Twentieth-Century British Theatre :: Industry, Art and Empire.
Cochrane explores where, why and how theatre took place across the British Isles during the twentieth century.
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge :
Cambridge University Press,
2011.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Cochrane explores where, why and how theatre took place across the British Isles during the twentieth century. |
| Beschreibung: | Wales and northern ireland: different landscapes, different needs. |
| Beschreibung: | 1 online resource (366 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781139158718 1139158716 9781139160766 1139160761 9781139023153 1139023152 9781139155175 1283342103 9781283342100 1139155172 9781139156950 1139156950 |
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| 100 | 1 | |a Cochrane, Claire. |0 http://id.loc.gov/authorities/names/n94101673 | |
| 245 | 1 | 0 | |a Twentieth-Century British Theatre : |b Industry, Art and Empire. |
| 260 | |a Cambridge : |b Cambridge University Press, |c 2011. | ||
| 300 | |a 1 online resource (366 pages) | ||
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| 505 | 0 | |a Cover; Twentieth-Century British Theatre; Title; Copyright; For Henry, Jacob, Zephram, Lucas and Karuna altogether with my love; Contents; Acknowledgements; Introduction; AN UNSELFCONSCIOUS PROVINCIALISM; A CONTRAPUNTAL READING; THE LEGITIMATE THEATRE; THE ECONOMIC IMPERATIVE; ENCOUNTERING THE POPULAR: PRIORITIES AND PREJUDICE; THE IMPACT OF THE MASS MEDIA; THE PAST AND PERIODISATION; SPATIAL RELATIONS AND THE LANDSCAPE OF THEATRE; Chapter 1 The topography of theatre in 1900; THE EXPANSION OF BUILDING-BASED THEATRE; A BUOYANT INDUSTRY; THE FORMATION OF EMPIRE; THE IMPACT OF INDUSTRIALISATION. | |
| 505 | 8 | |a THE ROYAL PRESENCETHE DISTRIBUTION OF INFLUENCE; THE RAILWAYS AND NATIONAL SPACE; NATIONAL FAITH AND POPULAR THEATRES; IRELAND AND CONSTRUCTIVE UNIONISM; DIVERSE AUDIENCES; IMPERIAL THEATRES; IMPERIAL DISJUNCTIONS; Chapter 2 Structures of management; ECONOMIC CHANGE AND INDUSTRIAL PRACTICE; NEW MODELS OF MANAGEMENT; THE OWNERSHIP OF THEATRE; METROPOLITAN MANAGEMENT AND THE EXEMPLARY THEATRE; WEALTHY MEN AND WEALTHY WOMEN; REGIONAL OWNERSHIP; THE NEW GENERATION; THE MODEL BUSINESS MAN; THE RISE OF THE CORPORATE ECONOMY; EVANGELISTS OF CHANGE; HONESTLY COMMERCIAL LINES. | |
| 505 | 8 | |a INDUSTRIAL DECLINE AND CHANGECOMMERCE AND CO-OPERATION; REPERTORY AND RESILIENCE; AN ENGLISH SYSTEM; SHIFTING THE AXIS; Chapter 3 The profession of acting; PROFESSIONAL ORGANISATION; ENTERING THE PROFESSION; CHANGING SOCIAL ORIGINS; THE ENGLISH IMPERATIVE; VARSITY MEN; THE REPERTORY ACTOR; NEW MEDIA, NEW OPPORTUNITIES; RADIO VOICES; RADIO AND THE METROPOLITAN ACTOR; NEW INFLUENCES; SPREADING THE WORD; THE QUESTION OF COLOUR; Chapter 4 The amateur phenomenon; BRITISH DRAMA LEAGUE; PROFESSIONAL/AMATEUR: BINARY AND OPPOSITION; ORIGINS; DIVERSITY AND ALIGNMENT; THE WELSH EXPERIENCE. | |
| 505 | 8 | |a A DIVIDED SOCIETYTHE LITTLE THEATRE MOVEMENT; THE SOCIALIST THEATRE; Chapter 5 The topography of theatre in 1950; EQUAL RELATIONS; POSITIVE SYMBOLS; A BRITISH PROJECT; BRICKS AND MORTAR; COMPETING PATTERNS; MAPPING THE SPACE; OWNERSHIP AND CONTROL; PATTERNS OF TOURING; DISTAFF PLAYS; THE LIMITS OF ASSOCIATION; REPERTORY; Chapter 6 The business of theatre; COMPANY/COMPANY; ALTERNATIVE INDEPENDENCE; BOARDS OF MANAGEMENT; BUILDINGS; THE SPREAD OF BUILDINGS; THE BATTLE FOR BUILDINGS; BUILDING FOR TROUBLE; COMMERCIAL ALLIANCES, CORPORATE INTERESTS AND NEW TECHNOLOGY; RESCUING THE COMMERCIAL. | |
