Tragic pathos :: pity and fear in Greek philosophy and tragedy /
"Scholars have often focused on understanding Aristotle's poetic theory, and particularly the concept of catharsis in the Poetics, as a response to Plato's critique of pity in the Republic. However, this book shows that, while Greek thinkers all acknowledge pity and some form of fear...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge ; New York :
Cambridge University Press,
2012.
|
| Schriftenreihe: | Cambridge books online.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Scholars have often focused on understanding Aristotle's poetic theory, and particularly the concept of catharsis in the Poetics, as a response to Plato's critique of pity in the Republic. However, this book shows that, while Greek thinkers all acknowledge pity and some form of fear as responses to tragedy, each assumes a different purpose for the two emotions and mode of presentation and, to a degree, understanding of them. This book reassesses expressions of the emotions within different tragedies and explores emotional responses to and discussions of the tragedies by contemporary philosophers, providing insights into the ethical and social implications of the emotions"-- |
| Beschreibung: | 1 online resource (xiii, 278 pages) |
| Bibliographie: | Includes bibliographical references (pages 269-274) and index. |
| ISBN: | 9781139190329 1139190326 9781139187732 1139187732 9781139028257 1139028251 1283378469 9781283378468 |
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| 245 | 1 | 0 | |a Tragic pathos : |b pity and fear in Greek philosophy and tragedy / |c Dana LaCourse Munteanu. |
| 260 | |a Cambridge ; |a New York : |b Cambridge University Press, |c 2012. | ||
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| 520 | |a "Scholars have often focused on understanding Aristotle's poetic theory, and particularly the concept of catharsis in the Poetics, as a response to Plato's critique of pity in the Republic. However, this book shows that, while Greek thinkers all acknowledge pity and some form of fear as responses to tragedy, each assumes a different purpose for the two emotions and mode of presentation and, to a degree, understanding of them. This book reassesses expressions of the emotions within different tragedies and explores emotional responses to and discussions of the tragedies by contemporary philosophers, providing insights into the ethical and social implications of the emotions"-- |c Provided by publisher | ||
| 504 | |a Includes bibliographical references (pages 269-274) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; TRAGIC PATHOS; Title; Copyright; Dedication; Contents; Preface and acknowledgments; List of abbreviations; Introduction; PREMISE AND PURPOSE; EMOTION: EMOTION AS RESPONSE TO TRAGEDY, TO ART(S); SOME SPECIFICATIONS: AESTHETIC EMOTIONS -- POLITICAL ANDETHICAL IMPLICATIONS; EMOTION AND THE LANGUAGE-GAME:CULTURAL UNITY AND VARIETY; A BRIEF REVIEW OF SCHOLARSHIP: PROBLEMS; Pity; FEAR. THE "ONTOLOGICAL" PROBLEM OF DRAMATIC FEAR; MORAL PROBLEMS OF ORDINARY FEAR: THEIR CONSEQUENCESFOR AESTHETIC FEAR; THE TWO AS PAIR; NOTES ON TERMINOLOGY: AESTHETIC OR MIMETIC? THE TERMSFOR PITY AND FEAR(S). | |
| 505 | 8 | |a Methodology and structureA synopsis; PART I Theoretical views about pity and fear as aesthetic emotions; CHAPTER 1 Drama and the emotions: an Indo-European connection?; CHAPTER 2 Gorgias: a strange trio, the poetic emotions; 2.1 CONTEXT (A): PITY AND HATRED, GUIDED REACTIONSFOR GORGIAS' AUDIENCE (HEL. 7); 2.2 CONTEXT (B): SPEECH CAN STOP FEAR ANDINCREASE PITY (HEL. 8); 2.3 CONTEXT (C): POETRY AROUSES PITY, FEARFUL SHIVER, AND LONGING (HEL. 9); 2.4 CONTEXT (D): INCANTATIONS MAY BRING PLEASUREAND BANISH PAIN (HEL. 10); 2.5 CONTEXT (E): WORDS, LIKE MEDICINE, CAN INSPIRE FEAROR COURAGE (HEL. 14). | |
