On the battlefield of memory :: the First World War and American remembrance, 1919-1941 /
""As the centennial of the First World War approaches, Steven Trout provides an invaluable and timely reassessment of that conflict's place in America's national memory. His arguments are judicious, compelling, and elegantly presented."--Edward G. Lengel Author of to Conquer...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Tuscaloosa :
University of Alabama Press,
©2010.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | ""As the centennial of the First World War approaches, Steven Trout provides an invaluable and timely reassessment of that conflict's place in America's national memory. His arguments are judicious, compelling, and elegantly presented."--Edward G. Lengel Author of to Conquer Hell: The Meuse-Argonne, 1918" ""This impressive book will change forever the way we think about World War I and its place in American memory. It shows how deeply contested and controversial American understandings about this war have been since its conclusion. [On the Battlefield of Memory] should be required reading for anyone interested in the role of this critical event in American history."--Michael S. Neiberg Author of Fighting the Great War: A Global History and The Second Battle of the Marne" ""A superb book that should be on the bookshelf of anyone seeking to understand the complex political, military, and cultural legacy of World War I on American society. Trout's work ably demonstrates the malleability of memory even when cast in stone or set in print. On the Battlefield of Memory is especially attentive to understanding the mix of nostalgia, comradeship, and political activism that marked the American Legion during the interwar years. World War I divided American society, and Trout is especially careful to delineate the stark divisions in how black and white Americans remembered World War I."--G. Kurt Piehler Author of Remembering War the American Way" "This work is a detailed study of how Americans in the 1920s and 1930s interpreted and remembered the First World War. Steven Trout asserts that from the beginning American memory of the war was fractured and unsettled, more a matter of competing sets of collective memories--each set with its own spokespeople--than a unified body of myth. The members of the American Legion remembered the war as a time of assimilation and national harmony. However, African Americans and radicalized whites recalled a very different war. And so did many of the nation's writers, film-makers, and painters." "Trout studies a wide range of cultural products for their implications concerning the legacy of the war: John Dos Passos's novels Three Soldiers and 1919, Willa Cather's One of Ours, William March's Company K, and Laurence Stallings's Plumes; paintings by Harvey Dunn, Horace Pippin, and John Steuart Curry; portrayals of the war in the American Legion Weekly and the American Legion Monthly; war memorials and public monuments like the Tomb of the Unknown Soldier; and commemorative products such as the twelve-inch tall Spirit of the American Doughboy statue." "Trout argues that American memory of World War I was not only confused and contradictory during the '20s and '30s, but confused and contradictory in ways that accommodated affirmative interpretations of modern warfare and military service. Somewhat in the face of conventional wisdom, Trout shows that World War I did not destroy the glamour of war for all, or even most, Americans and in fact enhanced it for many."--Jacket |
Beschreibung: | 1 online resource (xxxiii, 304 pages) : illustrations |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9780817383497 0817383492 |
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245 | 1 | 0 | |a On the battlefield of memory : |b the First World War and American remembrance, 1919-1941 / |c Steven Trout. |
260 | |a Tuscaloosa : |b University of Alabama Press, |c ©2010. | ||
300 | |a 1 online resource (xxxiii, 304 pages) : |b illustrations | ||
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504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a Introduction : memory, history, and America's First World War -- Custodians of memory : the American legion and interwar culture -- Soldiers well-known and unknown : monuments to the American doughboy, 1920-1941 -- Painters of memory : Harvey Dunn, Horace Pippin, and John Steuart Curry -- Memory's end? : Quentin Roosevelt, World War II, and America's last doughboy. | |
