The Men Who Knew Too Much :: Henry James and Alfred Hitchcock.
Henry James and Alfred Hitchcock knew too much. Self-imposed exiles fully in the know, they approached American and European society as inside-outsiders, a position that afforded them a kind of double vision. Masters of their arts, manipulators of their audiences, prescient and pathbreaking in their...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Oxford :
Oxford University Press, USA,
2012.
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Henry James and Alfred Hitchcock knew too much. Self-imposed exiles fully in the know, they approached American and European society as inside-outsiders, a position that afforded them a kind of double vision. Masters of their arts, manipulators of their audiences, prescient and pathbreaking in their techniques, these demanding and meticulous artists fiercely defended authorial and directorial control. Their fictions and films are obsessed with knowledge and its powers: who knows what? What is there to know? The Men Who Knew Too Much innovatively pairs these two greats, showing them to be at on. |
| Beschreibung: | 1 online resource (278 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780199877386 0199877386 |
Internformat
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| 505 | 0 | |a Cover; Contents; Preface; Reading James with Hitchcock, Seeing Hitchcock through James; 1. National Bodies; 2. Secrets, Lies, and "Virtuous Attachments": The Ambassadors and The 39 Steps; 3. Henry James and Alfred Hitchcock after the American Century: Circulation and Nonreturn in The American Scene and Strangers on a Train; 4. Colonial Discourse and the Unheard Other in Washington Square and The Man Who Knew Too Much; 5. Bump: Concussive Knowledge in James and Hitchcock; 6. James's Birdcage/Hitchcock's Birds; 7. Sounds of Silence in The Wings of the Dove and Blackmail; 8. The Perfect Enigma. | |
| 505 | 8 | |a 9. Hands, Objects, and Love in James and Hitchcock: Reading the Touch in The Golden Bowl and Notorious10. The Touch of the Real: Circumscribing Vertigo; 11. Specters of Respectability: Victorian Horrors in The Turn of the Screw and Psycho; 12. Caged Heat: Feminist Rebellion in In the Cage and Rear Window; 13. Shadows of Modernity: What Maisie Knew and Shadow of a Doubt; 14. Awkward Ages: James and Hitchcock in Between; Notes; Works Cited; Filmography; Contributors; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z. | |
| 520 | |a Henry James and Alfred Hitchcock knew too much. Self-imposed exiles fully in the know, they approached American and European society as inside-outsiders, a position that afforded them a kind of double vision. Masters of their arts, manipulators of their audiences, prescient and pathbreaking in their techniques, these demanding and meticulous artists fiercely defended authorial and directorial control. Their fictions and films are obsessed with knowledge and its powers: who knows what? What is there to know? The Men Who Knew Too Much innovatively pairs these two greats, showing them to be at on. | ||
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references and index. | ||
| 600 | 1 | 0 | |a Hitchcock, Alfred, |d 1899-1980 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a James, Henry, |d 1843-1916 |x Criticism and interpretation. |
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| 776 | 0 | 8 | |i Print version: |a Griffin, Susan M. |t Men Who Knew Too Much : Henry James and Alfred Hitchcock. |d Oxford : Oxford University Press, USA, ©2012 |z 9780199764426 |
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| contents | Cover; Contents; Preface; Reading James with Hitchcock, Seeing Hitchcock through James; 1. National Bodies; 2. Secrets, Lies, and "Virtuous Attachments": The Ambassadors and The 39 Steps; 3. Henry James and Alfred Hitchcock after the American Century: Circulation and Nonreturn in The American Scene and Strangers on a Train; 4. Colonial Discourse and the Unheard Other in Washington Square and The Man Who Knew Too Much; 5. Bump: Concussive Knowledge in James and Hitchcock; 6. James's Birdcage/Hitchcock's Birds; 7. Sounds of Silence in The Wings of the Dove and Blackmail; 8. The Perfect Enigma. 9. Hands, Objects, and Love in James and Hitchcock: Reading the Touch in The Golden Bowl and Notorious10. The Touch of the Real: Circumscribing Vertigo; 11. Specters of Respectability: Victorian Horrors in The Turn of the Screw and Psycho; 12. Caged Heat: Feminist Rebellion in In the Cage and Rear Window; 13. Shadows of Modernity: What Maisie Knew and Shadow of a Doubt; 14. Awkward Ages: James and Hitchcock in Between; Notes; Works Cited; Filmography; Contributors; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z. |
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| dewey-ones | 813 - American fiction in English |
| dewey-raw | 813.4 |
| dewey-search | 813.4 |
| dewey-sort | 3813.4 |
| dewey-tens | 810 - American literature in English |
| discipline | Anglistik / Amerikanistik |
| format | Electronic eBook |