| 505 | 8 | |a 2.6 CONTEXT (F): FEAR AND IMAGINATION (HEL. 16 17); 2.7 IF THE SPECTATOR ACCEPTS THE "DECEPTION" OF TRAGEDY, ARE HIS EMOTIONS AUTHENTIC?; CHAPTER 3 Plato: from reality to tragedy and back; 3.1 THE PROBLEM WITH ORDINARY "FEAR" AND AESTHETIC FEAR; 3.2 AESTHETIC EMOTIONS: IMPURE PLEASURES, "FALSE" KNOWLEDGE; 3.3 PHILOSOPHICAL DRAMA AND THE TRANSFORMEDTRAGIC EMOTIONS; CHAPTER 4 Aristotle: the first "theorist" of the aesthetic emotions; 4.1 PITY AND FEAR AS RESPONSES OF THE AUDIENCEIN THE POETICS: AN IMPASSE; 4.2 PITY AND FEAR AS RESPONSES OF THE AUDIENCE:RHETORIC AND DRAMA. | |
| 505 | 8 | |a 4.3 AESTHETIC PITY: CREATING A VISION OFSUFFERING THROUGH SPEECH4.3.1 Seeing emotion: visual versus vision; 4.3.2 Conclusions on Pity. Fear. Transfer of emotion through Phantasia; 4.4 PROPER PLEASURE (OIKEIA HEDONE) FROM EMOTIONS; 4.4.1 Proper pleasure as a species of mimesis; 4.4.2 Proper pleasure supervening the "activity" of tragedy; 4.4.3 Painful emotions in pleasure: Oikeia hedone and the pleasures of memory and mourning; 4.5 PREDECESSORS AND SUCCESSORS. TIMOCLES. HOW ORIGINAL IS ARISTOTLE?; 4.6 GENERAL CONCLUSIONS; PART II Pity and fear within tragedies; CHAPTER 5 An introduction. | |
| 505 | 8 | |a 5.1 PURPOSE OF SURVEY5.2 PITY AND FEAR AS EXPRESSIONS OF INTERNAL AUDIENCES ANDTHE PHILOSOPHICAL VIEWS (GORGIAS, PLATO, ARISTOTLE):A DIFFERENT EMPHASIS; 5.3 RELATIONSHIP BETWEEN PITY AND FEAR AS EXPRESSIONSOF INTERNAL AUDIENCES AND EXTERNAL (CONTEMPORARYATHENIAN) AUDIENCES; 5.3.1 Internal audiences as models for external audiences; 5.3.2 Linking internal audiences and external audiences: problems surrounding pity and fear; CHAPTER 6 Aeschylus: Persians; 6.1 A REVIEW OF INTERPRETATIONS; 6.2 PATRIOTIC PRIDE AND ITS COMPATIBILITY WITH TRAGIC PITY. | |
| 600 | 0 | 0 | |a Aeschylus. |t Persae. |0 http://id.loc.gov/authorities/names/n83200552 |
| 600 | 0 | 0 | |a Aeschylus. |t Prometheus bound. |0 http://id.loc.gov/authorities/names/n81062716 |
| 600 | 0 | 0 | |a Sophocles. |t Ajax. |0 http://id.loc.gov/authorities/names/n98026712 |
| 600 | 0 | 0 | |a Euripides. |t Orestes. |0 http://id.loc.gov/authorities/names/nr97033563 |
| 630 | 0 | 7 | |a Ajax (Sophocles) |2 fast |
| 630 | 0 | 7 | |a Orestes (Euripides) |2 fast |
| 630 | 0 | 7 | |a Persae (Aeschylus) |2 fast |
| 630 | 0 | 7 | |a Prometheus bound (Aeschylus) |2 fast |
| 650 | 0 | |a Greek drama (Tragedy) |x History and criticism. | |
| 650 | 0 | |a Pathos in literature. |0 http://id.loc.gov/authorities/subjects/sh94007552 | |
| 650 | 0 | |a Sympathy in literature. |0 http://id.loc.gov/authorities/subjects/sh94009119 | |
| 650 | 0 | |a Fear in literature. |0 http://id.loc.gov/authorities/subjects/sh85047519 | |
| 650 | 0 | |a Emotions (Philosophy) |x History. | |
| 650 | 0 | |a Aesthetics, Ancient. |0 http://id.loc.gov/authorities/subjects/sh85001445 | |
| 650 | 6 | |a Tragédie grecque |x Histoire et critique. | |
| 650 | 6 | |a Pathos dans la littérature. | |
| 650 | 6 | |a Sympathie dans la littérature. | |
| 650 | 6 | |a Peur dans la littérature. | |
| 650 | 6 | |a Émotions (Philosophie) |x Histoire. | |
| 650 | 6 | |a Esthétique ancienne. | |
| 650 | 7 | |a LITERARY COLLECTIONS |x Ancient, Classical & Medieval. |2 bisacsh | |
| 650 | 7 | |a DRAMA |x Ancient, Classical & Medieval. |2 bisacsh | |
| 650 | 7 | |a Aesthetics, Ancient |2 fast | |
| 650 | 7 | |a Emotions (Philosophy) |2 fast | |
| 650 | 7 | |a Fear in literature |2 fast | |
| 650 | 7 | |a Greek drama (Tragedy) |2 fast | |
| 650 | 7 | |a Pathos in literature |2 fast | |
| 650 | 7 | |a Sympathy in literature |2 fast | |
| 650 | 7 | |a Griechisch |2 gnd | |
| 650 | 7 | |a Tragödie |2 gnd |0 http://d-nb.info/gnd/4060591-7 | |
| 650 | 7 | |a Philosophie |2 gnd | |
