Verfügbarkeit: Gothic machine :

Gothic machine :: textualities, pre-cinematic media and film in popular visual culture, 1670-1910 /

Almost everyone loves a good horror film but how did they originate? Audiences thrilled and shuddered at ghosts and monsters projected on screens all over Europe for centuries before film was born. This pioneering book traces the origins and development of the magic lantern shows of fear and reveals...

Ausführliche Beschreibung

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Bibliographische Detailangaben
1. Verfasser:	Jones, David J. (David James), 1953- (VerfasserIn)
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	Cardiff : University of Wales Press, 2011.
Schriftenreihe:	Gothic literary studies.
Schlagworte:	Gothic fiction (Literary genre) > History and criticism. BIOGRAPHY & AUTOBIOGRAPHY > Literary. LITERARY CRITICISM > Gothic & Romance. Gothic fiction (Literary genre) Criticism, interpretation, etc.
Online-Zugang:	Volltext
Zusammenfassung:	Almost everyone loves a good horror film but how did they originate? Audiences thrilled and shuddered at ghosts and monsters projected on screens all over Europe for centuries before film was born. This pioneering book traces the origins and development of the magic lantern shows of fear and reveals their close relation to the great upsurge in Gothic writing, so popular with readers today.
Beschreibung:	1 online resource.
Bibliographie:	Includes bibliographical references and index.
ISBN:	9780708324080 0708324088 9781783161140 1783161140 1299200990 9781299200999

Internformat

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100	1		\|a Jones, David J. \|q (David James), \|d 1953- \|e author. \|1 https://id.oclc.org/worldcat/entity/E39PCjxkfY7Kc8QMFYfhgxkwbq \|0 http://id.loc.gov/authorities/names/nb2012006514
245	1	0	\|a Gothic machine : \|b textualities, pre-cinematic media and film in popular visual culture, 1670-1910 / \|c David J. Jones.
264		1	\|a Cardiff : \|b University of Wales Press, \|c 2011.
264		4	\|c ©2011
300			\|a 1 online resource.
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490	1		\|a Gothic literary studies
520			\|a Almost everyone loves a good horror film but how did they originate? Audiences thrilled and shuddered at ghosts and monsters projected on screens all over Europe for centuries before film was born. This pioneering book traces the origins and development of the magic lantern shows of fear and reveals their close relation to the great upsurge in Gothic writing, so popular with readers today.
504			\|a Includes bibliographical references and index.
505	0		\|a Memento Mori, Griendel and the Forerunners, Schröpferand Schiller: German Popular Visual Culture 1670-1800. Friedrich Schiller's Der Geisterseher/The Ghost-Seer, Sturm und Drang and Magic-Lantern Shows -- Matthew Lewis's The Monk, the Marquis de Sade andInter-Medial Influence: The Publishers, Readership, Visual Spectacle and the Staging of Gothic 1790-1830 -- Etienne-Gaspard Robertson's Gothic Fantasmagorie and E.T.A. Hoffmann -- Gothic Renewal and Bifurcation: Sheridan Le Fanu, Edward Bulwer-Lytton's The Strange Tale, Charles Dickens, Pepper's Ghost and Etienne-Jules Marey. The Daguerreotype and Diablerie in French Visual Media -- 'In or around the Winter, 1895': From the Prelude to Cinema Proper. French Gothic Symbolism, Villiersde L'Isle-Adam, J.-K. Huysmans, the féeries of Georges Méliès and Alice Guy Blaché's Esmeralda -- 'Another Kind of Showman': Robert Louis Stevenson, Bram Stoker, Robert Paul, Albert Smith and Film's First Frankenstein. Anglo-American Gothic in the Age of the First Films 1895-1910 -- Conclusion: French Extremity.
588			\|a Description based on online resource; title from digital title page (viewed on March 26, 2020).
546			\|a English.
650		0	\|a Gothic fiction (Literary genre) \|x History and criticism.
650		7	\|a BIOGRAPHY & AUTOBIOGRAPHY \|x Literary. \|2 bisacsh
650		7	\|a LITERARY CRITICISM \|x Gothic & Romance. \|2 bisacsh
650		7	\|a Gothic fiction (Literary genre) \|2 fast
655		7	\|a Criticism, interpretation, etc. \|2 fast
758			\|i has work: \|a Gothic machine (Text) \|1 https://id.oclc.org/worldcat/entity/E39PCG9pPhdHfy3kkpYP6VWvBK \|4 https://id.oclc.org/worldcat/ontology/hasWork
776	0	8	\|i Print version: \|a Jones, David J. \|t Gothic Machine : Textualities, Pre-Cinematic Media and Film in Popular Visual Culture, 1670-1910. \|d Cardiff : University of Wales Press, ©2011 \|z 9780708324073
830		0	\|a Gothic literary studies. \|0 http://id.loc.gov/authorities/names/no2009120159
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Datensatz im Suchindex