| 505 | 8 | |a THE RETREAT FROM MODERNISMQUESTIONS OF COMMODIFICATION; SUBSIDY AND CONSUMER CULTURE; ACTORS AND THEIR PROSPECTS; STABILITY AND THE REGIONS; Chapter 7 The changing demographic of performance; EDUCATION, TRAINING AND 'NEW' ACTORS; TELEVISION AND THE POPULAR ACTOR; BORDER CROSSINGS; AGENTS OF CHANGE; A KIND OF FLOWERING; BREAKING DOWN DOORS; IMAGINED REALITIES; MAKING A HISTORY; RUBBING OUT THE COLOUR; STAKING A CLAIM; Chapter 8 The topography of theatre in 2000; BUILDINGS AGAIN; THE REGIONAL LANDSCAPE; SCOTLAND: AN INDEPENDENT PROVISION. | |
| 500 | |a Wales and northern ireland: different landscapes, different needs. | ||
| 520 | |a Cochrane explores where, why and how theatre took place across the British Isles during the twentieth century. | ||
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references and index. | ||
| 650 | 0 | |a Art, Modern |y 20th century |x History. |0 http://id.loc.gov/authorities/subjects/sh85007806 | |
| 650 | 0 | |a Art |z Great Britain. |0 http://id.loc.gov/authorities/subjects/sh85007512 | |
| 650 | 0 | |a Theater |z Great Britain |x History |y 20th century. | |
| 650 | 0 | |a Theater |z Great Britain. |0 http://id.loc.gov/authorities/subjects/sh85134551 | |
| 650 | 6 | |a Art |y 20e siècle |x Histoire. | |
| 650 | 6 | |a Art |z Grande-Bretagne. | |
| 650 | 6 | |a Théâtre |z Grande-Bretagne |x Histoire |y 20e siècle. | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Performing Arts. |2 eflch | |
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| 648 | 7 | |a Geschichte 1900-2000. |2 swd | |
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| adam_text | |
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| author | Cochrane, Claire |
| author_GND | http://id.loc.gov/authorities/names/n94101673 |
| author_facet | Cochrane, Claire |
| author_role | |
| author_sort | Cochrane, Claire |
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| callnumber-raw | PN2595 .C478 2011 |
| callnumber-search | PN2595 .C478 2011 |
| callnumber-sort | PN 42595 C478 42011 |
| callnumber-subject | PN - General Literature |
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| collection | ZDB-4-EBA |
| contents | Cover; Twentieth-Century British Theatre; Title; Copyright; For Henry, Jacob, Zephram, Lucas and Karuna altogether with my love; Contents; Acknowledgements; Introduction; AN UNSELFCONSCIOUS PROVINCIALISM; A CONTRAPUNTAL READING; THE LEGITIMATE THEATRE; THE ECONOMIC IMPERATIVE; ENCOUNTERING THE POPULAR: PRIORITIES AND PREJUDICE; THE IMPACT OF THE MASS MEDIA; THE PAST AND PERIODISATION; SPATIAL RELATIONS AND THE LANDSCAPE OF THEATRE; Chapter 1 The topography of theatre in 1900; THE EXPANSION OF BUILDING-BASED THEATRE; A BUOYANT INDUSTRY; THE FORMATION OF EMPIRE; THE IMPACT OF INDUSTRIALISATION. THE ROYAL PRESENCETHE DISTRIBUTION OF INFLUENCE; THE RAILWAYS AND NATIONAL SPACE; NATIONAL FAITH AND POPULAR THEATRES; IRELAND AND CONSTRUCTIVE UNIONISM; DIVERSE AUDIENCES; IMPERIAL