| 650 | 7 | |a Furcht |2 gnd |0 http://d-nb.info/gnd/4018944-2 | |
| 650 | 7 | |a Mitleid |2 gnd |0 http://d-nb.info/gnd/4039618-6 | |
| 650 | 7 | |a Philosophie. |2 idszbz | |
| 650 | 7 | |a Tragödie. |2 idszbz | |
| 650 | 7 | |a Griechisch. |2 idszbz | |
| 650 | 7 | |a Motiv (Literatur) |2 idszbz | |
| 650 | 7 | |a Angst. |2 idszbz | |
| 650 | 7 | |a Mitleid. |2 idszbz | |
| 650 | 7 | |a Grekiska tragedier |x historia. |2 sao | |
| 650 | 7 | |a Sympati i litteraturen. |2 sao | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 758 | |i has work: |a Tragic pathos (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGPMDMmjf6vc4gYVTb8HYd |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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| author | Munteanu, Dana LaCourse, 1972- |
| author_GND | http://id.loc.gov/authorities/names/n2011048105 |
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| contents | Cover; TRAGIC PATHOS; Title; Copyright; Dedication; Contents; Preface and acknowledgments; List of abbreviations; Introduction; PREMISE AND PURPOSE; EMOTION: EMOTION AS RESPONSE TO TRAGEDY, TO ART(S); SOME SPECIFICATIONS: AESTHETIC EMOTIONS -- POLITICAL ANDETHICAL IMPLICATIONS; EMOTION AND THE LANGUAGE-GAME:CULTURAL UNITY AND VARIETY; A BRIEF REVIEW OF SCHOLARSHIP: PROBLEMS; Pity; FEAR. THE "ONTOLOGICAL" PROBLEM OF DRAMATIC FEAR; MORAL PROBLEMS OF ORDINARY FEAR: THEIR CONSEQUENCESFOR AESTHETIC FEAR; THE TWO AS PAIR; NOTES ON TERMINOLOGY: AESTHETIC OR MIMETIC? THE TERMSFOR PITY AND FEAR(S). Methodology and structureA synopsis; PART I Theoretical views about pity and fear as aesthetic emotions; CHAPTER 1 Drama and the emotions: an Indo-European connection?; CHAPTER 2 Gorgias: a strange trio, the poetic emotions; 2.1 CONTEXT (A): PITY AND HATRED, GUIDED REACTIONSFOR GORGIAS' AUDIENCE (HEL. 7); 2.2 CONTEXT (B): SPEECH CAN STOP FEAR ANDINCREASE PITY (HEL. 8); 2.3 CONTEXT (C): POETRY AROUSES PITY, FEARFUL SHIVER, AND LONGING (HEL. 9); 2.4 CONTEXT (D): INCANTATIONS MAY BRING PLEASUREAND BANISH PAIN (HEL. 10); 2.5 CONTEXT (E): WORDS, LIKE MEDICINE, CAN INSPIRE FEAROR COURAGE (HEL. 14). 2.6 CONTEXT (F): FEAR AND IMAGINATION (HEL. 16 17); 2.7 IF THE SPECTATOR ACCEPTS THE "DECEPTION" OF TRAGEDY, ARE HIS EMOTIONS AUTHENTIC?; CHAPTER 3 Plato: from reality to tragedy and back; 3.1 THE PROBLEM WITH ORDINARY "FEAR" AND AESTHETIC FEAR; 3.2 AESTHETIC EMOTIONS: IMPURE PLEASURES, "FALSE" KNOWLEDGE; 3.3 PHILOSOPHICAL DRAMA AND THE TRANSFORMEDTRAGIC EMOTIONS; CHAPTER 4 Aristotle: the first "theorist" of the aesthetic emotions; 4.1 PITY AND FEAR AS RESPONSES OF THE AUDIENCEIN THE POETICS: AN IMPASSE; 4.2 PITY AND FEAR AS RESPONSES OF THE AUDIENCE:RHETORIC AND DRAMA. 4.3 AESTHETIC PITY: CREATING A VISION OFSUFFERING THROUGH SPEECH4.3.1 Seeing emotion: visual versus vision; 4.3.2 Conclusions on Pity. Fear. Transfer of emotion through Phantasia; 4.4 PROPER PLEASURE (OIKEIA HEDONE) FROM EMOTIONS; 4.4.1 Proper pleasure as a species of mimesis; 4.4.2 Proper pleasure supervening the "activity" of tragedy; 4.4.3 Painful emotions in pleasure: Oikeia hedone and the pleasures of memory and mourning; 4.5 PREDECESSORS AND SUCCESSORS. TIMOCLES. HOW ORIGINAL IS ARISTOTLE?; 4.6 GENERAL CONCLUSIONS; PART II Pity and fear within tragedies; CHAPTER 5 An introduction. 5.1 PURPOSE OF SURVEY5.2 PITY AND FEAR AS EXPRESSIONS OF INTERNAL AUDIENCES ANDTHE PHILOSOPHICAL VIEWS (GORGIAS, PLATO, ARISTOTLE):A DIFFERENT EMPHASIS; 5.3 RELATIONSHIP BETWEEN PITY AND FEAR AS EXPRESSIONSOF INTERNAL AUDIENCES AND EXTERNAL (CONTEMPORARYATHENIAN) AUDIENCES; 5.3.1 Internal audiences as models for external audiences; 5.3.2 Linking internal audiences and external audiences: problems surrounding pity and fear; CHAPTER 6 Aeschylus: Persians; 6.1 A REVIEW OF INTERPRETATIONS; 6.2 PATRIOTIC PRIDE AND ITS COMPATIBILITY WITH TRAGIC PITY. |