520 | 1 | |a ""As the centennial of the First World War approaches, Steven Trout provides an invaluable and timely reassessment of that conflict's place in America's national memory. His arguments are judicious, compelling, and elegantly presented."--Edward G. Lengel Author of to Conquer Hell: The Meuse-Argonne, 1918" ""This impressive book will change forever the way we think about World War I and its place in American memory. It shows how deeply contested and controversial American understandings about this war have been since its conclusion. [On the Battlefield of Memory] should be required reading for anyone interested in the role of this critical event in American history."--Michael S. Neiberg Author of Fighting the Great War: A Global History and The Second Battle of the Marne" ""A superb book that should be on the bookshelf of anyone seeking to understand the complex political, military, and cultural legacy of World War I on American society. Trout's work ably demonstrates the malleability of memory even when cast in stone or set in print. On the Battlefield of Memory is especially attentive to understanding the mix of nostalgia, comradeship, and political activism that marked the American Legion during the interwar years. World War I divided American society, and Trout is especially careful to delineate the stark divisions in how black and white Americans remembered World War I."--G. Kurt Piehler Author of Remembering War the American Way" "This work is a detailed study of how Americans in the 1920s and 1930s interpreted and remembered the First World War. Steven Trout asserts that from the beginning American memory of the war was fractured and unsettled, more a matter of competing sets of collective memories--each set with its own spokespeople--than a unified body of myth. The members of the American Legion remembered the war as a time of assimilation and national harmony. However, African Americans and radicalized whites recalled a very different war. And so did many of the nation's writers, film-makers, and painters." "Trout studies a wide range of cultural products for their implications concerning the legacy of the war: John Dos Passos's novels Three Soldiers and 1919, Willa Cather's One of Ours, William March's Company K, and Laurence Stallings's Plumes; paintings by Harvey Dunn, Horace Pippin, and John Steuart Curry; portrayals of the war in the American Legion Weekly and the American Legion Monthly; war memorials and public monuments like the Tomb of the Unknown Soldier; and commemorative products such as the twelve-inch tall Spirit of the American Doughboy statue." "Trout argues that American memory of World War I was not only confused and contradictory during the '20s and '30s, but confused and contradictory in ways that accommodated affirmative interpretations of modern warfare and military service. Somewhat in the face of conventional wisdom, Trout shows that World War I did not destroy the glamour of war for all, or even most, Americans and in fact enhanced it for many."--Jacket | |
588 | 0 | |a Print version record. | |
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650 | 7 | |a HISTORY |x Military |x World War I. |2 bisacsh | |
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776 | 0 | 8 | |i Print version; |a Trout, Steven, 1963- |t On the battlefield of memory. |d Tuscaloosa : University of Alabama Press, ©2010 |z 9780817317058 |w (DLC) 2010003555 |w (OCoLC)504277522 |
776 | 0 | 8 | |i Online version: |a Trout, Steven, 1963- |t On the battlefield of memory. |d Tuscaloosa : University of Alabama Press, ©2010 |w (OCoLC)1226116295 |
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Datensatz im Suchindex
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author | Trout, Steven, 1963- |
author_GND | http://id.loc.gov/authorities/names/n00145818 |
author_facet | Trout, Steven, 1963- |
author_role | |
author_sort | Trout, Steven, 1963- |
author_variant | s t st |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | D - World History |
callnumber-label | D524 |
callnumber-raw | D524.7.U6 T78 2010 |
callnumber-search | D524.7.U6 T78 2010 |
callnumber-sort | D 3524.7 U6 T78 42010 |
callnumber-subject | D - General History |
collection | ZDB-4-EBA |
contents | Introduction : memory, history, and America's First World War -- Custodians of memory : the American legion and interwar culture -- Soldiers well-known and unknown : monuments to the American doughboy, 1920-1941 -- Painters of memory : Harvey Dunn, Horace Pippin, and John Steuart Curry -- Memory's end? : Quentin Roosevelt, World War II, and America's last doughboy. |
ctrlnum | (OCoLC)760066697 |
dewey-full | 940.3/1 |
dewey-hundreds | 900 - History & geography |
dewey-ones | 940 - History of Europe |
dewey-raw | 940.3/1 |
dewey-search | 940.3/1 |
dewey-sort | 3940.3 11 |
dewey-tens | 940 - History of Europe |
discipline | Geschichte |
era | 1914-1918 fast |
era_facet | 1914-1918 |
format | Electronic eBook |
