Theory of performing arts /:
Annotation
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam ; Philadelphia :
Benjamins,
1987.
|
| Schriftenreihe: | Critical theory ;
v. 5. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Annotation |
| Beschreibung: | 1 online resource (viii, 153 pages). |
| Bibliographie: | Includes bibliographical references (pages 147-153). |
| ISBN: | 9789027279002 9027279004 9781556190148 155619014X |
Internformat
MARC
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| 100 | 1 | |a Helbo, André. | |
| 245 | 1 | 0 | |a Theory of performing arts / |c by André Helbo. |
| 260 | |a Amsterdam ; |a Philadelphia : |b Benjamins, |c 1987. | ||
| 300 | |a 1 online resource (viii, 153 pages). | ||
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| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Critical theory ; |v v. 5 | |
| 504 | |a Includes bibliographical references (pages 147-153). | ||
| 520 | 8 | |a Annotation |b n recent years, the post structuralist theories seem to have created a split in theatrological research. But, as André Helbo analyses in this book , a dialectic theory of the semiotic and the symbolic exchange bring to light a specific paradigm. From his wide experience as a semiotician and a theatrologist, the author has developed an analysis for the theory of spectacle. Focusing his study on a critical theory of the performing arts, and examining the fundamental controversies, he then offers new perspectives and new instruments of analysis: the social aspects, readability/visibility, coherence, the spectacle contract. | |
| 650 | 0 | |a Performing arts |x Semiotics. |0 http://id.loc.gov/authorities/subjects/sh87002875 | |
| 650 | 0 | |a Performing arts |x Philosophy. | |
| 650 | 6 | |a Sémiotique et arts du spectacle. | |
| 650 | 6 | |a Arts du spectacle |x Philosophie. | |
| 650 | 7 | |a SPORTS & RECREATION |x General. |2 bisacsh | |
| 650 | 7 | |a Performing arts |x Philosophy |2 fast | |
| 650 | 7 | |a Performing arts |x Semiotics |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Helbo, André. |t Theory of performing arts. |d Amsterdam ; Philadelphia : Benjamins, 1987 |w (DLC) 87014584 |
| 830 | 0 | |a Critical theory ; |v v. 5. |0 http://id.loc.gov/authorities/names/n84709838 | |
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| format | Electronic eBook |
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| id | ZDB-4-EBA-ocn769190395 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:18:10Z |
| institution | BVB |
| isbn | 9789027279002 9027279004 9781556190148 155619014X |
| language | English |
| oclc_num | 769190395 |
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| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (viii, 153 pages). |
| psigel | ZDB-4-EBA |
| publishDate | 1987 |
| publishDateSearch | 1987 |
| publishDateSort | 1987 |
| publisher | Benjamins, |
| record_format | marc |
| series | Critical theory ; |
| series2 | Critical theory ; |
| spelling | Helbo, André. Theory of performing arts / by André Helbo. Amsterdam ; Philadelphia : Benjamins, 1987. 1 online resource (viii, 153 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Critical theory ; v. 5 Includes bibliographical references (pages 147-153). Annotation n recent years, the post structuralist theories seem to have created a split in theatrological research. But, as André Helbo analyses in this book , a dialectic theory of the semiotic and the symbolic exchange bring to light a specific paradigm. From his wide experience as a semiotician and a theatrologist, the author has developed an analysis for the theory of spectacle. Focusing his study on a critical theory of the performing arts, and examining the fundamental controversies, he then offers new perspectives and new instruments of analysis: the social aspects, readability/visibility, coherence, the spectacle contract. Performing arts Semiotics. http://id.loc.gov/authorities/subjects/sh87002875 Performing arts Philosophy. Sémiotique et arts du spectacle. Arts du spectacle Philosophie. SPORTS & RECREATION General. bisacsh Performing arts Philosophy fast Performing arts Semiotics fast Print version: Helbo, André. Theory of performing arts. Amsterdam ; Philadelphia : Benjamins, 1987 (DLC) 87014584 Critical theory ; v. 5. http://id.loc.gov/authorities/names/n84709838 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=408344 Volltext |
| spellingShingle | Helbo, André Theory of performing arts / Critical theory ; Performing arts Semiotics. http://id.loc.gov/authorities/subjects/sh87002875 Performing arts Philosophy. Sémiotique et arts du spectacle. Arts du spectacle Philosophie. SPORTS & RECREATION General. bisacsh Performing arts Philosophy fast Performing arts Semiotics fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh87002875 |
| title | Theory of performing arts / |
| title_auth | Theory of performing arts / |
| title_exact_search | Theory of performing arts / |
| title_full | Theory of performing arts / by André Helbo. |
| title_fullStr | Theory of performing arts / by André Helbo. |
| title_full_unstemmed | Theory of performing arts / by André Helbo. |
| title_short | Theory of performing arts / |
| title_sort | theory of performing arts |
| topic | Performing arts Semiotics. http://id.loc.gov/authorities/subjects/sh87002875 Performing arts Philosophy. Sémiotique et arts du spectacle. Arts du spectacle Philosophie. SPORTS & RECREATION General. bisacsh Performing arts Philosophy fast Performing arts Semiotics fast |
| topic_facet | Performing arts Semiotics. Performing arts Philosophy. Sémiotique et arts du spectacle. Arts du spectacle Philosophie. SPORTS & RECREATION General. Performing arts Philosophy Performing arts Semiotics |
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