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Munteanu.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">Cambridge ;</subfield><subfield code="a">New York :</subfield><subfield code="b">Cambridge University Press,</subfield><subfield code="c">2012.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xiii, 278 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"Scholars have often focused on understanding Aristotle's poetic theory, and particularly the concept of catharsis in the Poetics, as a response to Plato's critique of pity in the Republic. However, this book shows that, while Greek thinkers all acknowledge pity and some form of fear as responses to tragedy, each assumes a different purpose for the two emotions and mode of presentation and, to a degree, understanding of them. This book reassesses expressions of the emotions within different tragedies and explores emotional responses to and discussions of the tragedies by contemporary philosophers, providing insights into the ethical and social implications of the emotions"--</subfield><subfield code="c">Provided by publisher</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (pages 269-274) and index.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Cover; TRAGIC PATHOS; Title; Copyright; Dedication; Contents; Preface and acknowledgments; List of abbreviations; Introduction; PREMISE AND PURPOSE; EMOTION: EMOTION AS RESPONSE TO TRAGEDY, TO ART(S); SOME SPECIFICATIONS: AESTHETIC EMOTIONS -- POLITICAL ANDETHICAL IMPLICATIONS; EMOTION AND THE LANGUAGE-GAME:CULTURAL UNITY AND VARIETY; A BRIEF REVIEW OF SCHOLARSHIP: PROBLEMS; Pity; FEAR. THE "ONTOLOGICAL" PROBLEM OF DRAMATIC FEAR; MORAL PROBLEMS OF ORDINARY FEAR: THEIR CONSEQUENCESFOR AESTHETIC FEAR; THE TWO AS PAIR; NOTES ON TERMINOLOGY: AESTHETIC OR MIMETIC? THE TERMSFOR PITY AND FEAR(S).</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Methodology and structureA synopsis; PART I Theoretical views about pity and fear as aesthetic emotions; CHAPTER 1 Drama and the emotions: an Indo-European connection?; CHAPTER 2 Gorgias: a strange trio, the poetic emotions; 2.1 CONTEXT (A): PITY AND HATRED, GUIDED REACTIONSFOR GORGIAS' AUDIENCE (HEL. 7); 2.2 CONTEXT (B): SPEECH CAN STOP FEAR ANDINCREASE PITY (HEL. 8); 2.3 CONTEXT (C): POETRY AROUSES PITY, FEARFUL SHIVER, AND LONGING (HEL. 9); 2.4 CONTEXT (D): INCANTATIONS MAY BRING PLEASUREAND BANISH PAIN (HEL. 10); 2.5 CONTEXT (E): WORDS, LIKE MEDICINE, CAN INSPIRE FEAROR COURAGE (HEL. 14).</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">2.6 CONTEXT (F): FEAR AND IMAGINATION (HEL. 16 17); 2.7 IF THE SPECTATOR ACCEPTS THE "DECEPTION" OF TRAGEDY, ARE HIS EMOTIONS AUTHENTIC?; CHAPTER 3 Plato: from reality to tragedy and back; 3.1 THE PROBLEM WITH ORDINARY "FEAR" AND AESTHETIC FEAR; 3.2 AESTHETIC EMOTIONS: IMPURE PLEASURES, "FALSE" KNOWLEDGE; 3.3 PHILOSOPHICAL DRAMA AND THE TRANSFORMEDTRAGIC EMOTIONS; CHAPTER 4 Aristotle: the first "theorist" of the aesthetic emotions; 4.1 PITY AND FEAR AS RESPONSES OF THE AUDIENCEIN THE POETICS: AN IMPASSE; 4.2 PITY AND FEAR AS RESPONSES OF THE AUDIENCE:RHETORIC AND DRAMA.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">4.3 AESTHETIC PITY: CREATING A VISION OFSUFFERING THROUGH SPEECH4.3.1 Seeing emotion: visual versus vision; 4.3.2 Conclusions on Pity. Fear. Transfer of emotion through Phantasia; 4.4 PROPER PLEASURE (OIKEIA HEDONE) FROM EMOTIONS; 4.4.1 Proper pleasure as a species of mimesis; 4.4.2 Proper pleasure supervening the "activity" of tragedy; 4.4.3 Painful emotions in pleasure: Oikeia hedone and the pleasures of memory and mourning; 4.5 PREDECESSORS AND SUCCESSORS. TIMOCLES. 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| genre | Criticism, interpretation, etc. fast History fast |