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ind1="0" ind2=" "><subfield code="a">Introduction : memory, history, and America's First World War -- Custodians of memory : the American legion and interwar culture -- Soldiers well-known and unknown : monuments to the American doughboy, 1920-1941 -- Painters of memory : Harvey Dunn, Horace Pippin, and John Steuart Curry -- Memory's end? : Quentin Roosevelt, World War II, and America's last doughboy.</subfield></datafield><datafield tag="520" ind1="1" ind2=" "><subfield code="a">""As the centennial of the First World War approaches, Steven Trout provides an invaluable and timely reassessment of that conflict's place in America's national memory. His arguments are judicious, compelling, and elegantly presented."--Edward G. Lengel Author of to Conquer Hell: The Meuse-Argonne, 1918" ""This impressive book will change forever the way we think about World War I and its place in American memory. It shows how deeply contested and controversial American understandings about this war have been since its conclusion. [On the Battlefield of Memory] should be required reading for anyone interested in the role of this critical event in American history."--Michael S. Neiberg Author of Fighting the Great War: A Global History and The Second Battle of the Marne" ""A superb book that should be on the bookshelf of anyone seeking to understand the complex political, military, and cultural legacy of World War I on American society. Trout's work ably demonstrates the malleability of memory even when cast in stone or set in print. On the Battlefield of Memory is especially attentive to understanding the mix of nostalgia, comradeship, and political activism that marked the American Legion during the interwar years. World War I divided American society, and Trout is especially careful to delineate the stark divisions in how black and white Americans remembered World War I."--G. Kurt Piehler Author of Remembering War the American Way" "This work is a detailed study of how Americans in the 1920s and 1930s interpreted and remembered the First World War. Steven Trout asserts that from the beginning American memory of the war was fractured and unsettled, more a matter of competing sets of collective memories--each set with its own spokespeople--than a unified body of myth. The members of the American Legion remembered the war as a time of assimilation and national harmony. However, African Americans and radicalized whites recalled a very different war. And so did many of the nation's writers, film-makers, and painters." "Trout studies a wide range of cultural products for their implications concerning the legacy of the war: John Dos Passos's novels Three Soldiers and 1919, Willa Cather's One of Ours, William March's Company K, and Laurence Stallings's Plumes; paintings by Harvey Dunn, Horace Pippin, and John Steuart Curry; portrayals of the war in the American Legion Weekly and the American Legion Monthly; war memorials and public monuments like the Tomb of the Unknown Soldier; and commemorative products such as the twelve-inch tall Spirit of the American Doughboy statue." "Trout argues that American memory of World War I was not only confused and contradictory during the '20s and '30s, but confused and contradictory in ways that accommodated affirmative interpretations of modern warfare and military service. Somewhat in the face of conventional wisdom, Trout shows that World War I did not destroy the glamour of war for all, or even most, Americans and in fact enhanced it for many."--Jacket</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">English.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">World War, 1914-1918</subfield><subfield code="x">Social aspects</subfield><subfield code="z">United States.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Collective memory</subfield><subfield code="z">United States.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Memory</subfield><subfield code="x">Social aspects</subfield><subfield code="z">United States.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">World War, 1914-1918</subfield><subfield code="x">Influence.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Guerre mondiale, 1914-1918</subfield><subfield code="x">Aspect social</subfield><subfield code="z">États-Unis.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Mémoire collective</subfield><subfield code="z">États-Unis.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Guerre mondiale, 1914-1918</subfield><subfield code="x">Influence.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">HISTORY</subfield><subfield code="x">Military</subfield><subfield code="x">World War I.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Collective memory</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Influence (Literary, artistic, etc.)