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adam_text
any_adam_object
author	Jones, David J. (David James), 1953-
author_GND	http://id.loc.gov/authorities/names/nb2012006514
author_facet	Jones, David J. (David James), 1953-
author_role	aut
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building	Verbundindex
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callnumber-subject	N - Visual Arts
collection	ZDB-4-EBA
contents	Memento Mori, Griendel and the Forerunners, Schröpferand Schiller: German Popular Visual Culture 1670-1800. Friedrich Schiller's Der Geisterseher/The Ghost-Seer, Sturm und Drang and Magic-Lantern Shows -- Matthew Lewis's The Monk, the Marquis de Sade andInter-Medial Influence: The Publishers, Readership, Visual Spectacle and the Staging of Gothic 1790-1830 -- Etienne-Gaspard Robertson's Gothic Fantasmagorie and E.T.A. Hoffmann -- Gothic Renewal and Bifurcation: Sheridan Le Fanu, Edward Bulwer-Lytton's The Strange Tale, Charles Dickens, Pepper's Ghost and Etienne-Jules Marey. The Daguerreotype and Diablerie in French Visual Media -- 'In or around the Winter, 1895': From the Prelude to Cinema Proper. French Gothic Symbolism, Villiersde L'Isle-Adam, J.-K. Huysmans, the féeries of Georges Méliès and Alice Guy Blaché's Esmeralda -- 'Another Kind of Showman': Robert Louis Stevenson, Bram Stoker, Robert Paul, Albert Smith and Film's First Frankenstein. Anglo-American Gothic in the Age of the First Films 1895-1910 -- Conclusion: French Extremity.
ctrlnum	(OCoLC)769342474
dewey-full	700.9/3
dewey-hundreds	700 - The arts
dewey-ones	700 - The arts
dewey-raw	700.9/3
dewey-search	700.9/3
dewey-sort	3700.9 13
dewey-tens	700 - The arts
discipline	Kunstgeschichte
format	Electronic eBook
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series	Gothic literary studies.
series2	Gothic literary studies
spelling	Jones, David J. (David James), 1953- author. https://id.oclc.org/worldcat/entity/E39PCjxkfY7Kc8QMFYfhgxkwbq http://id.loc.gov/authorities/names/nb2012006514 Gothic machine : textualities, pre-cinematic media and film in popular visual culture, 1670-1910 / David J. Jones. Cardiff : University of Wales Press, 2011. ©2011 1 online resource. text txt rdacontent computer c rdamedia online resource cr rdacarrier Gothic literary studies Almost everyone loves a good horror film but how did they originate? Audiences thrilled and shuddered at ghosts and monsters projected on screens all over Europe for centuries before film was born. This pioneering book traces the origins and development of the magic lantern shows of fear and reveals their close relation to the great upsurge in Gothic writing, so popular with readers today. Includes bibliographical references and index. Memento Mori, Griendel and the Forerunners, Schröpferand Schiller: German Popular Visual Culture 1670-1800. Friedrich Schiller's Der Geisterseher/The Ghost-Seer, Sturm und Drang and Magic-Lantern Shows -- Matthew Lewis's The Monk, the Marquis de Sade andInter-Medial Influence: The Publishers, Readership, Visual Spectacle and the Staging of Gothic 1790-1830 -- Etienne-Gaspard Robertson's Gothic Fantasmagorie and E.T.A. Hoffmann -- Gothic Renewal and Bifurcation: Sheridan Le Fanu, Edward Bulwer-Lytton's The Strange Tale, Charles Dickens, Pepper's Ghost and Etienne-Jules Marey. The Daguerreotype and Diablerie in French Visual Media -- 'In or around the Winter, 1895': From the Prelude to Cinema Proper. French Gothic Symbolism, Villiersde L'Isle-Adam, J.