Between stillness and motion :: film, photography, algorithms /
"New technological media such as film, photography and computers have altered the way we perceive possible relations between stillness and motion in the visual arts. Traditionally, cinema theory saw cinema and especially the 'illusion of motion' as part of the ideological swindle of t...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam :
Amsterdam University Press,
2011.
|
| Schriftenreihe: | Film culture in transition.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "New technological media such as film, photography and computers have altered the way we perceive possible relations between stillness and motion in the visual arts. Traditionally, cinema theory saw cinema and especially the 'illusion of motion' as part of the ideological swindle of the basic cinematic apparatus. This collection of essays by acclaimed international scholars including Tom Gunning, Thomas Elsaesser, Mark B.N. Hansen, George Baker, Ina Blom and Christa Blümlinger, starts out from a different premise to analyse stillness and motion as part of a larger ecology of images and media. They argue that the strategic uses of stillness and motion in art and entertainment since the 1850s illuminate and renegotiate urgent issues within both aesthetics, film, art and media history on the one hand, and, on the other, new perspectives on affects, memories and the contemporary patterns of communication and image circulation."--Publisher's website. |
| Beschreibung: | 1 online resource (239 pages) : illustrations |
| Bibliographie: | Includes bibliographical references (pages 225-233). |
| ISBN: | 9789048512096 9048512093 1283334437 9781283334433 9789089642127 9089642129 9089642137 9789089642134 |
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| 245 | 0 | 0 | |a Between stillness and motion : |b film, photography, algorithms / |c edited by Eivind Røssaak. |
| 260 | |a Amsterdam : |b Amsterdam University Press, |c 2011. | ||
| 300 | |a 1 online resource (239 pages) : |b illustrations | ||
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| 337 | |a computer |b c |2 rdamedia | ||
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| 490 | 1 | |a Film culture in transition | |
| 504 | |a Includes bibliographical references (pages 225-233). | ||
| 505 | 0 | |a Introduction. The still/moving field: an introduction / Eivind Røssaak -- Philosophies of motion. The play between still and moving images: nineteenth-century "philosophical toys" and their discourse / Tom Gunning -- Digital techniques beyond the "last machine": thinking digital media with Hollis Frampton / Mark B.N. Hansen -- The use of Freeze and slide motion. The figure of visual standstill in R.W. Fassbinder's films / Christa Blümlinger -- The temporalities of the narrative slide motion film / Liv Hausken -- The cinematic turn in the arts. Stop/motion / Thomas Elsaesser -- After "photography's expanded field" / George Baker -- On 'On Otto': moving images and the new collectivity / Ina Blom -- The algorithmic turn. Mutable temporality in and beyond the music video: and aesthetic of post-production / Arild Fetveit -- Algorithmic culture: beyond the photo/film divide Eivind Røssaak -- Archives in between. "The archives of the planet": and montage: the movement of the crowd and "the rhythm of life" / Trond Lundemo. | |
| 520 | |a "New technological media such as film, photography and computers have altered the way we perceive possible relations between stillness and motion in the visual arts. Traditionally, cinema theory saw cinema and especially the 'illusion of motion' as part of the ideological swindle of the basic cinematic apparatus. This collection of essays by acclaimed international scholars including Tom Gunning, Thomas Elsaesser, Mark B.N. Hansen, George Baker, Ina Blom and Christa Blümlinger, starts out from a different premise to analyse stillness and motion as part of a larger ecology of images and media. They argue that the strategic uses of stillness and motion in art and entertainment since the 1850s illuminate and renegotiate urgent issues within both aesthetics, film, art and media history on the one hand, and, on the other, new perspectives on affects, memories and the contemporary patterns of communication and image circulation."--Publisher's website. | ||
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 650 | 0 | |a Cinematography |x Special effects. |0 http://id.loc.gov/authorities/subjects/sh85026023 | |
| 650 | 0 | |a Motion pictures |x Aesthetics. |0 http://id.loc.gov/authorities/subjects/sh85088085 | |
| 650 | 0 | |a Stills (Motion pictures) |0 http://id.loc.gov/authorities/subjects/sh94004191 | |
| 650 | 6 | |a Cinéma |x Effets spéciaux. | |
| 650 | 6 | |a Cinéma |x Esthétique. | |
| 650 | 6 | |a Photographies de plateau. | |
| 650 | 7 | |a film stills. |2 aat | |
| 650 | 7 | |a Film theory and criticism. |2 bicssc | |
| 650 | 7 | |a Film, TV and radio. |2 bicssc | |
| 650 | 7 | |a Films, cinema. |2 bicssc | |
| 650 | 7 | |a The arts. |2 bicssc | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a Cinematography |x Special effects |2 fast | |