</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Memory</subfield><subfield code="x">Social aspects</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Social aspects</subfield><subfield code="2">fast</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">United States</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq</subfield></datafield><datafield tag="647" ind1=" " ind2="7"><subfield code="a">World War</subfield><subfield code="d">(1914-1918)</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39Qhp4vB9cvdKydGHm4yKx7Gb</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">1914-1918</subfield><subfield code="2">fast</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">On the battlefield of memory (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCGbvQ8QF8j98php3mG9rG3</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version;</subfield><subfield code="a">Trout, Steven, 1963-</subfield><subfield code="t">On the battlefield of memory.</subfield><subfield code="d">Tuscaloosa : University of Alabama Press, ©2010</subfield><subfield code="z">9780817317058</subfield><subfield code="w">(DLC) 2010003555</subfield><subfield code="w">(OCoLC)504277522</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Online version:</subfield><subfield code="a">Trout, Steven, 1963-</subfield><subfield code="t">On the battlefield of memory.</subfield><subfield code="d">Tuscaloosa : University of Alabama Press, ©2010</subfield><subfield code="w">(OCoLC)1226116295</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=420076</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBL - 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indexdate | 2024-11-27T13:18:05Z |
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spelling | Trout, Steven, 1963- https://id.oclc.org/worldcat/entity/E39PBJt3YyfCTXKPCXvRQ778md http://id.loc.gov/authorities/names/n00145818 On the battlefield of memory : the First World War and American remembrance, 1919-1941 / Steven Trout. Tuscaloosa : University of Alabama Press, ©2010. 1 online resource (xxxiii, 304 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier polychrome. rdacc http://rdaregistry.info/termList/RDAColourContent/1003 text file rdaft http://rdaregistry.info/termList/fileType/1002 Includes bibliographical references and index. Introduction : memory, history, and America's First World War -- Custodians of memory : the American legion and interwar culture -- Soldiers well-known and unknown : monuments to the American doughboy, 1920-1941 -- Painters of memory : Harvey Dunn, Horace Pippin, and John Steuart Curry -- Memory's end? : Quentin Roosevelt, World War II, and America's last doughboy. ""As the centennial of the First World War approaches, Steven Trout provides an invaluable and timely reassessment of that conflict's place in America's national memory. His arguments are judicious, compelling, and elegantly presented."--Edward G. Lengel Author of to Conquer Hell: The Meuse-Argonne, 1918" ""This impressive book will change forever the way we think about World War I and its place in American memory. It shows how deeply contested and controversial American understandings about this war have been since its conclusion. [On the Battlefield of Memory] should be required reading for anyone interested in the role of this critical event in American history."--Michael S. Neiberg Author of Fighting the Great War: A Global History and The Second Battle of the Marne" ""A superb book that should be on the bookshelf of anyone seeking to understand the complex political, military, and cultural legacy of World War I on American society. Trout's work ably demonstrates the malleability of memory even when cast in stone or set in print. On the Battlefield of Memory is especially attentive to understanding the mix of nostalgia, comradeship, and political activism that marked the American Legion during the interwar years. World War I divided American society, and Trout is especially careful to delineate the stark divisions in how black and white Americans remembered World War I."--G. Kurt Piehler Author of Remembering War the American Way" "This work is a detailed study of how Americans in the 1920s and 1930s interpreted and remembered the First World War. Steven Trout asserts that from the beginning American memory of the war was fractured and unsettled, more a matter of competing sets of collective memories--each set with its own spokespeople--than a unified body of myth. The members of the American Legion remembered the war as a time of assimilation and national harmony. However, African Americans and radicalized whites recalled a very different war. And so did many of the nation's writers, film-makers, and painters." "Trout studies a wide range of cultural products for their implications concerning the legacy of the war: John