| genre_facet | Criticism, interpretation, etc. History |
| id | ZDB-4-EBA-ocn773813111 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:18:12Z |
| institution | BVB |
| isbn | 9781139190329 1139190326 9781139187732 1139187732 9781139028257 1139028251 1283378469 9781283378468 |
| language | English |
| oclc_num | 773813111 |
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| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xiii, 278 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Cambridge University Press, |
| record_format | marc |
| series | Cambridge books online. |
| spelling | Munteanu, Dana LaCourse, 1972- https://id.oclc.org/worldcat/entity/E39PBJpykDhwvvwfvPf9KcgxjC http://id.loc.gov/authorities/names/n2011048105 Tragic pathos : pity and fear in Greek philosophy and tragedy / Dana LaCourse Munteanu. Cambridge ; New York : Cambridge University Press, 2012. 1 online resource (xiii, 278 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier "Scholars have often focused on understanding Aristotle's poetic theory, and particularly the concept of catharsis in the Poetics, as a response to Plato's critique of pity in the Republic. However, this book shows that, while Greek thinkers all acknowledge pity and some form of fear as responses to tragedy, each assumes a different purpose for the two emotions and mode of presentation and, to a degree, understanding of them. This book reassesses expressions of the emotions within different tragedies and explores emotional responses to and discussions of the tragedies by contemporary philosophers, providing insights into the ethical and social implications of the emotions"-- Provided by publisher Includes bibliographical references (pages 269-274) and index. Print version record. Cover; TRAGIC PATHOS; Title; Copyright; Dedication; Contents; Preface and acknowledgments; List of abbreviations; Introduction; PREMISE AND PURPOSE; EMOTION: EMOTION AS RESPONSE TO TRAGEDY, TO ART(S); SOME SPECIFICATIONS: AESTHETIC EMOTIONS -- POLITICAL ANDETHICAL IMPLICATIONS; EMOTION AND THE LANGUAGE-GAME:CULTURAL UNITY AND VARIETY; A BRIEF REVIEW OF SCHOLARSHIP: PROBLEMS; Pity; FEAR. THE "ONTOLOGICAL" PROBLEM OF DRAMATIC FEAR; MORAL PROBLEMS OF ORDINARY FEAR: THEIR CONSEQUENCESFOR AESTHETIC FEAR; THE TWO AS PAIR; NOTES ON TERMINOLOGY: AESTHETIC OR MIMETIC? THE TERMSFOR PITY AND FEAR(S). Methodology and structureA synopsis; PART I Theoretical views about pity and fear as aesthetic emotions; CHAPTER 1 Drama and the emotions: an Indo-European connection?; CHAPTER 2 Gorgias: a strange trio, the poetic emotions; 2.1 CONTEXT (A): PITY AND HATRED, GUIDED REACTIONSFOR GORGIAS' AUDIENCE (HEL. 7); 2.2 CONTEXT (B): SPEECH CAN STOP FEAR ANDINCREASE PITY (HEL. 8); 2.3 CONTEXT (C): POETRY AROUSES PITY, FEARFUL SHIVER, AND LONGING (HEL. 9); 2.4 CONTEXT (D): INCANTATIONS MAY BRING PLEASUREAND BANISH PAIN (HEL. 10); 2.5 CONTEXT (E): WORDS, LIKE MEDICINE, CAN INSPIRE FEAROR COURAGE (HEL. 14). 2.6 CONTEXT (F): FEAR AND IMAGINATION (HEL. 16 17); 2.7 IF THE SPECTATOR ACCEPTS THE "DECEPTION" OF TRAGEDY, ARE HIS EMOTIONS AUTHENTIC?; CHAPTER 3 Plato: from reality to tragedy and back; 3.1 THE PROBLEM WITH ORDINARY "FEAR" AND AESTHETIC FEAR; 3.2 AESTHETIC EMOTIONS: IMPURE PLEASURES, "FALSE" KNOWLEDGE; 3.3 PHILOSOPHICAL DRAMA AND THE TRANSFORMEDTRAGIC EMOTIONS; CHAPTER 4 Aristotle: the first "theorist" of the aesthetic emotions; 4.1 PITY AND FEAR AS RESPONSES OF THE AUDIENCEIN THE POETICS: AN IMPASSE; 4.2 PITY AND FEAR AS RESPONSES OF THE AUDIENCE:RHETORIC AND DRAMA. 