL SCIENCE General. bisacsh Motion pictures fast Motion pictures Censorship fast Sex in motion pictures fast Sex role in motion pictures fast India Mumbai fast Film gnd http://d-nb.info/gnd/4017102-4 Filmproduktion gnd http://d-nb.info/gnd/4124971-9 Sexualität gnd Zensur gnd Bombay gnd Indien gnd Bollywood. idszbz Indienbild. idszbz Film. idszbz Sexualität. idszbz Zensur. idszbz 1900 - 1999 fast History fast Print version: Mehta, Monika, 1970- Censorship and sexuality in Bombay cinema. 1st ed. Austin : University of Texas Press, 2011 9780292726925 (DLC) 2011026895 (OCoLC)714734755 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=421505 Volltext |
| spellingShingle | Mehta, Monika, 1970- Censorship and sexuality in Bombay cinema / Beginning -- Revisiting the history of film censorship -- Close-up: the Central Board of Film Certification -- The first sex-education film: a classification conundrum -- Satyam shivam sundaram: (im)proper suturing of sound, scar, and stardom -- An anomalous dilemma: to ban or to certify the self-sacrificial wife in Pati parmeshwar -- Tracking the twists and turns in the Khalnayak -- Debates on censorship -- Dilwale dulhania le jayenge: certifying a "family love" story -- From censorship to selections. Motion pictures Censorship India Mumbai. Motion pictures India Mumbai History 20th century. Sex in motion pictures. http://id.loc.gov/authorities/subjects/sh85120622 Sex role in motion pictures. http://id.loc.gov/authorities/subjects/sh89005585 Cinéma Censure Inde Mumbai. Cinéma Inde Mumbai Histoire 20e siècle. Sexualité au cinéma. Rôle selon le sexe au cinéma. SOCIAL SCIENCE General. bisacsh Motion pictures fast Motion pictures Censorship fast Sex in motion pictures fast Sex role in motion pictures fast Film gnd http://d-nb.info/gnd/4017102-4 Filmproduktion gnd http://d-nb.info/gnd/4124971-9 Sexualität gnd Zensur gnd Bollywood. idszbz Indienbild. idszbz Film. idszbz Sexualität. idszbz Zensur. idszbz |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85120622 http://id.loc.gov/authorities/subjects/sh89005585 http://d-nb.info/gnd/4017102-4 http://d-nb.info/gnd/4124971-9 |
| title | Censorship and sexuality in Bombay cinema / |
| title_auth | Censorship and sexuality in Bombay cinema / |
| title_exact_search | Censorship and sexuality in Bombay cinema / |
| title_full | Censorship and sexuality in Bombay cinema / Monika Mehta. |
| title_fullStr | Censorship and sexuality in Bombay cinema / Monika Mehta. |
| title_full_unstemmed | Censorship and sexuality in Bombay cinema / Monika Mehta. |
| title_short | Censorship and sexuality in Bombay cinema / |
| title_sort | censorship and sexuality in bombay cinema |
| topic | Motion pictures Censorship India Mumbai. Motion pictures India Mumbai History 20th century. Sex in motion pictures. http://id.loc.gov/authorities/subjects/sh85120622 Sex role in motion pictures. http://id.loc.gov/authorities/subjects/sh89005585 Cinéma Censure Inde Mumbai. Cinéma Inde Mumbai Histoire 20e siècle. Sexualité au cinéma. Rôle selon le sexe au cinéma. SOCIAL SCIENCE General. bisacsh Motion pictures fast Motion pictures Censorship fast Sex in motion pictures fast Sex role in motion pictures fast Film gnd http://d-nb.info/gnd/4017102-4 Filmproduktion gnd http://d-nb.info/gnd/4124971-9 Sexualität gnd Zensur gnd Bollywood. idszbz Indienbild. idszbz Film. idszbz Sexualität. idszbz Zensur. idszbz |
| topic_facet | Motion pictures Censorship India Mumbai. Motion pictures India Mumbai History 20th century. Sex in motion pictures. Sex role in motion pictures. Cinéma Censure Inde Mumbai. Cinéma Inde Mumbai Histoire 20e siècle. Sexualité au cinéma. Rôle selon le sexe au cinéma. SOCIAL SCIENCE General. Motion pictures Motion pictures Censorship Sex in motion pictures Sex role in motion pictures India Mumbai Film Filmproduktion Sexualität Zensur Bombay Indien Bollywood. Indienbild. Film. Sexualität. Zensur. History |
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