THEATRES; IMPERIAL DISJUNCTIONS; Chapter 2 Structures of management; ECONOMIC CHANGE AND INDUSTRIAL PRACTICE; NEW MODELS OF MANAGEMENT; THE OWNERSHIP OF THEATRE; METROPOLITAN MANAGEMENT AND THE EXEMPLARY THEATRE; WEALTHY MEN AND WEALTHY WOMEN; REGIONAL OWNERSHIP; THE NEW GENERATION; THE MODEL BUSINESS MAN; THE RISE OF THE CORPORATE ECONOMY; EVANGELISTS OF CHANGE; HONESTLY COMMERCIAL LINES. INDUSTRIAL DECLINE AND CHANGECOMMERCE AND CO-OPERATION; REPERTORY AND RESILIENCE; AN ENGLISH SYSTEM; SHIFTING THE AXIS; Chapter 3 The profession of acting; PROFESSIONAL ORGANISATION; ENTERING THE PROFESSION; CHANGING SOCIAL ORIGINS; THE ENGLISH IMPERATIVE; VARSITY MEN; THE REPERTORY ACTOR; NEW MEDIA, NEW OPPORTUNITIES; RADIO VOICES; RADIO AND THE METROPOLITAN ACTOR; NEW INFLUENCES; SPREADING THE WORD; THE QUESTION OF COLOUR; Chapter 4 The amateur phenomenon; BRITISH DRAMA LEAGUE; PROFESSIONAL/AMATEUR: BINARY AND OPPOSITION; ORIGINS; DIVERSITY AND ALIGNMENT; THE WELSH EXPERIENCE. A DIVIDED SOCIETYTHE LITTLE THEATRE MOVEMENT; THE SOCIALIST THEATRE; Chapter 5 The topography of theatre in 1950; EQUAL RELATIONS; POSITIVE SYMBOLS; A BRITISH PROJECT; BRICKS AND MORTAR; COMPETING PATTERNS; MAPPING THE SPACE; OWNERSHIP AND CONTROL; PATTERNS OF TOURING; DISTAFF PLAYS; THE LIMITS OF ASSOCIATION; REPERTORY; Chapter 6 The business of theatre; COMPANY/COMPANY; ALTERNATIVE INDEPENDENCE; BOARDS OF MANAGEMENT; BUILDINGS; THE SPREAD OF BUILDINGS; THE BATTLE FOR BUILDINGS; BUILDING FOR TROUBLE; COMMERCIAL ALLIANCES, CORPORATE INTERESTS AND NEW TECHNOLOGY; RESCUING THE COMMERCIAL. THE RETREAT FROM MODERNISMQUESTIONS OF COMMODIFICATION; SUBSIDY AND CONSUMER CULTURE; ACTORS AND THEIR PROSPECTS; STABILITY AND THE REGIONS; Chapter 7 The changing demographic of performance; EDUCATION, TRAINING AND 'NEW' ACTORS; TELEVISION AND THE POPULAR ACTOR; BORDER CROSSINGS; AGENTS OF CHANGE; A KIND OF FLOWERING; BREAKING DOWN DOORS; IMAGINED REALITIES; MAKING A HISTORY; RUBBING OUT THE COLOUR; STAKING A CLAIM; Chapter 8 The topography of theatre in 2000; BUILDINGS AGAIN; THE REGIONAL LANDSCAPE; SCOTLAND: AN INDEPENDENT PROVISION. |
| ctrlnum | (OCoLC)763159180 |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.09410904 |
| dewey-search | 792.09410904 |
| dewey-sort | 3792.09410904 |
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| discipline | Allgemeines Anglistik / Amerikanistik |
| era | 1900-1999 fast Geschichte 1900-2000. swd |
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| genre_facet | Electronic books. History |
| geographic | Great Britain fast https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP Großbritannien gnd |
| geographic_facet | Great Britain Großbritannien |
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| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:18:07Z |
| institution | BVB |
| isbn | 9781139158718 1139158716 9781139160766 1139160761 9781139023153 1139023152 9781139155175 1283342103 9781283342100 1139155172 9781139156950 1139156950 |
| language | English |
| oclc_num | 763159180 |
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| physical | 1 online resource (366 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2011 |
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| publisher | Cambridge University Press, |