4.3 AESTHETIC PITY: CREATING A VISION OFSUFFERING THROUGH SPEECH4.3.1 Seeing emotion: visual versus vision; 4.3.2 Conclusions on Pity. Fear. Transfer of emotion through Phantasia; 4.4 PROPER PLEASURE (OIKEIA HEDONE) FROM EMOTIONS; 4.4.1 Proper pleasure as a species of mimesis; 4.4.2 Proper pleasure supervening the "activity" of tragedy; 4.4.3 Painful emotions in pleasure: Oikeia hedone and the pleasures of memory and mourning; 4.5 PREDECESSORS AND SUCCESSORS. TIMOCLES. HOW ORIGINAL IS ARISTOTLE?; 4.6 GENERAL CONCLUSIONS; PART II Pity and fear within tragedies; CHAPTER 5 An introduction. 5.1 PURPOSE OF SURVEY5.2 PITY AND FEAR AS EXPRESSIONS OF INTERNAL AUDIENCES ANDTHE PHILOSOPHICAL VIEWS (GORGIAS, PLATO, ARISTOTLE):A DIFFERENT EMPHASIS; 5.3 RELATIONSHIP BETWEEN PITY AND FEAR AS EXPRESSIONSOF INTERNAL AUDIENCES AND EXTERNAL (CONTEMPORARYATHENIAN) AUDIENCES; 5.3.1 Internal audiences as models for external audiences; 5.3.2 Linking internal audiences and external audiences: problems surrounding pity and fear; CHAPTER 6 Aeschylus: Persians; 6.1 A REVIEW OF INTERPRETATIONS; 6.2 PATRIOTIC PRIDE AND ITS COMPATIBILITY WITH TRAGIC PITY. Aeschylus. Persae. http://id.loc.gov/authorities/names/n83200552 Aeschylus. Prometheus bound. http://id.loc.gov/authorities/names/n81062716 Sophocles. Ajax. http://id.loc.gov/authorities/names/n98026712 Euripides. Orestes. http://id.loc.gov/authorities/names/nr97033563 Ajax (Sophocles) fast Orestes (Euripides) fast Persae (Aeschylus) fast Prometheus bound (Aeschylus) fast Greek drama (Tragedy) History and criticism. Pathos in literature. http://id.loc.gov/authorities/subjects/sh94007552 Sympathy in literature. http://id.loc.gov/authorities/subjects/sh94009119 Fear in literature. http://id.loc.gov/authorities/subjects/sh85047519 Emotions (Philosophy) History. Aesthetics, Ancient. http://id.loc.gov/authorities/subjects/sh85001445 Tragédie grecque Histoire et critique. Pathos dans la littérature. Sympathie dans la littérature. Peur dans la littérature. Émotions (Philosophie) Histoire. Esthétique ancienne. LITERARY COLLECTIONS Ancient, Classical & Medieval. bisacsh DRAMA Ancient, Classical & Medieval. bisacsh Aesthetics, Ancient fast Emotions (Philosophy) fast Fear in literature fast Greek drama (Tragedy) fast Pathos in literature fast Sympathy in literature fast Griechisch gnd Tragödie gnd http://d-nb.info/gnd/4060591-7 Philosophie gnd Furcht gnd http://d-nb.info/gnd/4018944-2 Mitleid gnd http://d-nb.info/gnd/4039618-6 Philosophie. idszbz Tragödie. idszbz Griechisch. idszbz Motiv (Literatur) idszbz Angst. idszbz Mitleid. idszbz Grekiska tragedier historia. sao Sympati i litteraturen. sao Criticism, interpretation, etc. fast History fast has work: Tragic pathos (Text) https://id.oclc.org/worldcat/entity/E39PCGPMDMmjf6vc4gYVTb8HYd https://id.oclc.org/worldcat/ontology/hasWork Print version: Munteanu, Dana LaCourse, 1972- Tragic pathos. Cambridge ; New York : Cambridge University Press, 2012 9780521765107 (DLC) 2011027498 (OCoLC)729346011 Cambridge books online. FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=409061 Volltext |
| spellingShingle | Munteanu, Dana LaCourse, 1972- Tragic pathos : pity and fear in Greek philosophy and tragedy / Cambridge books online. Cover; TRAGIC PATHOS; Title; Copyright; Dedication; Contents; Preface and acknowledgments; List of abbreviations; Introduction; PREMISE AND PURPOSE; EMOTION: EMOTION AS RESPONSE TO TRAGEDY, TO ART(S); SOME SPECIFICATIONS: AESTHETIC EMOTIONS -- POLITICAL ANDETHICAL IMPLICATIONS; EMOTION AND THE LANGUAGE-GAME:CULTURAL UNITY AND VARIETY; A BRIEF REVIEW OF SCHOLARSHIP: PROBLEMS; Pity; FEAR. THE "ONTOLOGICAL" PROBLEM OF DRAMATIC FEAR; MORAL PROBLEMS OF ORDINARY FEAR: THEIR CONSEQUENCESFOR AESTHETIC FEAR; THE TWO AS PAIR; NOTES ON TERMINOLOGY: AESTHETIC OR MIMETIC? THE TERMSFOR PITY AND FEAR(S). Methodology and structureA synopsis; PART I Theoretical views about pity and fear as aesthetic emotions; CHAPTER 1 Drama and the emotions: an Indo-European connection?; CHAPTER 2 Gorgias: a strange trio, the poetic emotions; 2.1 CONTEXT (A): PITY AND HATRED, GUIDED REACTIONSFOR GORGIAS' AUDIENCE (HEL. 7); 2.2 CONTEXT (B): SPEECH CAN STOP FEAR ANDINCREASE PITY (HEL. 8); 2.3 CONTEXT (C): POETRY AROUSES PITY, FEARFUL SHIVER, AND LONGING (HEL. 9); 2.4 CONTEXT (D): INCANTATIONS MAY BRING PLEASUREAND BANISH PAIN (HEL. 10); 2.5 CONTEXT (E): WORDS, LIKE MEDICINE, CAN INSPIRE FEAROR COURAGE (HEL. 14). 