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| spelling | Griffin, Susan M. The Men Who Knew Too Much : Henry James and Alfred Hitchcock. Oxford : Oxford University Press, USA, 2012. 1 online resource (278 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Cover; Contents; Preface; Reading James with Hitchcock, Seeing Hitchcock through James; 1. National Bodies; 2. Secrets, Lies, and "Virtuous Attachments": The Ambassadors and The 39 Steps; 3. Henry James and Alfred Hitchcock after the American Century: Circulation and Nonreturn in The American Scene and Strangers on a Train; 4. Colonial Discourse and the Unheard Other in Washington Square and The Man Who Knew Too Much; 5. Bump: Concussive Knowledge in James and Hitchcock; 6. James's Birdcage/Hitchcock's Birds; 7. Sounds of Silence in The Wings of the Dove and Blackmail; 8. The Perfect Enigma. 9. Hands, Objects, and Love in James and Hitchcock: Reading the Touch in The Golden Bowl and Notorious10. The Touch of the Real: Circumscribing Vertigo; 11. Specters of Respectability: Victorian Horrors in The Turn of the Screw and Psycho; 12. Caged Heat: Feminist Rebellion in In the Cage and Rear Window; 13. Shadows of Modernity: What Maisie Knew and Shadow of a Doubt; 14. Awkward Ages: James and Hitchcock in Between; Notes; Works Cited; Filmography; Contributors; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z. Henry James and Alfred Hitchcock knew too much. Self-imposed exiles fully in the know, they approached American and European society as inside-outsiders, a position that afforded them a kind of double vision. Masters of their arts, manipulators of their audiences, prescient and pathbreaking in their techniques, these demanding and meticulous artists fiercely defended authorial and directorial control. Their fictions and films are obsessed with knowledge and its powers: who knows what? What is there to know? The Men Who Knew Too Much innovatively pairs these two greats, showing them to be at on. Print version record. Includes bibliographical references and index. Hitchcock, Alfred, 1899-1980 Criticism and interpretation. James, Henry, 1843-1916 Criticism and interpretation. Hitchcock, Alfred, 1899-1980 fast https://id.oclc.org/worldcat/entity/E39PBJwRV83CYGMBFP7BThRkDq James, Henry, 1843-1916 fast https://id.oclc.org/worldcat/entity/E39PBJkHtPt9YrPTPqfdqkYQMP Motion pictures and literature United States. Cinéma et littérature États-Unis. LITERARY CRITICISM American General. bisacsh Motion pictures and literature fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq Criticism, interpretation, etc. fast Nadel, Alan. has work: The men who knew too much (Text) https://id.oclc.org/worldcat/entity/E39PCFFG46wM4kwcf38cb9Dhh3 https://id.oclc.org/worldcat/ontology/hasWork Print version: Griffin, Susan M. Men Who Knew Too Much : Henry James and Alfred Hitchcock. Oxford : Oxford University Press, USA, ©2012 9780199764426 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=422142 Volltext |
| spellingShingle | Griffin, Susan M. The Men Who Knew Too Much : Henry James and Alfred Hitchcock. Cover; Contents; Preface; Reading James with Hitchcock, Seeing Hitchcock through James; 1. National Bodies; 2. Secrets, Lies, and "Virtuous Attachments": The Ambassadors and The 39 Steps; 3. Henry James and Alfred Hitchcock after the American Century: Circulation and Nonreturn in The American Scene and Strangers on a Train; 4. Colonial Discourse and the Unheard Other in Washington Square and The Man Who Knew Too Much; 5. Bump: Concussive Knowledge in James and Hitchcock; 6. James's Birdcage/Hitchcock's Birds; 7. Sounds of Silence in The Wings of the Dove and Blackmail; 8. The Perfect Enigma. 9. Hands, Objects, and Love in James and Hitchcock: Reading the Touch in The Golden Bowl and Notorious10. The Touch of the Real: Circumscribing Vertigo; 11. Specters of Respectability: Victorian Horrors in The Turn of the Screw and Psycho; 12. Caged Heat: Feminist Rebellion in In the Cage and Rear Window; 13. Shadows of Modernity: What Maisie Knew and Shadow of a Doubt; 14. Awkward Ages: James and Hitchcock in Between; Notes; Works Cited; Filmography; Contributors; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z. Hitchcock, Alfred, 1899-1980 Criticism and interpretation. James, Henry, 1843-1916 Criticism and interpretation. Hitchcock, Alfred, 1899-1980 fast https://id.oclc.org/worldcat/entity/E39PBJwRV83CYGMBFP7BThRkDq James, Henry, 1843-1916 fast https://id.oclc.org/worldcat/entity/E39PBJkHtPt9YrPTPqfdqkYQMP Motion pictures and literature United States. Cinéma et littérature États-Unis. LITERARY CRITICISM American General. bisacsh Motion pictures and literature fast |
| title | The Men Who Knew Too Much : Henry James and Alfred Hitchcock. |
| title_auth | The Men Who Knew Too Much : Henry James and Alfred Hitchcock. |
| title_exact_search | The Men Who Knew Too Much : Henry James and Alfred Hitchcock. |
| title_full | The Men Who Knew Too Much : Henry James and Alfred Hitchcock. |
| title_fullStr | The Men Who Knew Too Much : Henry James and Alfred Hitchcock. |
| title_full_unstemmed | The Men Who Knew Too Much : Henry James and Alfred Hitchcock. |
| title_short | The Men Who Knew Too Much : |
| title_sort | men who knew too much henry james and alfred hitchcock |
| title_sub | Henry James and Alfred Hitchcock. |
| topic | Hitchcock, Alfred, 1899-1980 Criticism and interpretation. James, Henry, 1843-1916 Criticism and interpretation. Hitchcock, Alfred, 1899-1980 fast https://id.oclc.org/worldcat/entity/E39PBJwRV83CYGMBFP7BThRkDq James, Henry, 1843-1916 fast https://id.oclc.org/worldcat/entity/E39PBJkHtPt9YrPTPqfdqkYQMP Motion pictures and literature United States. Cinéma et littérature États-Unis. LITERARY CRITICISM American General. bisacsh Motion pictures and literature fast |
| topic_facet | Hitchcock, Alfred, 1899-1980 Criticism and interpretation. James, Henry, 1843-1916 Criticism and interpretation. Hitchcock, Alfred, 1899-1980 James, Henry, 1843-1916 Motion pictures and literature United States. Cinéma et littérature États-Unis. LITERARY CRITICISM American General. Motion pictures and literature United States Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=422142 |
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