| 650 | 7 | |a Motion pictures |x Aesthetics |2 fast | |
| 650 | 7 | |a Stills (Motion pictures) |2 fast | |
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| 653 | |a Film | ||
| 653 | |a Photography | ||
| 653 | |a Algorithms | ||
| 700 | 1 | |a Røssaak, Eivind. |0 http://id.loc.gov/authorities/names/n00030293 | |
| 758 | |i has work: |a Between stillness and motion (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFHb9x6G8gt83Pcfrw6PDC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Rossaak, Eivind. |t Between Stillness and Motion : Film, Photography, Algorithms. |d Amsterdam : Amsterdam University Press, ©2011 |z 9789089642127 |
| 830 | 0 | |a Film culture in transition. |0 http://id.loc.gov/authorities/names/n94045741 | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn768082926 |
|---|---|
| _version_ | 1816881779062079488 |
| adam_text | |
| any_adam_object | |
| author2 | Røssaak, Eivind |
| author2_role | |
| author2_variant | e r er |
| author_GND | http://id.loc.gov/authorities/names/n00030293 |
| author_facet | Røssaak, Eivind |
| author_sort | Røssaak, Eivind |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1994 |
| callnumber-raw | PN1994 .B48 2011eb |
| callnumber-search | PN1994 .B48 2011eb |
| callnumber-sort | PN 41994 B48 42011EB |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Introduction. The still/moving field: an introduction / Eivind Røssaak -- Philosophies of motion. The play between still and moving images: nineteenth-century "philosophical toys" and their discourse / Tom Gunning -- Digital techniques beyond the "last machine": thinking digital media with Hollis Frampton / Mark B.N. Hansen -- The use of Freeze and slide motion. The figure of visual standstill in R.W. Fassbinder's films / Christa Blümlinger -- The temporalities of the narrative slide motion film / Liv Hausken -- The cinematic turn in the arts. Stop/motion / Thomas Elsaesser -- After "photography's expanded field" / George Baker -- On 'On Otto': moving images and the new collectivity / Ina Blom -- The algorithmic turn. Mutable temporality in and beyond the music video: and aesthetic of post-production / Arild Fetveit -- Algorithmic culture: beyond the photo/film divide Eivind Røssaak -- Archives in between. "The archives of the planet": and montage: the movement of the crowd and "the rhythm of life" / Trond Lundemo. |
| ctrlnum | (OCoLC)768082926 |
| dewey-full | 791.43 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43 |
| dewey-search | 791.43 |
| dewey-sort | 3791.43 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| id | ZDB-4-EBA-ocn768082926 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:18:08Z |
| institution | BVB |
| isbn | 9789048512096 9048512093 1283334437 9781283334433 9789089642127 9089642129 9089642137 9789089642134 |
| language | English |
| oclc_num | 768082926 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (239 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | Amsterdam University Press, |
| record_format | marc |
| series | Film culture in transition. |
| series2 | Film culture in transition |
| spelling | Between stillness and motion : film, photography, algorithms / edited by Eivind Røssaak. Amsterdam : Amsterdam University Press, 2011. 1 online resource (239 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Film culture in transition Includes bibliographical references (pages 225-233). Introduction. The still/moving field: an introduction / Eivind Røssaak -- Philosophies of motion. The play between still and moving images: nineteenth-century "philosophical toys" and their discourse / Tom Gunning -- Digital techniques beyond the "last machine": thinking digital media with Hollis Frampton / Mark B.N. Hansen -- The use of Freeze and slide motion. The figure of visual standstill in R.W. Fassbinder's films / Christa Blümlinger -- The temporalities of the narrative slide motion film / Liv Hausken -- The cinematic turn in the arts. Stop/motion / Thomas Elsaesser -- After "photography's expanded field" / George Baker -- On 'On Otto': moving images and the new collectivity / Ina Blom -- The algorithmic turn. Mutable temporality in and beyond the music video: and aesthetic of post-production / Arild Fetveit -- Algorithmic culture: beyond the photo/film divide Eivind Røssaak -- Archives in between. "The archives of the planet": and montage: the movement of the crowd and "the rhythm of life" / Trond Lundemo. "New technological media such as film, photography and computers have altered the way we perceive possible relations between stillness and motion in the visual arts. Traditionally, cinema theory saw cinema and especially the 'illusion of motion' as part of the ideological swindle of the basic cinematic apparatus. This collection of essays by acclaimed international scholars including Tom Gunning, Thomas Elsaesser, Mark B.N. Hansen, George Baker, Ina Blom and Christa Blümlinger, starts out from a different premise to analyse stillness and motion as part of a larger ecology of images and media. They argue that the strategic uses of stillness and motion in art and entertainment since the 1850s illuminate and renegotiate urgent issues within both aesthetics, film, art and media history on the one hand, and, on the other, new perspectives on affects, memories and the contemporary patterns of communication and image circulation."