Screens and veils :: Maghrebi women's cinema /
Examined within their economic, cultural, and political context, the work of women Maghrebi filmmakers forms a cohesive body of work. Florence Martin examines the intersections of nation and gender in seven films, showing how directors turn around the politics of the gaze as they play with the vario...
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1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Bloomington :
Indiana University Press,
©2011.
|
Schriftenreihe: | New directions in national cinemas.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Examined within their economic, cultural, and political context, the work of women Maghrebi filmmakers forms a cohesive body of work. Florence Martin examines the intersections of nation and gender in seven films, showing how directors turn around the politics of the gaze as they play with the various meanings of the Arabic term hijab (veil, curtain, screen). Martin analyzes these films on their own theoretical terms, developing the notion of "transvergence" to examine how Maghrebi women's cinema is flexi. |
Beschreibung: | 1 online resource (x, 271 pages) : illustrations |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9780253005656 0253005655 9786613626431 6613626430 |
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505 | 0 | |a Overture: Maghrebi women's transvergent cinema -- Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978) -- Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988) -- Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002) -- Raja Amari's screen of the haptic: Red satin (Tunisia, 2002) -- Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002) -- From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: The sleeping child (Morocco, 2004) -- Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006) -- Coda. | |
588 | 0 | |a Print version record. | |
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adam_text | |
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author | Martin, Florence, 1959- |
author_GND | http://id.loc.gov/authorities/names/n95033032 |
author_facet | Martin, Florence, 1959- |
author_role | |
author_sort | Martin, Florence, 1959- |
author_variant | f m fm |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PN1993 |
callnumber-raw | PN1993.5.A35 M37 2011eb |
callnumber-search | PN1993.5.A35 M37 2011eb |
callnumber-sort | PN 41993.5 A35 M37 42011EB |
callnumber-subject | PN - General Literature |
collection | ZDB-4-EBA |
contents | Overture: Maghrebi women's transvergent cinema -- Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978) -- Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988) -- Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002) -- Raja Amari's screen of the haptic: Red satin (Tunisia, 2002) -- Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002) -- From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: The sleeping child (Morocco, 2004) -- Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006) -- Coda. |
ctrlnum | (OCoLC)756501586 |
dewey-full | 791.430961 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.430961 |
dewey-search | 791.430961 |
dewey-sort | 3791.430961 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
era | 1900-2099 fast |
era_facet | 1900-2099 |
format | Electronic eBook |
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genre | Electronic book. History fast |
genre_facet | Electronic book. History |
geographic | Africa, North In motion pictures. http://id.loc.gov/authorities/subjects/sh85001714 North Africa fast Maghreb gnd |
geographic_facet | Africa, North In motion pictures. North Africa Maghreb |
id | ZDB-4-EBA-ocn756501586 |
illustrated | Illustrated |
indexdate | 2024-11-27T13:18:02Z |
institution | BVB |
isbn | 9780253005656 0253005655 9786613626431 6613626430 |
language | English |
oclc_num | 756501586 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (x, 271 pages) : illustrations |
psigel | ZDB-4-EBA |
publishDate | 2011 |
publishDateSearch | 2011 |
publishDateSort | 2011 |
publisher | Indiana University Press, |
record_format | marc |
series | New directions in national cinemas. |
series2 | New directions in national cinemas |
spelling | Martin, Florence, 1959- https://id.oclc.org/worldcat/entity/E39PCjMxw3Wgr9XFCw9mgDTBvb http://id.loc.gov/authorities/names/n95033032 Screens and veils : Maghrebi women's cinema / Florence Martin. Bloomington : Indiana University Press, ©2011. 1 online resource (x, 271 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier New directions in national cinemas Includes bibliographical references and index. Overture: Maghrebi women's transvergent cinema -- Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978) -- Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988) -- Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002) -- Raja Amari's screen of the haptic: Red satin (Tunisia, 2002) -- Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002) -- From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: The sleeping child (Morocco, 2004) -- Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006) -- Coda. Print version record. Examined within their economic, cultural, and political context, the work of women Maghrebi filmmakers forms a cohesive body of work. Florence