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| spelling | Cochrane, Claire. http://id.loc.gov/authorities/names/n94101673 Twentieth-Century British Theatre : Industry, Art and Empire. Cambridge : Cambridge University Press, 2011. 1 online resource (366 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Cover; Twentieth-Century British Theatre; Title; Copyright; For Henry, Jacob, Zephram, Lucas and Karuna altogether with my love; Contents; Acknowledgements; Introduction; AN UNSELFCONSCIOUS PROVINCIALISM; A CONTRAPUNTAL READING; THE LEGITIMATE THEATRE; THE ECONOMIC IMPERATIVE; ENCOUNTERING THE POPULAR: PRIORITIES AND PREJUDICE; THE IMPACT OF THE MASS MEDIA; THE PAST AND PERIODISATION; SPATIAL RELATIONS AND THE LANDSCAPE OF THEATRE; Chapter 1 The topography of theatre in 1900; THE EXPANSION OF BUILDING-BASED THEATRE; A BUOYANT INDUSTRY; THE FORMATION OF EMPIRE; THE IMPACT OF INDUSTRIALISATION. THE ROYAL PRESENCETHE DISTRIBUTION OF INFLUENCE; THE RAILWAYS AND NATIONAL SPACE; NATIONAL FAITH AND POPULAR THEATRES; IRELAND AND CONSTRUCTIVE UNIONISM; DIVERSE AUDIENCES; IMPERIAL THEATRES; IMPERIAL DISJUNCTIONS; Chapter 2 Structures of management; ECONOMIC CHANGE AND INDUSTRIAL PRACTICE; NEW MODELS OF MANAGEMENT; THE OWNERSHIP OF THEATRE; METROPOLITAN MANAGEMENT AND THE EXEMPLARY THEATRE; WEALTHY MEN AND WEALTHY WOMEN; REGIONAL OWNERSHIP; THE NEW GENERATION; THE MODEL BUSINESS MAN; THE RISE OF THE CORPORATE ECONOMY; EVANGELISTS OF CHANGE; HONESTLY COMMERCIAL LINES. INDUSTRIAL DECLINE AND CHANGECOMMERCE AND CO-OPERATION; REPERTORY AND RESILIENCE; AN ENGLISH SYSTEM; SHIFTING THE AXIS; Chapter 3 The profession of acting; PROFESSIONAL ORGANISATION; ENTERING THE PROFESSION; CHANGING SOCIAL ORIGINS; THE ENGLISH IMPERATIVE; VARSITY MEN; THE REPERTORY ACTOR; NEW MEDIA, NEW OPPORTUNITIES; RADIO VOICES; RADIO AND THE METROPOLITAN ACTOR; NEW INFLUENCES; SPREADING THE WORD; THE QUESTION OF COLOUR; Chapter 4 The amateur phenomenon; BRITISH DRAMA LEAGUE; PROFESSIONAL/AMATEUR: BINARY AND OPPOSITION; ORIGINS; DIVERSITY AND ALIGNMENT; THE WELSH EXPERIENCE. A DIVIDED SOCIETYTHE LITTLE THEATRE MOVEMENT; THE SOCIALIST THEATRE; Chapter 5 The topography of theatre in 1950; EQUAL RELATIONS; POSITIVE SYMBOLS; A BRITISH PROJECT; BRICKS AND MORTAR; COMPETING PATTERNS; MAPPING THE SPACE; OWNERSHIP AND CONTROL; PATTERNS OF TOURING; DISTAFF PLAYS; THE LIMITS OF ASSOCIATION; REPERTORY; Chapter 6 The business of theatre; COMPANY/COMPANY; ALTERNATIVE INDEPENDENCE; BOARDS OF MANAGEMENT; BUILDINGS; THE SPREAD OF BUILDINGS; THE BATTLE FOR BUILDINGS; BUILDING FOR TROUBLE; COMMERCIAL ALLIANCES, CORPORATE INTERESTS AND NEW TECHNOLOGY; RESCUING THE COMMERCIAL. THE RETREAT FROM MODERNISMQUESTIONS OF COMMODIFICATION; SUBSIDY AND CONSUMER CULTURE; ACTORS AND THEIR PROSPECTS; STABILITY AND THE REGIONS; Chapter 7 The changing demographic of performance; EDUCATION, TRAINING AND 'NEW' ACTORS; TELEVISION AND THE POPULAR ACTOR; BORDER CROSSINGS; AGENTS OF CHANGE; A KIND OF FLOWERING; BREAKING DOWN DOORS; IMAGINED REALITIES; MAKING A HISTORY; RUBBING OUT THE COLOUR; STAKING A CLAIM; Chapter 8 The topography of theatre in 2000; BUILDINGS AGAIN; THE REGIONAL LANDSCAPE; SCOTLAND: AN INDEPENDENT PROVISION. Wales and northern ireland: different landscapes, different