2.6 CONTEXT (F): FEAR AND IMAGINATION (HEL. 16 17); 2.7 IF THE SPECTATOR ACCEPTS THE "DECEPTION" OF TRAGEDY, ARE HIS EMOTIONS AUTHENTIC?; CHAPTER 3 Plato: from reality to tragedy and back; 3.1 THE PROBLEM WITH ORDINARY "FEAR" AND AESTHETIC FEAR; 3.2 AESTHETIC EMOTIONS: IMPURE PLEASURES, "FALSE" KNOWLEDGE; 3.3 PHILOSOPHICAL DRAMA AND THE TRANSFORMEDTRAGIC EMOTIONS; CHAPTER 4 Aristotle: the first "theorist" of the aesthetic emotions; 4.1 PITY AND FEAR AS RESPONSES OF THE AUDIENCEIN THE POETICS: AN IMPASSE; 4.2 PITY AND FEAR AS RESPONSES OF THE AUDIENCE:RHETORIC AND DRAMA. 4.3 AESTHETIC PITY: CREATING A VISION OFSUFFERING THROUGH SPEECH4.3.1 Seeing emotion: visual versus vision; 4.3.2 Conclusions on Pity. Fear. Transfer of emotion through Phantasia; 4.4 PROPER PLEASURE (OIKEIA HEDONE) FROM EMOTIONS; 4.4.1 Proper pleasure as a species of mimesis; 4.4.2 Proper pleasure supervening the "activity" of tragedy; 4.4.3 Painful emotions in pleasure: Oikeia hedone and the pleasures of memory and mourning; 4.5 PREDECESSORS AND SUCCESSORS. TIMOCLES. HOW ORIGINAL IS ARISTOTLE?; 4.6 GENERAL CONCLUSIONS; PART II Pity and fear within tragedies; CHAPTER 5 An introduction. 5.1 PURPOSE OF SURVEY5.2 PITY AND FEAR AS EXPRESSIONS OF INTERNAL AUDIENCES ANDTHE PHILOSOPHICAL VIEWS (GORGIAS, PLATO, ARISTOTLE):A DIFFERENT EMPHASIS; 5.3 RELATIONSHIP BETWEEN PITY AND FEAR AS EXPRESSIONSOF INTERNAL AUDIENCES AND EXTERNAL (CONTEMPORARYATHENIAN) AUDIENCES; 5.3.1 Internal audiences as models for external audiences; 5.3.2 Linking internal audiences and external audiences: problems surrounding pity and fear; CHAPTER 6 Aeschylus: Persians; 6.1 A REVIEW OF INTERPRETATIONS; 6.2 PATRIOTIC PRIDE AND ITS COMPATIBILITY WITH TRAGIC PITY. Aeschylus. Persae. http://id.loc.gov/authorities/names/n83200552 Aeschylus. Prometheus bound. http://id.loc.gov/authorities/names/n81062716 Sophocles. Ajax. http://id.loc.gov/authorities/names/n98026712 Euripides. Orestes. http://id.loc.gov/authorities/names/nr97033563 Ajax (Sophocles) fast Orestes (Euripides) fast Persae (Aeschylus) fast Prometheus bound (Aeschylus) fast Greek drama (Tragedy) History and criticism. Pathos in literature. http://id.loc.gov/authorities/subjects/sh94007552 Sympathy in literature. http://id.loc.gov/authorities/subjects/sh94009119 Fear in literature. http://id.loc.gov/authorities/subjects/sh85047519 Emotions (Philosophy) History. Aesthetics, Ancient. http://id.loc.gov/authorities/subjects/sh85001445 Tragédie grecque Histoire et critique. Pathos dans la littérature. Sympathie dans la littérature. Peur dans la littérature. Émotions (Philosophie) Histoire. Esthétique ancienne. LITERARY COLLECTIONS Ancient, Classical & Medieval. bisacsh DRAMA Ancient, Classical & Medieval. bisacsh Aesthetics, Ancient fast Emotions (Philosophy) fast Fear in literature fast Greek drama (Tragedy) fast Pathos in literature fast Sympathy in literature fast Griechisch gnd Tragödie gnd http://d-nb.info/gnd/4060591-7 Philosophie gnd Furcht gnd http://d-nb.info/gnd/4018944-2 Mitleid gnd http://d-nb.info/gnd/4039618-6 Philosophie. idszbz Tragödie. idszbz Griechisch. idszbz Motiv (Literatur) idszbz Angst. idszbz Mitleid. idszbz Grekiska tragedier historia. sao Sympati i litteraturen. sao |