Martin examines the intersections of nation and gender in seven films, showing how directors turn around the politics of the gaze as they play with the various meanings of the Arabic term hijab (veil, curtain, screen). Martin analyzes these films on their own theoretical terms, developing the notion of "transvergence" to examine how Maghrebi women's cinema is flexi. English. Motion pictures Africa, North History 20th century. Motion pictures Africa, North History 21st century. Women motion picture producers and directors Africa, North. Motion pictures Social aspects Africa, North. Women in motion pictures. http://id.loc.gov/authorities/subjects/sh85147593 Africa, North In motion pictures. http://id.loc.gov/authorities/subjects/sh85001714 Cinéma Afrique du Nord Histoire 20e siècle. Cinéma Afrique du Nord Histoire 21e siècle. Productrices et réalisatrices de cinéma Afrique du Nord. Cinéma Aspect social Afrique du Nord. Femmes au cinéma. ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video General. bisacsh Motion pictures fast Motion pictures Social aspects fast Women in motion pictures fast Women motion picture producers and directors fast North Africa fast Frauenfilm gnd http://d-nb.info/gnd/4125060-6 Maghreb gnd 1900-2099 fast Electronic book. History fast Print version: Martin, Florence, 1959- Screens and veils. Bloomington : Indiana University Press, ©2011 9780253356680 (DLC) 2011006527 (OCoLC)692291406 New directions in national cinemas. http://id.loc.gov/authorities/names/no2008040459 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=392527 Volltext |
spellingShingle | Martin, Florence, 1959- Screens and veils : Maghrebi women's cinema / New directions in national cinemas. Overture: Maghrebi women's transvergent cinema -- Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978) -- Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988) -- Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002) -- Raja Amari's screen of the haptic: Red satin (Tunisia, 2002) -- Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002) -- From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: The sleeping child (Morocco, 2004) -- Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006) -- Coda. Motion pictures Africa, North History 20th century. Motion pictures Africa, North History 21st century. Women motion picture producers and directors Africa, North. Motion pictures Social aspects Africa, North. Women in motion pictures. http://id.loc.gov/authorities/subjects/sh85147593 Cinéma Afrique du Nord Histoire 20e siècle. Cinéma Afrique du Nord Histoire 21e siècle. Productrices et réalisatrices de cinéma Afrique du Nord. Cinéma Aspect social Afrique du Nord. Femmes au cinéma. ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video General. bisacsh Motion pictures fast Motion pictures Social aspects fast Women in motion pictures fast Women motion picture producers and directors fast Frauenfilm gnd http://d-nb.info/gnd/4125060-6 |
subject_GND | http://id.loc.gov/authorities/subjects/sh85147593 http://id.loc.gov/authorities/subjects/sh85001714 http://d-nb.info/gnd/4125060-6 |
title | Screens and veils : Maghrebi women's cinema / |
title_auth | Screens and veils : Maghrebi women's cinema / |
title_exact_search | Screens and veils : Maghrebi women's cinema / |
title_full | Screens and veils : Maghrebi women's cinema / Florence Martin. |
title_fullStr | Screens and veils : Maghrebi women's cinema / Florence Martin. |
title_full_unstemmed | Screens and veils : Maghrebi women's cinema / Florence Martin. |
title_short | Screens and veils : |
title_sort | screens and veils maghrebi women s cinema |
title_sub | Maghrebi women's cinema / |
topic | Motion pictures Africa, North History 20th century. Motion pictures Africa, North History 21st century. Women motion picture producers and directors Africa, North. Motion pictures Social aspects Africa, North. Women in motion pictures. http://id.loc.gov/authorities/subjects/sh85147593 Cinéma Afrique du Nord Histoire 20e siècle. Cinéma Afrique du Nord Histoire 21e siècle. Productrices et réalisatrices de cinéma Afrique du Nord. Cinéma Aspect social Afrique du Nord. Femmes au cinéma. ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video General. bisacsh Motion pictures fast Motion pictures Social aspects fast Women in motion pictures fast Women motion picture producers and directors fast Frauenfilm gnd http://d-nb.info/gnd/4125060-6 |
topic_facet | Motion pictures Africa, North History 20th century. Motion pictures Africa, North History 21st century. Women motion picture producers and directors Africa, North. Motion pictures Social aspects Africa, North. Women in motion pictures. Africa, North In motion pictures. Cinéma Afrique du Nord Histoire 20e siècle. Cinéma Afrique du Nord Histoire 21e siècle. Productrices et réalisatrices de cinéma Afrique du Nord. Cinéma Aspect social Afrique du Nord. Femmes au cinéma. ART Film & Video. PERFORMING ARTS Film & Video Reference. PERFORMING ARTS Film & Video General. Motion pictures Motion pictures Social aspects Women in motion pictures Women motion picture producers and directors North Africa Frauenfilm Maghreb Electronic book. History |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=392527 |
work_keys_str_mv | AT martinflorence screensandveilsmaghrebiwomenscinema |