needs. Cochrane explores where, why and how theatre took place across the British Isles during the twentieth century. Print version record. Includes bibliographical references and index. Art, Modern 20th century History. http://id.loc.gov/authorities/subjects/sh85007806 Art Great Britain. http://id.loc.gov/authorities/subjects/sh85007512 Theater Great Britain History 20th century. Theater Great Britain. http://id.loc.gov/authorities/subjects/sh85134551 Art 20e siècle Histoire. Art Grande-Bretagne. Théâtre Grande-Bretagne Histoire 20e siècle. PERFORMING ARTS Theater History & Criticism. bisacsh Performing Arts. eflch Art fast Art, Modern fast Theater fast Great Britain fast https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP Theater gnd Großbritannien gnd 1900-1999 fast Geschichte 1900-2000. swd Electronic books. History fast has work: Twentieth-Century British Theatre (Text) https://id.oclc.org/worldcat/entity/E39PCGJmYMKgBF3YVxFDj8Ff4m https://id.oclc.org/worldcat/ontology/hasWork Print version: Cochrane, Claire. Twentieth-Century British Theatre : Industry, Art and Empire. Cambridge : Cambridge University Press, ©2011 9780521464888 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=408989 Volltext |
| spellingShingle | Cochrane, Claire Twentieth-Century British Theatre : Industry, Art and Empire. Cover; Twentieth-Century British Theatre; Title; Copyright; For Henry, Jacob, Zephram, Lucas and Karuna altogether with my love; Contents; Acknowledgements; Introduction; AN UNSELFCONSCIOUS PROVINCIALISM; A CONTRAPUNTAL READING; THE LEGITIMATE THEATRE; THE ECONOMIC IMPERATIVE; ENCOUNTERING THE POPULAR: PRIORITIES AND PREJUDICE; THE IMPACT OF THE MASS MEDIA; THE PAST AND PERIODISATION; SPATIAL RELATIONS AND THE LANDSCAPE OF THEATRE; Chapter 1 The topography of theatre in 1900; THE EXPANSION OF BUILDING-BASED THEATRE; A BUOYANT INDUSTRY; THE FORMATION OF EMPIRE; THE IMPACT OF INDUSTRIALISATION. THE ROYAL PRESENCETHE DISTRIBUTION OF INFLUENCE; THE RAILWAYS AND NATIONAL SPACE; NATIONAL FAITH AND POPULAR THEATRES; IRELAND AND CONSTRUCTIVE UNIONISM; DIVERSE AUDIENCES; IMPERIAL THEATRES; IMPERIAL DISJUNCTIONS; Chapter 2 Structures of management; ECONOMIC CHANGE AND INDUSTRIAL PRACTICE; NEW MODELS OF MANAGEMENT; THE OWNERSHIP OF THEATRE; METROPOLITAN MANAGEMENT AND THE EXEMPLARY THEATRE; WEALTHY MEN AND WEALTHY WOMEN; REGIONAL OWNERSHIP; THE NEW GENERATION; THE MODEL BUSINESS MAN; THE RISE OF THE CORPORATE ECONOMY; EVANGELISTS OF CHANGE; HONESTLY COMMERCIAL LINES. INDUSTRIAL DECLINE AND CHANGECOMMERCE AND CO-OPERATION; REPERTORY AND RESILIENCE; AN ENGLISH SYSTEM; SHIFTING THE AXIS; Chapter 3 The profession of acting; PROFESSIONAL ORGANISATION; ENTERING THE PROFESSION; CHANGING SOCIAL ORIGINS; THE ENGLISH IMPERATIVE; VARSITY MEN; THE REPERTORY ACTOR; NEW MEDIA, NEW OPPORTUNITIES; RADIO VOICES; RADIO AND THE METROPOLITAN ACTOR; NEW INFLUENCES; SPREADING THE WORD; THE QUESTION OF COLOUR; Chapter 4 The amateur phenomenon; BRITISH DRAMA LEAGUE; PROFESSIONAL/AMATEUR: BINARY AND OPPOSITION; ORIGINS; DIVERSITY AND ALIGNMENT; THE WELSH EXPERIENCE. A DIVIDED SOCIETYTHE LITTLE THEATRE MOVEMENT; THE SOCIALIST THEATRE; Chapter 5 The topography of theatre in 1950; EQUAL RELATIONS; POSITIVE SYMBOLS; A BRITISH PROJECT; BRICKS AND