Dos Passos's novels Three Soldiers and 1919, Willa Cather's One of Ours, William March's Company K, and Laurence Stallings's Plumes; paintings by Harvey Dunn, Horace Pippin, and John Steuart Curry; portrayals of the war in the American Legion Weekly and the American Legion Monthly; war memorials and public monuments like the Tomb of the Unknown Soldier; and commemorative products such as the twelve-inch tall Spirit of the American Doughboy statue." "Trout argues that American memory of World War I was not only confused and contradictory during the '20s and '30s, but confused and contradictory in ways that accommodated affirmative interpretations of modern warfare and military service. Somewhat in the face of conventional wisdom, Trout shows that World War I did not destroy the glamour of war for all, or even most, Americans and in fact enhanced it for many."--Jacket Print version record. English. World War, 1914-1918 Social aspects United States. Collective memory United States. Memory Social aspects United States. World War, 1914-1918 Influence. Guerre mondiale, 1914-1918 Aspect social États-Unis. Mémoire collective États-Unis. Guerre mondiale, 1914-1918 Influence. HISTORY Military World War I. bisacsh Collective memory fast Influence (Literary, artistic, etc.) fast Memory Social aspects fast Social aspects fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq World War (1914-1918) fast https://id.oclc.org/worldcat/entity/E39Qhp4vB9cvdKydGHm4yKx7Gb 1914-1918 fast has work: On the battlefield of memory (Text) https://id.oclc.org/worldcat/entity/E39PCGbvQ8QF8j98php3mG9rG3 https://id.oclc.org/worldcat/ontology/hasWork Print version; Trout, Steven, 1963- On the battlefield of memory. Tuscaloosa : University of Alabama Press, ©2010 9780817317058 (DLC) 2010003555 (OCoLC)504277522 Online version: Trout, Steven, 1963- On the battlefield of memory. Tuscaloosa : University of Alabama Press, ©2010 (OCoLC)1226116295 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=420076 Volltext |
spellingShingle | Trout, Steven, 1963- On the battlefield of memory : the First World War and American remembrance, 1919-1941 / Introduction : memory, history, and America's First World War -- Custodians of memory : the American legion and interwar culture -- Soldiers well-known and unknown : monuments to the American doughboy, 1920-1941 -- Painters of memory : Harvey Dunn, Horace Pippin, and John Steuart Curry -- Memory's end? : Quentin Roosevelt, World War II, and America's last doughboy. World War, 1914-1918 Social aspects United States. Collective memory United States. Memory Social aspects United States. World War, 1914-1918 Influence. Guerre mondiale, 1914-1918 Aspect social États-Unis. Mémoire collective États-Unis. Guerre mondiale, 1914-1918 Influence. HISTORY Military World War I. bisacsh Collective memory fast Influence (Literary, artistic, etc.) fast Memory Social aspects fast Social aspects fast |
title | On the battlefield of memory : the First World War and American remembrance, 1919-1941 / |
title_auth | On the battlefield of memory : the First World War and American remembrance, 1919-1941 / |
title_exact_search | On the battlefield of memory : the First World War and American remembrance, 1919-1941 / |
title_full | On the battlefield of memory : the First World War and American remembrance, 1919-1941 / Steven Trout. |
title_fullStr | On the battlefield of memory : the First World War and American remembrance, 1919-1941 / Steven Trout. |
title_full_unstemmed | On the battlefield of memory : the First World War and American remembrance, 1919-1941 / Steven Trout. |
title_short | On the battlefield of memory : |
title_sort | on the battlefield of memory the first world war and american remembrance 1919 1941 |
title_sub | the First World War and American remembrance, 1919-1941 / |
topic | World War, 1914-1918 Social aspects United States. Collective memory United States. Memory Social aspects United States. World War, 1914-1918 Influence. Guerre mondiale, 1914-1918 Aspect social États-Unis. Mémoire collective États-Unis. Guerre mondiale, 1914-1918 Influence. HISTORY Military World War I. bisacsh Collective memory fast Influence (Literary, artistic, etc.) fast Memory Social aspects fast Social aspects fast |
topic_facet | World War, 1914-1918 Social aspects United States. Collective memory United States. Memory Social aspects United States. World War, 1914-1918 Influence. Guerre mondiale, 1914-1918 Aspect social États-Unis. Mémoire collective États-Unis. Guerre mondiale, 1914-1918 Influence. HISTORY Military World War I. Collective memory Influence (Literary, artistic, etc.) Memory Social aspects Social aspects United States |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=420076 |
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