| subject_GND | http://id.loc.gov/authorities/names/n83200552 http://id.loc.gov/authorities/names/n81062716 http://id.loc.gov/authorities/names/n98026712 http://id.loc.gov/authorities/names/nr97033563 http://id.loc.gov/authorities/subjects/sh94007552 http://id.loc.gov/authorities/subjects/sh94009119 http://id.loc.gov/authorities/subjects/sh85047519 http://id.loc.gov/authorities/subjects/sh85001445 http://d-nb.info/gnd/4060591-7 http://d-nb.info/gnd/4018944-2 http://d-nb.info/gnd/4039618-6 |
| title | Tragic pathos : pity and fear in Greek philosophy and tragedy / |
| title_auth | Tragic pathos : pity and fear in Greek philosophy and tragedy / |
| title_exact_search | Tragic pathos : pity and fear in Greek philosophy and tragedy / |
| title_full | Tragic pathos : pity and fear in Greek philosophy and tragedy / Dana LaCourse Munteanu. |
| title_fullStr | Tragic pathos : pity and fear in Greek philosophy and tragedy / Dana LaCourse Munteanu. |
| title_full_unstemmed | Tragic pathos : pity and fear in Greek philosophy and tragedy / Dana LaCourse Munteanu. |
| title_short | Tragic pathos : |
| title_sort | tragic pathos pity and fear in greek philosophy and tragedy |
| title_sub | pity and fear in Greek philosophy and tragedy / |
| topic | Aeschylus. Persae. http://id.loc.gov/authorities/names/n83200552 Aeschylus. Prometheus bound. http://id.loc.gov/authorities/names/n81062716 Sophocles. Ajax. http://id.loc.gov/authorities/names/n98026712 Euripides. Orestes. http://id.loc.gov/authorities/names/nr97033563 Ajax (Sophocles) fast Orestes (Euripides) fast Persae (Aeschylus) fast Prometheus bound (Aeschylus) fast Greek drama (Tragedy) History and criticism. Pathos in literature. http://id.loc.gov/authorities/subjects/sh94007552 Sympathy in literature. http://id.loc.gov/authorities/subjects/sh94009119 Fear in literature. http://id.loc.gov/authorities/subjects/sh85047519 Emotions (Philosophy) History. Aesthetics, Ancient. http://id.loc.gov/authorities/subjects/sh85001445 Tragédie grecque Histoire et critique. Pathos dans la littérature. Sympathie dans la littérature. Peur dans la littérature. Émotions (Philosophie) Histoire. Esthétique ancienne. LITERARY COLLECTIONS Ancient, Classical & Medieval. bisacsh DRAMA Ancient, Classical & Medieval. bisacsh Aesthetics, Ancient fast Emotions (Philosophy) fast Fear in literature fast Greek drama (Tragedy) fast Pathos in literature fast Sympathy in literature fast Griechisch gnd Tragödie gnd http://d-nb.info/gnd/4060591-7 Philosophie gnd Furcht gnd http://d-nb.info/gnd/4018944-2 Mitleid gnd http://d-nb.info/gnd/4039618-6 Philosophie. idszbz Tragödie. idszbz Griechisch. idszbz Motiv (Literatur) idszbz Angst. idszbz Mitleid. idszbz Grekiska tragedier historia. sao Sympati i litteraturen. sao |
| topic_facet | Aeschylus. Persae. Aeschylus. Prometheus bound. Sophocles. Ajax. Euripides. Orestes. Ajax (Sophocles) Orestes (Euripides) Persae (Aeschylus) Prometheus bound (Aeschylus) Greek drama (Tragedy) History and criticism. Pathos in literature. Sympathy in literature. Fear in literature. Emotions (Philosophy) History. Aesthetics, Ancient. Tragédie grecque Histoire et critique. Pathos dans la littérature. Sympathie dans la littérature. Peur dans la littérature. Émotions (Philosophie) Histoire. Esthétique ancienne. LITERARY COLLECTIONS Ancient, Classical & Medieval. DRAMA Ancient, Classical & Medieval. Aesthetics, Ancient Emotions (Philosophy) Fear in literature Greek drama (Tragedy) Pathos in literature Sympathy in literature Griechisch Tragödie Philosophie Furcht Mitleid Philosophie. Tragödie. Griechisch. Motiv (Literatur) Angst. Mitleid. Grekiska tragedier historia. Sympati i litteraturen. Criticism, interpretation, etc. History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=409061 |
| work_keys_str_mv | AT munteanudanalacourse tragicpathospityandfearingreekphilosophyandtragedy |