-K. Huysmans, the féeries of Georges Méliès and Alice Guy Blaché's Esmeralda -- 'Another Kind of Showman': Robert Louis Stevenson, Bram Stoker, Robert Paul, Albert Smith and Film's First Frankenstein. Anglo-American Gothic in the Age of the First Films 1895-1910 -- Conclusion: French Extremity. Description based on online resource; title from digital title page (viewed on March 26, 2020). English. Gothic fiction (Literary genre) History and criticism. BIOGRAPHY & AUTOBIOGRAPHY Literary. bisacsh LITERARY CRITICISM Gothic & Romance. bisacsh Gothic fiction (Literary genre) fast Criticism, interpretation, etc. fast has work: Gothic machine (Text) https://id.oclc.org/worldcat/entity/E39PCG9pPhdHfy3kkpYP6VWvBK https://id.oclc.org/worldcat/ontology/hasWork Print version: Jones, David J. Gothic Machine : Textualities, Pre-Cinematic Media and Film in Popular Visual Culture, 1670-1910. Cardiff : University of Wales Press, ©2011 9780708324073 Gothic literary studies. http://id.loc.gov/authorities/names/no2009120159 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=412148 Volltext
spellingShingle	Jones, David J. (David James), 1953- Gothic machine : textualities, pre-cinematic media and film in popular visual culture, 1670-1910 / Gothic literary studies. Memento Mori, Griendel and the Forerunners, Schröpferand Schiller: German Popular Visual Culture 1670-1800. Friedrich Schiller's Der Geisterseher/The Ghost-Seer, Sturm und Drang and Magic-Lantern Shows -- Matthew Lewis's The Monk, the Marquis de Sade andInter-Medial Influence: The Publishers, Readership, Visual Spectacle and the Staging of Gothic 1790-1830 -- Etienne-Gaspard Robertson's Gothic Fantasmagorie and E.T.A. Hoffmann -- Gothic Renewal and Bifurcation: Sheridan Le Fanu, Edward Bulwer-Lytton's The Strange Tale, Charles Dickens, Pepper's Ghost and Etienne-Jules Marey. The Daguerreotype and Diablerie in French Visual Media -- 'In or around the Winter, 1895': From the Prelude to Cinema Proper. French Gothic Symbolism, Villiersde L'Isle-Adam, J.-K. Huysmans, the féeries of Georges Méliès and Alice Guy Blaché's Esmeralda -- 'Another Kind of Showman': Robert Louis Stevenson, Bram Stoker, Robert Paul, Albert Smith and Film's First Frankenstein. Anglo-American Gothic in the Age of the First Films 1895-1910 -- Conclusion: French Extremity. Gothic fiction (Literary genre) History and criticism. BIOGRAPHY & AUTOBIOGRAPHY Literary. bisacsh LITERARY CRITICISM Gothic & Romance. bisacsh Gothic fiction (Literary genre) fast
title	Gothic machine : textualities, pre-cinematic media and film in popular visual culture, 1670-1910 /
title_auth	Gothic machine : textualities, pre-cinematic media and film in popular visual culture, 1670-1910 /
title_exact_search	Gothic machine : textualities, pre-cinematic media and film in popular visual culture, 1670-1910 /
title_full	Gothic machine : textualities, pre-cinematic media and film in popular visual culture, 1670-1910 / David J. Jones.
title_fullStr	Gothic machine : textualities, pre-cinematic media and film in popular visual culture, 1670-1910 / David J. Jones.
title_full_unstemmed	Gothic machine : textualities, pre-cinematic media and film in popular visual culture, 1670-1910 / David J. Jones.
title_short	Gothic machine :
title_sort	gothic machine textualities pre cinematic media and film in popular visual culture 1670 1910
title_sub	textualities, pre-cinematic media and film in popular visual culture, 1670-1910 /
topic	Gothic fiction (Literary genre) History and criticism. BIOGRAPHY & AUTOBIOGRAPHY Literary. bisacsh LITERARY CRITICISM Gothic & Romance. bisacsh Gothic fiction (Literary genre) fast
topic_facet	Gothic fiction (Literary genre) History and criticism. BIOGRAPHY & AUTOBIOGRAPHY Literary. LITERARY CRITICISM Gothic & Romance. Gothic fiction (Literary genre) Criticism, interpretation, etc.
url	https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=412148
work_keys_str_mv	AT jonesdavidj gothicmachinetextualitiesprecinematicmediaandfilminpopularvisualculture16701910

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