--Publisher's website. Print version record. English. Cinematography Special effects. http://id.loc.gov/authorities/subjects/sh85026023 Motion pictures Aesthetics. http://id.loc.gov/authorities/subjects/sh85088085 Stills (Motion pictures) http://id.loc.gov/authorities/subjects/sh94004191 Cinéma Effets spéciaux. Cinéma Esthétique. Photographies de plateau. film stills. aat Film theory and criticism. bicssc Film, TV and radio. bicssc Films, cinema. bicssc The arts. bicssc ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh Cinematography Special effects fast Motion pictures Aesthetics fast Stills (Motion pictures) fast Motion pictures Film Photography Algorithms Røssaak, Eivind. http://id.loc.gov/authorities/names/n00030293 has work: Between stillness and motion (Text) https://id.oclc.org/worldcat/entity/E39PCFHb9x6G8gt83Pcfrw6PDC https://id.oclc.org/worldcat/ontology/hasWork Print version: Rossaak, Eivind. Between Stillness and Motion : Film, Photography, Algorithms. Amsterdam : Amsterdam University Press, ©2011 9789089642127 Film culture in transition. http://id.loc.gov/authorities/names/n94045741 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=413925 Volltext |
| spellingShingle | Between stillness and motion : film, photography, algorithms / Film culture in transition. Introduction. The still/moving field: an introduction / Eivind Røssaak -- Philosophies of motion. The play between still and moving images: nineteenth-century "philosophical toys" and their discourse / Tom Gunning -- Digital techniques beyond the "last machine": thinking digital media with Hollis Frampton / Mark B.N. Hansen -- The use of Freeze and slide motion. The figure of visual standstill in R.W. Fassbinder's films / Christa Blümlinger -- The temporalities of the narrative slide motion film / Liv Hausken -- The cinematic turn in the arts. Stop/motion / Thomas Elsaesser -- After "photography's expanded field" / George Baker -- On 'On Otto': moving images and the new collectivity / Ina Blom -- The algorithmic turn. Mutable temporality in and beyond the music video: and aesthetic of post-production / Arild Fetveit -- Algorithmic culture: beyond the photo/film divide Eivind Røssaak -- Archives in between. "The archives of the planet": and montage: the movement of the crowd and "the rhythm of life" / Trond Lundemo. Cinematography Special effects. http://id.loc.gov/authorities/subjects/sh85026023 Motion pictures Aesthetics. http://id.loc.gov/authorities/subjects/sh85088085 Stills (Motion pictures) http://id.loc.gov/authorities/subjects/sh94004191 Cinéma Effets spéciaux. Cinéma Esthétique. Photographies de plateau. film stills. aat Film theory and criticism. bicssc Film, TV and radio. bicssc Films, cinema. bicssc The arts. bicssc ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh Cinematography Special effects fast Motion pictures Aesthetics fast Stills (Motion pictures) fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85026023 http://id.loc.gov/authorities/subjects/sh85088085 http://id.loc.gov/authorities/subjects/sh94004191 |
| title | Between stillness and motion : film, photography, algorithms / |
| title_auth | Between stillness and motion : film, photography, algorithms / |
| title_exact_search | Between stillness and motion : film, photography, algorithms / |
| title_full | Between stillness and motion : film, photography, algorithms / edited by Eivind Røssaak. |
| title_fullStr | Between stillness and motion : film, photography, algorithms / edited by Eivind Røssaak. |
| title_full_unstemmed | Between stillness and motion : film, photography, algorithms / edited by Eivind Røssaak. |
| title_short | Between stillness and motion : |
| title_sort | between stillness and motion film photography algorithms |
| title_sub | film, photography, algorithms / |
| topic | Cinematography Special effects. http://id.loc.gov/authorities/subjects/sh85026023 Motion pictures Aesthetics. http://id.loc.gov/authorities/subjects/sh85088085 Stills (Motion pictures) http://id.loc.gov/authorities/subjects/sh94004191 Cinéma Effets spéciaux. Cinéma Esthétique. Photographies de plateau. film stills. aat Film theory and criticism. bicssc Film, TV and radio. bicssc Films, cinema. bicssc The arts. bicssc ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh Cinematography Special effects fast Motion pictures Aesthetics fast Stills (Motion pictures) fast |
| topic_facet | Cinematography Special effects. Motion pictures Aesthetics. Stills (Motion pictures) Cinéma Effets spéciaux. Cinéma Esthétique. Photographies de plateau. film stills. Film theory and criticism. Film, TV and radio. Films, cinema. The arts. ART Film & Video. PERFORMING ARTS Film & Video Reference. Cinematography Special effects Motion pictures Aesthetics |
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| work_keys_str_mv | AT røssaakeivind betweenstillnessandmotionfilmphotographyalgorithms |