MORTAR; COMPETING PATTERNS; MAPPING THE SPACE; OWNERSHIP AND CONTROL; PATTERNS OF TOURING; DISTAFF PLAYS; THE LIMITS OF ASSOCIATION; REPERTORY; Chapter 6 The business of theatre; COMPANY/COMPANY; ALTERNATIVE INDEPENDENCE; BOARDS OF MANAGEMENT; BUILDINGS; THE SPREAD OF BUILDINGS; THE BATTLE FOR BUILDINGS; BUILDING FOR TROUBLE; COMMERCIAL ALLIANCES, CORPORATE INTERESTS AND NEW TECHNOLOGY; RESCUING THE COMMERCIAL. THE RETREAT FROM MODERNISMQUESTIONS OF COMMODIFICATION; SUBSIDY AND CONSUMER CULTURE; ACTORS AND THEIR PROSPECTS; STABILITY AND THE REGIONS; Chapter 7 The changing demographic of performance; EDUCATION, TRAINING AND 'NEW' ACTORS; TELEVISION AND THE POPULAR ACTOR; BORDER CROSSINGS; AGENTS OF CHANGE; A KIND OF FLOWERING; BREAKING DOWN DOORS; IMAGINED REALITIES; MAKING A HISTORY; RUBBING OUT THE COLOUR; STAKING A CLAIM; Chapter 8 The topography of theatre in 2000; BUILDINGS AGAIN; THE REGIONAL LANDSCAPE; SCOTLAND: AN INDEPENDENT PROVISION. Art, Modern 20th century History. http://id.loc.gov/authorities/subjects/sh85007806 Art Great Britain. http://id.loc.gov/authorities/subjects/sh85007512 Theater Great Britain History 20th century. Theater Great Britain. http://id.loc.gov/authorities/subjects/sh85134551 Art 20e siècle Histoire. Art Grande-Bretagne. Théâtre Grande-Bretagne Histoire 20e siècle. PERFORMING ARTS Theater History & Criticism. bisacsh Performing Arts. eflch Art fast Art, Modern fast Theater fast Theater gnd |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85007806 http://id.loc.gov/authorities/subjects/sh85007512 http://id.loc.gov/authorities/subjects/sh85134551 |
| title | Twentieth-Century British Theatre : Industry, Art and Empire. |
| title_auth | Twentieth-Century British Theatre : Industry, Art and Empire. |
| title_exact_search | Twentieth-Century British Theatre : Industry, Art and Empire. |
| title_full | Twentieth-Century British Theatre : Industry, Art and Empire. |
| title_fullStr | Twentieth-Century British Theatre : Industry, Art and Empire. |
| title_full_unstemmed | Twentieth-Century British Theatre : Industry, Art and Empire. |
| title_short | Twentieth-Century British Theatre : |
| title_sort | twentieth century british theatre industry art and empire |
| title_sub | Industry, Art and Empire. |
| topic | Art, Modern 20th century History. http://id.loc.gov/authorities/subjects/sh85007806 Art Great Britain. http://id.loc.gov/authorities/subjects/sh85007512 Theater Great Britain History 20th century. Theater Great Britain. http://id.loc.gov/authorities/subjects/sh85134551 Art 20e siècle Histoire. Art Grande-Bretagne. Théâtre Grande-Bretagne Histoire 20e siècle. PERFORMING ARTS Theater History & Criticism. bisacsh Performing Arts. eflch Art fast Art, Modern fast Theater fast Theater gnd |
| topic_facet | Art, Modern 20th century History. Art Great Britain. Theater Great Britain History 20th century. Theater Great Britain. Art 20e siècle Histoire. Art Grande-Bretagne. Théâtre Grande-Bretagne Histoire 20e siècle. PERFORMING ARTS Theater History & Criticism. Performing Arts. Art Art, Modern Theater Great Britain Großbritannien Electronic books. History |
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| work_keys_str_mv | AT cochraneclaire twentiethcenturybritishtheatreindustryartandempire |